PLAYLIST: Trans Pride 2023

Although we support and promote the queer community all year round at GIHE, we acknowledge Pride as a chance to celebrate LGBTQI+ joy and achievements, how far we’ve come, as well as a protest and the need to continue to push for acceptance. With this in mind, this year it felt more resonant than ever to highlight the Trans community. At a time when their rights are being further questioned and curtailed, we want to not only show our support and draw attention to the need for change, but to celebrate Trans Joy and creativity. Our co-founder Tash Walker expands:

We can’t ignore what is happening in the world right now when it comes to trans rights and inclusion, right the way down to our younger trans siblings. As public support for trans people feels ever questioned here in the UK, at Get In Her Ears we want to create a space that centres TRANS JOY in all its beauty, through the music we play. It can be so easy for our ears to focus on the hate and transphobia, but a moment to turn the volume up on the joy is so powerful and when you look for it, it’s everywhere. 

Only four months ago, when I was at the Brihanna Ghey vigil E J Scott a trans archivist was handing out packets of sweets, and saying “have a little bit of trans joy”. Recently I was interviewing Professor Stephen Whittle (co-founder of Press for Change who lobbied the Govt to bring about the Gender Recognition Act) – during that interview, I asked him what joy meant to him and he said “I feel trans joy, I really do” and it made us both smile so much. 

So let’s focus on and create the space to include trans voices because the global and UK negativity is so loud, but joy is always louder and lasts longer.  One of the biggest forms of ‘activism’ is to live your life as yourself (if you feel safe to do so), so we want to uplift and create a space for us to hear trans people and their joy. Hear that not only is there such a thing as trans joy but that if we all listen, as a society, push back to make that space bigger and bigger, until it becomes a part of all of our lives through acceptance and liberation, it will bring us all joy too. 

Remember the lengths the LGBTQIA+ communities have come, but more importantly, how far we still have to go. The LGBTQIA+ communities and their allies need to stand strong and united with each other, but especially the transgender and gender non-conforming communities. So wherever you are, at whatever Pride you are supporting this summer, spread the word and make it known – equality is for everyone, but most importantly, trans lives matter, trans kids deserve to be trans adults. No-one is equal until we are all equal.

Our 2023 Pride playlist includes tracks by some of our favourite trans, non binary and queer artists, as well as a few songs voicing support/rage on their behalf. Read about our choices below, and then hit play for the perfect soundtrack for London Trans Pride weekend!

 

Jackie Shane – ‘Any Other Way’
We’ve played Canadian soul-singer Jackie Shane multiple times on our GIHE radio show, included her on many a playlist and we’re certainly not stopping now. Jackie was a pioneer for transgender rights in the ’60s & ’70s, a time when being your true self was not always welcomed, or accepted. (Tash Walker)

Ma Rainey – ‘Prove It On Me Blues’
This 1928 song by Ma Rainey, who is unarguably the mother of blues, is possibly one of the first references to queer lesbian culture. Ma Rainey, a queer woman sings, “Went out last night with a crowd of my friends. They must’ve been women, ’cause I don’t like no men.” An essential to any LGBT+ playlist. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I just love its poignant, soulful groove. (Mari Lane)

Beverly Glenn-Copeland – ‘Africa Calling‘
I have always loved Beverly’s music and I am so excited for their forthcoming album, this is the first new music we’ve had from them in 20 years. He is such an incredibly talented artist, a true icon. A Black trans electronic music pioneer! (TW)

Le Tigre – ‘Viz’
I can’t really put into words how life-affirmingly wonderful it was to see Le Tigre live at the Troxy last month, so I’ll leave my general gushing about that to another time. However, a particularly special moment of their set was JD Samson singing this – calling on queers of every kind to dance / march / rage in joyous unity to raise visibility, so that everyone can be free to live life as their true selves. (ML)

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008, the same year I attended London Pride for the first time, this is without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life. (TW)

Planningtorock – ‘Transome’
I have Tash to thank for introducing me to the sounds of Planningtorock. Watching them perform songs from their Powerhouse album at Southbank Centre back in 2019 was such a joyful and moving affair. Tash & I even joined in the stage invasion! This track ‘Transome’ is a total bop. It’s a sultry, playful celebration of what it’s like to truly be feeling yourself, and that’s what Pride is all about. (Kate Crudgington)

SOPHIE – ‘Immaterial’
This track is taken from SOPHIE’s debut album and I love it. A pioneer of experimental music, often the producer behind so many other amazing tracks, remixes and artists. Described as disorientating latex pop which I think sums up my first experience of seeing SOPHIE live – intense at its best. (TW)

Mykki Blanco – ‘Free Ride’
This is a song from an artist who I feel needs no introduction, a queer pioneer who is doing amazing things for LGBTQ+ rights as well as being open about their positive HIV status. Mykki Blanco is also such an incredible artist and their music is just oh so gooooood. (TW)

HUSK – ‘Let’s Get Married’
The latest single from Manchester based trans masculine non-binary artist Husk, ‘Let’s Get Married’ offers a synth-soaked anthem, oozing a joyous groove and colourful uplifting allure. In HUSK’s own words, it’s a “sickly sweet, tongue-in-cheek tale ripped straight from a rom-com storyline of being hopelessly, head over heels in obsession after ‘all of 3 days’ of meeting your new one-true-love.” Donate to their top surgery revision fundraiser here.(ML)

Tokky Horror – ‘Toilet’
Electro punks Tokky Horror have a reputation for being a TOTAL force of nature when they perform live, and they’re dedicated to creating safe spaces to mosh for women and LGBTQ+ folks at their gigs. This track ‘Toilet’ is a blend of drum & bass beats, manic riffs and surprisingly vulnerable lyrics, inspired by producer Zee’s own experiences of finding their feet within queer activist scenes in music and further afield. (KC)

The Crystal Furs – ‘Gay Bar’
A catchy rendition of the Electric Six classic by Pacific Northwest queer indie poppers The Crystal Furs. Described by the band as a ‘sapphic tale of lust’, it’s the perfect addition to any dancefloor! (ML)

Touch Excellent – ‘Record’
This tenacious anthem from Touch Excellent takes aim at the failures of the healthcare system when it comes to treating women, non-binary and transgender folks. Fuelled by the Dublin-based band’s collective anger and own experiences, the track is a brief but powerful blast of attention-grabbing pop punk noise. Playfully self-describing themselves as “Ireland’s most transgender band (surely)”, Touch Excellent create raw, frenzied, politically-driven cacophonies that are designed to dismantle the systems that oppress us. (KC)

