Introducing Interview: Lõwli

Having received acclaim from the likes of The Irish Times and performed at showcases for organisations such as Sofar Sounds, Irish artist Roisin Lowry – aka Lõwli – has just released her captivating new EP, Otherworld. An ethereal collection showcasing her ability to create cinematic soundscapes oozing a spellbinding majesty – it beautifully interweaves a traditional classical musicality with more contemporary, heartfelt shades of alt-folk as Lowry’s rich, soulful vocals soar.

We caught up with Lõwli to find out more about the EP, what inspires her and her thoughts on the industry today. Have a read!

Hi Lõwli welcome to Get In Her Ears! Can you tell us a bit about yourself?
Thank you for having me! I’m a composer and songwriter from Galway, Ireland but I’ve been based in Dublin for the past number of years. I write and perform piano-driven, cinematic music which often combines strings, vocals and piano. Although it’s difficult to find a genre for my music, I’d describe it as neo-classical dark-pop.

How did you initially start creating music?
I
began writing my own songs and pieces when I was about fifteen, mostly on piano or violin, but also experimenting with other instruments too. I then studied music in university where I developed a bit more confidence in composing as I had the opportunity to collaborate with other musicians and composers. I also wrote music in a few bands and original music projects around that time too. I then began my own solo project in 2016 and since then, I have been writing, releasing and performing music as Lōwli.

Your new EP Otherworld is out now – can you tell us what it’s all about? Are there any themes running throughout it?
Otherworld is a 3-track EP which was recorded back in May 2021 in Camden Studios, Dublin. The EP features two instrumental tracks and one track with vocals. As this EP was written and recorded during a time of strict covid restrictions, I wanted to emulate a ‘live’ feel in the songs, due to the lack of live music happening at the time. The tracks are written and produced quite minimally to achieve this authentic, vulnerable sound. Themes of transition, perspective and acceptance are portrayed in this work.

You’ve been compared to the likes of Agnes Obel and Olafur Arnalds, but who would you say are your main musical influences?
Agnes Obel and Olafur Arnalds are big influences. I also love the music of contemporary classical composers such as Hania Rani, Poppy Ackroyd, Max Richter and Nils Frahm as well as piano composers such as Debussy and Chopin. I’m also very inspired by Leonard Cohen, Jeff Buckley and many others.

How is your local music scene? Do you go to see lots of live music?
I live in Dublin and the music scene here is great. There’s lots of amazing, diverse music to experience and I go to see live gigs as often as I can. It’s great to see so much live music happening at the moment after a very difficult couple of years for the industry. 

And what can fans expect from your live shows?
My shows are very focused on the piano and vocals. I often have a string section playing with me as well as percussion and backing vocals. I’m currently experimenting with some new ideas for my live shows which will incorporate more modern sounds and techniques. My music is quite delicate and cinematic so my live shows are best suited to an intimate atmosphere. I particularly love to play in churches and halls, where both the audience and performers can be fully immersed in the experience.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
I’ve seen some fantastic live shows in Dublin and Galway recently from Anna Mullarkey, Vale, Moon Looks On and Sive. I’ve also been listening to music from Una Keane, Rachel Lavelle, Bridin, Brian Crosby, BK Pepper, Aoife Nessa Frances, Pine the Pilcrow and lots more. Most of these artists have recently released new music so I would definitely recommend checking them out!

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I think the music industry can be a challenging one to navigate as a new artist. It can also be quite difficult to get noticed as there is so much new music being released all the time and the standard is so high. But I’ve also found the music scene in Ireland to be very supportive generally, and people are often happy to help if they can. I think it also helps to put yourself out there and play live as much as possible.

Finally, what does the rest of 2022 have in store for Lõwli?
My upcoming EP Otherworld has recently been released, which is super exciting! I’m also working on new music for my debut album, as well as planning some Irish shows which I will be announcing soon!

Massive thanks to Lõwli for answering our questions! Otherworld, her captivating new EP, is out now on Veta Records.

Track Of The Day: Miss Grit – ‘Like You’

A hypnotic blend of clear vocals, electric guitar riffs and mesmeric beats, New York-based, Korean-American musician Margaret Sohn aka Miss Grit has shared their latest single, ‘Like You’. Released to coincide with the news that Sohn has signed to Mute Records, the track is a captivating soundscape that explores the conflicting nature of our inner voices, weighing up which ones to trust and which ones to ignore.

