Having fallen in love with North Yorkshire festival Deer Shed when I attended for the first time last year, I was super glad I got to go again this year. Highlighting a real family focus, whilst hosting an incredible range of exciting new artists, it oozes the warmest of vibes and – being smaller in size than most other festivals – creates a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres and ages. Whilst providing a child-friendly environment (with an array of activities organised specifically for them), this does not take away from the quality and array of performances on offer for everyone to enjoy. Although I’d say I’m in the minority of attendees who does not have children (or isn’t a child themselves!), I in no way feel this to be hindrance – it is still very much an ‘adult’ festival, just one that happens to also be a safe and fun environment for kids to be in too! And, amongst those performing, a fantastic amount of female, non binary and queer performers are represented, which makes for a pretty dreamy time. I was lucky enough to catch lots of these over the weekend – a good balance of artists I already knew and loved, and those who I had not had the chance to see before.
Kicking things off nice and early at the In The Dock stage, Sister Wives rouse the senses with their evocative ethereal soundscapes. With their quirky charisma and glistening soaring harmonies, the Cardiff-via-Sheffield band offer a unique fusion of traditional folk-inspired musicality with a gritty, fierce energy, all delivered with a mystical, bewitching allure.
After a refreshing local beer, and with a glimmer of sunshine poking through the clouds, we catch the lilting uplifting energy of Rozi Plain on the main stage, as a soothing twinkling grace emanates throughout the swaying crowd.
With the sun now in full force, we return to the main stage to catch another Welsh band – I’m very excited to finally see Panic Shack, having been a fan of their frenzied tongue-in-cheek post punk for a couple of years now. Fully aware of the age range of the crowd, they kick things off with the perfectly anti-conventional ‘Baby’; there’s a weird sort of irony seeing kids on their parents’ shoulders bopping and singing along to “I don’t wanna hold your baby / Kids are not for everyone”, and I’m instantly in love with the fierce tenacity of this band. Apologising for some naughty words throughout the set (“Hope the kids have ear defenders on”), they blast through each song with an immense ferocious energy – from the synchronised statuesque poses of ‘Mannequin Man’, to the martial arts-inspired dance moves of ‘Jiu Jits You’, Panic Shack deliver each angst-driven, subtly political anthem with a searing riotous power and infectious sneering wit. A total must-see live band, and probably my highlight of the weekend. (A stand out moment for me being hearing a child ask their mum “what’s baccy?” after ‘Who’s Got My Lighter?’ closes the fantastic set.)
After all that excitement, and perhaps the tastiest vegan hot dog I’ve ever had (with extra pickles of course), we head to The Lodge tent for a chilled out interlude. I’ve been meaning to see Hussy for a while, so I’m very glad that she made it here – having had two trains cancelled, but “with perseverance we can get there in the end”. Exuding an effervescent grace as her dreamy offerings showcase her rich emotive vocals, it’s a beautifully stirring set oozing a shimmering musicality reminiscent of the likes of Lucy Dacus.
Continuing the dreamy vibes, it’s a delight to catch This Is The Kit for the first time in long while (I last saw them at the Southbank Centre about eight years ago, when a woman shouted at me for accidentally spilling my drink on her. So, I’m looking forward to a less traumatic set this time…!) With an endearing charm and witty birthday trivia interweaved in between each beautiful song, Kit and co immerse the crowd in their sparkling, uplifting energy as each track flows with a blissful allure.
Then it’s back to the In The Dock stage for total faves Sprints; having caught them live in Belfast at the Women’s Work Showcase last year, I couldn’t wait to catch their electrifying energy live again; and I wasn’t to be disappointed. Warmed by the sight of a front row filled with excitable teenage girls and pals lightly moshing, I’m once again grateful to Deer Shed for offering this experience to young people who wouldn’t necessarily get the chance to see live music of this kind normally; to see a band like Sprints, and a front person like Karla Chubb, inspiring and motivating young people gives me a bit of hope that everything is not quite so bad after all… From more familiar songs like ‘Literary Mind’ and ‘How Does The Story Go?’ to brand new, unreleased songs, the band race through the set with a truly compelling fierce energy as Chubb’s distinctive gritty vocals and empowering stage presence take hold. And, as if that wasn’t enough, we’re also treated to special guest stage invasion from English Teacher, who join Sprints for a magnificent mash-up of Wet Leg’s ‘Chaise Longue’ with Le Tigre’s ‘Deceptacon’. Pretty epic.
We return to The Lodge tent to absorb the glitchy, euphoric soundscapes of Glasgow’s Free Love. As bouquets of flowers are torn apart and showered over the crowd, trippy ethereal vibes emanate from the trio as I’m taken back to a ’90s French Disko and contentedly dance along with the kind of gentle confidence that only really comes from being in a field surrounded by live music and happy (slightly inebriated) fellow festival goers.
We end the night with the uplifting funk-fuelled sounds of all female jazz collective All Day Breakfast Cafe. With a playful energy, the band deliver a fantastic array of songs, showcasing each of their incredible musical talents and Jelly Cleaver’s artful skill of creating instantly catchy, nostalgic-yet-fresh takes on a mix of genres, all rooted in the empowering unity of the disco movement. As the all-ages crowd dance along in blissful unity (some people even winning pain au chocolats for their efforts!) to each colourful offering, the band’s effervescent energy spreads throughout the tent; a perfect way to close a joyous day of festivalling. And we even get a sneak peek of their upcoming new single, ‘Sweet Revenge’, set for release on 16th August – so, keep your ears and eyes peeled!
So, thank you Deer Shed for another gorgeous weekend, I’ll see you again next year (not even holding it against you that I came back with Covid…)! Stay tuned for photos of, and words about, Day 3! And see our review of Day 1 here.
Words: Mari Lane / @marimindles
Photos: Paul Dawes / @pauldawesart
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