PLAYLIST: August 2026

The Get In Her Ears team have put together another marvellous mix of new music for your listening pleasure! Our August Playlist features plenty of eclectic alt-pop tunes, DIY punk anthems, alternative riffs, indie & alt-folk musings, as well as some experimental and electronic sounds. We’ve also included some tributes to the late Dolly Parton and L7 bassist Jennifer Finch. Make sure you scroll through and read all about our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Dolly Parton – ‘Coat Of Many Colours’
Like probably everyone who follows us, I was heartbroken to hear the news of Queen Dolly passing away this week. Although it may seem odd to grieve someone you never knew personally, I think it was easy to feel a connection with Dolly and a resonance to her radiant infectious joy and spirit. She really was such a huge inspiration – not only an incredible songwriter, performer and iconic woman until the very end – but such a wonderful advocate and supporter of marginalised communities. She was also the perfect example of how you don’t have to give birth to a child to be a mother figure. She cared for and actively helped so many children and young people throughout her life. I feel incredibly lucky and honoured to have seen her live at Glastonbury in 2014, a completely joyous experience and life highlight that I don’t think I’ll ever forget. She performed with such a playful energy and sweetness and her cheeky humour and incredible talent shone throughout, especially when she played the Benny Hill theme song on her mini saxophone!.
(Mari Lane – Managing Editor)

Aether Speaker – ‘Golden Hour’
A gorgeous piece of indie electro-pop here from London-based band Aether Speaker. ‘Golden Hour’ is full of front-person Yel’s soft, breathy vocals, underscored by hazy synths and gentle beats. The band explain that their psychedelic new offering is “poised between one world and the next, between soothing words and the truth” – delighting in ambiguity and lingering in the romantic ether. (Kate Crudgington – Features Editor)

Squirrel Flower – ‘Cleveland’
A beautiful ode to its namesake and the comfort of domesticity, ‘Cleveland’ is the latest single from Chicago based artist Ella Williams, aka Squirrel Flower. A song originally written with her her family band (the brilliantly named ‘uncommon rat’), it oozes a twinkling sentimentality and sense of nostalgia as Williams’ rich distinctive vocals flow, creating a heartfelt slice of Americana. Say A Prayer To The Gods Of Getting Going, the new album from Squirrel Flower, is out now via Polyvinyl Record Co. (ML)

Grandmas House – ‘Dance’
Congratulations to long-time GIHE faves Grandmas House on the release of their debut album! The Bristol band’s LP Baby You’re A Winner, released via Brace Yourself Records, is a superb amalgamation of their skill for writing urgent, cathartic anthems which reflect both the “light and dark” of the times that we live in. This track ‘Dance’ encapsulates that theme deftly, with Yasmin Berndt’s uniquely raspy vocals leading the charge as the band urge listeners to dance the pain away. (KC)

GRAVE GOODS – ‘Grit’
Based between Manchester and Dublin, experimental duo GRAVE GOODS create distinctive, primal sounds that examine the grind of modern existence. On this track ‘Grit’, Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) reflect on the the “existential disgust” that comes from separating the animalistic parts of ourselves in order to fit in with societal expectations. It’s a fascinating concoction of spoken-word-style vocals, contrasting beats and quirky riffs. The track also features the eponymous lyric of GRAVE GOODS’ upcoming album, Reality, Swallow Me., which was written and recorded to analogue tape at Analogue Catalogue Studios, with engineer and producer Julie McLarnon (Brighde Chaimbeul, The Altered Hours, Lankum). The LP is due for release on 25th September via bandcamp. (KC)

Trusselina – ‘Gastro’ / ‘Trusselina Archimboldi’
Philadelphia-based duo Trusselina are a new experimental pop project, formed of Mikaela Oppenheimer (Hello Mary) and Hayden McGarvey (Bleary Eyed). Together, they create jagged, intriguing soundscapes that blend acoustic and electronic elements, incorporating their love of ground-breaking literature, collaboration, and even their experience of food poisoning – which their double single release confidently covers. ‘Trusselina Archimboldi’ is inspired by a passage from Djuna Barnes’ acclaimed 1930s novel Nightwood, which is considered a prominent piece of early lesbian literature. The beat for ‘Gastro’ was concocted when Hayden was in the midst of an episode of food poisoning whilst on tour in France. I’m enjoying the eclectic nature of Trusselina’s sound and look forward to hearing more from the duo soon. (KC)

Emma Ruth Rundle – ‘Enough’
Another deeply emotive, powerful single from multi-instrumentalist Emma Ruth Rundle here. Inspired by both ‘The Man Who Sold The World’ and the story of Elijah – in which Emma explains she “imagines [Elijah] as an Elon Musk type figure” – ‘Enough’ is an epic reflection on modern wealth, greed, and a poetic cry for us to rise up against the powers that continue to benefit from this inequality. ‘Enough’ features on her upcoming sixth album, These Killing Times, which is set for release on 18th September via her own imprint Errant Child. (KC)

Tanzana – ‘Without A Sound’
Having been a big fan of Glasgow’s Tanzana since being spellbound by the soaring energy of last year’s ‘Covet’, I’m excited to hear that they’ll be releasing their debut EP in October. Ahead of the EP, they’ve now shared a powerful new single. Rippling with a dark majestic splendour and building with a fierce impassioned energy, ‘Without A Sound’ offers a reflection on the cathartic process of making art, as well as the frustration that can be felt when we reach our limit. An insight into the captivating and poignant genre-defying soundscapes the band are able to create. Etched In, the debut EP from Tanzana, is out on 9th October via SO Recordings & Hideous Mink Records. (ML)

Desperate Journalist – ‘Terrible Years’
Having just announced that their sixth album will be released in November, longtime favourites Desperate Journalist have now shared its lead single. Propelled by a gritty force and front woman Jo Bevan’s impassioned vocals, ‘Terrible Years’ offers a fierce post-punk anthem. Lyrically told from the perspective of someone in denial about how much they miss the excitement of youth, it captures the band’s ability to fuse a ‘90s-tinged hooks with a fresh raging energy that is distinctly their own. Gilding The Lily, the upcoming album from Desperate Journalist, is out on 20th November via Fierce Panda Records. (ML)

Rose Fatale – ‘Hole In The Head’
Belfast punks Rose Fatale embrace their softer, sapphic side on their latest single ‘Hole In The Head’. Leaning into alt-rock sensibilities, they blend impassioned vocals, earnest lyrics and driving riffs to create a melancholic whirl of noise. The band recently performed on Belfast Pride’s City Hall stage and are planning to play more gigs soon. (KC)

Team Dresch – ‘Growing Underground’
When queercore legends Team Dresch announced their return a couple of months ago, I was beyond excited, having been a mega fan since first hearing them when I was at uni 20 years ago. Now, ahead of their new album, Furthermore, which is set for release on 18th September, they’ve shared a powerful new anthem; a fierce call to action to resist the hegemonic, hateful systems which continue to oppress marginalised voices, its driving riotous energy celebrates collective, intersectional values and offers a defiant sense of unity and a hope that a brighter future is possible: “The song imagines shared communities becoming the very thing that nurtures future life. Love is embodied through chosen families, interconnected communities, and the networks that have always sustained one another.” I never thought I’d get to see Team Dresch live, and so I can’t wait to finally catch them downstairs at The Dome on 30th September. They had to move to a bigger venue than The Lexington due to high demand! (ML)

Tender Claws – ‘Tear Him To Pieces’
Having just released her debut EP, Belfast born Tess Corr aka Tender Claws creates haunting, immersive goth-inspired soundscapes, driven by a fiercely dark energy. The EP’s title track, ‘Tear Him To Pieces’, showcases her rich ethereal allure as rich, impassioned vocals soar over swirling expansive hooks. (ML)

Eilis Frawley – ‘Guilt’
We love all of the musical endeavours that drummer and songwriter Eilis Frawley undertakes here at GIHE, and we’re excited that she’s back releasing new music. This track ‘Guilt’ is the first offering from her upcoming second album, and it’s an apt reflection on the frightening and polarising times we’re living in. Led by her distinctive spoken-word vocals and gritty beats, ‘Guilt’ is an urgent reminder to engage with the world in a meaningful way and not to be desensitized by the carefully curated algorithms on our social media accounts. Eilis explains the track’s context further: “I have my own guilt, you open Instagram, in one moment you can witness a child being blown to pieces, and then the next minute someone’s trying to sell you an over priced bag or tell you how to optimise your life. I find the western world’s response petrifying to what’s happening in Gaza, and Lebanon, and Sudan, and the Congo. No reason will make a good enough reason for the amount of civilians killed, and traumatised”. (KC)

