GIHE: Tracks Of 2024

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2024.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2024’ ahead of features on our favourite albums, ‘Personal Highlights’ and ‘Ones To Watch 2025’. Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! Then, please do follow the artists you love on all platforms – download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are!

ARXX – ‘Crying In The Carwash’
Here at GIHE we make no secret of our immense adoration for the Brighton duo. And this year has been a pretty wonderful one for Hanni and Clara – we could not be happier for them doing so well and living their dreams. They’ve released an incredible album, played Glasto, been on tour with Fletcher and sold out a load of dates on their own headline tour of Europe. Kate and I were lucky enough to catch them at Lafayette last month, and it was such an uplifting and emotional night – they put on a fantastic show, and just seem to get more and more incredible every time we see them. We can’t wait to see what 2025 brings for these faves. Good Boy, the latest album from ARXX, is out now via Submarine Cat Records.
(Mari Lane – Managing Editor)

Circe – ‘Blue Love’
I have been OBSESSED with this song from dark-pop artist and GIHE fave Circe since she released it in March. ‘Blue Love’ is intense, candid and sultry – a BIG FEELINGS anthem that sets my cells alight every time I hear it. Circe described this offering as “Karen O produced by The Cure during their Disintegration era” and I wholeheartedly agree. ‘Blue Love’ is all about being love bombed and dealing with fuckboys, swirling in the ashes of disappointment and rising from them in defiance. I can’t get enough of it and it was a pleasure to hear it live when Circe played it at Camden’s Electric Ballroom when she supported The Midnight. Full review of the show here. 
(Kate Crudgington – Features Editor)

Tom Rasmussen ft. Romy – Never Look Back
A definite highlight of 2024 for me was seeing Tom Rasmussen finish their UK tour at KOKO, it was an incredible show and you really felt it. I also got to see Romy play at Drumsheds for the False Idols event in November, and my knees are still not back to normal. I just could not stop dancing.
(Tash Walker – Digital Editor)

Freak Slug – ‘Spells’
Freak Slug, aka Manchester artist Xenya Genovese, has definitely been one of my favourite new discoveries of 2024. Having released her debut album, I Blow Out Big Candles, in November, her music combines her glistening sultry allure with a fizzing quirky energy, and this track is an instant earworm that had me hooked on Freak Slug the first time I heard it. I’m hoping to finally catch this exciting new artist live at Moth Club on 22nd May next year. You can nab your own tickets for her Spring tour here. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her third album, Gold, which she released in April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the record is a dynamic, intricate musing on the shifting nature of love, time and change. (KC)

Blonde Maze – ‘Beside You’
I’m not sure a year goes by that I don’t include New York artist Blonde Maze on my highlights of the year, and there’s a reason for that. She continues to make truly exquisite soundscapes that never fail to soothe and captivate, and this single from March this year is no exception. There is just something about the twinkling grace, swirling energy and blissful uplifting energy that I find completely immersive and utterly cathartic. Having been a mega fan since she was one of the first guests on our radio show nearly ten years ago, I’m so grateful to all that Blonde Maze creates; euphoric sonic journeys to ease the stresses of every day life. (ML)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this single from indie band Ideal Host is their poppiest offering to date. I love the way Heather’s soft vocals blend seamlessly with the band’s buoyant riffs, lilting electronics and catchy beats. (KC)

Fears – ‘4th of the 1st’
This single from Dublin-born, London-based interdisciplinary artist Fears is a poignant reflection on emotional resilience and self-soothing. Taken from her second album, affinity, which she released in March via her own label TULLE, ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. I’m a big fan of everything that Fears does and it was lovely to have her back in the studio as a guest on our Soho Radio show again this year. Listen back to our chat here. (KC)

Roller Derby – ‘Dreams’
Hamburg duo Roller Derby are set to release their debut album next year, and this year they’ve shared four gorgeous singles as a taster of the exquisite atmospheric dream-pop that they’re able to create, including the glistening splendour of ‘Dreams’. They headlined for us at the beginning of the year, selling out the Shacklewell Arms with such a beautifully immersive set. And we can’t wait to have them play for us again next May – at The Lexington on the 9th and at The Rossi Bar in Brighton on the 10th. Tickets here. When The Night Comes, the upcoming debut album from Roller Derby, is set for release on 28th February 2025. Pre-order here. (ML)

afromerm – ‘reciprocity’
This single from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more from her. (KC)

Breymer – ‘When I Get Through’
Having released their latest album When I Get Through in October, Minnesota born artist Sarah Walk – aka Breymer – creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality, it reflects on a personal journey of self-discovery with a stark honesty. A truly exquisite collection. (ML)

Dogviolet – ‘Violets’
Having played their first ever gig for us back in 2022!, this year’s ‘Violets’ was the first proper single from Dogviolet. And it was worth the wait. I love the soaring celestial splendour they are able to create and felt honoured to help them promote their special single launch show at The Victoria in October – a night of beautiful music, and beautiful scents, as they’d decorated the venue with purple flowers! I’ve been lucky enough to see them live numerous times this year – as well as their single launch show, they kindly stepped in and played at our gig at New River Studios supporting Kara Delik, I saw them at The Lexington supporting other faves Berries, and they played Croydon festival Cro Cro Land -, and I’m excited to see them many more times in 2025. (ML)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen have been one of my favourite new music discoveries this year. They’ve released a string of excellent singles throughout 2024, but ‘Lust’ is the standout one for me. It’s an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. I’m really looking forward to hearing their new EP, Quiet Pleasures, when it’s released in February next year. (KC)

Pink Milk – ‘You Will Follow Me to Hell’
A gorgeous piece of goth-rock-electronica from Swedish act Pink Milk here. It’s taken from their excellent album, Night On Earth, which is inspired by dystopian science fiction fantasies and marks a heavier, darker new era in sound for the band. Their gloomy, cinematic soundscapes are a real sonic delight. (KC)

Slung – ‘Fire To Burn’
I was gutted to miss Brighton four-piece Slung when they played a GIHE gig in May at Sebright Arms. They’ve released a handful of heavy, brooding singles this year and ‘Fire To Burn’ is my favourite. It’s inspired by witchcraft and more specifically, bassist Vlad’s own ancestor who was regarded as a ‘superwitch’ in her village. She was initially perceived as a healer, but eventually she faced persecution from those who once sought solace in her remedies. I Love Katie Oldham’s vocals on this track, they’re the perfect mix of gritty and theatrical. (KC)

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’, from punks on the rise Lambrini Girls, was one of a string of equally raging singles this year. Showcasing the Brighton band’s fierce racing energy and ferocious sense of urgency, it cements them as a true formidable force to be reckoned with. Having seen them take the music world by storm in 2024, I can’t wait to FINALLY catch Lambrini Girls live at Brixton Electric next April. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps shared this raging, honest and utterly necessary pro-choice anthem at the beginning of the year. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, it showcases the band’s ability to create a perfect balance of unifying joy and rage that has never felt more urgent. (ML)

NEXT TO NADA – ‘Moths’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ debut EP, WHINE // MOTHS – a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Pigeon Dog – ‘Jumpy Cow’
Combining the brooding intensity of grunge with the infectious groove of post-punk, Pigeon Dog’s ‘Jumpy Cow’ is anchored by a funky, driving guitar riff, compelling you to move while immersing you in its shadowy atmosphere. The low, raspy vocals deliver a hauntingly melancholic melody that lingers long after the song ends, leaving you craving another listen. (We caught Pigeon Dog supporting Dogviolet at their single launch show in October – a new favourite for sure!) (Ella Patenall – Contributor)

