Introducing Interview: Lena Morris

Having released six singles over the last few years, French artist Lena Morris has now released her debut EP New Blood. Exploring themes of female sexuality, empowerment and vulnerability, the collection showcases Morris’ catchy soulful sounds and heartfelt splendour perfectly. Taking us on an emotion-strewn journey through feelings of anxiety to hope and joy, it’s a truly captivating offering.

We caught up with Lena Morris to find out more…

Hi Lena, welcome to Get In Her Ears! Can you tell us a bit about yourself?
I’m a Blues-Rock singer-songwriter-bassist. I’m a French 23 year old. I grew up in Hong Kong, but I’m now based in Brighton. I have just released my first EP New Blood, after releasing six singles. My cat is called Bowie, I’ll leave you to understand this choice of name. And I love cats. 

How did you initially decide to start creating music?
When I was fourteen years old it was the real turning point where I decided to be true to myself and to others by finally saying I wanted to make of music my life. Before then I was very shy about it, even in front of my parents I wouldn’t sing. I listened to ‘Oh! Darling’ by The Beatles and it’s this McCartney song that was like a kind of wake up call. So I immediately bought a bass, started singing and after a couple of months I had my first gig at Hong Kong’s legendary live music bar: The Wanch. Automatically I started writing my own songs. It all came very quickly after this realisation. 

You’re about to release your debut EP New Blood – are there any particular themes running throughout it? 
Yes, definitely. In the songs’ order, we have a woman taking ownership over her sexuality in ‘Little Bird’. ‘Lonely Hunter’ depicts loneliness and love hopelessness. ‘Never (Is An Awfully Long Time)’ portrays anxiety caused by low self-esteem. ‘Phaedra’ was written after Jean Racine’s tragedy of the same name, it’s in the theme of sin and tragic fate. Last but not least, ‘Dance In My Arms’ finishes the album on a more positive note. It’s a song about comfort, hope and a journey to getting better. We go from confidence to loneliness, anxiety, tragedy to finally end up on healing and hope. I believe in our society there are still too many taboos about these issues and I don’t think this is healthy, that’s why I like to sing about it. I modestly try to untwine some thoughts on these topics.

We love your catchy soulful sounds, but who would you say are your main musical influences?
Thank you! My biggest direct influences would be The Beatles, Queen and David Bowie (yes, that explains my cat’s name!). They’re the artists I’ve got under my skin. With them and that we can maybe hear more in my music there’s Rickie Lee Jones, The Pretenders… Powerplay Magazine recently reviewed my EP and they found some Sheryl Crow and Janis Joplin similarities too, which are extremely flattering and I’ll take! 

How are you connecting with your audience and other musicians during the pandemic?
I guess like everyone else, I’ve had to become a little more active on social media, which does give us a chance to maintain a contact even if I’m not too crazy about talking/playing to my phone. I’m more at ease in a good old pub, where we can discuss and drink pints with the beautiful audience.

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times? 
I know it was very hard for a lot of people and I truly felt for them so I need to be honest as these times weren’t very complicated for me. I had the huge chance of keeping my everyday job by working from home. It sucks big time that we can’t play live or rehearse etc, but I’d rather focus on what I can do rather than on what I can’t. So, that’s why you’ve got an EP you can listen to today! A Covid baby we could say… and the release of an EP for an independent musician is extreme work! So, between this and my full time job, I don’t have much time to think about the situation. Also, even if I’ve been alone a significant amount of time over the past year, I’ve got great people in my life like my family and my close friends. Virtual calls are never the same, but they were good enough to keep me sane. 

As we’re a new music focused site, are there any other upcoming artists that you’d recommend we check out?
I recommend you check out Rosin. She released a beautiful single ‘Honest’ on the same day of my EP (26/03/2021). I highly recommend you check her out cause she’s got big things coming up. I also recommend you to keep an eye on Daniel Borschel- he’s the guitarist and producer on ‘Lonely Hunter’. He’s got big projects he’s working on at the moment and trust me you would want to hear it. 

Finally, what does the rest of 2021 have in store for you, music-wise?
In the rest of 2021 I’m planning on going back on stage (fingers crossed). I am also focussing a lot on new collaborations for a new album. So a lot of songwriting, recording, promoting and gigging hopefully!

Massive thanks to Lena for answering our questions!

New Blood, the new EP from Lena Morris, is out now. Listen on Spotify.

LISTEN: Evan Greer – ‘Surveillance Capitalism’

A rallying cry against the un-nerving nature of Spotify’s increasingly pervasive developments in user-monitoring technologies, Boston-based indie-punk artist Evan Greer has shared her latest single ‘Surveillance Capitalism’. Taken from her new album Spotify is Surveillance, released via Don Giovanni Records and queer-run independent label Get Better Records, the track also marks the launch of Greer’s StopSpotifySurveillance.org campaign with digital rights platform Fight for the Future.