GOOD GRIEF – ‘Lucy’
Following on from their feisty debut single ‘Bait Shop’, Seattle-based duo GOOD GRIEF are back with this tender ode to unrequited love during queer adolescence. ‘Lucy’ is a track that “sparkles with curiosity – but not naivete,” reflecting on the poignancy of budding queer romantic feelings whilst softly reminding listeners of their beauty and validity. Inspired by grief, rage and love, GOOD GRIEF are currently working on their debut album, the aptly titled Not Over It, so keep your eyes peeled for more info about that in the near future! (KC)

Railcard – ‘Flanelette’
Consisting of current members of Heavenly and ex-members of Dolly Mixture and Death In Vegas, I’d definitely class Railcard as an indie-pop supergroup – and their new single is pretty super too. Showcasing their swooning honey-sweet vocals and lilting uplifting melodies perfectly, ‘Flanelette’ is taken from their upcoming debut album, Two Steps At A Time, which is set for release on 18th September via Skep Wax Records. (ML)

R Loomes – ‘The Self Demands a Reckoning’
A hypnotic offering from Sheffield-based musician R Loomes here. ‘The Self Demands a Reckoning’ is a potent piece of doom-folk that she describes as “a sort of personal prayer”, in which she attempts to sever the link between mind and body and “navigate the world [as a] free spirit.” As with her previous single ‘Passerine’, the track blends her beguiling vocals and richly atmospheric riffs to create a determined and fluid sound. ‘The Self Demands a Reckoning’ is taken from R Loomes upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Clara Mann – ‘News From Home’
A truly spellbinding soundscape, ‘News From Home’ is the new single from London based multi-disciplinary artist Clara Mann. Taken from her upcoming, literary-inspired, album Wishbone, it offers an immersive expansive musicality alongside the sparkling emotion of her resonant vocals as she reflects on how our feelings towards where we’re from can change and develop over time. Wishbone is out on 23rd October via state51. (ML)

YELF. – ‘flesh’
‘flesh’ is the second offering from London-based, British-Swedish artist YELF., who I am a big fan of. It’s a sultry reflection on lust and longing, inspired by the ebb and flow of the ocean. It’s a “neo-psychedelic ode to desire, fantasy and the brain-body connection,” as YELF. explains, underscored by her yearning vocals, immersive electronics and poetic lyricism. ‘flesh’ was also produced and mixed in Brighton (literally by the sea!) by Michael Baker and includes harp played by Fior Anderson and even the tinkling sound of glasses from Baker’s kitchen cupboards too. (KC)

Selkie – ‘Lick The Sun’
Today (28th July), Glasgow-based songwriter and producer Selkie has shared her debut EP, inWaves, which this single ‘Lick The Sun’ features on. Full of her tender vocals and considered instrumentation, she has created an atmospheric collection of tracks that beautifully melt into each other. She’ll be celebrating her debut release with a small UK tour in October and a showcase performance at Aberdeen Music Week too. (KC)

Marina Yozora – ‘Snow Heat’ (Acoustic)
We’re big fans of Japanese-born, London-based songwriter Marina Yozora here at GIHE, and we love how she’s continuing to share different evolutions of her poignant track ‘Snow Heat’. It’s a poetic rumination on a brief connection with someone that now exists only in Marina’s mind, and to honour the intensity of this fleeting moment, Marina released a lyric video to accompany the original single, and now she has shared a beautiful acoustic version of the track too. She also plans to reveal the official video for ‘Snow Heat’ on the one year anniversary of the track’s release, which we are eagerly anticipating. (KC)

Mother Church – ‘Wait To Kiss Me Until Heaven’
An unlikely collaboration between a founding member of HMLTD and an ordained priest, Mother Church create their own unique brand of alternative folk, drawing on an eclectic range of literary and theological influences. A stirring reflection on the pleasures and contradictions of virtue and temptation, ‘Wait To Kiss Me Until Heaven’ oozes a captivating mystical allure alongside its lilting folk-strewn musicality. Yolk, the debut album from Mother Church, is set for release in November via Trapped Animal Records. The band will be playing a special release show at St Pancras Old Church on 13th November. (ML)

BERTY – ‘Take For Granted’
Inspired by the power of unconditional love in our meaningful relationships, songwriter and producer BERTY penned this track ‘Take For Granted’. It’s an earnest refection on the Forest of Dean-based artist’s feelings about human connection, showcasing her intuitive nature as a songwriter. BERTY is currently working on a new EP, which she is set to release in the near future. (KC)

Brennan Wedl – ‘High Priestess’
Having just released her self-titled new album, Nashville based artist Brennan Wedl has been a favourite of mine for a couple of years now. I’m a big fan of her wonderfully self-labelled “grungetry” sound (a perfect fusion of grunge and country, in case you were wondering!) and raw Sheryl Crow-reminiscent vocals. The final single to be taken from the album, ‘High Priestess’ reflects on the otherworldly intuition of the tarot card and the thoughts and feelings that can swirl around our heads when trying to face reality head on.(ML)

The Genes – ‘Charlotte’
I first became a fan of awesome Coventry band The Genes after seeing them at Decolonise Festival in 2025, and then loved having them play for us supporting WIDGET earlier this year. Now, they’ve released their first proper single and it’s pretty great. Self-described as a “high energy punk anthem with a uniquely British story”, ‘Charlotte’ is a love letter to the Ford Transit. Inspired by years of DIY touring, late-night motorway drives and the vans that somehow survive gig after gig, the song celebrates the unsung hero that’s carried countless independent bands across the UK. I love the track’s playful tongue-in-cheek energy and scuzzy hooks and can’t wait to hear more from this unique band. (ML)

L7 – ‘Shitlist’
Another incredibly inspirational woman that we tragically lost earlier this month was Jennifer Finch, the bassist from legendary grunge-punk band L7. At just the age of 59, it seems extremely unfair that she should be gone already. Anyone who’s ever been to a GIHE gig is probably aware of how much we love L7, as I include either ‘Shitlist’ or ‘Wargasm’ on most of our pre-band playlists – their tunes have never failed to energise and motivate me, and seem like the perfect way to get people psyched up for the amazing bands who play for us. I was lucky enough to see L7 live in Camden in 2015 for their first UK gig since initially breaking up in 2001, and I remember being utterly blown away by Finch’s immense fierce energy and presence and the way her swirling life-force and booming hooks reverberated into the crowd. (ML)

Bugeye – ‘This Is What I Want’
Following the release of their recent second album, The Shape Of Things, and support slots with big names such as The Datsuns and Loose Articles, longtime faves Bugeye have now shared an empowering new single. Offering a middle finger to the outdated expectations of women that still prevail within society, ‘This Is What I Want’ oozes a sultry playful allure and danceable groove-laden hooks whilst raging against the “toxic manosphere”. Of the track, front woman Angela Martin says that it’s dedicated to “every woman who’s ever been told to know her place. Here’s the truth: your place is wherever you choose to stand. Stand tall, stand loud, and never apologise for demanding the respect you’ve always deserved.” (ML)

Four Degrees Colder – ‘Reminisce’
‘Reminisce’ is the opening track from Four Degrees Colder’s debut album, Nothing To Do. Released in July, the St. Louis-based alternative pop-rock duo take their listeners on a captivating, track-by-track journey through a decaying factory overtaken by artificial intelligence. Propelled by their clear vocals, driving riffs and electronic textures, the pair aim to inspire a sense of hope and persistence throughout their LP, ultimately refusing to succumb to the “the fear of becoming obsolete.” (KC)

