LISTEN: VERO – ‘Concrete’ (Shame cover)

A swirling, provocative cover of British punk band Shame’s gritty original track, Stockholm-based trio VERO have shared their latest single ‘Concrete’. Released via PNKSLM Recordings as the second half of their upcoming 7″ ‘BEG!/Concrete’, which is set for physical release on 14th January, the track is a heady mix of distorted guitars and alluring vocals.

Formed of teenage friends Julia Boman & Amanda Eddestål and Clara Gyökeres who they befriended whilst DJ’ing on the Stockholm nightclub circuit, VERO create music inspired by an eclectic range of influences. Their main purpose, aside from creating anthems with shades of 90s alternative icons Sonic Youth, is to challenge the idea of what a modern guitar band is supposed to be. With their cover of Shame’s ‘Concrete’, the trio have further proved their ability to antagonise and intrigue listeners with their brooding rhythms and crystalline, urgent vocals.

“We’ve never made a cover before, so when we were thinking of a fun B-side for the 7”, we decided to pick a song and a band that we loved,” the band explain. “We’ve been fans of Shame since ‘The Lick’, so it was an easy choice. The original ‘Concrete’ is a high-powered song; energetic and fast. We decided to take it down a whole lot, and then accelerate the intensity for the second half of the song. We had only 2 days to arrange, record and mix the track, which must’ve been a record for us. It was done in super-speed with no second thought, and we love the result.”

Listen to ‘Concrete’ below.

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Photo Credit: Hanna Rubensson

Kate Crudgington
@KCBobCut

Track Of The Day: Hinako Omori – ‘a journey’

A soft, lilting creation that transports listeners into a state of calming bliss, London-based artist Hinako Omori has shared her latest single ‘a journey’. Taken from her forthcoming debut album of the same name, which is set to be released on 18th March via Houndstooth, the track gently meanders through memories and reflects on their ambiguous nature, guided by a lightly distorted, meditative voice.

Born in Yokohama, Japan, Hinako moved to the UK when she was three years old, beginning her musical journey by learning classical piano. She later trained as a sound engineer and has now transitioned into working with analogue synths (including the Prophet 08 and Moog Matriarch.) Heavily inspired by the physiological effects that music and sound frequencies have on the body, field recordings and the Japanese practice of shinrin-yoku (“forest-bathing”) her music seeks to connect with, and understand the human condition in intricate and invigorating ways.

On her new single, Hinako’s use of warm, expansive synths supplies a gentle rush of tranquility, which she describes as “a journey through the cartography of the mind, piecing together past events which seem to appear differently each time – revisiting memories, and healing cognitive distortions.” This is further reflected in the beautiful accompanying music video, created by Emi Takahashi.

Hinako will celebrate the release of her upcoming album with a special performance on 19th March in the Purcell Room at London’s Southbank Centre accompanied by London Contemporary Orchestra. You can buy tickets here.

Watch the video for ‘a journey’ below.

Follow Hinako Omori on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Annie Lai

Kate Crudgington
@KCBobCut

Track Of The Day: Carmel Smickergill – ‘Questioning’

Having performed with the likes of New Order, and with acclaim from BBC 6Music’s Maryanne Hobbs, Manchester based musician Carmel Smickersgill has been mentored by the acclaimed Anna Meredith and prides herself on creating unique ‘outsider pop’.

Taken from her upcoming debut EP, Smickersgill today has shared an utterly spellbinding new track. A quirky reflection on identity, ‘Questioning‘ immerses the listener with its captivating whirring grace and celestial energy, creating an exquisitely ethereal soundscape reminiscent of GIHE fave Jenny Hval. A perfect introduction to the intriguing, multi-faceted offerings that are yet to come from this innovative new artist. Of the track, Smickersgill explains:

I think how you react to something, how you pronounce your vowels etc when you’re caught off-guard, really says a lot about who you are and where you’ve come from… ‘Questioning’ is a celebration of identity, but one to be taken lightly. Revel in the bold changes and big shapes.

We Get What We And We Don’t Get Upset, the debut EP from Carmel Smickersgill, is set for release on 15th April via Prah Recordings. And I cannot wait to hear more of her intriguing soundscapes!

Mari Lane
@marimindles

Photo Credit: Elspeth Moore

Track Of The Day: Catherine Moan – ‘Soda Pop’

A buoyant synth-pop tune that bubbles with romantic frustration, Philadelphia-based electronic musician Catherine Moan has shared her latest single ‘Soda Pop’. Taken from her debut album Chain Reaction, which she released last year via Born Losers Records, the track is a sugary sweet, 80s tinged exploration of joy, love and loneliness.

Inspired by the likes of Depeche Mode, CHVRCHES and The Chromatics, Catherine Moan blends dancing beats, yearning vocals and cinematic synths to create her shimmering electronic sounds. Like many artists in the past two years, Catherine used the mandatory solitude that Covid-19 brought to her advantage, writing and recording her debut album Chain Reaction, which new single ‘Soda Pop’ has now been added to as part of an extended release.

Chain Reaction is a product of a year spent habitually online in my bedroom,” Catherine explains about her record. “The songs tell a story of digital love and coping with excessive solitude with your own body in isolation.” It’s in this solo universe that ‘Soda Pop’ was born, fizzing with its playful energy and gently relieving the vexations of physical and romantic loneliness via bouncing beats and shimmering synths.

Listen to Soda Pop below.

Order the extended edition of Chain Reaction on cassette here

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Photo Credit: Nuna Morales

Kate Crudgington
@KCBobCut