NEW TRACK: Hilary Woods – ‘Burial Rites’

After sharing her poignant rumination ‘Where The Bough Has Broken’ – an atmospheric ode to communal growth and memory – Irish artist Hilary Woods has returned with another hypnotic instrumental titled ‘Burial Rites’. Lifted from her upcoming album, Acts Of Light, which is set for release on 3rd November via Sacred Bones, the track is a magnetic, gloomy cogitation inspired by the Gaelic Celtic ritual of Keening; a traditional form of vocal lament when mourning for the dead.

Following on from her second full length record Birthmarks (2020) and her hypnotic EP Feral Hymns (2021), Woods has expanded and experimented with her sound even further on her new album. Written, recorded, mixed and produced by Woods over the two years she spent between the west coast of Ireland and Dublin, Acts Of Light includes a myriad of idiosyncratic sounds.

The record features choristers of the Palestrina choir, together with the voices of the Galway City Chamber Choir, which Woods captured in the Pro Cathedral Dublin. Strings by Oslo-based musician Jo Berger Myhre appear throughout, and all the tracks are interspersed with field recordings that Woods captured during her time spent travelling through the north west of Spain. These influences have culminated into the nine “hypnotic dirges” that make up Acts Of Light, with single ‘Burial Rites’ offering another glimpse at this potent body of work.

The track is accompanied by a visual which Woods created herself. She offers more insight into the making of it: “The video is comprised of 16mm and 8mm hand processed film, together with archive footage and still photographs that convey private and collective rituals as acts of light.” Paired with her stirring and considered instrumentation, these images convey a powerful sense of loss, absence, love and connection, all themes which permeate Acts Of Light.

Watch the video for ‘Burial Rites’ below.

Pre-order Hilary Woods’ upcoming album Acts Of Light here

Follow Hilary Woods on bandcampSpotify & Instagram

Hilary Woods Ireland & UK Tour Dates 2023
25/10/2023 IRL Dublin The Gallery space at The Complex
26/10/2023 IRL Dublin The Gallery space at The Complex
30/10/2023 UK Liverpool Kazimier Stockroom
31/10/2023 UK Brighton Rose Hill Arts
01/11/2023 UK London Cafe OTO
02/11/2023 UK Bristol Cube Cinema
03/11/2023 UK Newcastle Cobalt Studios
04/11/2023 UK Manchester The White Hotel
05/11/2023 UK Leeds Headrow House

Hilary Woods European Tour Dates 2023
05/12/2023 FR Lyon Le Sonic
06/12/2023 CH Geneva Cave12 *
07/12/2023 IT Ravenna Bronson *
08/12/2023 IT Busto Arsizio Circolo Gagarin *
09/12/2023 IT Cornuda Tipoteca Italiana *
10/12/2023 IT Bologna Circolo Dev *
12/12/2023 DE Munich Rote Sonne *
13/12/2023 DE Berlin Arkaoda *
14/12/2023 DE JenaTRAFO *
15/12/2023 DE Dresden Schauburg *
16/12/2023 PL Warsaw Jassmine *
17/12/2023 LI Vilnius St. Catherine Church *
18/12/2023 LV Riga Vagonu Hall *
19/12/2023 EE Tallinn Kino Sõprus *
* – as special guest to Jozef Van Wissem

Kate Crudgington
@KCBobCut

NEW TRACK: body / negative – ‘persimmon’

An exquisite blend of ethereal guitar sounds and tender, mellifluous vocals, multi-instrumentalist Andy Schiaffino aka body / negative has shared their latest single ‘persimmon’. Lifted from their upcoming album, Everett, which is set for release on 8th December via Track Number Records, it’s a shimmering piece of ambient shoegaze that briefly pacifies the ache of long-lingering grief.

Mastered by Slowdive’s Simon Scott, body / negative’s third record is a poetic rumination on love and loss and how they deeply affect our interactions with the world. Dedicated to Schiaffino’s late mother and father, Everett features contributions from Randall Taylor aka Amulets and Madeline Johnston aka Midwife, whose studio Schiaffino was initially supposed to occupy as a residency and record in. Schiaffino’s plans changed imminently when their father was suddenly diagnosed with a terminal illness, and as a result, most of the album was written and recorded while they looked after him in a hospice.

Underscored by a deep vulnerability and empathy, Everett is a remarkable effort from an artist in acute pain. By recording through a hand-held tape recorder and filtering their vocals through a landline-style microphone, they give the record a familiar, yet far-off feeling of transience and disconnected communication. Tracing over their grief with meticulous care and tranquility, body / negative lulls listeners into a state of bittersweet calm across each of Everett‘s eight tracks.

Like the orange flesh of the fruit it’s named after, ‘persimmon’ is a glowing example of body / negative’s ability to transform painful memories into sublime, ambient sounds.

Listen to the track below.

Follow body / negative on bandcamp, Spotify & Instagram

Photo Credit: Audrey Kemp

Kate Crudgington
@KCBobCut

LISTEN: Glass Isle – ‘Pols d’Ombres’

Loosely translating as ‘Dust Of Shadows’, London-based Brazilian artist Zuleika AvTes aka Glass Isle casts a graceful gloom over her listeners on the captivating ‘Pols d’Ombres’. Possessing a lucid dream-like quality, the track is taken from her recent album, Vels d’Èter (‘Veils Of Ether’), which she released via Outer Reaches earlier this month.