Hello Mary – ‘0%’
It took me about 10 seconds of listening to ‘0%’ for me to decide that I loved New York trio Hello Mary. This track captures their dynamic blend of grungy riffs, unpredictable beats and defiant vocals perfectly. It features on the band’s second album, Emita Ox, which they released in September. I caught Hello Mary’s set at The Windmill in Brixton and I was equally as impressed by their live rendition of this track. (KC)

adults – ‘Trouble’
South London’s adults have been one of my faves for a few years now and so I was super excited about the return of their trademark jangly melodies and scuzzy energy this year, showcased perfectly in this stirring track. I was lucky enough to catch adults live supporting Fightmilk (more on them later) with Tugboat Captain at Paper Dress Vintage last month – a pretty dreamy night of live music. ‘Trouble’ is taken from …In The Big League, a split EP from adults and Oxford band Spank Hair, which is out now via Fika Recordings. And I’ve heard that there will be plenty of new music to come in 2025 – I can’t wait. (ML)

Sacred Paws – ‘Another Day’
After a five year hiatus, we were excited that London / Glasgow duo Sacred Paws returned to our ears last month. We love everything that Ray Aggs does; we were honoured to have them headline one of our gigs earlier this year, and the revival of this project with Eilidh Rogers came as a very welcome surprise. Flowing with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, ‘Another Day’ introduces a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait! (ML)

Dream Phone – ‘Fogo’
Having been utterly brilliant supporting Ray Aggs for us back in April, Oxford duo Dream Phone are one of my favourite new discoveries of the last couple of years. With its playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about them; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here and make sure you catch Dream Phone live as soon as possible! (ML)

Zamilska ft. huskie – ‘Odyssey’
I’ve been following Polish electronic artist Zamilska through GIHE for a while now, and she never fails to impress me with her eclectic soundscapes. This track ‘Odyssey’ features on her album, United Kingdom Of Anxiety, which she released in October via Untuned Records (her own label). It’s an intoxicating post-apocalyptic tinged record that totally enraptures the senses. Zamilska also supported Kim Gordon on her European tour this year. I hope 2025 is just as prosperous for her. (KC)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s album, Ireti, which she released in May via Accidental Records. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2024 playlist now, and please be sure to check them out and support their work (listen/download/buy in places other than Spotify)!

And keep an eye out for our Albums & EPs Of The Year, 2024 Highlights & Ones To Watch for 2025…

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Get In Her EarsLeave a comment

PLAYLIST: November 2024

The Get In Her Ears team have put together another mix of alternative, grunge & shoegaze anthems, eclectic electronic soundscapes, alt-pop tunes and indie-folk musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Kills Birds – ‘Behind’
Mari & I saw LA band Kills Birds live at Hackney’s Moth Club back in 2022, and I remember front person Nina Ljeti being a colossal force on stage. It’s great to see that the band are back with ‘Behind’, a seething new anthem and their first new music since their second album, Married (2021). Check out the accompanying video for the track here.
(Kate Crudgington – Features Editor)

Girl Tones – ‘Fade Away’
A proper stomper of a track from sister duo Girl Tones here! ‘Fade Away’ is their debut offering, produced by Brad Shultz of Cage The Elephant and released via his label Parallel Vision. The pair blend visceral riffs, propulsive beats and defiant vocals together to create this irresistible cacophony of noise. Watch the accompanying video here. (KC)

Sacred Paws – ‘Another Day’
After a five year hiatus, we’re super excited that London/Glasgow duo Sacred Paws have returned to our ears. We love everything that Ray Aggs does and were honoured to have them headline one of our gigs earlier this year, and now the revival of this project with Eilidh Rogers comes as a very welcome surprise. Reflecting on the theme of remaining positive in the face of heartbreak, new single ‘Another Day’ flows with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, whilst introducing a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait!
(Mari Lane – Managing Editor)

Alien Chicks – ‘Babe’
I’ve been following Brixton trio Alien Chicks since Mari booked them for a GIHE gig back in 2022. Since then, their dynamic, blistering anthems have seen them support Mercury Prize winners English Teacher on their UK tour, and they’ve released their debut EP, Indulging The Mobs. ‘Babe’ is another antagonistic offering from the trio that playfully explores the idea that “we’re all masochists, politically and socially.” (KC)

Jæd – ‘Sight Gas Went Uh’
Another unique offering from London-based Irish-Puerto Rican musician Jæd here, taken from her debut album, I Loved The Gauntlet And There Was No Other Way. Set for release tomorrow (29th Nov) via cult Irish label The Delphi Label, the record is a visceral, eclectic cacophony of sounds inspired by the uncertainty and hardship that Jæd has lived through. She played a GIHE gig for us in October last year supporting Pixie Cut Rhythm Orchestra and we were all blown away by her stage presence, dynamic vocal range and guitar playing. ‘Sight Gas Went Uh’ is the perfect example of all three. Watch the accompanying live performance video here. (KC)

Eilis Frawley – ‘Fall Forward’
Having recently headlined for us at New River Studios as part of Kara Delik, Berlin-based musician Eilis Frawley has now announced the release of a new solo album in March next year. Ahead of the album’s release, she has shared title track ‘Fall Forward’. Interweaving whirring layers of sound, it combines glitchy electronics with Frawley’s distinctive poignant lyric storytelling and propulsive drum beats. Building with a searing sense of urgency to a glistening cacophony, it showcases Frawley’s ability to create innovative kaleidoscopes of sound. Fall Forward, the upcoming album, will be released on 7th March, and is co-produced by Frawley and Kat Frankie. Eilis Frawley will also be over in the UK for some live dates with her band next May – keep your eyes peeled! (ML)

M(h)aol – ‘Snare’
“‘Snare’ is about countless conversations I’ve had since my first drum lesson on my ninth birthday about how bizarre it is that I play that instrument, or how I should be doing it differently,” explains M(h)aol’s lead vocalist and drummer Constance Keane. “The idea of society gendering an inanimate object like a drum kit, when it’s something that brings me so much joy and release, has always frustrated me hugely, and I thought it was time to sing about it.” I’ve been a big fan of Irish post-punks M(h)aol since they released their debut single ‘Laundries’ back in 2020, and despite recent lineup changes, it’s great to see that the band have lost none of their momentum. ‘Snare’ is another potent anthem about autonomy and empowerment, delivered with the band’s trademark visceral grit. (KC)

Glixen – ‘Lick The Star’
I’ve loved everything that Phoenix shoegazers Glixen have released this year. Taken from their upcoming EP, Quiet Pleasures, which is set for release on 21st February 2025, their latest single ‘Lick The Star’ smoulders with longing, building from it’s gentle atmospheric intro into a potent wall of sound. (KC)

Brutus – ‘Paradise’
Belgian heavy trio Brutus are back with this majestic new track ‘Paradise’. Originally written for the Streamz Original drama series Putain, it’s full of the band’s trademark heavy riffs and drummer Stefanie Mannaerts’ impressive vocals. (KC)

Disarme – ‘Change’
I love this bittersweet debut single from Franco-Malagasy artist Disarme. Driven by a palpable but sublime sense of melancholy, ‘Change’ is inspired by the loneliness and disillusionment that can come from living in fast-paced, expensive city environments. Through her gentle vocals and evocative guitar riffs, Disarme attempts to soothe these pangs of anxiety. (KC)