Tiiva – ‘I Keep Falling In Love’
We’re big fans of producer and sound & game designer Tiiva here at GIHE, so I’m chuffed to see they’re back with a new single and a new record. ‘I Keep Falling In Love’ is lifted from the Lake District alt-pop artist’s upcoming album, This Could Be A Start, which is set for release on 25th September. It’s a euphoric swirl of buoyant electronics, floaty vocals and glitchy beats. “The story throughout the album is how we as humans navigate love, neurodivergence, AI interactions, and our desire to be everywhere all at once; in the mountains, in the city,” Tiiva explains. “Each song represents an internal character – the optimist, the party kid, the recovering addict, the loner, the nostalgic. Some of the songs could read as romantic but in reality we are all looking for connection, and we find it in not always the most obvious places.” Tiiva will be celebrating the release of their new LP with an immersive headline show at Spanners in South London on 30th September. See you there! (KC)

Sidney Packard – ‘Acer Tree’
Non-binary, alt-pop artist Sidney Packard envelops their listeners in dark atmospheric electronics and soft vocals on their latest single, ‘Acer Tree’. The London-based musician penned the track as an ode to the plant they really adore, which are more commonly known as Japanese Maple trees and are known for their distinctive leaf shape and red foliage.
Sidney will be playing a gig in London – which coincides with their birthday! – on Saturday 12th September at The Phoenix. (KC)

Maria Uzor – ‘Cyclops’
We’re super excited that GIHE mega fave Maria Uzor will be releasing her second album, Fantasyland, on 3rd September. Showcasing Uzor’s unique ability to seemingly effortlessly fuse together genres ranging from grunge to techno, the album explores notions of escapism in a world that appears increasingly unpredictable. Taken from the album, recent single ‘Cyclops’ pulsates with immense glitchy beats as the seductive power of Uzor’s vocals takes hold, and an immersive dub-inspired energy propels you onto the dancefloor. Keep your eyes peeled for a special interview with Maria on the website over the next couple of weeks. (ML)

NAMELESS TWIN – ‘Neon Machine Gun’
I love everything about this haunting new single from industrial-electronic duo Alicia Rei Kim (Dokoe) and Ryan Osterman (Holy Fawn) aka NAMELESS TWIN. They’ve only released a handful of tracks to date, but all of them have been a perfect blend of their dramatic volume shifts and dark, dreamy electronics. ‘Neon Machine Gun’ is their first new release since 2023, but I hope they’ll be sharing more of their ominous sounds in the near future. (KC)

Ladybug 2 (The Bug, Friday Night Plans) – ‘Miss U’
Under the moniker of Ladybug, UK-based producer The Bug has launched a new collaborative series via his own imprint PRESSURE. The project sees him work alongside different female vocalists to explore new sonic territory, and this track features the voice of one of his personal favourites: Japanese songwriter Friday Night Plans. ‘Miss U’ is another heady, cell-tingling offering from the eclectic collaborators, and if you can’t get enough of the original, the duo have also shared five accompanying “alternate” versions that you can sink your teeth into, available on bandcamp now. (KC)

 

 

Missperception – ‘Into The Glitch’
By combining her love of electronic music, jazz elements and cinematic soundscapes, Yorkshire-based independent artist Missperception creates an infectiously glitchy atmosphere with her music. This aptly titles track ‘Into The Glitch’ is lifted from her recent EP, Static Symphony, which she says is formed of “Four rooms…four transmissions…a signal from the edge, where melody frays into static.” (KC)

 

CLICK HERE TO LISTEN (TIDAL)

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PREVIEW: All Points East / Outbreak 2026

It’s just a few weeks until East London’s annual multi-date festival All Points East is set to return to Victoria Park over the weekends of 21st to 23rd August, and 28th to 30th August, and we can’t wait! With an eclectic range of live music spanning multiple genres, there promises to be something for everyone on offer – showcasing longstanding world-famous megastars as well as platforming newer, rising artists and bands. 

Having been lucky enough over the last few years to enjoy plenty of good vibes and fantastic music at All Points East – including stand-out performances from Gossip, Sleater Kinney, Yeah Yeah Yeahs, Say She She, Amyl And The Sniffers, Hotwax and Be Your Own Pet – we’re very excited about the variety of performances they have in store for us this year! 

The live music kicks off with a very special showcase headlined by Brit award winning songwriter Jorja Smith and two time Grammy winner, Nigerian artist Tems on Friday 21st August. Joined by a line-up including Bradford-born innovative songwriter and producer Nia Archives, hip-hop star Maverick Sabre, electro-pop artist Katy B and loads more, it looks set to be a fantastic day, all carefully curated by Smith and her label FAMM. There are still tickets available here!

Next up, on Saturday 22nd August, New Zealand pop sensation Lorde will be gracing the stage at Victoria Park along with a jam-packed line-up featuring the likes of garage-influenced artist PinkPantheress, Swedish star Zara Larsson and Australian one to watch Esha Tewari. With such a great lineup, it’s not surprising this day is currently sold-out, but if you’ve got tickets, you’re in for a treat!

Then, on Sunday 23rd August, the park will have a bit of a genre reset for ‘Outbreak’. Headlined by multi-platinum Grammy award winning Sacramento alt-metal legends Deftones, the day also pays host to an immense line-up of long-term favourites including Aussie feminist punks Amyl and The Sniffers, nineties goth-rock pioneers AFI and New York indie scene greats Interpol. In addition to these more established names, a number of upcoming bands and artists will also be delivering immense sets on the day – some that I’m particularly excited about include Philadelphia punks Mannequin Pussy, Dublin’s BROOKI, LA shoegazers Clarion, hardcore supergroup-duo Reclus.É and South African punk-pop star Ecca Vandal. Astonishingly, there are still tickets available here!

The following weekend sees two consecutive headline sets from Tyler The Creator on 28th and 29th August, featuring appearances from a range of artists including Turnstile, Mariah The Scientist, Ghostface Killah (!), Faye Webster and Ledbyher. Then, closing out the festival on Sunday 30th August will be Twenty One Pilots, joined by a fierce line-up including PVRIS, The Meffs, Hot Milk and GIHE faves Nova Twins. Still tickets for all three days here.

Whilst we’re obviously mega excited about all the incredible bands and artists set to play Victoria Park at the end of the month (especially personal faves like Deftones and AFI!), in true GIHE style we want to highlight some of the non-male artists that we’re particularly looking forward to – so, we’ve put together a little playlist of a few of our faves who’ll be playing over the two weekends. Have a listen here, and nab a ticket to one of the days now.


Header photo of Mannequin Pussy: Chloe Sarmiento

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PLAYLIST: July 2026

The Get In Her Ears team have put together another eclectic mix of new music tunes for your listening pleasure! Our July Playlist features plenty of shoegaze, grunge & dream-pop riffs, punk anthems, indie musings, emotive ballads and some experimental and electronic soundscapes too. Make sure you scroll through and read all about our recommendations below. Happy listening!

As you already know, in order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Twat Union – ‘TV BIKINY’
Having been a big fan of ‘feminist-feral-theatre-punks’ Twat Union for a while now, finally getting to see their wonderfully chaotic energy live at The Great Escape this year was perhaps my highlight of the festival (along with hosting our very own stage that fellow Alcopop! signees Problem Patterns headlined!). Maintaining their trademark ability to combine resonant critique on patriarchal society with a playful tongue-in-cheek attitude, the band’s new single ‘TV Bikiny’ offers a perfectly empowering alternative summer anthem. A joyous ode to doing absolutely nothing, it’s propelled by all the swirling frenzied hooks and wry, relatable lyricism that we’ve come to know and love from the band – “I don’t want to go outside, I want to stay right here and sweat from my thighs”. Catch Twat Union live (an experience like no other!) for a special joint headline show with Problem Patterns at The Lexington on 10th October.
(Mari Lane – Managing Editor)

Perennial – ‘Modernism’
I remember being told by some friends who got to see New England’s Perennial live when they were last in the UK that it was one of the best shows they’d ever seen. The band’s chaotic frenzied energy was unmatched and the way they interacted with the crowd whilst delivering their immense mod-rock anthems was unlike anything they’d seen before. So, I am extremely excited that we’re going to have them playing for us in October! Come and experience this one-of-a-kind live show for yourself at A L P H A B E T in Brighton on 9th October, along with jangly indie-pop faves Sassyhiya and more TBA. Tickets are on DICE now and they’re cheaper in advance. In the meantime, listen to latest single ‘Modernism’ (and all their back catalogue from the last few years) and get your dancing shoes ready. (ML)