Chroma – ‘Woman To Woman’
An impassioned call to arms in support of all people of minority genders, I can’t get enough of Welsh rockers Chroma’s immense, fierce energy. Calling out those who call themselves feminists whilst actively oppressing others, it blasts out the poignant message that “Trans Women Are Women” with a searing urgency. I can’t wait for Chroma to headline for us on 8th September at Shacklewell Arms – catch them live before they hit the stadium opening for Foo Fighters next year! Tickets here. (ML)

Problem Patterns – ‘Terfs Out’
“LGB is nothing if not for the T / So show up with some real solidarity” – Belfast Riot Grrrls Problem Patterns hitting the nail on the head with this total punk banger. We love everything that the band represent and how vocal they are about supporting the LGBTQ+ community. Their most recent single ‘Letter Of Resignation‘ is all about celebrating queer joy and ally-ship, too. I can’t wait to hear both these tracks live again when Problem Patterns headline for us on Friday 17th November at the Sebright Arms. Grab a ticket here (KC)

Trap Girl – ‘Diva’s Inferno’ 
Fresh from signing to Kill Rock Stars, LA punks Trap Girl have just announced the release of their upcoming new EP, Diva’s Inferno – out on 14th July. Intent on bringing “visibility to what it is to be trans, big, brown and glamorous” (Candace Hanson, Razorcake Magazine), Trap Girl offer perfectly powerful raging anthems with an impassioned queer energy. Listen to the EP’s title track here (it’s only on Bandcamp, so we’ve included 2020 single ‘Transwomen and Chokeholds’ on our Spotify playlist). (ML)

Petrol Girls – ‘Fight For Our Lives’
Featuring inspirational activist and DIY punk Janey Starling, ‘Fight For Our Lives’ offers a resonant call to arms to reclaim control over our own bodies and unite in coming together to fight against the confines and dangers of this damaging patriarchal society and create a safer world for all marginalised groups. A raging cacophony fuelled by a riotous catharsis – as with every track on last year’s Baby album, it’s an utterly necessary listen from Petrol Girls. (ML)

Jemma Freeman & The Cosmic Something – ‘Huge’
Channelling the mindset of a child with ADHD, trying to make sense of a locked down world, ‘Huge’ is propelled by a chaotic energy, rippling with fizzing hooks as the swirling power of Jemma’s truly distinctive vocals soars. Building with a sparkling psychedelic allure to an immense, colourful cacophony, it showcases the raw emotive majesty that this innovative artist is able to create. (ML)

Ezra Furman – ‘Forever Sunset’
Taken from last year’s All Of Us In Flames album, this track exudes such a delicate grace and beautifully raw emotion that it gives me goosebumps on each listen. Coming out as a trans woman in 2021, Ezra Furman shared a picture of herself with her child, with the accompanying message: “I’m telling you I’m a mom now for a specific reason. Because one problem with being trans is that we have so few visions of what it can look like to have an adult life, to grow up and be happy and not die young. When our baby was born I had approximately zero examples that I had seen of trans women raising children. So here’s one for anyone who wants to see one. I’m a trans woman and a mom. This is possible.” (ML)

Bitch Hunt – ‘Identity Clinic’
It’s no secret that I’ve been a super fan girl of First Timers alumni Bitch Hunt for a few years now – I just can’t get enough of their gently empowering, cathartic energy and scuzzy punk-pop. This track seems particularly poignant right now, as trans youth are faced with increasingly long waiting times to access the healthcare and support that they urgently need. (ML)

Um Jennifer? – ‘Girl Class’
The brand new single from NYC duo (and fantastically named) Um Jennifer?, ‘Girl Class’ is a perfect slice of fuzzy lo-fi punk-pop. Of the track, they explain: “‘Girl Class’ was born out of craving community within trans girlhood. It’s about unbecoming and becoming; being molded by expectations of femininity. Ultimately, it’s the realisation that despite the noise, there is no one way to be a girl.” (ML)

Ethel Cain – ‘American Teenager’
This euphoric pop gem from Ethel Cain sits in contrast with her darker, more cinematic sounds, but I still love it. She’s such a sophisticated, altruistic storyteller, something which is perfectly showcased on her debut album Preacher’s Daughter. Everyone needs a bit of Ethel Cain in their lives. (KC)

Nina Keith – ‘Blow Up Yr Life (U Need To)’
A comforting, gentle reminder to let go of negativity and doubt, I love this soundscape from LA-based trans artist, producer and composer Nina Keith. Featuring the vocals of indie pop artist Barrie and composer and musician Qur’an Shaheed,  ‘Blow Up Yr Life (U Need To)’ is a considered, delicate blend of lilting electronics, fragmented voices and crisp production, all of which melt together to create an exquisite, emotive listening experience. “Lately the more I wear the turmoil of my life on my sleeve the more often I find myself in conversations with strangers and loved ones that reach a similar end,” Keith explains about the context of her track. “This song is sort of a small prayer in lieu of words I can never seem to speak in those moments. Divorce your husband, start an onlyfans, borrow friend’s hormones, take them for fun, sell your stuff, buy rare beanie babies with the money, whatever you have to do. There is only so much time left.” Love it! (KC)

Chuck SJ – ‘F2shapeless’ 
Chuck SJ and their full band The Rose Quartz Rebellion played for us supporting pink suits at The Shacklewell Arms last month, and it really was such an honour to host them. Uniting the crowd in a sense of euphoric queer joy, the set reflected on themes of Transness and finding your place in the world with a deep cathartic energy. This track stood out as particularly poignant – just listen to it for yourself and you’ll see what I mean. Truly heart achingly beautiful. (ML)

Anohni – It Must Change
‘It Must Change’, the beautiful first single from ANOHNI’s sixth studio album – a statement that we all should listen to in light of what is happening in the world, but specifically here in the UK when it comes to trans rights. Anohni has released this song under Anohni and the Johnsons, a nod to the origins of her music, the band named after LGBTQ+ rights activist and pioneer Marsha P Johnson. ‘It Must Change’ is a song with hope embedded for a better future. (TW)

Listen to our Pride Playlist below!