Claire Pitt Wigmore – ‘Cerebellum’
Creating swirling slices of psychedelia, Margate musician Claire Pitt Wigmore and her band have recently shared new a EP. With lyrics reflecting on Claire’s experience of cancer and the treatment that follow, it fuses together elements of psych, shoegaze and jazz, it offers a stirring exploration of facing this immensely challenging experience at such a young age. Title track ‘Cerebellum’ fizzes with whirring hooks alongside Claire’s emotion-strewn vocals; an immersive introduction to what this new Kent band are capable of creating. (ML)

Janita – ‘Real Deal’
Inspired by two of her favorite films – The 400 Blows and Butch Cassidy and The Sundance Kid – this pop rock track from Finland-born artist Janita celebrates the joy of rebellion. It’s taken from her upcoming album, Mad Equation, which is set for release in May 2025. (KC)

Gay Skeleton Club – ‘W3t L3g’
London based queer DIY band Gay Skeleton Club formed at First Timers Fest last year and have been total faves of mine since they played live for us at Matchstick Piehouse in December. I just love their fizzing pop-punk sounds and quirky, tongue-in-cheek energy, and this track about the the infamous band that everyone seems to love to hate really is a total bop. It’s taken from the band’s new 7 track demos EP, and showcases the band’s raging, fun-filled spirit. I cannot wait to have them play for us again soon. (ML)

Roller Derby – ‘Emily’s Dance’
Hamburg dream-pop duo Roller Derby recently announced the exciting news that they will be releasing their debut album in February next year and have now shared the fourth single to be taken from it. Reflecting on the juxtaposed feelings of powerlessness and fascination in the face of the universe, ‘Emily’s Dance’ interweaves atmospheric dream-pop with shades of ‘80s synth-pop, creating a swirling, mystical soundscape. This new single is accompanied by beautifully animated video, perfectly encapsulating the essence of the track – have a watch here. When The Night Comes, the debut album from Roller Derby, is set for release on 28th February, and the band will be over in the UK for a little run of dates in May – nab tickets here. (ML)

Joni – ‘Avalanches’
Having toured with the likes of Laura Viers and Aqualung and written for many of the biggest names in pop, London-based American artist Joni has now shared her brand new single. Oozing a glistening emotion, ‘Avalanches’ offers a poignant reflection on the duality of love and heartbreak, as it flows with lilting melodies and heartfelt- sugar-sweet vocals. (ML)

All Cats Are Beautiful – ‘livin a life on splitscreen’
In 2021 London based duo All Cats Are Beautiful released their gorgeous mini album, The Things We Made. However, playing gigs and writing new songs then fell to the back burner when Ky from the band’s partner of ten years suddenly tragically passed away that same year. Now, three years on, Ky and Elena finally feel ready to share new music with EP, Just Kids; a heart achingly beautiful reflection on love and loss. The opening track from the collection, ‘living a life on splitscreen’ oozes a swirling emotion-rich splendour. As delicate electronic hooks and a twinkling rippling energy provide the backdrop for the vulnerability and raw emotion of its nostalgic reflective lyricism, it offers glistening shades of hope as it reflects on a roadtrip across LA that Ky took with their partner a year before the tragedy occurred. The rest of the EP delves into stark reflections on the pain that comes with losing someone you love intensely; as the band so perfectly put it: “grief is just love with no place to go”. Thank you to Ky and Elena for sharing such a beautifully cathartic and honest collection with us. (ML)

Dirt Flirt – ‘Dramatic’
The solo project of London-based multi-instrumentalist Kit Eaton-Kent, Dirt Flirt reflects on queer identity, playfully combining introspective lyrics with glitchy beats and a playful energy. Exploring the complexities of being your own worst enemy, new single ‘Dramatic’ showcases her rich emotive vocals with a swirling empowering energy, creating an instantly catchy slice of alt-pop. (ML)

Cults – ‘Onions’
New York duo Cults have just rounded up their EU & UK tour, in celebration of their most recent album, To The Ghosts. This track ‘Onions’ features on the record, fizzing with its playful synths and Madeline Follin’s honeyed vocals. (KC)

paun – ‘counterintelligence’
‘counterintelligence’ is the latest single from Berlin-based, non-binary electronic artist paun. They lean into “grimey, futuristic and IDM-inspired” territory here, with their elastic synths and twitchy beats. paun is currently working on a new EP, which will be released in the near future, so keep your eyes peeled for that. (KC)

Birthday Problem ft. Molly O’Mahony – ‘The Language Of War’
Another eclectic creation from Irish collaborative electronica project Birthday Problem here. Formed of Matt Harris and Rocky O’Reilly, ‘The Language Of War’ is their seventh single, featuring songwriter Molly O’Mahony. Her vocals float over sci-fi synth textures and twitchy beats, creating a commanding soundscape inspired by the paradoxical nature of war. (KC)

afromerm – ‘reciprocity’
This track from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more. (KC)

Elsa Hewitt – ‘White Mirror’
Another exquisite electronic soundscape from GIHE fave Elsa Hewitt, lifted from her upcoming album, Dominant Heartstrings. Elsa also released an album called Chaos Emeralds earlier this year, which is one of my favourite records of 2024. (KC)

Kathryn Mohr – ‘Driven’
The music of Oakland-based artist Kathryn Mohr is new to my ears, but I was instantly captivated by her otherworldly sound. This track ‘Driven’ is taken from her upcoming album, Waiting Room, which is set for release on 24th January 2025 via The Flenser. Mohr wrote and recorded the LP over the course of a month, within the walls of a disused fish factory in Iceland and surrounded by remote nature. The result is an intense rumination on the human condition, tethered together through her veiled vocals, field recordings and affecting instrumentation. (KC)

Penelope Trappes – ‘Sleep’
Newly signed to One Little Independent Records, I love this gloomy rumination from Brighton-based, Australian-born artist Penelope Trappes. Taken from her upcoming album, A Requiem, which is set for release on 4th April 2025, ‘Sleep’ is a reflection on the sublime power of nightmares and night terrors, with her haunting voice guiding listeners through her heavy atmospheric instrumentation. When I bumped into Penelope at Supersonic Festival in September earlier this year, she told me that she would be releasing this track and that the marvellous Maxine Peake and Kate Dickie would be starring in the accompanying video, directed by the excellent Agnes Haus. Watch it here. (KC)

MAUD THE MOTH – ‘Siphonophores’
Spanish-born, Scotland-based multi-instrumentalist Amaya Lopez-Carromero aka MAUD THE MOTH has shared this new single, alongside the announcement of her new album, The Distaff. Set for release on 21st February 2025, the LP is an “ethereal but violent” amalgamation of autobiographical experiences, folklore and Greek myth and poetry. ‘Siphonophores’ offers listeners a haunting insight into what they can expect from the record, filled with eerie keys, dramatic volume shifts and diaphanous vocals. Watch the captivating music video for it here. (KC)

Sharon Van Etten – ‘Afterlife’
Marking a new era with her band, long term favourite Sharon Van Etten has now announced the release of a new album, accompanying the news with an exquisite new single; an exciting taster of her new sound. Soaring with Van Etten’s distinctive rich, sumptuous vocals, ‘Afterlife’ builds with a celestial splendour to a soaring heartfelt anthem, tinged with shades of ‘80s Bruce Springsteen, whilst maintaining her own unique glistening raw emotion and innovative musicality. Sharon Van Etten & The Attachment Theory, The first album to be written and recorded in total collaboration with her band, is due out on 7th February via Jagjaguwar. (ML)