“I had the character of Ex Machina in mind as the voice I was singing from,” Sohn explains about the inspiration behind their new track, which they produced and recorded themselves. “Her arc in the movie felt really beautiful to me, and I wanted to reach the same ending as her in this song.” Through their soft vocals and clear intonation, Sohn brings this android imitation to life, accompanied by the distinct basslines of Zoltan Sindhu.

As a mixed-race, non-binary artist, Sohn has always used their art in order to explore, connect with, and understand their own identity further. Their self-released 2021 EP, Impostoraddressed their “life-long journey through racial impostor syndrome,” whilst their debut EP Talk Talk, tackled the complexities of relationships. On new release ‘Like You’, Sohn once again views life from a different angle, providing listeners with a magnetic musing on what it’s like to dismantle these parts of yourself.

Signing to Mute records has boosted Sohn’s confidence in this journey even more. “Mute is one of the labels I put on a pedestal in my mind,” Sohn comments, “so the fact I was even on their radar was really flattering. And then to think they believed in my music enough to want to work together made me so happy.”

Miss Grit will be playing shows across Europe in October and they will be playing in London on 1st November. Full details below.

Follow Miss Grit on bandcamp, Spotify, Instagram & Facebook

Miss Grit EU Live Dates 2022
26 Oct – Paris (FR), Supersonic Records
27 Oct – Antwerp (BE), Trix Club
29 Oct – Amsterdam (NL) London Calling at Paradiso
1 Nov – London (UK), Amazing Grace

Kate Crudgington
@KCBobCut

Track Of The Day: Roller Derby – ‘Only You’

Having first fallen in love with Hamburg-based indie trio Roller Derby when they supported Lunar Vacation live at Moth Club earlier this year, I was super happy to hear they had a new single out last month. The first single to be released by their new label Practise Music (also home to faves like deep tan and Fraulein), ‘Only You’ offers all the dreamily retro vibes you could ever desire.

Oozing an immersive blissful allure, ‘Only You‘ flows with twinkling, lilting hooks and the honey-sweet vocals of Philine Meyer as it builds with a shimmering, uplifting grace to an exquisite, emotion-strewn anthem. With subtle, Twin Peaks-esque eerie undertones, it’s propelled by a vibrant ’60s surf-pop energy and glistening heartfelt splendour, creating a truly euphoric soundscape.

Watch the spellbindingly surreal new video for ‘Only You’ now:

‘Only You’ is out now via Practise Music.

Mari Lane
@marimindles

Photo Credit: Denis Pavlovic

Track Of The Day: A.A. Williams – ‘The Echo’

A heavy lament that explores the push-and-pull relationship between the heart and the head, London-based songwriter and multi-instrumentalist A.A. Williams has shared her latest single ‘The Echo’. Taken from her upcoming second album, As The Moon Rests, which is set for release on 7th October via Bella Union, the track is a powerful blend of Williams’ bittersweet vocals and trademark cathartic drop ins.

“’The Echo’ is a dialogue between a person’s heart and the head,” Williams explains about her new single. “the head [is] trying to persuade the heart that what they need is to take time for themselves and prioritise their own well-being, not seek verification of one’s worth through their relationships with others.”

Originally named ‘Forever Blue’ – which is also the title of her debut album – Williams’ has re-worked ‘The Echo’ into a song of “yearning, sorrow and beauty.” These sentiments are reflected in the track’s accompanying video, directed by Fraser West. The visuals follow a young man on his journey through London during the night, encountering strangers and seeking connection in unexpected places.

Following on from her previous singles ‘Evaporate’ and ‘Golden’, ‘The Echo’ continues to spotlight Williams’ intuitive talent for creating captivating, enthralling music. She will be performing tracks from her upcoming album As The Moon Rests with her band and a full string quartet at Southbank Centre’s Queen Elizabeth Hall this Saturday (17th September). You can grab a ticket here.

Watch the video for ‘The Echo’ below.

A.A. Williams’ UK Tour Dates 2022
Saturday 17th September – London – Queen Elizabeth Hall
Saturday 12th November – Glasgow – The Great Eastern
Sunday 13th November – Leeds – Brudenell Social Club
Monday 14th November – Milton Keynes – Craufurd Arms
Tuesday 15th November – Birmingham – Hare & Hounds
Wednesday 16th November – Cardiff – Clwb Ifor Bach
Thursday 17th November – Falmouth – The Cornish Bank
Friday 18th November – Bristol – Thekla

Follow A.A. Williams on bandcampSpotifyInstagramTwitter & Facebook

Photo Credit: Thomas Williams

Kate Crudgington
@KCBobCut