ALBUM: Camp Cope – ‘How To Socialise & Make Friends’

A deeply personal record channeling frustration, disappointment & fear into a creative, cathartic force for change, Aussie rockers Camp Cope have released their highly anticipated second album How To Socialise & Make Friends via Run For Cover.

The album was recorded over two days at Holes and Corners in South Melbourne with Sam Johnson in October 2017 and has been met with as much excitement and acclaim as their self-titled debut, which was shortlisted for the Australian Music Prize. They sold out two shows at Sydney Opera House, headlined Melbourne’s Weekender Fest 2017 and toured the US for the first time in  2017 with Worriers. Now, they’re back with How To Socialise & Make Friendss, nine tracks that prove Georgia Maq (vocals/guitar), Kelly-Dawn Hellmrich’s (bass) and Sarah Thompson’s (drums) songwriting has been strengthened through experience and sounds as fresh, observant and witty as ever.

‘The Opener’ is a sarcastic, spot-on aural record of the pervasive misogyny female bands encounter in the music industry. “It’s another man telling us to book a smaller venue,” sings Georgia – daring her antagonist with the line “Tell me again how there just aren’t that many girls in the music scene” – before her aggressive Aussie intonation shows man-splainers exactly where they can take their opinions.

It breezes into the eponymous ‘How To Socialise & Make Friends’, which ruminates on personal lessons, unnecessary apologies and making more room for yourself, with Georgia’a image of riding a bike whilst “waving goodbye” resonating throughout. ‘The Face Of God’ is a raw account of sexual assault and the shame and isolation that follows such a traumatic experience. Lyrics like “I had to say ‘no’ and ‘stop’ more than once” and “I slept in the middle of the bed / in the comfort of my own choices” ring out with a simultaneous sadness and strength. The band have turned a sharp and unfair lesson into a brave, independent statement here.

Following track ‘Anna’ is a tune about sisterhood and female friendship and an excuse to “get it all out, put it in a song”, whilst ‘Sagan-Indiana’ is an ode to the peace you find in your interactions with kind strangers. ‘The Omen’ is a mature vow not to hurt the people we need the most, with the reflective and guilty line “we’ve all made our Mother cry,” whilst ‘Animal & Real’ is another tune about much needed self-acceptance.

The retrospective ‘UFO Lighter’ is apologetic – “I said I was sorry about that line / I only wrote it ‘cos it rhymed,” but defiant, “he expected that I was gonna fail and run back / well, fuck that” and precedes the emotional, stripped back album closer, ‘I’ve Got You’. Georgia sings of her late father’s battle with cancer here and how their separation has ultimately strengthened the bond between them.

Listening to Camp Cope’s How To Socialise & Make Friends is a rewarding, entertaining experience that’ll have you manically fluctuating between laughter, rage, grief and joy. It’s a record that feels entirely authentic and most importantly, one that shows all girls that you can break free from whatever, or whoever is holding you back.

How To Socialise & Make Friends here. Follow Camp Cope on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Zola Jesus – ‘Bound’

A captivating sonic treat; singer, songwriter and producer Zola Jesus has shared ‘Bound’, the first single from her upcoming project Okovi: Additions. The new album, which is set for release on 16th April, is a set of remixes from her 2017 critically acclaimed album Okovi released via Sacred Bones Records.

‘Bound’ is one of four “experiential interpretations” on Okovi: Additions, with remixes by a diverse cast of artists spanning a spectrum of genres, including Johnny Jewel, Katie Gately, Wolves in the Throne Room and Joanne Pollock (formerly one half of Poemss with Venetian Snares’ Aaron Funk).

Listen to the powerful ‘Bound’ below and follow Zola Jesus on Facebook for more updates.

Pre-order your copy of Okovi: Additions here.

Kate Crudgington
@KCBobCut

WATCH: Pillow Queens – ‘Favourite’

Can’t decide what you love more: dogs or new music? Well, thanks to Dublin’s Pillow Queens you don’t have to. The indie band have shared a new video to accompany their recent single ‘Favourite’ and it’s a perfect combination of the two.

