NEW TRACK: Kim Gordon – ‘I’m a Man’

Following on from her recent single ‘BYE BYE‘ – an eclectic combination of dense beats, brooding basslines and bruising reverb – renowned musician and visual artist Kim Gordon has shared her new track, ‘I’m a Man’. Taken from her upcoming second solo record, The Collective, which is set for release on 8th March via Matador Records, this new cut is a potent blend of grinding guitar FX, slow, sinister beats and Gordon’s distinctive vocals.

Recorded in her hometown of Los Angeles, Gordon continued to collaborate with producer Justin Raisen (Lil Yachty, Yeah Yeah Yeahs, Charli XCX, Yves Tumor) on The Collective, with additional production from Anthony Paul Lopez. The follow up to her acclaimed 2019 debut solo album, No Home Record, on her new full length offering Gordon has retained her idiosyncratic style, remaining eclectic and ambiguous across each of the eleven tracks. She has captured a rumbling, intoxicating sense of unease which is translated both sonically and visually – first with her single ‘BYE BYE’ and now with her latest release ‘I’m a Man’.

Throughout the track, Gordon cogitates on the ways in which capitalism is redefining and ultimately diminishing the role of “traditional masculinity”, pitted against a chaotic backdrop of disarming noise. These ruminations are also reflected in the accompanying video, directed by Alex Ross Perry and starring Gordon, her daughter Coco Gordon Moore and Conor Fay. ‘I’m A Man’ is another exhilarating creation from a musician who immerses herself wholly into all aspects of her art. Watch the visuals for it below.

Pre-order Kim Gordon’s new album, The Collective, here

Follow Kim Gordon on bandcamp, Spotify, Instagram, X & Facebook

Photo Credit: Danielle Neu

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

LISTEN: Sheherazaad – ‘Dhund Lo Mujhe’

Having fallen completely in love with American composer and vocalist Sheharazaad last year, with her spellbinding debut single ‘Mashoor‘ being one of my tracks of 2023, I’m so glad to hear that she’ll be releasing her full album, Qasr, next month. Having grown in up in San Francisco in a second generation immigrant household, the Brooklyn based artist focuses on themes of displacement and diaspora throughout the album, whilst fusing together influences from both Western classical music and her own South Asian sonic lineage through her exquisite interwoven soundscapes.

Our second taste of the album comes in the form of colourful new single ‘Dhund Lo Mujhe‘. Propelled by uptempo danceable melodies and sweeping strings, as Sheherazaad’s rich vocals soar throughout, it ripples with a glistening splendour. As stirring waves of sound intertwine with a somewhat buoyant energy, the track’s celebratory tone is at once juxtaposed with a disconcerting undercurrent. A swirling rich cacophony twinkling with a captivating allure, exuding a stark reminder to embrace our own unique joy in the face of damaging stereotypes. Of the track, Sheherazaad explains:

“For me, it brings up this circus of the insane, carnival of the unhappy… It suggests a very specific insanity, that of the immigrant experience. There is implied bloodshed, glamour, hallucination, and schizophrenia... This <song> is about delighting in our wickedness, especially as gender expansive people, where we’ve previously had little control over our sonic narrative in Hindi and Urdu music.”

Produced by Arooj Aftab, and featuring an array of talented international musicians such as Basma Edrees (Egypt), Gilbert Mansour (Lebanon) and Firas Zreik (Palestine), Qasr is set for release on 1st March via Erased Tapes. Pre-order here.

Mari Lane
@marimindles

Photo Credit: Zayira Ray

mariangelicalaneLeave a comment

NEW TRACK: Vanessa Bedoret – ‘1/2’

An idiosyncratic soundscape that dismantles the binary opposites of selfishness and selflessness, London-based French experimental violinist and performer Vanessa Bedoret has shared her latest single ‘1/2’. Lifted from her upcoming debut album, Eyes, which is set for release on 8th March via Scenic Route, the track is a beguiling blend of shape-shifting string work, eclectic field recordings, echoing beats and soft vocals.

Inspired by the duality of those who are selfless and those who are self-centered, Vanessa seeks to find harmony between these two states on ‘1/2’. Her instinctive ear for emotive instrumentation is something that suffuses her upcoming debut full length record, Eyes. Using her distinctive strings as a foundation, she urges listeners to reflect on their own emotions and experiences throughout the record, with her considered sounds facilitating this process.

Vanessa’s journey with music started in her early years. Her classical music training began at age 6, but by the time she was in her late teens, she was playing guitar in punk bands. From black metal to opera, and eurodance to IDM, Vanessa is inspired by a myriad of genres, all of which have elevated her understanding and intensified her experimentation with music as a solo artist.

Having recently played at Cafe Oto in East London supporting Mark William Lewis, Vanessa is now preparing to play as part of a string trio supporting ML Buch and Astrid Sonne on the 27th and 28th February (tickets here). She will also be playing a solo set at Loki in Brixton supporting Voice Actor on 7th March (tickets here)

Listen to ‘1/2’ below.

 

Pre-order Vanessa Bedoret’s debut album, Eyes, here

Follow Vanessa Bedoret on bandcamp, Spotify, Soundcloud & Instagram

Photo Credit: Buster Grey

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

NEW TRACK: Lilith Ai ft. Kimya Dawson – ‘Fawn’

A raw, poetic reflection on the complex emotions that come with painful realisations, London-based indie-rock artist Lilith Ai has shared her latest single, ‘Fawn’. Taken from her upcoming album, Serial Killers Prefer Blondes, which is set for release on 13th September via Cruisin Records, the track is an affecting blend of confessional lyrics, atmospheric guitars and rousing beats.

From it’s melancholic opening lyric “I don’t trust anyone / not even myself” through to its cathartic motif of “we’re gonna be alright”, with the aid of fellow musician Kimya Dawson, Lilith bravely dismantles her thoughts on what it means to be crushed by the actions of others. “This track is about realising I may be too damaged to date because everyone I like is toxic,” she comments, but despite this painful context, ‘Fawn’ is a touching and cathartic anthem that bravely highlights that “pain is a consequence of hope”, even when it feels like the opposite.

The last time Get In Her Ears caught up with Lilith Ai, it was from her recording shed back in 2021. She had recently released her excellently titled album, Folk You Hard, and was preparing to play the fifth edition of Loud Women Festival (read the full interview here). Since then, she’s been busy working on new music, with her upcoming full length record, Serial Killers Prefer Blondes, being the byproduct of lots of introspection, reflection and ultimately, trying to move on from painful memories of the past.

Listen to ‘Fawn’ below.

Pre-order Lilith Ai’s new album, Serial Killers Prefer Blondes, here

Follow Lilith Ai on bandcamp, Spotify, X, Facebook & Instagram

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment