ALBUM: Tusks – ‘Dissolve’

If you’re a fan of delicately produced music, Tusks’ debut album Dissolve is an essential listen. Released today via One Little Indian, the ten track record is an impressive offering from newcomer Emily Underhill.

Created alongside longtime co-producer Brett Cox, Dissolve explores territories both internal and external: insecurity, the breaking down of relationships with ourselves and our lovers, and most importantly – hope. ‘For You’ opens the record with lonely keys, clicking beats and Tusks’ delicate vocals, all blended seamlessly to create a moving, ethereal soundscape. On ‘False’ she laments about the lover who “broke down my walls,” the wasted energy and lost faith is explored via piercing guitar riffs and tumultuous percussion.

‘Last’ is laced with reverb and aching vocals and a chorus that rings out in a style similar to that of ethereal indie band Daughter. The eponymous ‘Dissolve’ is a highlight of the record. Slow-building and sensitive, it’s an aural trip through bad memories that have seeped below the skin. It leads in to mysteriously named ‘1807’, which is a masterclass in Brian Cox’s production skills. Each click of percussion and tap of the keys sounds as crisp and pure as Tusks’ measured vocals.

‘Paris’ hosts precious whisperings of love and insecurity – “I’m not safe when I’m alone” –  and could soundtrack a sad night in the city it’s named after, whilst following track ‘Ivy’ is a metaphor for the suffocating doubt that lingers in toxic relationships. ‘Toronto’ contrasts nicely with predecessor ‘Paris’, and while the soundscape here is larger and lonelier, there’s still an essence of hope present in both the vocals and ambient guitar.

Penultimate track ‘My Love’ is a gentle ode to the discovery of true romance, bathed in twinkling synths and more of Tusks’ trademark echoing vocals. The record closes with an eerie cover of Foals‘ ‘London Thunder’ – which Tusks delivers in her own pensive, mesmerising way. Buy your copy of Dissolve today, and let its sensitive sounds erode your fears away.

You can order your copy of Dissolve here, and RSVP here to the album launch show at Kamio on November 15th. Follow Tusks on Facebook for more updates.

Photo Credit: Harvey Pearson

Kate Crudgington
@KCBocCut

INTERVIEW: Baby In Vain

Mari & I have shamelessly plugged our love of Copenhagen trio Baby In Vain via Get In Her Ears since 2016 when we saw them perform a free show at tiny Dalston venue Birthdays. There’s something about their heavy, corrosive sounds that keeps us both hypnotised, and we were more than happy to be swept back under their spell at Camden Assembly on Monday night.

We met Bene, Andrea & Lola backstage before their show to talk about their current UK tour, their favourite tracks on debut album More Nothing, and how tricky it is to shoot a music video on skateboards and mopeds when you’re hungover…

Hello girls, am I right when in saying you met and started playing music together whilst still at school?

Bene: Not entirely…

My bad! How did you initially meet? What was it that made you want to start a band together?

Andrea: Lola & Bene went to music school together and we had some mutual friends and we went to a lot of the same shows, so we just started talking and one night decided we should all jam together, and we’ve been doing that ever since.

Bene: Every Tuesday, always on a Tuesday.

Cool. You’re almost half way through your current UK tour. What have been the highlights so far? How do the UK crowds differ from your hometown crowds?

A: Glasgow and Edinburgh…

B: So, Scotland?.

Lola: Edinburgh has been the best so far, and tonight maybe?

A: We had two days off in Nottingham also, and went to see Ulrika Spacek and Gary Numan.

I love Gary Numan! I saw him live for the first time last year and I thought he was incredible.

A: That was definitely a highlight for us. When it comes to crowds it’s not really fair to compare because in Denmark we play larger venues, and people know who we are. When we play here we’re still very new to people. Most places have been alright, but we’ve played a couple of places where only a couple of people showed up. But for an unknown band, the crowds in the UK are a little bit better.

L: I think it’s the same. Remember when we played in Oxford? People bought all of our merchandise afterwards so they really enjoyed it, but while we were playing people were just stood completely still (laughs)

B: Scotland crowds though…

L: They were incredible.