By blending her delicate vocal loops with cell-tingling FX and gossamer-like drone sounds, Glass Isle has created a hypnotic rumination that becomes more potent each time it’s listened to. This is the same spellbinding affect her album Vels d’Èter offers. Across 20 tracks, all varying in length, Glass Isle takes listeners on a journey through mortality, and memory, dreams and ritual, solitude and transformation; all via the medium of field recordings captured in London & São Paulo, illuminating drone sounds, and her stirring, far-off vocals.

Described as “music of the ether…diverging through parks and passageways, hinterlands and undergrowth, apparitional visions of arboreal scenery, liminal avenues, and opalescent waterways,” Glass Isle’s sound is as intoxicating as it is elusive. Flickering between the shadows of this world and the realms of another, her music transports listeners through differing states of consciousness. Formed over many years, and now sewn together, Vels d’Èter is ready to illuminate the lives of other.

The album is available as a digital download and on limited edition clear C74 Cassette tape. The cassette includes a 28 page A6 Photography Booklet (160gsm paper/silk finish) and is housed in a Black Matt or Silver Matt Mylar Bag with an Outer Reaches Label Sticker. You can buy your copy here.

Listen to ‘Pols d’Ombres’ below.

 

Follow Glass Isle on bandcamp, YouTube, Twitter (X) & Instagram

Visit Glass Isle’s official website here

Kate Crudgington
@KCBobCut

ALBUM: ĠENN – ‘unum’

A dynamic, shape-shifting record inspired by feelings of otherness, Malta-via-Brighton art punks ĠENN have crafted an intricate narrative of multi-cultural experiences, personal anxieties and a powerful sense of togetherness on their debut album, unum. Released via their own label Liminal Collective, the record is an urgent, instinctive rumination on the band’s predominantly Maltese roots, how it feels to be an outsider and how the universal feeling of wanting to belong is more powerful than the overwhelming social, mental and political barriers that try to prevent this from occurring.

Co-produced by ĠENN, Gilla Band’s Dan Fox & Tom Hill and mastered by Katie Tavini, unum – which means “oneness, unity, a sense of being whole” in Latin – is influenced by a myriad of musical genres. Despite sharing the same Maltese roots, guitarist Janelle, bassist Leanne and vocalist Leona are inspired by a plethora or different styles, from post-punk and psych-rock, to freestyle and traditional Ghanaian folk music. Drummer Sofia was raised in Brighton with a love of jazz and blues music, but her Jamaican, Portuguese and British heritage offers another layer to ĠENN’s multifaceted sound.

From of the offset, unum is an ardent fusion of yearning and urgency. “Me and my body have a close relationship / yet I feel nothing like myself” confesses Leona on opener ‘Rohmeresse’, her hushed spoken-word contrasting against the track’s upbeat, chant-worthy motif of “I wanna stay in all day / I wanna sleep in all day, all day.” Evocative riffs and skittish percussion all lead up to an impressive display of her elastic vocal range in the latter part of the track, before everything culminates in a potent, explosive breakdown. ‘Rohmeresse’ showcases ĠENN’s abilities to melt complex, contradictory concepts and instrumentation into sophisticated, accessible sounds.

The chemistry between the band is best observed and appreciated when they’re playing live together, but on unum, Leona’s vocals truly command listeners attention. They are a vital force amidst the genre-blending skills of her bandmates, cutting through in all the right places. Whether she’s tackling the monotonous reality of a day job on the brooding ‘Days and Nights’, singing over swaggering riffs and saxophone on ‘Wild West’, or exploring creative and personal purgatory on the trip-hop inspired ‘A Muse (In Limbo)’, her ambiguous lyrics are heightened by her instinctive, dynamic vocal delivery.

This instinct is shared and showcased most vehemently on tracks ‘Calypso’, ‘A Reprise (That Girl)’ and ‘The Sister Of’. The first – named after the island Janelle’s Mother hails from – is a melodic, jazz-tinged symphony inspired by mythical mermaids and the language of Maltese poet and playwright Mario Azzopardi, the rhythms of which seep into the bloodstream. ‘A Reprise (That Girl)’ sees Leona spiral into feelings of self doubt and insecurity after watching heavily constructed versions of women’s lives online, intensified by incendiary riffs.

Arguably, it’s on ‘The Sister Of’ that the issues which inspired the creation of unum are pushed directly into the spotlight. ĠENN – who identify as majority queer people of colour – remain hopeful in sisterhood, despite the shadows of the Maltese Pro-Abortion movement and Pride protests stretching across the waters into their consciousness here in the UK. Whilst not addressed directly, these feelings of unease permeate ‘The Sister Of’, as Leona evokes visceral, fleshy imagery in her lyrics – “Pulsed by the wisdom that lies beneath your gum / blood glistens between your clenched teeth” – exploring the “alienation that bursts out of sight / agitation that brings through the light.” The track’s accompanying video, a short film by acclaimed Ukrainian director Kyryl Volovych, also reflects themes of disconnection and transience that come with being an immigrant in the post-Brexit landscape.

Ultimately, ĠENN’s debut album is a keenly observed statement of self-autonomy, and the often exhausting journey that comes with trying achieve to it. It’s a compelling, vital record that re-enforces the powerful bonds of friendship between its creators, whilst offering listeners a glimpse into a world of experiences they may not always be privy to; all underscored by formidable riffs and a formidable creative spirit.

Follow ĠENN on bandcamp, Spotify, Facebook, Twitter (X) & Instagram

Photo Credit: Jordan Core

Kate Crudgington
@KCBobCut