Follow GIHE on Spotify to hear all of our previous playlists too

 

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PLAYLIST: June 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, guitar anthems, alt-pop gems and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Problem Patterns – ‘Letter Of Resignation’
Fresh from supporting electro-punk icons Le Tigre on their Manchester and Glasgow UK tour dates, this is the latest single from GIHE favourites, Belfast Riot Grrrls Problem Patterns. Taken from their upcoming debut album, Blouse Club, which will be released later this year via Alcopop! Records, ‘Letter of Resignation’ celebrates queer joy and ally-ship, which feels especially poignant during Pride month here in the UK. We can’t wait to have the band headline for us again at the Sebright Arms in Hackney on 17th November. Tickets are cheaper in advance, so make sure you grab one from DICE.
(Kate Crudgington)

CLT DRP – ‘Nothing Clever, Just Feelings’
This is the title track from Brighton electro-punk trio CLT DRP’s upcoming second album, which is set for release on 8th September via Venn Records. ‘Nothing Clever, Just Feelings’ is a thumping, primal offering that champions the immediacy and the transitory nature of thoughts and emotions. I am OBSESSED with it, and so are ARRX, who played the track on our recent Soho Radio show during our interview with them. Listen back to that here. (KC)

Straight Girl – ‘Ugly’
I CANNOT WAIT for Leeds multi-talented artist Straight Girl to headline for us at the Shacklewell Arms next Friday 7th July. With their fierce charisma and unique electro-punk soundscapes and sparkling stage presence, I guarantee they’ll deliver a euphoric immersive experience that you won’t be forgetting in a hurry! Support comes from ALT BLK ERA (!) and The Dead Zoo. I can’t stress enough how silly you would be to miss this one. Grab a ticket on DICE now.
(Mari Lane)

ALT BLK ERA – ‘I’m Normally Like This’
Embracing the power of their individuality and refusing to let the opinions of others impact the way they express themselves, I love this single fro genre-defying sister duo ALT BLK ERA. Fuelled by their antagonistic and joyful spirit, it’s a cathartic rage-dance anthem that celebrates the freedom that comes with championing your own creativity in alternative music scenes and beyond. The band will be playing as main support for our GIHE summer gig with STRAIGHT GIRL at The Shacklewell Arms on Friday 7th July! Grab a ticket on DICE now. (KC)

cumgirl8 – ‘gothgirl1’
One for the #GloomyGirls out there! New York four-piece cumgirl8 have shared this dark, sultry new tune. It’s taken from their upcoming EP phantasea pharm, which is set for release on 18th August. The band will be supporting Le Tigre on their Canadian tour dates in July and they’ll be returning to the UK to play Greenman Festival in Wales on 18th August. (KC)

Sweeping Promises – ‘Eraser’
Following their 2020 debut, Hunger For A Way Out, Kansas duo Sweeping Promises have now returned with a new album, Good Living Is Coming For You, set for release today 30th June! Taken from the album, ‘Eraser’ showcases the band’s unique colossal energy and quirky, colourful soundscapes. Of the track, they explain that ‘Eraser’ is “a malevolent creep – an overly ambitious, shadowy force who bears an uncanny resemblance to you. She watches your every move, mirrors your motions, and ultimately uses your voice against you without you ever noticing what she’s done. She’s unchecked ambition, a paranoid girl Friday, an overriding impulse to reflect rather than project. She must be stopped at all costs.” (ML)

Grrrl Gang – ‘Spunky’
Indonesian Riot Grrrls Grrrl Gang have been a rising force in the Southeast Asian music scene since their formation in 2016, and I just love this short sweet blast of empowering, infectious pop-punk. It’s currently an exciting time for the band as their debut full length album, also called Spunky, is due out in September, getting a release with legendary label Kill Rock Stars in the US. (ML)

Girls Like Us – ‘Spoonfed’
London-based grunge/punk trio Girls Like Us recently released their debut EP, ‘Til The Bitter End, which this track ‘Spoonfed’ is lifted from. Their blend of riotous vocals and guitars and their memorable song titles – ‘My Boyfriend Was A Tory (So I Broke Up With Him)’ – make for cathartic, fun listening. (KC)

House Of Women – ‘Hysterical’
‘Hysterical’ is the debut single from London four piece House Of Women, released via their own label. The band have been busy playing live shows in London recently in preparation for their upcoming slot at 2000TREES festival on 7th July. I’m looking forward to hearing more from these four in the future! (KC)

Cable Ties – ‘Thoughts Back’
The latest single from Australian band Cable Ties, ‘Thoughts Back’, is a wonderfully scuzzy slice of post-punk, reflecting on drummer and vocalist Shauna Boyle’s personal experiences with mental illness and how consuming and exhausting it can be. All Her Plans, the new album from Cable Ties, is out now and if you fancy catching them live, they’re headlining the Shacklewell Arms on 25th August. (ML)

Ratboys – ‘It’s Alive’
Not sure how I’ve only just come across Chicago band Ratboys, but they’re new favourites for sure! Their latest single, ‘It’s Alive’, is filled with all the dreamy, lilting hooks and fuzzy allure I could ever need, and Julia Steiner’s vocals are sugar sweet perfection. Ratboy’s upcoming new album, The Window, is set for release on 25th August. (ML)

Divide and Dissolve – ‘Want’
Happy album release day to the inimitable Divide & Dissolve! Their fourth record, Systemic, released via INVADA Records, hosts more of their heavy, sublime sounds that I’ve grown to love over the past few years. Divide and Dissolve’s core message has remained the same throughout their journey: “to make music that honours their ancestors and Indigenous land, to oppose white supremacy, and to work towards a future of Black and Indigenous liberation.” This track ‘Want’ is a hypnotic loop of sound that opens their new record. Listen to Systemic here and keep your eyes peeled for a full review on our website next week! (KC)

CIRCE – ‘Glow (You Always Tell Me I Have This Glow)’
Taken from her upcoming EP, Drawing Wings From The Light, which is set for release on 19th July, Circe’s latest single bristles with a potent anger, explored through her seething-yet-poetic lyricism, atmospheric synths and intriguing use of ASMR-inducing samples. Inspired by “a powerful rage” directed against “the slights and casual misogyny of the music world”, her hushed threat of “I am a hurricane” sees her defiantly reclaim a sense of power and self autonomy in the face of this adversity. (KC)