Is there any particular reason why they were so good?

L: They were so drunk!

A: Actually, when we played here about three years ago with The Wytches in Hull, the crowd was insane. Even for the support bands. They were also drunk.

There’s a trend here, the drunker they are, the better the crowd. Cool.

You released your debut album More Nothing (through Partisan Records) earlier this year. It’s a follow-up to your 2016 EP For The Kids. Did you approach the album differently in terms of writing/recording/producing compared to the EP?

B: Very differently. You can’t really compare the two recordings at all. For The Kids was meant to be an album when we started recording it, but our label thought it would work well as an EP. We were in the studio for a very long time, a very long time (laughs), several years I think? But the album was recorded in two weeks.

AWhen you don’t have a time limit you just don’t get stuff done. Once we had a deadline, things worked much better.

Do you have a favourite track on the album, and if so; why?

L: I think ‘One Feather’ is one of my favourite songs. I just think when we wrote it, you know, it was like… next level (laughs)

A: I really love ‘Transcendent’ as well.

I really like ‘Thank You’, just in case you were wondering…

B: That’s definitely a London thing! Something about Brits and that song…

It’s because the song name is really polite, but it sounds really aggressive. That’s the British way…

Your video for opening track ‘To Heaven & Back’ was shot in one take and looks extremely cool. Can you tell us about the shoot? Was miming on skateboards as easy as you made it look?

A: It was a very fun day. Me & Lola used to skate when we were younger, so it wasn’t that big of a challenge, but it was still a little nerve-racking because Bene was driving really fast, even if it doesn’t look like that in the video.

B: It was my first time riding a moped as well, I had to learn on the day.

This video sounds like a death trap.

A: It was really painful actually, the next day my thighs and my feet were killing me (laughs)

L: We shot the whole thing around 7 times. We didn’t really have a plan, we just met up and started shooting. There were no safety procedures, and we were all really hungover (laughs).

A: It was an old idea we had years ago, that Bene would be on the bike, we’d be skating, and we’d also have those little propeller caps on our heads.

L: Why didn’t have those in the video?!

I guess you’ll just have to do it again, re-shoot the whole thing.

You’ve also released a video for your latest single ‘Low Life’. I read your interview with Line Of Best Fit in which you describe this track as being “hard to complete” because you had several recordings of the song, so it took around 3 years to find a version you were happy with. Have you felt like this about other tracks?

L: ‘Low Life’ is definitely the song that we’ve worked on the longest, so we haven’t had that long a process with other tracks.

A: If you heard the old, old version of the song, it’s completely different to what it is now. We had to grow in to the song, we had to be better musicians and songwriters to write it properly. Half of the songs on the album were written pretty fast though, so we just worked really hard, kept playing at home…

L: ‘Thank You’ and ‘Pills’ were changed a lot for this recording. They’re still the same songs, but we just changed the song structures a bit.

As a blog centred around women in new music, we would love to know what female bands or what new music you’ve been listening too. What can you recommend?

B: Taylor Swift (laughs)

She’s great!

L: She’s not kidding (laughs)

Neither am I!

L: If we’re going with female bands, I love Mazzy Star.

A: Definitely, we love her.

L: She’s one of our favourite singers, and also a very beautiful woman. I’d also recommend Pure X, they’re a band we’ve been listening to a lot. They’re not girls, and they’re not new music (laughs) but they’re unknown to a lot of people and I want to spread the word about them!

They’ll be new to someone! We’ll have to have a listen.

Finally, what’s next for Baby In Vain? More recording? Touring? A holiday?

A: Holidays don’t exist (laughs), but more writing, recording, touring…

B: the same things we always do (laughs)

L: I’m really looking forward to writing songs again. You can’t really do it on the road.

A: We haven’t written a new song in over a year actually…

L: Woah, that’s insane. We need to focus man. That’s the best part of being in a band, writing songs…

…and we can’t wait to hear them. Huge thanks to Bene, Andrea & Lola for talking to us before their show. Follow Baby In Vain on Facebook for updates on future gigs and releases.

