Category: GIHE Writers

Having been friends since childhood, Katherine Blamire and Jessica Davies – aka Smoke Fairies – were not only the first band to sign with Jack White’s imprint Third Man Records, but have sold out countless UK tours and recorded many acclaimed albums over the years. Now, following fifth album Darkness Brings The Wonders Home, the duo are working on an entirely independent basis; funding their recent sixth release through fan support on a Patreon page.

A truly poignant reflection on time and how it feels to get older, new album Carried In Sound showcases the glistening folk-strewn musicality and rich harmonious vocal layers that we’ve come to know and love from Smoke Fairies, with an added raw emotive depth, exuding a stirring shimmering splendour throughout.

We caught up with Katherine from the band to find out more about the album, live highlights over the years, and egg boilers… Have a read and make sure you treat your ears to the beautiful new album!

Hi Smoke Fairies! Welcome to Get In Her Ears! Hope you’re well. The two of you have known each other since childhood, which is quite impressive! Are you able to tell us a bit about how you initially met and what inspired you to start creating music together?
We met at school when we were twelve and started singing together when we were thirteen. We were interested in harmonies and recognised there was something interesting about the blend of our voices, but it took years to hone the sound into something properly intertwined. It feels like we are still honing it now. When we were kids we just loved playing together and being the centre of attention at school whenever possible; we were probably quite annoying, getting our guitars out at every opportunity. We dreamed of being on tour mostly, imagining it to be an experience where you drive around in a ’70s bus looking at sunsets and rocking up in small towns to wow crowds of people in leather jackets. Realistically, you are in a transit van surrounded by crisp packets driving on various ring roads and getting angry at the sat nav. It’s still great though and I hope our younger selves would be pleased!

I really love your rich folk-strewn musicality and luscious harmonious vocal layers, but who would you consider to be your main musical influences?
Thank you! I get lost in film scores and any form of dark choral music, psychedelic music and melodic moving songs. I’ve just had a new record player in my flat, so it’s nice to explore the old records again – like Nick Drake and Joni Mitchell, who were more formative influences. But nowadays, I feel like one of those boring people that says they “like all kinds of things”… For example, I was running to the Pina Colada song this week and had a really great time.

You’re about to release your sixth album, Carried In Sound, which is very exciting! Are there any specific themes running throughout the album?
The songs explore time and how it feels to get older – looking back on your past experiences from a more confident place and then looking ahead to the future. There are so many changes we go through as we grow, and Jessica and I have known each other since we were young, so there’s also been a constant in our music and friendship. That’s why Carried in Sound felt like a good title, as music has been a tide we’ve been riding all the way through ups and downs. Also there are themes of grief; loss not only for others, but also the things about yourself that you lose on the way. There’s also a hopefulness about finding a new sense of home and love, and being in a place to receive it.

You recorded the album at home with the volume turned down – are you able to tell us a bit about this process and what it was like for you?
It felt really important to shut out the world and focus on our own sound in our own space and on our own terms. The record is about quite personal thoughts, so it felt right to use the spaces and things around us to make it. Even when the narrative is more character driven, they are characters who are quite insular. The process meant we could hone the songs over time, whereas we are normally restrained by studio time, so that was quite liberating. We’ve released quite a few albums now, so this one needed to dive back into what it means to be a duo and put the voices at the front and give the guitars a lot of space to be heard. We needed to try to do it on our own, perhaps to prove something to ourselves but also to remain pure to the vision we had.

And how would you generally say the album differs from your previous releases?
There was no other motivation other than to create something really beautiful, so there’s no songs that are for the radio or for specific audiences – it’s just entirely us. Sometimes it’s just good to lock yourselves away and work out what you really feel and want to say. This record feels like it all has the same vibe and tones, all coming from the same wellspring.

It’s being released independently, and you’ve garnered lots of support through your Patreon page in the run up to its release – what triggered the decision to do this rather than release via a label, and what’s the experience been like for you?
The patreons have been great. It’s been amazing to have such a strong connection to your audience. It’s helpful to know it means something to people, otherwise you can feel too isolated and become negative, and it’s so encouraging to know that people are happy to receive the songs and waiting for them. It’s given us more confidence to do this independently, and obviously provides funding to help support the release of the record, including touring, promotion etc.

You’ve played and sold out numerous UK and international tours over the years, but is there a particular concert you’ve played that stands out as a highlight?
It’s very hard to remember them all. I do recall playing inside a tent at Latitude festival at an evening slot and it started raining and the crowds came into the tent for shelter and it felt like we created a real atmosphere to warm them. It was in the ‘Film And Music’ tent, so there was an old black and white 1920s film of The Naughty Smoke Fairies playing behind us, and the rain was beating down on the tent canvas; it felt very magical. We always wish our music could be used on film soundtracks as we always strive for something quite filmic with our sound. I liked that night because it felt like everything came together.

And you’re setting out on an intimate tour of special venues and churches to celebrate this album release – what inspired this decision?
This album requires focus and patience, so we wanted to play it in venues that naturally encourage audiences to listen. Churches are unique spaces that give harmonies a natural resonance with built in reverb, while also taking you to a place of stillness and thought. Some songs are really are quite hymn-like, so it felt apt to play them in a space where hymns have been sung through the ages.

When out on tour, are there any particular essentials that you like to take with you to keep you going when away from home?
A pillow, to either rest my head on or scream into depending on what’s happening. Jessica once brought an egg boiler with us, it was truly horrific because she kept making eggs in the van for breakfast. That has been banned now.

As we’re an organisation keen to support new artists, we just wondered how you feel the industry is for new artists at the moment? And do you feel much has changed over the years in its treatment of female and queer artists?
So much has changed in terms of an artist’s ability to work independently, which I think is hugely positive in a world where there is such under-representation at every level for women and queer people across the music industry. Learning how to record and produce opens up a freedom to create work on your own terms, build confidence, ignore the pigeon holing and just get on with what you want to do. Under-representation can create imposter syndrome if you don’t see yourself reflected, but now people can learn skills and push their art forwards without needing to get past so many gate-keepers. A lot of change is still needed of course, and the biased structures need to be addressed to really create an equitable playing field. But I think the rise in independently produced and released music is a testament to people finding their own ways to challenge these systems. We all need to make a living somehow though and it’s tough when you always have to find your own strength and motivation, without the backing of a bigger entity. I wish there was more support available for artists making strides on their own, then we would start to see so much more interesting music being produced from many more perspectives. Releasing an album independently is a lot of work, but it’s worth the sense of independence I think.

And are there any particular new artists you’d recommend that we check out?
Dear Pariah supported us last year and has a great sound and very pure voice.

Massive thanks to Smoke Fairies for answering our questions!

Carried In Sound, the new album from Smoke Fairies, is out now. Buy here. And catch Smoke Fairies live at one of their upcoming intimate dates – more info here.

Photo Credit: Annick Wolfers