Yvonne Ambrée – ‘Outtamymouth’
Some great electronic analogue sounds on this track from Brooklyn via Berlin singer-songwriter Yvonne Ambrée. Yvonne details the track: “The song really embraces all the moments when something comes to an end – when something has been said, a decision has been made, a feeling has taken over etc.” I love it. (Tash Walker)

Speakers Corner Quartet ft. Tirzah – ‘Fix’
A couple of weeks ago, I had the total pleasure of seeing Speakers Corner Quarter at Roundhouse for the launch of their album. It was a totally mesmerising show, each track features a different collaborator – ‘Fix’ with Tirzah, but also Kae Tempest, Sampha and so many others joined them on stage. I would strongly recommend you all check out the album and immerse yourself in the delightful sound bath! (TW)

Hera Lind – ‘Hungry Lion’
‘Hungry Lion’ is the latest single from this Icelandic musician, an ode to restoring your inner peace and “feeling whole again” after escaping certain toxicities in life. (TW)

heka – ‘april (away)’
Heka has now signed with Practise Music and this is her first single for the label. Self-proclaimed “butchered folk” – I love that. And the song, which has a deep intimacy and melancholy to it. (TW)

King Hannah – ‘State Trooper’
Two live highlights of mine over the last few months: seeing Bruce Springsteen live in Barcelona, and seeing King Hannah support Kurt Vile at Koko. So, this rendition of one of my favourite Boss songs by the Liverpool band combines the two in a rather beautiful way. It was wonderful to finally see King Hannah live – even more completely spellbinding than I could have ever imagined. (ML)

Hand Habits – ‘The Bust Of Nefertiti’
The latest single from LA based artist Meg Duffy aka Hand Habits, ‘The Bust Of Nefertiti’ is taken from their new EP, Sugar The Bruise – a collection of songs focused on being in the moment, which was written after Duffy had taught a month long songwriting class last summer, in which they discovered a newfound clarity in embracing the unknown. I just really love this track’s driving emotion and cinematic soundscape. (ML)

TERI GENDER BENDER – ‘You Won The Man’
Taken from her upcoming EP, OUTSIDERS, which is set for release on 7th July, this is the latest alt-pop gem from the marvellous Teri Gender Bender. On ‘You Won The Man’, Teri reminds us that “behind every victory lies a poignant tale of sacrifice, struggle, and the profound human experience.” She is a total force when performing live, which she proved on stage supporting The Mars Volta on their UK tour dates earlier this month. (KC)

Girl Ray – ‘Everybody’s Saying That’
Any regular followers of ours will know what a fan I am of London trio Girl Ray, and my fandom has only increased with their latest slew of funk-fuelled singles. This one fizzes with all the swirling disco-inspired energy and danceable allure that we’ve come to know and love, and leaves me super excited for the release of their upcoming album, Prestige, which is out on 4th August via Moshi Moshi. I can’t wait to see them live again for its launch at Rough Trade East that evening, and if you’re keen to dance the night away to more Girl Ray-approved hits, they’re hosting ‘Club Prestige’ – a night of disco hits and beyond – at The George Tavern on 21st July. (ML)

Spinsters – ‘Styrofoam’
Bolton-based newcomers Spinsters have released their debut EP, Love Songs From the Apocalypse, today via The Evening Economies! This track ‘Styrofoam’ is one of five songs that explore the notion of memory, our bodies, joy, fear and technology – aka “what it means to be a messy human animal in chaotic times”. (KC)

Delilah Holliday – ‘Silent Streets’
Lifted from her upcoming EP, Invaluable Vol. 1, which is set for release via One Little Independent Records on 7th July, ‘Silent Streets’ is the latest banger from Delilah Holliday. A former member of punk band Skinny Girl Diet, Delilah’s solo sound has shifted into electronic dance territory, and this track allows her new skills to shine. (KC)

Alex Loveless – ‘Whiplash’
Hackney-based electronic artist Alex Loveless has returned with this alt-pop gem after a break from creating music whilst recovering from long covid. Inspired by palimpsest memories – layers of memories that accumulated as Loveless retraced their steps around London – it’s a slow-burning, lo-fi musing that sees them explore the powerful yet transitory relationships and interactions they have with others. (KC)

Lucy’s Delirium – ‘Mr Tv’
This is the debut single from Montreal alternative rock band Lucy’s Delirium. Their strong DIY ethos and playful, carefree attitude has resulted in the sound of ‘Mr Tv’. They recorded the single in their home studio, and the band describe it as “encapsulating the hypnotizing and obsessive feeling og the relationship between people and technology.” (KC)

MALKA – ‘Matriarch’
Having been a big fan of Scottish artist Tamara Schlesinger aka MALKA ever since she was a guest on our radio show about 6 years ago, I was excited to hear that she has new material. Taken from her upcoming new album, ‘Matriarch’ reflects on trying to balance everything in life whilst finding pride in what you succeed at. Oozing a sparkling, synth-soaked soundscape as Schlesinger’s honey sweet vocals are propelled by uptempo, tribal beats, it offers a beautifully uplifting ode to self empowerment. (ML)

Lizzo – ‘2 Be Loved (Am I Ready)’
I wasn’t at Glastonbury, sadly… But I’ve been lucky enough to see Lizzo before and her immense empowering presence is just one of the most wonderful things in the world. Even just watching the footage of her set from the weekend on iPlayer filled me with so much joy and emotion. Going through a few changes and realisations in my personal life at the moment, seeing the sheer beautiful uplifting energy and fierce spirit of her performing this song (and all the girls and gays crying along) was really just what I needed right now. Thank you Lizzo! (ML)

 

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PLAYLIST: May 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, grungy guitar riffs, alt-pop gems and electronic tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Le Tigre – ‘My My Metrocard’
The GIHE gang are finally seeing Le Tigre live in London on Saturday and we CANNOT wait to dance together in raging, cathartic bliss! Although I’ve been lucky enough to see Bikini Kill and The Julie Ruin live, it’ll feel extra special seeing Kathleen Hanna, JD Samson and Johanna Fateman reunited – Le Tigre were my ‘gateway’, if you will, to all things Riot Grrrl, hearing them regularly in the local indie club I’d visit throughout my teens during the early noughties, before delving into what came before. I’ve got goosebumps just thinking about it! (Mari Lane)

pink suits – ‘pink suits everyone’
Having had the pleasure of hosting Margate punk duo play for us at a couple of gigs over the last two years (supporting Problem Patterns and ARXX), we’re excited to welcome them back to The Shackewell Arms on 22nd June. It’s going to be extra special, as this time they’ll be headlining in celebration of their upcoming album, Dystopian Hellscape. Support from Chuck SJ and the Rose Quartz Rebellion and Breakup Haircut. Grab your tickets here! (ML)