Cusk – ‘Dooms banjo’
Esmé Creed-Miles and Evie Hilyer-Ziegler formed their band Cusk right here in London shortly after meeting at an improv night at cult music venue The Shacklewell Arms. I’ve only just discovered them, but the pair have been busy gigging around the city for the past few years, supporting the likes of DIIV, Geordie Greep and Tiberius B. Now, they’re gearing up to release their new self-titled EP, which is due on the 14th of August via The Bird Records. ‘Dooms banjo’ features on the EP, and credit where credit is due, not only is it an excellent track name, it’s also an urgent rush of heavy riffs and intense, brooding vocals. Cusk will be playing a live show at The Shacklewell Arms on 27th August, where you can hear ‘Dooms banjo’ and more of their stirring sounds in the flesh.
(Kate Crudgington – Features Editor)

Slothrust – ‘Ring The Bell’
Having been a huge fan of Slothrust for years (I think seeing them live in New York back in 2022 may have been the best gig I’ve ever been to), I’ve been super excited to hear they’ve got a new album coming out in September. Ahead of the album, and following recent single ‘Burn The Deck’, ‘Ring The Bell’ showcases all the swirling, immersive allure and fierce scuzzy energy that I’ve come to love so much from the LA band, whilst oozing an underlying dark sense of urgency. Lyrically, it reflects the main theme of the album as a whole: what it means to be human and live in a system designed to exploit our perceived weaknesses by means of capitalism. A perfect slice of ‘Dystopian Theatre Rock’. What They Grow In The Garden, the new album from Slothrust, is set for release on 18th September via Equal Vision Records. (ML)

That Old Quiet Lighthouse – ‘Hands Up’
Featuring Phoenix Rousiamani (Lucy Dacus, Jasmine.4.T), ‘Hands Up’ is the latest single from Manchester-based ‘indie-emo-folk’ band That Old Quiet Lighthouse. An instantly catchy anthem, it combines philosophical musings with a more tongue-in-cheek chorus; fusing together the raw honesty of early noughties American emo with a very British sense of humour and playful energy. Of the meaning behind some of the lyrics, Rousiamani explains: “… I underline the anxiety that comes with striving for conforming beauty, that is rooted in eugenics, homogeneity and smoothness. Instead I try to find a rawer and deeper beauty that is more accepting of our humanity.” (ML)

Roomer – ‘Good On My Own’
A slow-burning offering from Berlin-based dream-rock outfit Roomer here. ‘Good On My Own’ is taken from the band’s upcoming second album, Staircase Made of Rope, set for release on 18th September via Squama Recordings. The track gently explores an emotional inner conflict, through soft vocals, earnest lyricism and evocative use of reverb. “[It’s] a reflection of outgrowing the words that once felt like certainty, and the ones that prolonged goodbye,” Roomer explain. “It’s about learning to be at peace with yourself, even while feeling the quiet pull of something that might be missing.” (KC)

Celeste Madden – ‘Millennium’
A recent discovery of mine who I’m not quite sure how I hadn’t come across before, South London’s Celeste Madden creates heartfelt indie-pop soaked in a gloriously scuzzy haze – my favourite. A breakup song for people too stubborn to let go, ‘Millenium’ showcases Madden’s beautifully glistening raw emotion perfectly. I can’t wait for them to play for us at The Cavendish Arms on 10th September, supporting Gabi Garbutt with The JuOh. Tickets are on DICE now and they’re cheaper in advance! (ML)

atmos bloom – ‘It’s Enough’
I remember being impressed by the lush sounds of atmos bloom when I saw them play live at Brixton’s Hootananny, sharing a bill with faves Whitelands back in 2025. I’m a sucker for dream-pop riffs and floaty vocals, which the duo are well versed in. This track ‘It’s Enough’ is lifted from their new album, Everythingness, which they recently released via Spirit Goth records. It explores “themes of soft power and being enough for other’s demands and expectations”. (KC)

Grandmas House – ‘Blue Oblivion’
Not only is this single from GIHE faves Grandmas House one of their strongest tracks to date, it’s also accompanied by an beautifully shot, atmospheric video. ‘Blue Oblivion’ is lifted from the Bristol band’s debut album, Baby You’re A Winner, which is due on 21st August via Brace Yourself Records. It’s a disarming offering, showcasing the strength and development of the band’s songwriting, perfectly executing the quiet-to-loud dynamic which reflect the themes of “light and dark” that inspired both the conception of ‘Blue Oblivion’ and the entire upcoming album. Alongside the release, Grandmas House have also shared details of a tour of UK record stores this year, kicking off in London at Kingston’s Banquet Records on the 21st of August, and culminating in a hometown in-store at Rough Trade in Bristol on the 27th. The band have also announced a free entry listening party on July 31st at Bristol Beer Factory, which will feature limited edition Grandmas House beer cans, Grandmas House x Pizzarova specials, ‘Spin the Wheel’ prizes and the chance to meet the band’s mascot, The Headless Man from the ‘Blue Oblivion’ video, in person. RSVP here. (KC)

The Big Moon – ‘Gravity’
I was chuffed to see The Big Moon are back with brand new music, having been a fan since I caught them playing live at The Great Escape Festival all the way back in 2016! The four-piece are now gearing up for the release of their new album, Forever, which is due on 30th October via Fiction Records, and for their UK tour later this year, including their biggest headline show to date at the iconic O2 Academy Brixton on Friday 27th November. This single ‘Gravity’ is a buoyant, thoughtful offering from The Big Moon, who are masters at harnessing the joy of life’s meaningful moments (whether they’re big or small) and turning them into indie-pop earworms. Songwriter Juliette Jackson shares more about the track’s inception: “At the time I wrote this song, every time I collected my son from nursery he would run and slam into me and give me the biggest hug. I knew it wouldn’t last forever, and I savoured every one, and this song ended up commemorating that feeling. It’s about a love that you’re never really separated from, just elasticated, ready to snap back together.” (KC)

Catherine Moan – ‘Fabric’
Congratulations to LA-based artist Catherine Moan on the release of her lush new album, CM Ultra. Released via Born Losers Records earlier this month, it’s a heady collection of emotive synth-pop gems, including this latest single ‘Fabric’, a song about “clothing & heartbreak” as well as a desire for change and acceptance on a deeper level. Catherine explains these concepts in more detail: “Love and happiness can recede slowly like a sweater shrinking in the dryer or a hole in a shirt turning into a tear. And as we grow and change like a shirt too small, some things just won’t fit anymore. And fighting change, and trying to force yourself into clothing that doesn’t fit will only damage the model or attire. Existing outside of the gender binary makes it extremely difficult to know where you fit romantically and physically in society, and clothing and outward expression becomes highly significant. To most people the fabric they wear daily is trivial, but to me clothing is political, it signifies your role and place in society.” (KC)

Lido Pimienta – ‘Marea’
I vividly remember interviewing the marvellous Lido Pimienta back in 2020 about her superb album, Miss Colombia. The award-winning Colombian-born artist was such an inspiring and bright presence, so I’m excited to see that she’s now shared her fourth album, Caribenya, with the world. The record’s title is a combination of the words “Caribe” – a nod to Pimienta’s love of the Caribbean and her anti-colonial concerns – and “Enya” – a nod to the Irish singer who Pimienta listens to in order to concentrate while writing. It’s an album that addresses both the political and the personal, but it is also a joyful form of resistance, in which she provides listeners with dancing beats and pop-inspired melodies to counteract the harsh reality and injustices she sees in everyday life. On this track ‘Marea’, Pimienta explores themes of desire, love, and money from the perspective of a young woman who must hustle and sell herself to provide for her family. (KC)

MARiMARi – ‘POP SHUVIT!’
Last month I featured Maripool and now I’m featuring MARiMARi – very different artists, both with a name that really grabbed my attention… No idea why! My narcissistic fondness for her name aside, Liverpool-based hyper-pop artist MARiMARi creates danceably uplifting anthems propelled by a zestful colourful energy and glitchy beats. ‘POP SHUVIT!’ is taken from the (also brilliantly named) debut mini album, MARi Go Round. If you’re at Y Not Festival this weekend, be sure to catch MARiMARi live, I get the feeling it will be a lot of fun! (ML)