Kate Crudgington
@KCBobCut

LIVE: Baby In Vain – Camden Assembly, London 09.10.17

Copenhagen trio Baby In Vain brought their dueling guitars, corrosive vocals and manic percussion to Camden Assembly on Monday night, and they took us ‘To Heaven and Back’. We’ve been following Andrea, Lola, & Benedicte since they released their EP For The Kids in 2016, and we’re hooked on their achingly cool sounds.

After the polished performance of support act Do Nothing, the girls took to the stage and kicked things off with ‘To Heaven and Back’, the lead single from their debut album More Nothing, which was released on Partisan Records earlier this year. Fans of the record were spoiled for choice when it came to the set list, which featured the swirling goodness of their latest single ‘Low Life’, a mesmerizing rendition of ‘Transcendent’, the melodic ‘Last Of The Turner Girls’ and the abrasive glory of ‘Not For You’.

Baby In Vain’s performance style is as captivating and eclectic as the tracks they’ve produced, and our only criticism is that they didn’t play the mind-melting ‘Martha’s View’, the lead single from For The Kids. The jagged synths on ‘The Urge’ and the visceral glory of ‘Jesusfreaks’ live however, acted as fair compensation for this oversight. Their current UK tour ends on October 21st in Oxford, so don’t miss out on your chance to see one of the coolest live bands around. Grab your tickets here.

Follow Baby In Vain on Facebook for more updates.

Kate Crudgington
@KCBobCut

LIVE: The Pretenders – Hammersmith Eventim Apollo, 08.10.17

This shamelessly flattering review is probably the kind of review that would make vocalist and guitarist Chrissie Hynde heave, but The Pretenders aren’t just ‘Special’ – they’re fucking incredible. Die hard fans and newbies were hooked on their timeless rock tunes at their Hammersmith Apollo gig on Sunday night.

Walking on to the stage in a dazzling sequin blazer, Chrissie Hynde kicked off proceedings with ‘Alone’, the title track from The Pretenders’ latest album and an anthem that champions independence. Original drummer Martin Chambers smashed away on his kit in a vest that read “cocaine & caviar”, while stood up front with Hynde were the equally as cool bassist and guitarist. It didn’t just sound like rock and roll, it looked and felt like it too.

Unpretentious and unapologetic, Hynde’s between-song observations were delivered with the slickness of a stand-up comic. She said she wouldn’t name drop as she mentioned Dan Auerbach, Bob Dylan, and Neil Young – and Labour MP Angela Eagle who ran to the front to join in the party as the band began playing ‘Back On The Chain Gang’. Security tried to guide fans back to their seats unsuccessfully and Hynde was more than happy to aid their anarchy: “I’m 65 and I can barely stand, if they wanna stand up, let them! – Okay, I’m 66.”

If fans weren’t dancing and cheering at the front with Hynde, they were applauding her from a distance, and something which warranted a standing ovation was her mid-song take down of a fan filming the band. There were notices throughout the venue asking fans not to record the show on their smart phones, but several people ignored the request until Hynde reprimanded an individual about ignoring the policy. She (quite rightly) reminded everyone that live music is about dancing and having a scrap, before reassuring security “if anything bad happens, you can sue me.”

The band proceeded to tear through classic tracks ‘Don’t Get Me Wrong’, ‘I’ll Stand By you’, ‘I Hate Myself’ and a superb rendition of ‘Tequila’, which Chrissie proclaimed to be the first ever Pretenders song. It was clear from the crowd’s reactions to lesser known songs however, that this gig was more than a greatest hits record played live. Chrissie handed over her mic to an eager fan who wanted to tell the venue about the time she took her 16 year old sister to her first Pretenders gig decades ago, and now they were both back watching the band together again. Hynde labelled the memory “Heartwarming” before continuing to sound impeccable whilst singing and playing guitar & harmonica throughout the set.

The band performed a double encore before closing the night with the inimitable ‘Brass In Pocket’, proving that The Pretenders are still as vital and adored now as they were in 1978. If you ever get the chance to see them live, take it – and leave your smart phone in your pocket where it belongs.

The Pretenders latest album Alone is available now.

Kate Crudgington
@KCBobCut