GENN – ‘ A Reprise (That Girl)’
Long time GIHE faves GENN with their latest single. ‘A Reprise (The Girl)’ showcases all there is to love about the Anglo-Maltese quartet; with their trademark funk-fuelled sound and fierce energy, it’s an immense angst-driven anthem. (ML)

INDIGOS – ‘Drug Dealer, Faith Healer’
I’m a big fan of this track by Bristol-based band INDIGOS. Taken from their upcoming EP, IN UTOPIA, which is set for release on 21st June, ‘Drug Dealer, Faith Healer’ draws parallels between drug use and organised religion, comparing the ritualistic natures of both.
(Kate Crudgington)

HotWax – ‘Rip It Out’
The latest single from Hastings teenage grunge trio HotWax, taken from their debut EP, A Thousand Times. I’ve probably played ‘Rip It Out’ a thousand times? It’s a riotous anthem about ripping out your contraceptive implant. I interviewed the band before their gig at The Lexington back in April and we spoke about this track and more. Read the full piece here. (KC)

Fraulein – ‘Big Cool’
Self-described as “a wild ride, a bit screamy, very big & very cool,” I love this new anthem from GIHE faves Fraulein. Joni & Karsten continuously impress all of us with their brooding, grunge-infused noise and ‘Big Cool’ is no exception. It’s taken from their upcoming EP, Pedestal, which is set for release on 30th June. (KC)

CHROMA – ‘Woman To Woman’
Having wowed crowds at SXSW and Focus Wales this year, and with a debut album set for release later this year, Welsh rockers CHROMA rally in support of people of minority genders in immense latest single ‘Woman To Woman’. Calling out those who call themselves feminists whilst actively oppressing others, it races with a fierce energy, blasting out the poignant message that “Trans Women Are Women” with a searing sense of urgency. (ML)

My Ugly Clementine – ‘Are You In’
Described as “a reminder to jump in, be assertive and to go with the flow”, I love this track from Vienna-based three piece My Ugly Clementine. Are You In? is taken from their upcoming album, The Good Life, which will be released on August 11 via BMG. The band are coming over to the UK to play a show at the Old Blue Last in Shoreditch on 8th October, so grab a ticket if you like what you hear. (KC)

Touch Excellent – ‘Record’
A tenacious anthem that takes aim at the failures of the healthcare system when it comes to treating women, non-binary and transgender folks, this is the debut single from Touch Excellent. Playfully self-describing themselves as “Ireland’s most transgender band (surely)”, Touch Excellent create raw, frenzied, politically-driven cacophonies that are designed to dismantle the systems that oppress us. ‘Record’ is inspired by the band members own experiences with the medical system, the recent Cervical Check scandal in Ireland, and the ongoing fight for reproductive rights around the world. (KC)

Cumgirl8 – ‘cicciolina’
I missed New York four-piece cumgirl8 when they played The Great Escape earlier this month, but their catchy, chaotic sounds have been ricocheting around my head anyway. ‘Cicciolina’ is a snapshot of what the band are all about, as they explain: “Cicciolina is an Italian icon, porn star and former politician that was elected to parliament in the 90s. She advocated for human rights and the eradication of nuclear weapons. Cicciolina said ‘make sex not war’ and used her divine power of femininity to troll the status quo while disrupting it from the inside. We feel her ideals are foundational to the cumgirl8 philosophy of subversive change, peace, and strength in vulnerability. We hope she loves our song, we love her very much. Cicciolina is cumgirl1.” (KC)

The Black Isle – ‘Jewel Box’
Bonding over a shared love of grunge and pop, Yorkshire-based band The Black Isle create fuzzed up, melodic guitar tunes. The band released their new EP, Vagus Nerve, today (31st May), so if you like the sound of ‘Jewel Box’, you should check it out here.(KC)

HAVVK – ‘Daylight Robbery’
I was super excited to hear about the return of total faves HAVVK! They played the first ever gig we hosted back in 2016, and have continued to charm us with their rich ethereal power ever since. ‘Daylight Robbery’ offers a grittier sound from the Irish duo, reflecting on the safe spaces we create for ourselves and the exhaustion and fear we can feel when these are invaded. A fierce anthem oozing the band’s trademark, cathartic rage and captivating grace. (ML)

Trout – ‘Gutter’
I love this bittersweet anthem from the excellently named Trout. The Copenhagen-born, Liverpool-based musician has just signed to Chess Club Records and returned from playing The Great Escape Festival, so 2023 looks set to be a great year for her. ‘Gutter’ is a tongue-in-cheek response to those who doubt what it’s like to live with depression, explored via grungy riffs and Trout’s layered vocals. (KC)

Ezra Williams – ‘Until I’m Home’
This is a tender offering from Irish non-binary musician Ezra Williams, taken from their debut album, Supernumeraries, which is set for release on 16th June via AWAL. Speaking about the track, Ezra explains: “I wrote this song on the train home from hanging out with my girlfriend at the time. I overthink everything, and cannot be left alone with my own thoughts for a second, or I’ll feel like the world is collapsing in on me.” We love Ezra’s music here at GIHE and look forward to hearing their debut record in full. (KC)

Pixie Cut Rhythm Orchestra – ‘Empty Envelope’
Mari has booked Pixie Cut Rhythm Orchestra to headline our Get In Her Ears gig in October and I am SO. EXCITED. They were recommended to me by Irish musician Fears a while ago, and I’ve had this track ‘Empty Envelope’ on repeat since then. Please grab a ticket to come and see them live at The Shacklewell Arms. We can have a little cry in the front row when they play it (disclaimer: this is optional). Tickets are cheaper in advance and available via DICE here. (KC)

Midwife & Vya Melinkolya – ‘Hounds Of Heaven’
I am obsessed with Midwife & Vya Melinkolya’s collaborative EP, Orbweaving, which they created during the time they spent together in the deserts of New Mexico where Midwife is based. From nights spent “herping” on empty roadsides looking for rattlesnakes, roadkill and spiders, to meaningful days in the studio, Orbweaving captures a moment of melancholy and metamorphosis for both artists. It’s one of my favourite EPs of the year so far. (KC)