Gay Animal – ‘I’m a Gay Animal’
A defiant and incredibly catchy dance anthem that gleefully celebrates queer identity, I couldn’t resist adding this track from Austrian-born, non-binary artist Gay Animal to our July Playlist. Through their music and performance, they “engage with the theme of Queer Ecology”, using their creative processes to “open up conversations about gender and queerness from a more-than-human perspective.” Whether you’re part of the LGBTQ+ community or an ally, you can easily indulge yourself in the big beats and vibes of Gay Animal! (KC)

Black Bananas – ‘Turkey Burgers’
‘Turkey Burgers’ is the latest single from cult art-rockers Black Bananas and their first release in over 10 years! It’s taken from the band’s new album, Bad Bunch, which is set for release on 4th September via Fire Records. It’s a trippy, groove-infused blend of synths, riffs and vocals that drifts beautifully between the ears for five whole minutes. (KC)

Void Queen – ‘Power Sip’
Newly signed to Duchess Box Records (Grandmas House, Agatha is Dead!), Berlin punks Void Queen have shared this cathartic new single ‘Power Sip’. With their heavy riffs and direct lyricism, the band try to capture “the urge to transform the ordinary into something extraordinary, even at the cost of losing yourself in the process”, exploring the grey area between illusion and reality in the process. (KC)

Superfriends – ‘Moths’
Set to release their debut album, King Of The Moths, on 28th August, Brighton indie-punks Superfriends have now shared new single ‘Moths’. Showcasing the band’s tendency to wear their feelings on their sleeve, it offers a perfect example of their scuzzy, emo-tinged anthems about the chaos of everyday life, and both the anxiety and joy that can result from this. We can’t wait for Superfriends to support Fightmilk at The Pipeline in Brighton on 14th August. Tickets are on DICE now and they’re cheaper in advance! (ML)

 

Amelia & The Housewives – ‘Narcissist’
A perfect slice of jangly indie-pop, ‘Narcissist’ is the new single from Brighton ones to watch Amelia & The Housewives. Juxtaposing honey-sweet sparkling melodies with a dry, relatable lyricism, it flows with hints of uptempo ‘60s pop whilst maintaining a gloriously fresh energy. The eponymous debut album from Amelia & The Housewives is out on 2nd October via INH Records (who fast seem to be signing all our favourite bands!) (ML)

Run Remedy – ‘Dissent’
Manchester-based, New Jersey-born Run Remedy’s a brand new favourite of mine who I recently came across through a mutual acquaintance and then we both came to the conclusion that we should have already been pals. Always a nice realisation to have, and even nicer when you realise they have a gorgeous new song coming out. Flowing with delicate strummed hooks and rich melancholic vocals, ‘Dissent’ offers a reflection on those moments where being right outweighs the need to be kind, building with intricate sonic layers and a rippling emotional intensity to a subtly scathing dedication to someone you disagree with. Not At The Table, the new EP from Run Remedy, is out on 11th September. (ML)

Weather Happy – ‘It Leaks Out’
The brand new project from Holly from Berries, Weather Happy is the new rock duo you’ve been waiting for. Formed of Holly on guitar and vocals and childhood friend Harry on drums, they played their debut live show a couple of weeks back to a huge, adoring crowd at The Grace and instantly cemented themselves firmly as here to stay. Platforming Holly’s distinctive songwriting style and seemingly effortless mega riff-creating with Harry’s fierce spiky beats, ‘It Leaks Out’ combines a subtle vulnerability in openly discussing mental health struggles whilst offering a striking, empowering energy. (ML)

Skint Knees – ‘Honey Badger’
Self-described as “your favourite Sheffield girl gang best friends tearing down the patriarchy with riffs, riots and fun facts”, Riot Grrrl trio Skint Knees are a sonic force to be reckoned with. They channel their “anger, joy and defiance” into their politically charged punk anthems, with this track ‘Honey Badger’ tackling themes of stalking and misogyny from “nice guys”. The song is accompanied by a music video which perfectly showcases the band’s raw live energy and playful sense of humour too. (KC)

GRAVE GOODS – ‘REMAINS’
I remember having a great chat with post-punks GRAVE GOODS for our GIHE radio show back in 2020 (listen here), so I was pleased to see their name pop up in my inbox again sharing new music. Following on from their 2022 debut album, Tuesday. Nothing Exists., they’ve now returned as a duo – Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) – with this distinctive new single ‘REMAINS’. The multi-instrumentalists embraced their experimental tendencies during the writing and recording of this track, which explores the constant unease of contemporary existence. The single is also accompanied by a sci-fi inspired video, directed and designed by Lois, complimenting the track’s themes of surrealism. (KC)

POMELO – ‘Nasty Sauce’
This is an evocative soundscape from Amsterdam-based art-pop duo POMELO, lifted from their debut album, LORELESS. Described as a record that urges listeners to pay attention to “where you are and not where you will be”, it’s a captivating listen that showcases the band’s poignant and relatable reflections on the complexities of human existence, and this track ‘Nasty Sauce’ provides a soothing moment for you to do just that. (KC)

LADYBUG 1 ft. Dis Fig – ‘Vanishing’
Long-time musical allies The Bug (Kevin Richard Martin) and Dis Fig (Felicia Chen) have teamed up once again to share this cell-tingling, bass-heavy new offering. Under the moniker of LADYBUG, The Bug has launched a new collaborative series via his own imprint PRESSURE, through which he will work alongside different female vocalists to explore new sonic territory. He kicks off this body of work with LADYBUG 1 and ‘Vanishing’, an immersive, heady track that smoulders with emotional urgency. The track also has four accompanying “alternate” versions that you can sink your teeth into on bandcamp now. (KC)

Million Moths – ‘INNER PIECE’
I love this distinctive, kinetic soundscape from Portland-based dark electronic artist Erica von Trapp aka Million Moths. ‘INNER PIECE’ is lifted from her debut album, spun, and it’s a bewitching blend of acoustic and electronic instrumentation and her clear, intense vocals. The accompanying visuals are just as captivating as the track itself too. Check them out below. (KC)

R Loomes – ‘Passerine’
The magnetic pull of Sheffield-based musician R Loomes’ dark-folk sounds is undeniable. This track ‘Passerine’ showcases her ability to transform her inner musings on the transience of love, time and memory into a beguiling blend of rich vocals and atmospheric riffs. It’s taken from her upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Freyja Elsy – ‘Control’
A cinematic, enigmatic offering from Cardiff-based electro-pop artist Freyja Elsy here. ‘Control’ is her rumination on intrusive thoughts, anxiety and emotional overwhelm, which she explores through her questioning lyricism, emotive vocals and tentative, echoing beats. (KC)

Ayanna Witter-Johnson – ‘Pioneers’
“Itʼs an album about finding centre — personally, culturally, and cosmically — and about learning that new roots can be grown even in unfamiliar or fractured ground,” shares acclaimed composer and MOBO-nominee Ayanna Witter-Johnson about her upcoming album, New Roots. Set for release on own imprint Hill and Gully Records on 18th September, the LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. This track ‘Pioneers’ is lifted from the album, and it showcases her remarkable talent for pairing infectious melodies alongside her poignant lyrics and considered instrumentation. (KC)

Chelsea Wolfe – ‘Cold’
The inimitable Chelsea Wolfe returns with this deeply emotive new dark ballad ‘Cold’. It’s lifted from her upcoming ninth album, aptly titled The Dark, which is due on August 21st via Loma Vista Recordings. Alongside new co-writer Jennifer Decilveo, Wolfe has created an album that centers around the notion of entering the deepest woods and evolving into the the thing that you fear most to ultimately obtain the bravery and resilience needed to move forwards. ‘Cold’ embodies this process, led by Wolfe’s uniquely powerful voice and stripped-back, compelling blend of keys and guitar. She continues to be a real favourite of mine and her commitment to shape-shifting – both emotionally and sonically – is always deeply impressive. (KC)

Georgia Gets By – ‘Dream For You’
This is a gorgeous, hazy offering from New Zealand-born artist Georgia Nott aka Georgia Gets By. I loved her track ‘Split Lip’ which featured on her 2024 EP of the same name, but this latest offering is lifted from her recently self-released album, Heavy Meadow. Her beautiful voice floats over delicate guitar, slowly developing into a fuller band sound as the track approaches its dreamy conclusion. What a talent. (KC)

Black Bordello – ‘Fugue’
Having previously shared stages with the likes of The Libertines and Goat Girl, London-based international art-rockers Black Bordello are set to release their new EP in September. Ahead of the EP’s release, new single ‘Fugue’ oozes a dark anthemic energy and mystical psychedelic allure. In the band’s words, it’s “a joyful stab into the cardboard cutouts on the set of society’s stage. It’s our gift to music nerds, inspired by Bach.” Midheaven Tempest, the upcoming new EP from Black Bordello, is set for release on 18th September. (ML)

The Schla La Las – ‘Hawaiian’
Having been queens of the indie-tease scene in the mid-2000s, The Schla La Las remain a vital force of high-octane energy, inspiring a new generation of girls to pick up a guitar, bass, or pair of drumsticks, grab a microphone and let out a rebel yell all in perfect(ish) three-part harmony. Consisting of original line-up Piney Gir, George Terry, Katrin Geilhausen, Vee Churchill and Delia Dansette, they’ve just released a wonderfully uplifting new EP filled with ‘pop and roll’ anthems which you really need to soundtrack the rest of your summer. The Schla La Las Go Wild is out now – go listen! (ML)

 

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PLAYLIST: June 2026

The Get In Her Ears team have been so busy over the past few months that we forgot to publish our May Playlist…so here’s an extra stacked June version instead! It’s another eclectic mix of new music tunes, featuring shoegaze & alternative riffs, DIY punk anthems, alt-pop musings, and some experimental, instrumental and electronic soundscapes. Make sure you scroll through our recommendations below. Happy listening!

As you already know, in order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN ON TIDAL

 

nazire – ‘leech’
Istanbul-based shoegaze artist nazire released one of my favourite tracks of 2025 – ‘junebug’ – so I’m thrilled that she’s back with new music. This single ‘leech’ is inspired by a dubious friendship and the delayed and prolonged reaction she had to being mistreated by someone she trusted. Her blend of electronic and organic instrumentation and textures reflects these feelings, with her layering of distortion, reverb-heavy riffs and fluctuating vocal styles all culminating into a cathartic, healing cacophony that sees her move past the hurt. ‘leech’ is lifted from nazire’s upcoming debut album, Glitchfolk, which is set for release later this year. I can’t wait to hear it in full.
(Kate Crudgington – Features Editor)

Dogviolet – ‘Daughter’
The latest single from long-time favourites Dogviolet, ‘Daughter’ offers a cathartic reflection on the responsibilities often felt by the eldest daughter in a family. Always a highlight of their live set, its fierce energy propels Naz’s spellbinding rich vocals to the fore, showcasing the visceral splendour this band consistently create. Talking about the track, Naz explains: “When you’re in the throes of your perceived duties as an eldest daughter, you become delusional. Like believing you’re the sun and water for your family… And so you keep smiling and justify the chronic anxiety, exhaustion and constant choosing between your happiness and theirs.”
(Mari Lane – Managing Editor)

Grandmas House – ‘The Table’
GIHE faves Grandmas House are back with another excellent new single. Lifted from their upcoming debut album, Baby You’re A Winner, set for release on 21st August via Brace Yourself Records, ‘The Table’ is a raw reflection on both a failed relationship and the bands’ own experiences of being women in the music industry. Lead by Yasmin Berndt’s distinctive vocals, it’s a potent blend of brooding riffs and driving beats, providing an impressive insight to what we can expect from the band’s debut LP. Grandmas House have also announced a UK & EU tour to support their debut LP. Dates & ticket info here. (KC)

Theatre – ‘Messiah’
Irish five-piece THEATRE are part of a wave of extraordinary Irish acts redefining what the country’s music scene looks like right now (NewDad, Gurriers, Mhaol) and they slot into that company with ease. Recently releasing their debut EP, Incarnate, they’ve showcased their ability to create ethereal, defiant anthems with a brooding atmosphere. Taken from the EP, psych-tinged ‘Messiah’ builds tension through tuning and detuning that creates a constant sense of unease which then gives way to a shoegazy, slightly wonky bass groove, something that would not feel out of place beside early Björk-adjacent experimentalism.
(Ella Patenall – GIHE Contributor)

Shark School – ‘5AM’
Fuelled by a righteous anger, this track from Galway garage-punk trio Shark School is a heavy reflection on the trauma, exhaustion and grief triggered by sexual assault. The bands’ visceral vocals and charged, thundering riffs are a sonic push-back against this deep rooted sense of unrest, making ‘5AM’ an urgent and necessary anthem that cannot be ignored. ‘5AM’ features on Shark School’s debut album, Selachimorpha, available everywhere now. (KC)

Downtown Boys – ‘No Me Jodas’
Having been big fans of Rhode Island’s Downtown Boys‘ fierce industrial punk for a number of years, I was very excited about the release of their new album, Public Luxury, last week. Founding members Victoria Marie and Joey La Neve DeFrancesco let their political drive and desire for change seep into everything they release as a band, and this is certainly showcased in this resonant and powerful collection. Propelled forwards with an empowering drive and seething energy, its themes reflect a bold hope and determination that a better world is possible, whilst simultaneously raging against the horrors that continue to strip the rights of marginalised communities. A resonant retort against the powers that be; a colossal call to arms to unite, resist hopelessness and fight for change. Read about the five albums that inspire Downtown Boys the most in our Five Favourites feature with them. (ML)

Problem Patterns – ‘Bodies’
In the wake of the racist, violent arson attacks in Belfast earlier this month, local DIY punk band Problem Patterns were quick to condemn the vitriol stoked up by the people responsible and to encourage everyone to show support to the victims of the attacks too. In their own words, the GIHE favourites explain: “Belfast has just experienced an influx of horrendous, violent and unfathomable racist attacks on our community. We wrote a song called ‘Bodies’ that we feel is quite relevant right now. We have uploaded a demo of it to bandcamp to help raise funds, all proceeds will go to the anaka collective to raise money directly for those affected by the racist attacks.” Please give generously if you are able to. You can only listen to & download the track exclusively via Problem Patterns’ bandcamp page. (KC)

BIG|BRAVE – ‘an uttering of antipathy’
Deftly capturing the complexity of how it feels to exist in the uncertainty of today’s world, this track from Montréal/Berlin-based heavy trio BIG|BRAVE is a cauterizing sonic blend of unyielding, magnetic distortion and yearning vocals. It’s lifted from the band’s tenth album, in grief or in hope, which is a heavy record for heavy times, but ultimately underscored by intense empathy and a desire to explore and understand the binary oppositions of human nature. (KC)

Emma Ruth Rundle – ‘Powerless’
Inspired by her deeply humane reaction to the barrage of depressing global headlines and inequality on an unprecedented scale, multi-instrumentalist Emma Ruth Rundle penned this poignant track ‘Powerless’. It features on her upcoming sixth album, These Killing Times, which is set for release on 18th September via her own imprint Errant Child. The single is a stunning blend of Emma’s singular vocals and tender keys, that culminate into a thrilling rush of noisy riffs and crashing percussion, packing a cathartic aural punch. “This song – like most of the songs on These Killing Times – is a reaction to the horrors we are seeing laid bare on a daily basis,” Emma reveals. “With ‘Powerless’ – I invoke the hammer; both to destroy and to build something better. I want people to know they are not alone – they are not insane – I wanted to name the thing that has been causing me so much mental, emotional and spiritual anguish. Sometimes singing – especially repeating phrases – can work to fortify one’s self and I think that’s where the bridge of ‘Powerless’ comes in – I refuse to let my agency and resolve become corrupted or diluted by the powers that be and I want others to feel empowered too.” (KC)

Dose – ‘Consumed’
Informed by the dark undertones of narcissism and abuse in romantic relationships, ‘Consumed’ is the latest single from Dublin four-piece Dose. It’s taken from their debut EP, Sycophantic, which they recently released via Pizza Pizza Records. Dose’s skillful blending of hazy riffs, brooding beats and atmospheric synths gives the track its ominous aura, as they contrast the perspectives of the victim and the abuser in the lyrics. I’m a big fan of Dose and hope that they venture to the UK to play a live show soon. (KC)

Marina Yozora – ‘Snow Heat’
Japanese-born, London-based songwriter Marina Yozora explores duality and memory on her latest single ‘Snow Heat’. Lead by her delicate vocals and expanding into a full-band sound with layers of shimmering shoegaze riffs and echoing percussion, the track is a poignant rumination on a brief connection with someone that now exists only in Marina’s mind. To honour the intensity of this fleeting moment, Marina has shared a lyric video to accompany the single, with plans to reveal the official video for ‘Snow Heat’ exactly one year later on the track’s anniversary. (KC)

Penelope Trappes – ‘Sleep’ (Gazelle Twin & PRIZMA9 Rework)
Another extraordinary collaboration here from multi-disciplinary artist Penelope Trappes, featuring the inimitable Gazelle Twin and PRIZMA9. This version of ‘Sleep’ is included on Penelope’s latest LP, Opvs Novum: A Requiem Reworked, which expands on the concepts of death, grief and love that she originally explored on her poignant albums, A Requiem (2025) and Æternum (2025). It’s a twitchy, captivating listen, showcasing the idiosyncratic talents of the artists involved and providing further insight into the shape-shifting musical world that Penelope has nurtured with these eclectic albums. (KC)

Kee Avil – ‘beg’
An unflinching, cell-tingling offering from Montréal-based experimental artist and producer Kee Avil here. ‘beg’ is inspired by the “constant push and pull” of our inner monologues, which she explores through her twitchy vocals and glitchy electronics. Kee Avil has teamed up with NNA Tapes and is writing and recording her new album, Vapor, in real time – releasing the songs in chronological order over the next 12 months, with ‘beg’ being her third single. “My hope is that at the end, a natural cohesion appears,” she explains, “a concept reflecting a frozen moment in time, a process from start to finish.” (KC)

maehem99 – ‘Burn Your Wishes’
Another slice of dark, glitchy electronica from non-binary, Irish-South African artist maehem99 here. Taken from their recent EP, Sexual Commerce, ‘Burn Your Wishes’ was inspired by an experience they had with a partner during a trip to Taiwan, where they physically penned their wishes onto paper and set them alight on the night of the Lion’s Gate Portal – one of the most powerful events in the astrological calendar for manifestation. The ceremony didn’t quite go to plan, resulting in this sonic rumination which is permeated by maehem99’s melancholic lyrics and fluctuating beats. (KC)

Kat Five – ‘Emergency Start’
An electrifying rave-punk fuelled extravaganza, ‘Emergency Start’ from London genre-bending artist and producer Kat Five offers a beat-fuelled call to action to a world that desperately needs a shakeup. Championing art activism, and inspired by the Brian Eno-lead Hard Art Collective, it interweaves eclectic sonic elements, including an arsenal of emergency sounds and field recordings of clattering engines, to create a danceable, empowering ear worm. (ML)

ALT BLK ERA – ‘Our World’
Having completely blown us away when they played live for us at The Shacklewell Arms a few years back, Nottingham sibling duo ALT BLK ERA have since been carving out quite a name for themselves, receiving a MOBO award and appearing on Later With Jools Holland. They’ve just released a genre-blurring new EP, Our World, a fusion of immense soundscapes reflecting on devastating world events, alongside the importance of trying to find beauty amongst it all. They explain: “We want to highlight the significance of simple joys and acts of love as forms of resistance. This EP takes listeners from feelings of helplessness to a place of hope, reminding us that small acts of kindness truly matter.” (ML)

Catherine Moan – ‘No Magic’
This is a gorgeous slice of synth-pop from LA-based artist Catherine Moan. Lifted from her upcoming album, CM Ultra, due on 17th July via Born Losers Records, ‘No Magic’ is permeated by Catherine’s floaty vocals, buoyant synths and infectious beats. Despite its upbeat nature, the single is inspired by “spiritual coping mechanisms in the face of difficulty…about coming down to reality and accepting that there are things you can never change”. I’m a big fan of her bittersweet electronica and I’m looking forward to hearing Catherine’s new record in full. (KC)

Ibibio Sound Machine – ‘Concept Of Love’
Consistent purveyors of colourful afro-punk, London-Nigerian collective Ibibio Sound Machine are set to release a new album on 11th September. Ahead of its release, they’ve shared ‘Concept Of Love’. Made in reaction to an increasingly unstable world, it oozes their trademark infectious joyous energy and soulful spirit, offering a message of resistance and unity. (ML)

Kloyd ft. Tonguetied – ‘Everything (For You)’
A euphoric piece of electronica from Yorkshire-born, London-based producer Kloyd here. ‘Everything (For You)’ is taken from her brand new mixtape, New Love, released via Underplay x Anjunadeep earlier this month. Featuring the voice of Londoner Tonguetied and guitar from Duncan Grant (Kuleeangee), Kloyd has shared her most upbeat offering to date, providing listeners with a blissful mix of dancing beats and lilting vocals. (KC)

Mas Aya with Lido Pimienta – ‘Vamos Pa Lante’ (Edna Martinez Remix)
This wonderful collaboration between three eclectic artists features on Flowers Not Bombs, a compilation album released via our friends at independent label Beacon Sound. They have put together another thoughtful collection of songs to raise money for Palestinian mutual aid groups operating in Gaza, with the profits being donated to the Arab Group for the Protection of Nature, as well as the Palestinian Teacher Creativity Center. Flowers Not Bombs is available as a digital download and limited cassette exclusive to bandcamp. Please give generously if you are able to. (KC)

 

GOOD GRIEF – ‘Bait Shop’
Self-described as “if wet leg and boygenius had a sleepover [see: a bag of chips, prank calls and a couple of cries]”, I love this single from Seattle-based duo GOOD GRIEF. Bandmates Ella Scudder-Davis and Wendy Walcoff befriended each other in an online grief group after they both sadly lost their Dads. They decided to start making tunes together and ‘Bait Shop’ being their debut release. Inspired by a late night escapade at a local fish-themed dive bar, the track’s narrative centres around the residual affects of grief and how they can interrupt something as simple and fun as a date night. With their candid lyricism and buoyant riffs, GOOD GRIEF channel their despair and dissatisfaction into intensely relatable and uplifting alt-folk anthems. They’re currently working on their debut album, the aptly titled Not Over It, so keep your eyes peeled for more info about that in the near future! (KC)

Brennan Wedl – ‘Pretty Little Fantasy’
Having just announced the release of her eponymous new album in August, Nashville based artist Brennan Wedl has now shared the first taste of what’s to come. A message of personal power and gender expression, ‘Pretty Little Fantasy’ is propelled by a snarling energy as grunge-fuelled hooks provide the backdrop for Wedl’s fiercely raw, Sheryl Crow-reminiscent vocals. A perfect fusion of genres, creating a wonderfully self-labelled ‘grungetry’ sound, the album is co-produced by and features the musical talents of Katie Crutchfield (Waxahatchee) and Brad Cook (Bon Iver), as well as seeing appearances from Lindsey Jordan (Snail Mail), and more; a perfect testament to collaboration. (ML)

Maripool – ‘Crossing’
The latest single from Lisbon-born, London-based artist Maripool, ‘Crossing’ offers a gorgeous lilting emotion and fuzzy musicality, blending elements of shoegaze and stripped back indie to create something entirely of itself. The single’s taken from her upcoming debut album, Rotten Luck, an expansive and beautifully introspective collection reflecting on themes of identity and migration. Rotten Luck is set for release on 28th August via Lost Wisdom. (ML)

Argonaut – ‘Sugar Free’
With the recent release of their third album, Interrupted, London DIY legends and longtime faves Argonaut showcase their ability to reflect on poignant themes such as depression and burnout with a fuzzy, synth-driven allure and punk-fuelled spirit. We can’t wait for them to open our next gig, this Thursday 2nd July at The Cavendish Arms, supporting Breakup Haircut with Capsuna. Tickets are on DICE now and cheaper in advance! (ML)

Girl Apocrypha – ‘Thank God!’
Blending a playful charisma with a dark grunge-tinged sound, Brighton’s Girl Apocrypha released ‘Thank God!’ last month, following a captivating performance at The Great Escape. Rippling with a sweeping majesty and raw majesty, it showcases this new artist’s ability to create evocative genre-defying anthems. (ML)

The Black Wizards – ‘Loose’
Following the fierce power of recent single ‘Killing The Buzz’, Porto based ones to watch The Black Wizards are now back with another blues-tinged offering. “ A groovy wandering on anxiety thoughts and feeling trapped inside your own head”, ‘Loose’ showcases the band’s catch garage-rock swagger and relentless riff-heavy groove perfectly. A trippy dose of nostalgia with a fresh dark allure. (ML)

Read The Room – ‘Discipline’
Following fierce debut single ‘Phoenix’, and having delivered a fierce debut London gig for us at The Cavendish Arms a few months ago, Norwich rockers Read The Room are back with a brand new angst-driven offering. Reflecting on the personal feelings of guilt and frustration that can come with struggling with everyday tasks whilst being aware of the scrutiny the world is under right now, it offers a cathartic impassioned release of emotion. (ML)

Team Dresch – ‘One Song’
I remember first hearing Team Dresch; I think I was about nineteen and a friend who I lived with at uni had put ‘Fagetarian and Dyke’ on a mix CD for me, knowing that I loved Sleater Kinney. I was of course instantly intrigued; their raw, scuzzy, queer-tinged Riot Grrrl sound had me hooked, so to hear that they’ve just announced their first album in thirty years is pretty exciting! Our first taste of the album comes in the form of new single ‘One Song’ – “a love song to our young selves from our present selves. It’s a song of hope and power for all the young queers who are dragged into the struggle. It’s also a song for the elders who have built defenses from years of working and care-taking and being pounded by life.” Furthermore, the upcoming new album from Team Dresch, is out 18th September via Jealous Butcher. And, if that’s not exciting enough, they’ll be playing a special one-off headline show at The Lexington on 30th September! Tickets here. (ML)

Chuck SJ – ‘Ur Not My Mum’
Innovative artist and activist Chuck SJ has been a big favourite at Get In Her Ears for some time now, having played live for us on more than one occasion, including most recently supporting Irish queer punks Strange New Places at The Rossi Bar in Brighton. Now, continuing their development as an artist and organiser, they’ve introduced the Byenary record label: “A place for all those assigned flawed and miscreants at birth to find and create music that they can see themselves in. We support trans and queer artists to access and thrive in the music scene, focusing on analog physical music and community events.” To celebrate the record label’s launch, Chuck’s released an empowering new folk-punk anthem ‘Ur Not My Mum’. (ML)

Trash Panda Go Kart – ‘Happy When It Rains’
Self-described “power-twee lesbian raccoon-rock” Seattle band Trash Panda Go Kart may win the prize for best band name ever, and their music is pretty great too. Introducing themselves to our ears with a Jack Endino produced cover of the Garbage classic, ‘Happy When It Rains’, they’ve cemented themselves as firm favourites with their gritty, riff-heavy “cigarette-mom” sounds and top tier descriptions of their own music! (ML)

Tomboy Grandpa – ‘Anybodys’
Last month, twee queercore supergroup of dreams Tomboy Grandpa released their debut single ‘Anybodys’ and I couldn’t be happier about it. Featuring Healey from Fightmilk, Carl from adults and Jen Denitto from BCOS RSNS (amongst others!), the band’s incredibly cute repertoire focuses on songs inspired by queer characters in film, including The Meg and cult sapphic classic But I’m A Cheerleader. This first official single, however, offers a reflection on Anybodys from West Side Story – a character with hardly any lines, depicted as a tomboy in the original film and explicitly trans in the 2021 remake. Healey from the band explains: “I’ve loved this character since childhood and always felt robbed that they didn’t get a song of their own. So please picture this song happening right before Tony goes and has a big fight.” (ML)

BISHI – ‘Taboos Around The World’
Congratulations to British-Bengali multi-instrumentalist & composer BISHI on the release of her first original film soundtrack! She wrote the score for MAYA: The Birth of a Superhero, which is a 30 minute immersive VR animated film that forms part of Blood Speaks, an award-winning, law-changing multimedia project by activist Poulomi Basu, exploring menstrual exile and violence against women in South Asia. BISHI’s intuitive and eclectic instrumentation compliments Basu’s important vision, with this track ‘Taboos Around The World’ beautifully showcasing BISHI’s unique artistry. (KC)

Midori Jaeger – ‘Planted’
Initially introduced to Midori Jaeger when she played cello in Tanita Tikaram’s band at Royal Festival Hall last year, I’ve been such a fan of her debut EP, (Un)planted, since it came out in March. I’m now very much looking forward to her upcoming new collection, its predecessor’s counterpart – (Re)planted – in August. Taken from the EP, new single ‘Planted’ reflects on Midori’s personal experiences of migration after moving from the Japan to the UK as a child, before returning to Japan when she was sixteen. Alongside its lilting, syncopated cello melodies, her rich vocals soar with a raw emotion, creating a beautifully immersive soundscape. (Re)planted is out on 26th August. (ML)

Laura Misch – ‘Soften’
This gorgeous, lilting track is lifted from Laura Misch’s second album, Lithic, released via iconic label One Little Independent Records. ‘Soften’ is a tender ode to weathering the storm, both emotionally and geologically, and is inspired by the writings of Ruth Allen. Laura penned the track after visiting Bodmin Moor, which she explains further: “Featuring medieval symphonie, a hurdy-gurdy, droning beneath the surface, this song was partly inspired by a pilgrimage I made to the extraordinary giant balancing stones on Bodmin Moor, called the Cheesewrings. These granite rock formations are a natural geological phenomenon, their edges weathered into softened curves over time through the harshest of storms.” To celebrate the release of her new album, Laura will play her biggest headline show to date at London’s Barbican Centre on 3rd July. (KC)

Cinder Well – ‘While The Womb Screams Silently’
This poignant track from multi-instrumentalist Amelia Baker aka Cinder Well is inspired by the film Portrait of A Lady On Fire, directed by Céline Sciamma. Amelia was moved by the themes of patriarchal repression and control within the narrative and the idea of “listening to your inner knowing, which often screams loudly but is ignored for the sake of conforming”. She has personified these thoughts through tender keys and emotive lyricism on ‘While The Womb Screams Silently’, which is lifted from her upcoming album, A Blooming Body, due on 17th July via Hen House Studios. (KC)

Mother Church – ‘The Long Way Round’
An unlikely collaboration between a founding member of much-hyped London band HMLTD and an ordained reverend, Mother Church interweave theological themes and plainsong with elements of alternative folk and literary inspirations, offering an enthralling splendour and intrigue with all they create. Set to release their debut album in the Autumn, new single ‘The Long Way Round’ is an Adam and Eve inspired story of desire with references to Christina Rossetti’s gloriously sapphic poem, The Goblin Market. With its atmospheric folk-strewn musicality lilting alongside Gutteridge’s glistening celestial vocals and rich lyrical narrative, it’s a perfect glimpse into the captivating majesty of the world that Mother Church have created. (ML)

Will o’ The Whisperer – ‘Poison Ivy’
Scottish born, Netherlands-based non-binary DIY songwriter Will o’ The Whisperer penned ‘Poison Ivy’ as a protest anthem against the continuing rollback of trans rights. Their passion for protecting the trans community cuts through in their direct lyricism and impassioned vocals, carving out a sonic space for their siblings in the process. Speaking about ‘Poison Ivy’, Will o’ The Whisperer explains: “While this is a song filled with a lot of anger and righteous rage, it is a song that champions solidarity above everything…asking for togetherness against the rising tide of fascism.” (KC)

B Of Briz – ‘Avarice’
With a PHD in Philosophy, as well as having won the Future Sound Of Bristol aware in 2023, innovative Bristol rapper and producer B Of Briz prides themselves on combining their commitment to social justice and their love of hip-hop in all they create. Set to release their new album later this year, they’ve now shared new single ‘Avarice’, a fierce anthem propelled by deep beats and Briz’s resonant, timely and stirring poetic lyricism. A powerful and necessary commentary on society’s injustices reminiscent of the likes of Kae Tempest or The Streets. (ML)

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