“The video was borne from the artistic insights of the wonderful Bob Gallagher, combined with our sheer passion and fondness for all things canine,” the band explain about their dog-tastic new offering. “The idea was to bring to life a work which followed the retro look of old Antiques Roadshow episodes and was heavily influenced by Sabrina the Teenage Witch, Best in Show and 80’s prom portraits or – in the case of this particular video – “pawtraits” of dogs and their owners. The National Show centre was the setting for the video while the individual “pawtraits” were shot in All Out Design Studios and feature a mixture of friends of the band and doggo-loving volunteers.”

‘Favourite’ is taken from Pillow Queens’ forthcoming EP State of The State, which is set to be released via Bristol-based label Specialist Subject on 16th March. The band will be touring the UK & Ireland to celebrate their new record, starting with a show at the Irish Cultural Centre on the 16th alongside Delorentos, Video Blue & TAYNE (RSVP here).

Check out the new video for ‘Favourite’ below.

PILLOW QUEENS UK & IRELAND 2018 TOUR DATES

March 16th – London, Irish Cultural Centre
April 5th – Galway, Roisin Dubh
April 7th – Cork, AMP
April 9th – Bristol, Hy Brasil
April 10th – London, Sebright Arms
April 11th – Guildford, The Boileroom
April 12th – Brighton, Prince Albert
April 13th – Leeds, Chunk
April 14th – Manchester, Night & Day
April 15th – Glasgow, GLAD Cafe
April 19th – Clonakilty, Debarras
April 20th – Limerick, Dolans
April 21st – Dublin, Workmans Club

Kate Crudgington
@KCBobCut

ALBUM: Soccer Mommy – ‘Clean’

“I always wrote songs just for myself. I did it for fun, I didn’t think anyone would notice,” explains Nashville’s Sophie Allison aka Soccer Mommy about her music. After listening to her debut album Clean, it’s clear she’s an artist afflicted with false modesty, as the record showcases her impressive talent for crafting affecting, emotional indie tunes.

Released via Fat Possum Records, Allison teamed up with a full band and producer Gabe Wax (War On Drugs, Deerhunter, Beirut) to curate this new collection of poignant songs, all of which were mixed by Ali Chant (Perfume Genius, PJ Harvey). The result is the “cohesive” record she was looking for, a “piece” of her life that addresses “similar themes” and comes together as a whole. These themes include love, lust, uncertainty, self-doubt and Allison’s trademark “soft anger”.

The tentative ‘Still Clean’ opens the record, with her gentle, clear voice lamenting the bittersweet pain of drowning in the water after a lover has washed her from his “bloody teeth.” Second track ‘Cool’ – which Allison says “comes from a place of insecurity and idealization” – is polished and uplifting in its delivery. She has a gift for transforming frustration and insecurity into upbeat gems through her laid-back vocals and melodic guitar riffs.

‘Your Dog’ is another sublime example of this. Her frank admission of “I don’t wanna be your fucking dog” is a cathartic, emotional uprising against neglect that seethes and soothes in equal measure. On ‘Flaw’, Allison documents a loss of romantic faith, but she finds a quiet confidence again on following track ‘Blossom (Wasting All My Time)’. The song’s content will strike a painfully familiar chord with those carefully breaking out of their caged heart, taking tentative steps towards a new love.

Much like ‘Cool’, ‘Last Girl’ is an upbeat take on insecurity and a wish to have the “everything” that other girls seem to have. ‘Skin’ is a smoldering assertion of lust – “Back in the alleyway behind your Father’s home / I’m clawing at your skin, trying to feel your bones” – Allison’s urgency is palpable here, but so is her fear on following track ‘Scorpio Rising’. The hopeful opening lyrics are unraveled by her poignant image of being overlooked – “She’s lovely and sweet like coca cola / I watch from my drink as you look her over”. Her loves are unsustainable sugar rushes, but she longs for longevity and sincerity.

‘Interlude’ brings some brief respite from Allison’s exquisite negativity. It’s a reverb-strewn instrumental that leads in to closing track ‘Wildflowers’, exploring the depths of her “grey and shriveled” heart. Even when she sings of her emotional fragility on Clean, Soccer Mommy’s skewed self perception is raw, honest and remarkably strong. Definitely invest in this record if you like confessional, beautifully modest indie music.

Photo Credit: Shervin Lainez

Kate Crudgington
@KCBobCut