JFDR – ‘Life Man’
‘Life Man’ is taken from Icelandic musician JFDR’s third album Museum, which came out at the end of last month. JFDR says “The song is about one of those moments; when you get a second to breathe and an overwhelming wave of existentialism hits you in the face.” Kate caught her set at St Mary’s Church in Brighton as part of The Great Escape Festival, which you can read all about here. (TW)

SOLE – ‘en och en’
I have Kate to thank for discovering this tack! It comes from SOLE who is a Swedish artist, music producer and songwriter. This track is taken from her upcoming second album. I love the calming nature of it, with beautiful vocals that make you feel like you’re being lifted up by the music, transcending into a better place. (TW)

Headboy – ‘Cement’
London trio Headboy’s latest release, taken from their upcoming debut EP, Was It What You Thought?, which is set for release on 9th June via Blitzcat Records. This track focuses in on the significance of friendship amidst a backdrop of bright, intricate indie-rock. Speaking more on the lyrical inspiration behind ‘Cement’, the band said: “In the heat of a turbulent summer, misrule reigned. ‘Cement’ is about taking stock and refuge in the comfort of your friends and the people around you; and the rediscovery of friendship. It includes advice from lyricist Mars West’s grandfather – ‘don’t count the days it slows them down’ – a warning against wishing away life.” I’m looking forward to hearing the EP in full! (TW)

The Orielles – ‘Tableau 002’
Having just released their experimental new EP, The Goyt Method – an innovative re-working of last year’s album Tableau – long time faves The Orielles continue to showcase their insightful and sophisticated songwriting, and ability to create exquisite, avant-garde soundscapes. Find out more about the intriguing processes and techniques used to put the EP together, as well as reflections on memorable live shows and being women in the music industry, in our recent interview with Sid and Esmé from the band! The Goyt Method is out now via Heavenly Records. (ML)

DEWEY – ‘The Janitor’
This is the latest single from previous guest on our Soho Radio show DEWEY. ‘The Janitor’ is serving those wonderful otherworldly soundscapes that DEWEY does so well. I particularly love the catchy guitars and rhythms on this track, it’s got a real groove to it. DEWEY will be playing a free gig at East London’s Jaguar Shoes on the 1st June. (TW)

Lauren Auder – ‘we2assume2many2roles’
An intriguing exploration of the contradicting nature of human experience, I’m a big fan of this single from British-French artist Lauren Auder. Co-produced by GIHE fave Jessica Winter, mmph, Alex Parish and Auder herself, ‘we2assume2many2roles’ is a hazy alt-pop gem that marks an exciting new direction for the songwriter. (KC)

CATBEAR – ‘I’ll Meet You At The End’
London duo CATBEAR with their latest single. A ‘love song for the apocalypse’, ‘I’ll Meet You At The End’ reflects on the power of connection, even in the darkest of times. With its soaring, blissful allure I can’t get enough of this shimmering, immersive soundscape. (ML)

Softee – ‘Isn’t Enough’
The latest single from Brooklyn based artist Nina Grollman aka Softee, ‘Isn’t Enough’ showcases her ability to create sparkling alt-pop soundscapes with a stirring, heartfelt emotion. Oozing a glistening, immersive splendour throughout, her new debut album Natural explores complex themes of identity and transformation with a soulful, uplifting energy. (ML)

Ruti – ‘Luh Luh Love’
I had the total pleasure of catching Ruti on the first day of The Great Escape in Brighton earlier this month, and their vocals blew me away. I totally love this track of theirs ‘Luh Luh Love’. There’s such a gentle sweetness to it and a lovely depth and tone to Ruti’s voice. Feel good vibes. (TW)

Charlotte Carpenter – ‘Spinning Plates’
The first taster of Charlotte Carpenter’s upcoming debut album, ‘Spinning Plates’ offers a poignant reflection on the power structures and misogyny within the music industry. I’m a big fan of the impassioned blues-soaked splendour of this striking call to arms to fellow women and marginalised groups within the industry. (ML)

Carpenters – ‘Yesterday Once More’
Just wanted to play a Carpenters song as I was lucky enough to interview Lucy O’Brien recently about her new book about legendary artist Karen Carpenter. Lead Sister is a truly moving account, recalled with stirring empathy by Lucy – whilst not ignoring the sadness of Karen’s story (one which can be quite affecting, especially for anyone who has personal experience of eating disorders), it highlights Karen’s voice, her strength of spirit and passion for what she loved (like drumming!) (ML)

https://open.spotify.com/playlist/5GVdoLhH9nI7qErVfBXkwQ?si=eb3869b24f8c4706

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PLAYLIST: April 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, industrial soundscapes, alt-pop and electronic tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Whitelands – ‘Setting Sun’
I’m really into London band Whitelands at the moment! Formed of Etienne, Jagun, Vanessa and Michael, I just love their scuzzy, shoegaze-infused soundscapes, and ‘Setting Sun’ showcases their ability to create the stuff of truly captivating sonic dreams. They’ll be playing in Brighton at The Great Escape Festival in May, so make sure you catch them if you’re lucky enough to be going! (Mari Lane)

Hypsoline – ‘With You Gone’
Having completely fallen in love with Hypsoline when they played for us, supporting Currls back in December, I’m now super excited that they’ll be returning to charm us again – for their first ever London headline show – on 19th May at The Shacklewell Arms. Support comes from The Ethical Debating Society and Rom Coms. Grab your tickets here. (ML)

Circe – ‘Riot Of Sunlight’
GIHE favourite Circe has shared her new single ‘Riot Of Sunlight’, which is taken from her upcoming EP, Drawing Wings From The Light, set for release on 19th July. Inspired by her love for Jez Butterworth and Mark Rylance’s critically acclaimed play Jerusalem, it’s a commanding, delightfully disorientating blend of dizzying synths and seraphic vocals, all delivered with her distinctive and vivid charm.
(Kate Crudgington)

Twin Rains – ‘You’re The Only One’
This apocalyptic reflection on love from Toronto-based Twin Rains is the first piece of new material from the duo since 2021. Full of intoxicating riffs and smooth vocals, it’s a potent blend of dream pop and psych rock with an electronic edge, and I can’t stop listening to it. (KC)