The campaign calls on Spotify to drop reported plans to use artificial intelligence and voice recognition software to spy on listeners’ conversations, conducting emotional surveillance and manipulation to target music and advertising. Greer, who is also a journalist & a pro-active voice for trans rights and equality, will be donating all the profits from her single to the Union of Musicians and Allied Workers (UMAW) to support their #JusticeAtSpotify campaign.

“We all want to be seen / but behind the screen / there’s a nightmare dressed up as a dream,” Greer sings, a sentiment that will resonate deeper with listeners who have endured a year of increased screen-time due to the effects of the Covid-19 pandemic’s on-going lockdowns. The idea that Spotify could be spying on and profiting from people’s privacy via new technologies is abhorrent to Greer, and she wants listeners to push back against the platform’s plans too.

“The fact that Spotify filed a patent for this type of emotional surveillance and manipulation is beyond chilling,” she explains. “It’s not enough for them to say that they have no plans to use this technology right now, they should publicly commit to never conducting this type of surveillance on music listeners. Surveillance capitalism as a business model is fundamentally incompatible with basic human rights and democracy, regardless of whether it’s being employed by Facebook, Amazon, or Spotify.

The song and video highlight the fact that the Internet has the potential to profoundly transform our society for the better, abolishing false scarcity and enabling universal access to human knowledge and creativity, while ensuring marginalized and independent artists and creators are fairly compensated for our labour. But if we allow a small handful of companies to dominate the web and the music industry with a parasitic business model based on surveillance and exploitation, we’re headed for the opposite: a dystopian future where algorithms decide what we see and hear based on profit, rather than artistry.”

Listen to ‘Surveillance Capitalism’ below.

Follow Evan Greer on bandcamp, Spotify, Twitter & Instagram

Photo Credit: Kayana Szymczak

Kate Crudgington
@KCBobCut

Track Of The Day: Fightmilk – ‘Overbite’

Following last year’s ‘If You Had A Sister’ and ‘I’m Starting To Think You Don’t Even Want To Go To Space’, GIHE faves Fightmilk have now announced the release of their second album, out next month via Reckless Yes.

Taken from the album, ‘Overbite’ marks a maturing in sound for the band whilst maintaining their trademark anthemic power-pop energy. Propelled by jangling melodies and the endearing, refreshing honesty of its lyricism, the track oozes a subtle romanticism and tongue-in-cheek wit. As the raw emotion and distinctive smooth-yet-husky charm of front-person Lily’s vocals deliver a heartwarming sentiment (“You don’t have to smile if you don’t want to darling, you’re perfect as you are”) alongside scuzzed-out riffs and an infectious, shimmering energy, Fightmilk have created the perfect, alternative fuzzy love-song, complete with their distinctive, quirky charisma and a comforting warmth. A gently uplifting, twinkling slice of blissful indie-pop showcasing a band that are continuously refining their sound and, in the process, consistently continuing to win my heart.

Of the track, the band explain:

We decided to double down: synths, gang vocals and pick scrapes, oh my! This is one of the most uplifting, happy songs we’ve written, and by bookending the album with big joyful explosions, maybe it’ll do something to soothe the collective woe we’ve all been living through.”

‘Overbite’ is accompanied by a super cute animated video created by Jono Ganz, portraying a narrative about perceptions of beauty. Watch it now:

‘Overbite’ is out now. Contender, the upcoming new album from Fightmilk, is set for release on 14th May via Reckless Yes. Pre-order via bandcamp now.

Mari Lane
@marimindles

VIDEO PREMIERE: Maud – ‘Nobody’

A shadowy electro-pop gem that champions personal growth and self-autonomy, Norwegian producer & songwriter Maud has shared her a new video to accompany her latest single ‘Nobody’. Directed by Danish video artist Signe Dige (Chinah), the visuals combine acidic colours with surreal photo-negative-style close ups to reflect the track’s themes of emotional resilience and finding your inner strength.

“Signe and I had one short phone call before we started working together and the rest of our communication was through WhatsApp,” Maud explains about the video. “The threshold for collaborating with people digitally is so low right now, and I love how I can just find inspiring artists in other countries through Instagram and instantly be able to connect with them.”

“The idea behind the video was to portray the intimate and sincere self-love described in ‘Nobody’ by combining playful close-ups of me in a dark visual landscape,” Maud continues. “I shot some videos on my phone in my apartment in Kristiansand, sent it to Signe in Denmark and then she edited it together with some crazy good animations that she made. The result is dreamy and organic, but also a raw and dramatic video which fits my single perfectly.”

Watch the video for ‘Nobody’ below.

Follow Maud on SpotifyInstagramTwitter & Facebook

Kate Crudgington
@KCBobCut