Julien Baker & Calvin Lauber ft. Soak, Quinn Christopherson – ‘Get Me Away From Here, I’m Dying’
After a few years of Julien Baker being one of my most listened-to artists, constantly seeking catharsis in the exquisite raw emotion and resonant reflections of her offerings, it was such a joy to finally see her live at one her five dates at Earth last week. And with beautiful support from Katie Malco and Soak, it really was an evening of (very emotional) dreams. I was there alone, in amongst a lot of teenagers and their parents, my heart gently shattering and tears falling down my silly 38 year old face throughout. For more eloquent words about the gig, a full review will be coming up on the website in the next couple of days. (ML)

Horsegirl – ‘2468’
With their second album due out in February next year, Chicago best-friend trio Horsegirl have now shared new single ‘2468’. Propelled by a jangly, playful energy, it showcases the band’s ability to interweave off-kilter sounds and influences into a perfectly scuzzy, musically rich taster of what’s to come on the upcoming LP. Phonetics, the new album from Horsegirl, is produced by Cate Le Bon and is set for release on 14th February next year. (ML)

Naima Adams – ‘Stay’
Described as “dub-fused percussive soul collision,” ‘Stay’ is the second single from South London-based artist Naima Adams. Her honeyed vocals and eclectic instrumentation fuse seamlessly together as she explores the difficulties of finding connection in everyday existence in the city. (KC)

Sunflower Thieves – ‘Same Blood’
This is the title track from Leeds alt-folk duo Sunflower Thieves latest EP, which is inspired by the strength of female friendship. Across five songs, the duo capture the shifts and nuances of long-term connections, shared experiences and growing pains, all underscored by their soft acoustic guitars and gentle vocals. (KC)

Aisha Badru – ‘In The Making’
Set to release her new album tomorrow (Nov 29th), Nigerian-American artist Aisha Badru offers beautifully stirring reflections on our life’s journey towards healing with a blissful charm and delicate effervescent grace. We recently caught up with Aisha about the album and her inspirations behind it, keep your eyes peeled for the interview over the next few days! The Sun Still Rises, the upcoming new album from Aisha Badru is set for release via Nettwerk. (ML)

May Payne – ‘Something Else’
Having received acclaim from Chris Hawkins on BBC 6 Music, and set to perform at the Royal Albert Hall tonight (28th Nov), young queer artist May Payne has been gradually garnering a large fan base since the age of 15 when they first started creating music while growing up in rural Dorset. With a delicate folk-strewn musicality, ‘Something Else’ showcases the rich sparkling grace of Payne’s exquisite emotion-rich vocals. It’s taken from recent EP release, High Demand. (ML)

Lauren Manning – ‘Melatonin’
For the past four years, South African born, London-based songwriter Lauren Manning has been working on her debut album. Set for release on 7th December, Four Walls blends all of her eclectic musical stylings together – indie, soul and jazz – and showcases her impressive vocal range. This single ‘Melatonin’ is lifted from the record, on which Lauren meanders through the restless thoughts that keep her awake at night. Lauren will be playing a headline gig in Peckham on 7th December to celebrate the release of Four Walls. Tickets and event details here. (KC)

Rattle – ‘Your Move’
Immense drumming duo Rattle first came to my attention when I saw them supporting The Julie Ruin at Koko in 2016, but since then they have released two albums and shared stages with other legends like Animal Collective and Thurston Moore. A spellbinding insight into rhythm and metre, new single ‘Your Move’ will immerse you in its mystical allure and tribal energy on first listen of each of its epic 15 minutes. Of the track, the band reflect: “The words Your Move might be about moving in an embodied way or freedom/movement/expression, but they are also an emboldening call to action…” (ML)

Bouche – ‘The King’
consistently centring queer, femme and other under-represented artists and DJs – Bouche has now shared a soulful new single. “The last song I’ll ever write about being disappointed or hurt by a man”, ‘The King’ offers an intimate reflection on relationships with a stripped-back jazz-tinged musicality and their soaring power of their pristine vocals. ‘The King’ is accompanied by a beautiful video, made in collaboration with Deniz Kavalali and incorporating elements of drag – Bouche makes their own drag beards out of their own hair! – an empowering ode to queer catharsis. (ML)

Emily Burns – ‘Die Happy’
This is the title track from British singer-songwriter Emily Burns’ debut album. Across twelve tracks, her confessional songwriting blossoms into an emotional catharsis for the artist, with ‘Die Happy’ showcasing her ability to create affecting indie pop anthems. (KC)

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PLAYLIST: September 2024

The Get In Her Ears team have put together another mix of indie anthems, alternative & shoegaze sounds, punk bangers, alt-pop tunes and eclectic electronic soundscapes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’ is another seething offering from punks on the rise Lambrini Girls. Following raging singles ‘God’s Country’ and ‘Body Of Mine’, it’s propelled by a fierce racing energy and ferocious sense of urgency, once again cementing Lambrini Girls as a truly formidable force to be reckoned with. Lambrini Girls will be heading off on their biggest headline tour yet next Spring. Tickets and info here.
(Mari Lane – Managing Editor)

Glixen – ‘Sick Silent’
I’m fully crushing on this crushing piece of heavy shoegaze from Arizona-based band Glixen. Vocalist Aislinn Ritchie’s melancholy voice floats over spiralling, intensely distorted riffs, shrouding listeners in a chasm of intoxicating noise. I’m looking forward to hearing the EP Glixen are currently working on with producer Sonny DiPerri (My Bloody Valentine, DIIV)
(Kate Crudgington – Features Editor)

Slung – ‘Neurotic’
Having completely blown us away playing for us at the Sebright Arms earlier this year, grunge-tinged supergroup Slung (featuring members of Sit Down, The Death Of Us and InTechnicolour) have now released their debut single. Building with an ominous tension, ‘Neurotic’ ripples with a haunting energy, finally culminating in an fierce climax of raging catharsis. Of the track, front woman Katie explains: “The song is a series of small moments from my life that have been representative of this more encompassing overall fear of disempowerment and relinquishing control… A recurring dream of being born with superpowers, but then one day, when everyone’s counting on you, your power just disappears and and you have no idea how to bring it back.” (ML)

Bonnie Trash – ‘Kisses Goodbye’
Bonnie Trash – led by Canadian-Italian twin sisters Emmalia and Sarafina Bortolon-Vettor – have amplified their darkened post-punk anthems by inviting their longtime friends Emma Howarth-Withers (bass) and Dana Bellamy (drums) to join their line up. As a four piece, the band are able to double down on the intensity of their sound, which explores shadowy emotions like grief, heartache and loss. It’s these experiences that have shaped Bonnie Trash’s recent EP, My Love Remains the Same, which is out now via one of my favourite labels Hand Drawn Dracula. (KC)

dethcaps – ‘Wave Goodbye’
This track from San Francisco grunge band dethcaps is an intense reflection on depression and suicidal thoughts. By blending their raw, observational lyricism with hazy melodies and swirling riffs, the band hope to inspire connection and empathy when it comes to the complexities of these issues. “It’s not just a song,” the band explain, “it’s a conversation starter and a powerful statement on the realities of mental health.” (KC)

ARXX – ‘Swim’
Written after Hanni came out as non-binary last year, ‘Swim’ is the latest single from total faves ARXX. A song dedicated to empowering trans people with their gender journeys, it offers a swirling euphoric ode to trans joy and being able to be your true self; reminding those currently coming to terms with their gender identity that it does get better. Hanni explains: “The world currently doesn’t feel like a very safe place to be trans, and for that reason a lot of the dialogue around trans issues is really scary and saddening. Those stories are so necessary, but with ‘Swim’ I wanted to take a minute to express the joy that comes with learning yourself and feeling love from your community around you.” I’ve had this song on repeat all week, crying and smiling and just being so grateful that ARXX exist. I can’t wait for their new album, Good Boy, which is out a week today (pre-order here) and I’m super excited to see them live again at Lafayette on 6th November! (ML)

SASAMI – ‘Slugger’
I’m eternally impressed by the way SASAMI can switch between folk, metal and pop music and make it look and sound totally seamless. I had her genre-blending album, SQUEEZE, on repeat when she released it back in 2022, but her recent singles ‘Honeycrash’ and ‘Slugger’ are now becoming new favourites of mine. I’m thrilled that she’s reclaiming pop music in her own way and using it to explore her gender, sexuality and romantic relationships, developing her own sense of self within this process. ‘Slugger’ will feature on her excellently titled new album, Blood On The Silver Screen, which is set for release on 7th March 2025 via Domino. SASAMI will also be in the UK in October playing two headline shows – The Lower Third in London on the 29th and Yes in Manchester on the 30th. (KC)

CATBEAR – ‘Grow Up’
The second single of the year from London-Brighton queer duo Catbear, ‘Grow Up’ offers an ‘80s-tinged synth-pop anthem reflecting on the struggles of being an underachieving millennial. Propelled by sizzling beats and a searing gritty energy, it’s another example of the instantly infectious genre-defying creations that Catbear are able to captivate our ears with. Of the track, they explain: “Plenty of songs are written about being a teenager, even about the progression into early adulthood, but hey, we’re in our 30s now. This is life in England in 2024 for us – maybe some people can relate.” (ML)

Roller Derby – ‘Ready To Forget’
Embodying a sparkling bittersweet mix of joy and melancholy, ‘Ready To Forget’ offers an intimate reflection on coming to terms with the end of a relationship; beautifully interweaving raw textures with the stirring empowering energy of its harmonious choruses. Bringing a fresh energy to the German duo’s ever-evolving sound, I love its swirling, gritty allure. Roller Derby release their debut album on 28th February next year and will be celebrating with a little trip to the UK next May, including dates playing for us in London and Brighton. info & tickets here! (ML)

Georgia Gets By – ‘Split Lip’
‘Split Lip’ is the woozy, intoxicating title track from Georgia Gets By’s recent EP. The solo project of New Zealand artist Georgia Nott, who has spent the last decade fronting electronic pop project BROODS, under her new moniker Notts explores the diverse nature of true intimacy and the sting of rejection, all inspired by the end of her first queer relationship. (KC)

Soft As Snow – ‘Palms’
Berlin-based Soft As Snow are back with a hypnotic blend of experimental trip-hop sounds on their latest single ‘Palms’. Taken from their third album, Metal.wet, which is set for release on 8th November via Beacon Sound, it’s the first taste of what’s to come from this dynamic duo who create ethereal-yet-edgy soundscapes. (KC)

Freak Slug – ‘Spells’
The latest single from Manchester artist Xenya Genovese aka Freak Slug, ‘Spells’ fizzes with a glitchy, quirky energy and sultry allure, offering an instant earworm that’ll have you hooked on first listen. ‘Spells’ is taken from Freak Slug’s upcoming debut album, I Blow Out Big Candles, which is set for release on 8th November via Future Classic. (ML)

Pom Pom Squad – ‘Street Fighter’
Ahead of the release of their new album next month, Pom Pom Squad have now shared a fierce synth-driven new single. Oozing a sizzling energy, it offers a racing slice of pop-punk complete with an infectious tongue-in-cheek sense of fun. (ML)

Urge Surfer – ‘Glass Ceiling’
New York electro-pop duo Urge Surfer released their latest EP, Alphabet Archive, at the end of August, and this track ‘Glass Ceiling’ features on the record. Together, Jordan Smith and Chelsea O’Donnell explore gender dysphoria, their evolving identities and embracing change on their new offering, all underscored by their atmospheric synth textures. (KC)

Dogviolet – ‘Violets’
Although it may seem like Dogviolet have been around for a while now (they actually played their first ever gig for us back in 2022!) they are only now releasing their debut single. And it’s been worth the wait. Oozing a soaring celestial splendour and seething raw emotion, it offers a stirring tale of queer awakening and young love. Dogviolet will celebrating the single’s release with a night of Sapphic joy next Wednesday 2nd October. Limited tickets left on Dice! (ML)

Miya Folick – ‘La Da Da’
The latest single from LA artist Miya Folick, ‘La Da Da’ follows her 2023 album, Roach. Rippling with a raw emotion and twinkling sense of vulnerability, it delves into themes of identity and desire, as it builds with a lilting energy to a beautifully shimmering ballad. Folick reflects: “I was slowing down, saying no, responding when I actually had an answer, and asking for the things I specifically desired rather than the things I thought I was supposed to want.” (ML)

Soccer Mommy – ‘Driver’
Described as a “testament to her spaciness and indecision” this latest single from Nashville indie artist Soccer Mommy is all about embracing your flaws. ‘Driver’ is taken from her upcoming album, Evergreen, which is set for release on 25th October via Loma Vista. Soccer Mommy has mined her innately raw songwriting techniques on her new record to help her move through the lingering effects of personal loss. I’m looking forward to hearing the LP in full. (KC)

Our Girl – ‘What You Told Me’
Having fallen completely in love with their 2018 debut, Stranger Today, I am very happy to hear the news that London trio Our Girl are back and releasing their second album in November. Ahead of the album’s release, and following previous offerings ‘Relief’, ‘Something About Me Being A Woman’ and album title track ‘The Good Kind’, latest single ‘What You Told Me’ reflects on the heartbreak of seeing illness affect someone you love, and the joy that can come in the moments of respite. Propelled by a whirring energy and brit-pop inspired scuzzy hooks, it fizzes with a stirring raw emotion as Soph Nathan’s distinctive vocals ripple with an understated powerful grace, creating a deeply resonant shimmering splendour. The Good Kind, the upcoming album from Our Girl, is set for release on 8th November via Bella Union. Pre-order here. (ML)

Sassyhiya – ‘Boat Called Predator’
Having charmed us playing live for us at both the Shacklewell Arms and Matchstick Piehouse last year, London-based faves Sassyhiya have now announced that their debut album will be released in November. Propelled by a jangly energy and the band’s trademark twinkling lighthearted uplifting charisma, latest single ‘Boat Called Predator’ is named after a boat that Kathy and Helen saw being towed while they were travelling through Scotland. Take You Somewhere, Sassyhiya’s debut album, is due for release on 8th November via Skep Wax Records. (ML)

Fightmilk – ‘That Thing You Did’
The latest single from their upcoming new album No Souvenirs, ‘That Thing You Did’ showcases all there is to love about total faves Fightmilk. Exploring post break-up feelings of trying (and refusing) to forgive and forget, it’s propelled by the band’s trademark scuzzy energy, creating an instantly catchy slice of perfect punk-pop that’s angsty and uplifting in equal measure. No Souvenirs, the upcoming third album from Fightmilk, is out on 15th November via Alcopop! Records. Catch them live on tour to celebrate. I can’t wait to see them that night at Paper Dress Vintage. Tickets and info here. (ML)

NEXT TO NADA – ‘MOTHS’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their latest single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ recent EP, WHINE // MOTHS, a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Split Chain ft. Softcult – ‘(Re)-Extract’
I am obsessed with this heavy collaboration between two of my current favourite bands: Bristol noise merchants Split Chain and Canadian shoegaze duo Softcult. With it’s blistering riffs, crashing percussion, gauzy vocals and screams; it’s pure Gloomy Girl territory and I LOVE it. (KC)

A.A. Williams – ‘SPLINTER’
Currently on her debut tour of the United States, London based heavy songwriter A.A. Williams has shared this potent new lament. ‘Splinter’ masterfully blends Williams’ tentative piano keys with thundering riffs and crashing percussion to create a cathartic four and a half minutes of doom-tinged, atmospheric sound. She will be returning to the UK to appear on the main stage at Damnation, Europe’s largest indoor metal festival, at Manchester’s BEC Arena on 2nd November. (KC)

Divide and Dissolve – ‘Monolithic’
Newly signed to Bella Union, ‘Monolithic’ is the latest single from Divide and Dissolve, the heavy instrumental project of Takiaya Reed. Her haunting saxophone notes collide with a cacophony of cymbal smashes and gargantuan riffs to create a sonic prayer for “systems of liberation, freedom, Indigenous sovereignty and for a Black future.” Reed is set to release a new album in 2025, the heavily anticipated follow-up to Divide and Dissolve’s fourth LP, Systemic, out now via Invada. (KC)

Zamilska ft. husky – ‘Odyssey’
I was excited to see this track by Polish electronic artist Zamilska drop into my inbox earlier this month. Taken from her upcoming album, United Kingdom Of Anxiety, which is set for release on 4th October via Untuned Records (Zamilska’s own label), this track is an intoxicating post-apocalyptic soundscape that totally enraptures the senses. Zamilska will be supporting the inimitable Kim Gordon on her upcoming European tour. Full dates can be found here. (KC)

Bambie Thug – ‘Hex So Heavy’
Described as “a witches siren” and “a warning” to those who have crossed them, I’m hooked on this seething slice of genre-defying noise from Ireland’s Bambie Thug. The artist’s potent desire to reek havoc on those who have underestimated them is personified in the track’s accompanying visuals, which see Bambie take on the form of a foreboding arachnid creature. The artist is currently on the European leg of their ‘Crown The Witch’ tour, supported by devious duo The Darklings for the majority of their dates, with the addition of my older brother’s band – Northampton industrial/electronic project Drownd – for their show in Amsterdam on 8th October! (KC)

Toya Delazy – ‘Eazy’
I was gutted to have missed Toya Delazy’s collaborative performance with GROVE and Taliable when I was at Supersonic Festival in Birmingham last month, but I’m glad this single from the South African Zulu artist dropped into my inbox shortly afterwards. “This song is a story about someone who climbed into their own grave looking for hope,” Delazy explains. “It’s about taking a hard situation and making it work in your favour. Leaving South Africa as a Zulu girl to go to Britain to sing Zulu songs was seen as suicide, given the history we have with the British, but I really believed in the power of collaboration and diversity, even though the world today weaponises our diversity against each other.” I love Delazy’s distinctive vocals, which flow over frenzied beats and glitchy electronics here. (KC)

45AcidBabies – ‘Love Me 10der’
The return of Dutch garage pop-punks 45AcidBabies, ‘Love Me 10der’ sizzles with whirring riffs as the band offer a colourful retaliation to tax authorities and the powers curtailing our rights; an empowering ode to ‘painting the world pink’ and building community. (ML)

SOPHIE ft. Hannah Diamond – ‘Always and Forever’
Late, great producer and trans pioneer SOPHIE’s eponymous new album has been released, and what a joy it is to have it in existence. The posthumous LP showcases just how essential and innovative SOPHIE’s creations were, put together by her brother and longtime producer Benny Long. Featuring Hannah Diamond, single ‘Always and Forever’ was recorded in London during the 2020 lockdowns and turned out to be the last time that she would see her friend SOPHIE. A glistening and heartfelt offering, listening to it you can’t help but feel that SOPHIE is still with us, continuing to influence the pop landscape with her unique spirit and sound. SOPHIE, the posthumous release, is out now via Transgressive and Future Classic. (ML)

Elsa Hewitt – ‘Poiselle’
I’m such a big fan of Elsa Hewitt’s ambient electronic creations. This track is taken from her upcoming album, Dominant Heartstrings, which she will be releasing in the near future. I’m still spinning her previous LP, Chaos Emeralds – but I’m excited to hear more of her wonderful synth and vocal loops on this new record. (KC)

heka x Saint Jude – ‘Swallow’
‘Swallow’ is one serene part of a beautiful collaboration between South London left-field musicians heka and Saint Jude. Released via Slow Dance Records, the cinematic track melts heka’s atmospheric gothic-folk influences into Saint Jude’s gentle, celestial ruminations. You can listen to their equally as captivating companion piece ‘In Your Garden’ here. (KC)

Half Waif – ‘The Museum’
The new single from Nandi Rose aka Half Waif, ‘The Museum’ is taken from her upcoming new album, See You At The Maypole, a stunningly heartfelt collection, written after Rose experienced a devastating miscarriage. Flowing with an effervescent grace, this single offers a stirring reflection on climate catastrophe and the irony of the idea of museums “preserving pieces of furniture in a pristine, white-walled space when outside, everything is collapsing.” See You At The Maypole is set for release on 4th October via ANTI-. (ML)

Dawn Richard & Spencer Zahn – ‘Diets’
Lifted from their upcoming second collaborative album, Quiet In A World Full Of Noise, ‘Diets’ is a dreamy offering from New Orleans R&B singer Dawn Richard and New York composer Spencer Zahn. Throughout the track, Richard draws parallels between cutting out harmful relationships and losing weight, all underscored by Zahn’s tentative and considered keys. Their new record looks set to be a deeply emotive collection of songs, set for release on 4th October via Merge Records. (KC)

Dear Pariah – ‘KOKO’
This is an exquisitely emotional, tender offering from independent artist & former GIHE radio guest Charlie Hinchcliff aka Dear Pariah. ‘Koko’ will feature on her upcoming EP, The Weeper Takes, which is set for release in October by the excellent Trapped Animal Records. The tracks are inspired by Hinchcliff’s ongoing struggle with her chronic illness multisystem Sarcoidosis, her sobriety and the literal weeping that sometimes occurred when she was recording and writing her music. Watch the accompanying video for ‘KOKO’ here and catch Dear Pariah live at St. Pancras Old Church on 1st November. Ticket link here. (KC)

Sephine Llo – ‘Rest With Me’
An ethereal lament for her late husband Robert, this single from multi-instrumentalist Sephine Llo is a remarkably poignant, shape-shifting piece of work. Taken from her upcoming album, Diamond Fall, which is set for release on 25th October – the date of the couples 10th wedding anniversary – the track features samples from a song Robert wrote as a teenager, seamlessly woven into Sephine Llo’s gentle instrumentation and guided by her yearning vocals. (KC)

Gazelle Twin – ‘Two Worlds’ (Keeley Forsyth Ghost Version)
A glitchy, haunting form of musical possession; Keeley Forsyth’s remix of Gazelle Twin’s track ‘Two Worlds’ enhances the shudder inducing atmosphere cultivated by the original offering. Forsyth’s “Ghost” version features on Shadow Dogs, a brand new album of reworkings and reinterpretations of songs from Gazelle Twin’s acclaimed fourth album, Black Dog. The new LP will be released on 18th October via Invada, and features contributions from Gary Numan, Penelope Trappes, BEAK>, Marta Salogni and more of Gazelle Twin’s talented collaborators. (KC)

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PLAYLIST: August 2024

The Get In Her Ears team have put together another mix of eclectic electronic tracks, alt-pop tunes, indie anthems and alternative & shoegaze sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

ARXX – ‘Trouble’
The latest single from biggest faves, Brighton duo ARXX, ‘Trouble’ showcases a bit of a grittier electronic side to the duo than we may be used to. Reflecting on the mixed feelings that follow a break-up, the track oozes a Peaches-esque bass-heavy seductive allure as it builds to a soaring, anthemic pop anthem. It’s wonderful to see Hanni and Clara experimenting with their sound and flexing their creative muscles so beautifully; whatever they create, whatever its genre or influences, ends up being an instantly addictive hit without fail, and leaves me filled with excitement about what they might do next. Following an incredible summer, wowing festival crowds across the country – including their first time at Glasto – ARXX will be releasing their second album on 4th October and playing a headline tour across the UK and Europe to celebrate. We can’t wait!
(Mari Lane – Managing Editor)

Circe – ‘Heaven’s The Other Way’
Following on from her bittersweet single ‘Blue Love’, this is the latest creation from dark-pop artist Circe. She captures a moment of intense loneliness on ‘Heaven’s The Other Way’ via her poetic lyrics, seraphic vocals and glistening electronics. Circe performed this track during her set supporting The Midnight at Camden’s Electric Ballroom back in July and it sounded just as rapturous in the flesh. Read the full review of her show here.
(Kate Crudgington – Features Editor)

Tiiva – ‘Golden’
Electronic artist, producer & GIHE fave Tiiva is back with this shimmering new single. Full of their lush vocals, lilting synths and evocative beats, ‘Golden’ explores the mixed emotions that come when you’re persevering through an uncertain time. Of the track, Tiiva explains: “‘Golden’ is about holding on when things feel like a lot, a conversation between two voices kindness and feeling overwhelmed and rebuilding.” (KC)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this is the latest single from indie band Ideal Host. ‘Dust Collector’ is their poppiest offering to date and I love the way Heather’s soft vocals blend seamlessly with buoyant riffs, lilting electronics and catchy beats. (KC)

Lazy Day – ‘Concrete’
Set to release their debut album in November, London based artist Tilly Scantlebury – aka Lazy Day – has now shared shimmering new single ‘Concrete’. Rippling with a stirring twinkling emotion, the track’s somewhat disjointed structure and fluctuating musical layers reflect the poignant sentiment of its lyrics: “Concrete was a helpful metaphor… It’s strong and sturdy, as well as being extremely heavy. It was a useful framework for thinking about relationships which felt stable, but at the same time weighed me down.” Open The Door, the debut album from Lazy Day, is set for release on 8th November via Brace Yourself Records. (ML)

Cuushe – ‘Faded Corners’
A euphoric slice of ambient dream-pop, ‘Faded Corners’ is the latest single from Japanese artist Cuushe. Glistening with a spellbinding delicate splendour, a beautiful lullaby is created; set to soothe even the most anxious of minds as the summer comes to an end. (ML)

Grand Pax – ‘MB BB’
The latest single from London based queer artist Grand Pax, ‘MB BB’ flows with glitchy beats and dreamy synths as the sparkling splendour of her vocals soar. A blissful soundscape reflecting on the emotions following a break-up, she says of the track that it’s “about wanting to hold onto something but knowing it’s not possible. It’s the process of it leaving your body, but acknowledging it as you let it go.” Crush, the new EP from Grand Pax, is out now. (ML)

Yellow Belly – ‘Crux’
This atmospheric track by Australian-born, Cardiff based experimental musician Yellow Belly is taken from her recent album, Ghostwriter. The record is a hypnotic reflection on a difficult time for the artist, explored through her shape-shifting electronica, melancholic lyrics and hushed vocals. (KC)

Chelsea Wolfe – ‘Tunnel Lights’ (††† Remix)
The original version of this Chelsea Wolfe track – taken from her excellent seventh album, She Reaches Out To She Reaches Out To She – was already a shape-shifting, shadowy offering, but this treatment by ††† (Crosses), featuring Chino Moreno’s distinctive vocals and Shaun Lopez’s industrial beats, is equally as intense. It’s lifted from her remix EP, UNDONE, which is out now via Loma Vista. (KC)

Birthday Problem ft. HAVVK – ‘Same Face’
I have been consistently impressed by everything that Irish collaborative electronica project Birthday Problem have released this year. Formed of Matt Harris and Rocky O’Reilly, ‘Same Face’ is their fifth single, featuring vocals from GIHE fave Julie Hawk (HAVVK). Haunting synths, layered vocals and sparse beats all combine to create another disarming and unusual listen from this eclectic pair. (KC)

Nina Eba – ’13’
I love this track by Ukrainian-born, Austrian-based producer & songwriter Nina Eba, which is taken from her self-released debut album, MORPHO. Inspired by the metamorphosis of the morpho butterfly, the record reflects on Nina’s experiences to self-acceptance and unrequited love. Nina’s sound is reminiscent of FKA Twigs, Bjork and Sevdaliza. (KC)

Lollise – ‘Iron Woman’
Brooklyn via Botswana Afro-Futuristic artist Lollise tackles an important issue on her zealous single ‘Iron Woman’, which is taken from her upcoming album, I hit the water, set for release on 6th September. Through her intense electronics, driving beats and direct lyricism, she explores the plight of black women who suffer from severe fibroids who are often overlooked by the US health care system. Lollise explains the context of ‘Iron Woman’ further: “Most of my black friends with uteruses have had hysterectomies or undergone multiple myomectomies. In this song I talk about my experiences dealing with fibroids and menorrhagia going in and out of various emergency and hospital rooms. “Phallic science” talks about male dominance in science and how much money is allocated to studying men’s virility and very little is dedicated to women’s health and black women’s health specifically.” Watch the track’s accompanying video here. (KC)

Midwife – ‘Vanessa’
On this slow-burning, atmospheric track, Colorado based musician and producer Midwife personifies and pays tribute to her old tour van ‘Vanessa’. Lifted from her upcoming album, No Depression in Heaven, which is set for release on 6th September via The Flenser, it’s another disarming piece of her blissful ambient shoegaze. I can’t wait to hear the record in full. (KC)

Tanukichan ft. Wisp – ‘It Gets Easier’
I’m new to California based artist Tanukichan, but when I saw that she had collaborated with shoegaze star Wisp, I instantly became a fan. ‘It Gets Easier’ is a dreamy blend of their lush vocals, swirling riffs and their driving beats. The track is featured on Tanukichan’s upcoming EP, Circles, which is set for release on 20th September. (KC)

the IV – ‘Same Old Story’
This brooding new anthem from elusive band the IV dropped into my inbox earlier this month. Created by vocalist and drummer Ingvild Nærum, ‘Same Old Story’ reflects on our role as consumers of culture through the lens of Freud’s dream-work theory. The rumbling bass lines, atmospheric riffs and staccato drumming make for captivating listening. (KC)

Hello Mary – ‘Down My Life’
New York trio Hello Mary continue to impress me with each single they share from their upcoming second album, Emita Ox. Set for release on 13th September, the record showcases their ability to blend their quiet-to-loud vocals, grungy riffs, considered instrumentation, and bruising beats perfectly. The band will be making their London live debut at The Shacklewell Arms in Dalston on 4th September and they’ll be playing at The Windmill in Brixton on 5th September too. I’ll be there on the 5th to hear ‘Down My Life’ in the flesh. (KC)

Girl Gordon – ‘The Need’
I love the gritty, reverb-heavy intro to this sardonic anthem by Cincinnati-based DIY indie punks Girl Gordon. ‘The Need’ is taken from their recent EP, Corruptor, and it “speaks to the pressures of societal beauty standards” that are often perpetuated by social media. (KC)

Scrunchies – ‘Generator’
The latest single from Minneapolis based Scrunchies, ‘Generator’ blasts into the ears with its raw punk energy. New favourites for sure, I can’t get enough of this new riot grrrl-inspired band’s scuzzy hooks and fierce empowering allure. ‘Generator’ is taken from Scunchies’ new album Colossal, one of the last albums that the legendary Steve Albini recorded and mixed. It’s also accompanied by a fantastically fun music video, created in collaboration with Los Angeles-based “dance aerobics celebration” Pony Sweat – watch it here. (ML)

Rottweiler – ‘Sarah’
This slow-burning single from Brighton rockers Rottweiler showcases their ability to balance atmospheric riffs with powerful vocals and crashing percussion. Inspired by the likes of Jeff Beck, Smashing Pumpkins and Paramore, ‘Sarah’ is a swirling cacophony of angst-ridden noise. (KC)

Queen Cult – ‘To Be A Boy’
Having released their new EP Be Better earlier this month, our favourite Macclesfield trio, Queen Cult have been wowing us for a couple of years now with their fierce raging energy and captivating charisma. Taken from the EP, ‘To Be A Boy’ showcases all their is to love about Maisie and co; propelled by the immense gritty power of her vocals, it explores themes of gender dysphoria and expectations of AFAB people growing up in a small town with a stirring honesty and raw emotion. A band on the rise, and for good reason, we can’t wait to see what Queen Cult have in store for us next. (ML) 

Berries – ‘Watching Wax’
The latest single from long time faves Berries, ‘Watching Wax’ offers our first taste of the London-Brighton band’s new material ahead of the release of a new album, set for release in October. With the distinctive twang of the band’s trademark scuzzy riffs and front person Holly’s lush syrupy vocals, I just can’t get enough of its racing fierce energy and gritty allure. (ML)

Um, Jennifer? – ‘Went On T’
‘Went On T’ is the latest single from New York trans-punk duo Um, Jennifer? It’s another refreshing blend of the band’s quirky humour and personal reflections on gender politics. Speaking about the track, the band explain: “‘Went On T’ is the indie rock anthem calling you back home to yourself. It’s about taking your own body back from those that claim to love you. It’s a reminder not to take on anybody else’s shit.” (KC)

Fightmilk -‘No Souvenirs’
To say I’m excited about the new album from total faves and all round great humans Fightmilk may be an understatement. Set for release on 15th November via Fika Recordings / INH Records, it’s been three years in the making and promises to showcase how the band are consistently evolving their unique sound. To celebrate the album announcement, the band have now shared its title track, ‘No Souvenirs’. A beautifully poignant reflection on loss, it oozes an anthemic raw emotion and exquisite shimmering splendour. Losing a friend to suicide just over a decade ago, it’s taken songwriter Lily until now to be able to put her feelings into words: “It’s finally exactly what I wanted to say, and I think he’d have thought my band sucked, but that’s alright.” Pre-order No Souvenirs here, and book tickets to the launch show at Paper Dress Vintage here. (ML)

Jemma Freeman – ‘Hoping For A Miracle’
An unexpected new single from immense songwriter and performer Jemma Freeman, ‘Hoping For A Miracle’ was written, recorded and mixed in their bedroom, causing them to be apprehensive about sharing it with the world. But we’re so glad they did! “The queer, sad, banger you need to blast through any unexpected summer break up.”, it’s propelled by fuzzy hooks as the raw, gritty power of Jem’s distinctive vocals soar. A fizzing psych-rock anthem showcasing their ability to weave together a rich musicality with their trademark frenzied energy. ‘Hoping For A Miracle’ is the b-side to fellow surprise, and beautifully vulnerable, single ‘Alien’. (ML)

Pretty Bitter – ‘Never Better’
Washington D.C based indie-pop group Pretty Bitter teamed up with fellow indie rockers Flowerbomb to release a split EP, titled Take Me Out, at the beginning of August. ‘Never Better’ is the opening track on the record and it’s buoyant mix of indie guitar twangs, catchy melodies and bittersweet vocals. (KC)

Soccer Mommy – ‘M’
Nashville indie artist Sophie Allison aka Soccer Mommy is back with this lush single and news about her upcoming album, Evergreen. Set for release on 25th October via Loma Vista, Allison has used her innately raw songwriting techniques to move through the lingering effects of deep personal loss that affected her before she began writing this new record. (KC)

Emily Wurramara – ‘STFAFM’
Having just released her new album Nara – a celebration of rebirth -, multi-award-winning lutruwita/Tasmania-based artist, activist, author and proud Warnindhilyagwa woman Emily Wurramara has now shared new single ‘STFAFM’ (stay the fuck away from me!). Propelled by her lush, soulful vocals, it offers a fiercely empowering energy; an uplifting ode to finding inner peace and motivation. (ML)

Joanna Sternberg – ‘A Country Dance’
One of my most listened-to artists of the last couple of years, Brooklyn artist Joanna Sternberg has now shared a stirring new stand-alone single. Featured in upcoming film, Between The Temples, ‘A Country Dance’ was inspired by Joanna’s close friend Sami Bronowski, who was the first person to encourage Joanna to sing in public. Showcasing the exquisite vulnerability and raw emotion of their vocals, it flows with beautifully lilting melodies, shimmering with an uplifting, heartfelt grace. (ML)

Rubie – ‘Death By Catgirl’
Following her beautifully heartfelt last single, ‘To Change’, GIHE fave Rubie has now shared ‘Death By Catgirl’ – written from the perspective of a “hot, on the rise trans woman microcelebrity, throwing off her furs and meaning business”, it’s propelled by a colourful funk-fused groove as swirling, jazz-tinged melodies ripple alongside the majestic captivating allure of Rubie’s distinctive vocals. ‘Death By Catgirl’ is taken from Rubie’s upcoming second album, Seek Sisters, which is due out on 22nd September via Pressing Up Club. (ML)

Husk – ‘Open Waters’
Very different in sound from what we might remember of Husk’s previous releases, this new single sees the Manchester based artist experiment with traditional Irish folk music, adding their own distinctive queer electronic edge. Reflecting on their first experience of swimming in the Irish sea with a sparkling energy, and switching between English and Gaelic throughout the track, they explain: “There’s some things that I needed to say, but English couldn’t do it justice, so I switch between the two; it’s a creative choice… I’m saying that the whole world is with us in that moment, a whole world was connected to us through the water. And, with, sea swimming, it’s so cold that you can only think about your fundamental instincts, and it felt elemental.” (ML)

Gossip – ‘Move In The Right Direction’
Finally getting to see Gossip at All Points East last week really did exceed all expectations. The empowering energy and fiercely immersive charisma of Beth Ditto is unmatched, and it was an experience filled with tonnes of queer joy and overwhelming emotion. “I’ll hold back tears / Move in the right direction / Face my fears / Move in the right direction” – and hearing this song live just hit particularly hard. (ML)

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