Draag – ‘Demonbird’
LA electro-shoegazers Draag release their debut album Dark Fire Heresy today (28th April), and this swirling sonic headrush is lifted from it. Speaking about the track, frontperson Jessica Huang explains: “‘Demonbird’ was a major breakthrough in my personal journey unpacking spiritual abuse in my past. Becoming the Demonbird character in the video was a way for me to find some sort of justice for the women who were silenced and discarded in the purity culture of my particular religious upbringing…It’s a relief that it doesn’t have the same power over me anymore.” Draag’s new record is well worth your attention. Listen to it here. (KC)

Fraulein – ‘Brand New’
GIHE faves Fraulein are back with this aptly titled new single, taken from their upcoming EP, Pedestal, which is set for release on 30th June. Speaking about the track, Joni and Karsten explain: ‘Brand New’ is the closing track on the EP, and it’s essentially the conclusion to the more negative emotions explored on the first half (‘Pet’, ‘Three’). It’s about trying to start fresh, leaving all that behind, and just feeling free to be yourself, even though it’s frightening and you feel so vulnerable when you do it.” We can’t wait to hear their new record in full. Pre-order your copy on limited edition cassette here. (KC)

Ezra Williams – ‘Bleed’
Cork-based songwriter Ezra Williams is set to release their debut album, Supernumeraries, on 18th June via AWAL, and this track ‘Bleed’ is the first single lifted from the record. It’s a hazy, melancholic tune that explores the artist’s feelings of disconnection and isolation in relationships. We’re big fans of Williams’ indie pop sounds here at GIHE and I’m looking forward to hearing Supernumeraries in full. (KC)

O Hell – ‘It Heals So Quick’
Following on from their previous singles ‘pixel‘ and ‘I Watch The Women‘ – which made our Tracks Of The Year list in 2022 – Brighton-based artist and producer Lucy Sheehan aka O Hell has shared their latest offering, ‘It Heals So Quick’. Underscored by their desire to explore the duality of past and present, and the inner processes of emotional relapse and recovery, O Hell delivers their extrapolations on sexuality, ritual and sacrifice with compelling and gritty conviction. (KC)

Alien Chicks – ‘Candlestick Maker’
Mari & I were part of the sold out crowd at The Lexington watching Alien Chicks play their biggest headline show to date earlier this month, and they were absolutely electric. The Brixton-based trio, formed of Martha, Stefan and Joe, smashed through a setlist of their potent punk-inspired anthems, including this track ‘Candlestick Maker’. We’ve been obsessed with them since they played a GIHE gig for us at The Shacklewell Arms in December last year, and that’s why we named them as ‘Ones To Watch’ at the end of 2022. Go and see the band play live at The 100 Club in November this year. It’s the perfect venue to hear and see what they’re all about. Grab a ticket now. (KC)

CLT DRP – ‘New Boy’
Brighton Feminist Electro-Punks CLT DRP’s latest single is a visceral, incendiary anthem exploring the conflicting thoughts in the aftermath of a breakup. Released via Gallows’ label Venn Records, who the band have recently singed to, ‘New Boy’ is a rush of potent emotion, from it’s candid opening line about barely affording therapy, to its various cathartic, noisy breakdowns. The track is lifted from CLT DRP’s upcoming album, which is set for release later this year. (KC)

jellyskin – ‘Bringer Of Brine’
I love this new banger from Leeds-based duo jellyskin. Taken from their upcoming debut album, In Brine, which is set for release on 9th June via Wrong Speed Records, the pair combine their eccentric ideas with throbbing percussion and commanding electronics to create their techno-inspired, industrial sounds. (KC)

Calva Louise – ‘Feast Is Over’
Having been a big fan of international band Calva Louise’s fierce, sparkling energy for some time now (and even witnessing their luminous charm live across the pond in New York last year), I was excited to hear that they’ll be releasing a new EP soon. Over The Threshold will not only offer an insight into how the band’s distinctive sound has developed with a heavier, cathartic metal-infused rage, but will also be accompanied by the release of a third person video game produced by Stratera Games. An innovative move from Jess Allanic and co, inspired by her own love of Sci Fi and fantasy, which is also evident in the accompanying graphic novel the band created alongside their 2019 album Rhinoceros. Ahead of the EP’s release, the band have shared a fiercely riotous new single, ‘Feast Is Over’ – reflecting on overcoming the challenges of life, it’s an immense, raging call to arms. (ML)

Dream Phone – ‘Bad Girls’
Having been completely blown away by Oxford duo Dream Phone when they played live for us supporting Me Rex last month, I was thrilled to hear they’ll be releasing their debut EP in May. Lead single ‘Bad Girls’ offers a joyous ode to Buffy and Faith (from the best TV show ever, Buffy The Vampire Slayer), celebrating friendship and discovering your “bad side” as Jenny Bell and Hannah Watts’ sparkling charisma and vibrant energy shine through. Showcasing the duo’s ability to combine quirky voice augmentation with infectious, synth-driven glitch-pop soundscapes, it harks back to the innovative layering and sampling of Kathleen Hanna’s solo Julie Ruin record; oozing a euphoric riot grrrl inspired drive, whilst maintaining Dream Phone’s trademark playful allure. The self-titled debut EP from Dream Phone is set for release on 19th May via Divine Schism. (ML)

Jemma Freeman & The Cosmic Something – ‘Huge’
The latest single from London psych rockers Jemma Freeman and the Cosmic Something, ‘Huge’ channels the mindset of a child with ADHD. Rippling with fizzing hooks as the swirling power of Jemma’s truly distinctive vocals soars, it builds with a sparkling psychedelic allure to an immense, colourful cacophony. Showcasing the raw emotive majesty that this innovative artist is able to create, ‘Huge’ offers an epic, frenzied anthem. (ML)

Tokky Horror – ‘Toilet’
It was a total pleasure to chat to producer Zee back in March about Tokky Horror’s upcoming EP, KAPPACORE, which is set for release on 12th May via Venn Records. Lead single ‘Toilet’ is a blend of drum & bass beats, manic riffs and surprisingly vulnerable lyrics, inspired by Zee’s own experiences of finding their feet within activist scenes in music and queer spaces. Alongside dual vocalists Mollie Rush and Ava Akira, Zee will be bringing the riotous Tokky Horror show to Blondies in East London on 18th May. Full tour dates and interview here. (KC)

Duck – ‘Happy Back’
The new single from GIHE faves, Duck, ‘Happy Back’ offers an anthem for anyone awkward and self-deprecating who needs a bit of love. A wonderfully fizzing cacophony, propelled by whirring hooks and a scuzz filled goodness, it’s the first release from the band’s upcoming third album and was recorded at Make Noise Studios in Sheffield with engineer/co-producer Tom Henthorn. (ML)

Hand Habits – ‘Something Wrong’
The latest single from Hand Habits – one of my most listened to artists at the moment, and someone who’s collaborated with legends like Perfume Genius – ‘Something Wrong’ is an utterly captivating offering. Propelled by a majestic dark energy, an utterly dreamy soundscape is created; instantly immersing the listener in its haunting, emotion-strewn grace. Sugar The Bruise, the upcoming mini album from Hand Habits, is set for release in June. (ML)

Hazel Mills – ‘Enclosure’
‘Enclosure’ is the first single to be lifted from Bristol-based multi-instrumentalist Hazel Mills’ upcoming EP, The Embrace, which is set for release on the 19th of May. A beautiful blend of lilting synths, altruistic beats and evocative vocals, Mills has created a gentle hypnotising soundscape that feels more affecting each time it’s listened to. (KC)

Mere Child – ‘Not Good Enough’
Written, recorded and produced in her “poorly soundproofed kitchen/conservatory”, independent artist Aimee Herbert aka Mere Child’s latest single is a tender, atmospheric ode to persevering in the face of adversity. A poignant reflection on a difficult time, ‘Don’t Let Me Go’ shimmers with its melodic guitars, earnest lyrics and Herbert’s soft, clear vocals, which provide a lullaby-like comfort. (KC)

Prima Hera – ‘Michigan’
Described as “a classic tale of unrequited love, strewn across the highways of middle America,” this is the latest single from Sheffield-based musician Prima Hera. Full of her lush vocals, yearning lyrics and sultry reverb-drenched piano, ‘Michigan’ is a rumination on an unbalanced romantic relationship, filtered through Prima Hera’s seductive melancholy-pop lens. (KC)

Midwife & Vyva Melinkolya – ‘Miss America’
‘Miss America’ is another heavy-yet-heavenly collaboration from GIHE fave Midwife and new fave Vyva Melinkolya. This single is lifted from the duo’s upcoming 5-song album, Orbweaving, which will be released on 12th May via The Flenser. The record is described as “a web like structure – a gauze of sorrow and visceral connective thread” that combines their experiences of hopelessness, calling on a higher power, being alone, and the sublime horror of the natural world. I can’t wait to hear it. (KC)

HUSSY – ‘Blew’
This is the title track on South London-based musician Sophie Ellison aka HUSSY’s latest EP, which she released earlier this month. On Blew, she extrapolates on her inner thoughts and existential crises, whilst looking outward to the wider social contexts of why she feels the way that she does. Ellison delivers these ruminations over atmospheric, grungy guitar sounds and via her clear, brooding vocals. (KC)

The White Roses – ‘This Town’
On their brand new single, Yorkshire-based indie rock four piece The White Roses try to capture “the difficulty of what it’s like to be a young person growing up in a small town.” Full of urgent riffs and direct lyrics, the band try to work through feelings of anxiety and apathy about being left behind, whilst ignoring the “small talk” and trying to make something of themselves. (KC)

Alex Lahey – ‘They Wouldn’t Let Me In’
The latest single from Australian artist Alex Lahey, ‘They Wouldn’t Let Me In’ reflects on the isolation felt during her teenage years, as a queer person growing up. Inspired by the Netflix series Heartstopper, it oozes a comforting, heartfelt catharsis as Lahey puts into words those tough moments many queer teens experience as they try to adapt to a seemingly non-inclusive world: “I spent a lot of time thinking about my own experiences growing up as a queer teenager, being excluded from conventional romantic rites of passage, feeling like I couldn’t relate to anyone around me.” The Answer Is Always Yes, the upcoming album from Alex Lahey, is set for release on 19th May via Liberation. (ML)

Pool Kids – ‘That’s Physics, Baby’
The latest single from Florida band Pool Kids, ‘That’s Physics, Baby’ harks back to the beloved emo-strewn sounds of the early noughties. With acclaim from noughties royalty Paramore’s Hayley Williams, I just love its fizzing energy, swirling impassioned drive and catchy hooks. Pool Kids have just released their self titled second album via cult label Big Scary Monsters, and you can catch them live at The Sebright Arms on 10th May. (ML)

Heart Shaped – ‘Felt’
Following on from her previous release ‘No Contact’, Houston-born, Belfast-based songwriter Heart Shaped has provided her listeners with another cinematic slice of dream pop on ‘Felt’. Inspired by the self-deception that can underpin some romantic relationships, it’s an effervescent, uplifting offering full of soothing vocals, hazy guitar sounds and tender lyrics. (KC)

Sorry Girls – ‘Prettier Things’
Montreal duo Heather Foster Kirkpatrick and Dylan Konrad Obront aka Sorry Girls are set to release their new album in June, and continue to charm our ears with their lilting heartfelt offerings. Reflecting on being honest with yourself, ‘Prettier Things’ oozes a glistening splendour as Heather’s crystalline sugar-sweet vocals ripple with a stirring emotion throughout. A truly blissful soundscape, luring the listener in with an immersive twinkling grace. (ML)

Fern Veh – ‘Galaxies’
Fern Veh are a Leeds-based solo-project-turned-five-piece band headed by Ada Fae Gilfoyle, who create sounds that flow in an dreampop-indie-post-rock vein. They’re currently working on their debut album, and this track ‘Galaxies’ is the first single from the record. Described as “an intimate and atmospheric love song”, it’s a gentle, dreamy tune. (KC)

Divide and Dissolve – ‘Blood Quantum’
I’ve been following doom instrumentalists Divide and Dissolve since they released their second album, Abomination, back in 2018, so I was thrilled earlier this month when the duo announced that they’ll be releasing their fourth album, Systemic, on 30th June via Invada Records. This single ‘Blood Quantum’ is the first taste of what’s to come. “This music is an acknowledgement of the dispossession that occurs due to colonial violence,” explains Saxophonist and guitarist Takiaya Reed. Takiaya also credits the duo’s 2021 album, Gas Lit, for laying the foundation for their new sounds: “Because of what was built with Gas Lit, Systemic is able to express itself.” I can’t wait to hear it. Watch the striking accompanying video for ‘Blood Quantum’ here. (KC)

 

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