WATCH: pink suits – ‘A Comprehensive Breakdown of How Trickle-Down Economics Works’

Ahead of the release of their upcoming second album, Dystopian Hellscape, on 1st April, Margate duo pink suits have shared a compelling new single. The ambitiously titled ‘A Comprehensive Breakdown Of How Trickle-down Economics Works‘ promises to condense a volatile debate that economists have examined at great length into the (impressively, impossibly brief length) of a single track.

Trickle-down economics is the idea that it is beneficial to all of society to offer tax breaks to the wealthiest individuals and businesses in the world, allowing them to keep more money in their own accounts rather than the government re-distributing it to meet the needs of wider society. The logic behind this is that the hyper-rich will use that wealth of their own volition to stimulate the economy through their own purchases as well as developing businesses that provide jobs to working class people, as well as supporting social causes out of the goodness of their own hearts.

In a world where everyone has a fixed maximum capacity on the amount of money and assets they can have, this would make some element of sense, as they would be forced to redistribute those resources somehow anyway. However, in the real world, where the wealthy are not only allowed but actively encouraged, rewarded and honoured for hoarding more resources than they could ever possibly need, this simply isn’t the case. Studies conducted over many decades show that there is no correlation between more wealth and higher economic output and that the opposite is significantly more likely as the gap between rich and poor widens at increasingly alarming rates. When poor people have money, they have no choice but to spend it on the essentials that keep them alive and stimulate the economy. When rich people have money, they are free to let it gather dust indefinitely, rendering huge amounts of global resources with zero economic value.

In writing a song that is just four seconds long, pink Suits have refused to engage with arguments from ideologues who ignore basic facts of reality. They have refused to repeat easily accessible, readily available information. They have made a statement that if you’re not prepared to do your own homework, it’s not their job to educate you. If you want to look like a clown jabbering on about something you demonstrably know nothing about, then you are more than welcome to, but you are not entitled to their time or attention and you should consider yourself grateful that they dignified your argument with these four sweet, simple seconds.

Watch the epic accompanying video and read more about what pink suits have to say about the track below:

LISTEN: Sick Day – ‘Overexposure’

A sonic exploration of insecurity, whether rational or otherwise, Chicago-based guitar band Sick Day have shared their latest single, ‘Overexposure’. Taken from their upcoming EP of the same name, which is set for release in March 2024 via Substitute Scene Records, the track is a swirling, grungy reflection on feelings of self-doubt, and the way that this affects us as we move through the world.

Formed in 2019, just before the Covid-19 made sick days perpetually relevant, Sick Day consists of songwriter and vocalist Olivia Wallace, drummer Ryan Donlin, bassist Kaity Szymborski and cellist Chaepter. Together, the band create emotionally charged guitar tunes about the everyday struggles of life, romance, and as the band put it themselves: “the general difficulties of being alive.” They deliver these sentiments wrapped in infectious pop rock melodies and relatable lyrics, with their latest single ‘Overexposure’ being a prime example of these talents.

“‘Overexposure’ evokes feelings of anguish, turmoil, self-doubt…a reclusive state where everything feels bigger than usual and you begin to doubt your perception of the world around you,” explains bassist Kaity. “Is everything out to get me? Probably not. But in a death by a thousand cuts, you begin to pin yourself as the common denominator, and thus amorphously the cause of your daily struggles…It makes me think of the state of mind when ordinary daily occurrences and minor inconveniences can topple you over because of your own inner turmoil. A sort of breaking point that sends you spiraling inwards, doubting yourself and your perception of reality”

Despite this melancholy context, the single and the band’s upcoming five track EP, Overexposure, will provide a cathartic, buoyant space for listeners to spiral in solidarity. Listen below.

Follow Sick Day on bandcamp, Spotify, X, Instagram & Facebook

Kate Crudgington
@KCBobCut

NEW TRACK: Fears – ‘11249’ (ft. Jemima Coulter & Ailbhe Reddy)

An affecting, lo-fi offering that gently celebrates the authentic joy of truly existing in the moment, Dublin-born, London-based interdisciplinary artist Constance Keane aka Fears has shared her latest single, ‘11249’. Taken from her upcoming second album, affinity, which is set for release on 22nd March via TULLE, the track is an exquisite blend of tender vocals, raw lyricism and tentative beats.

Following on from her recent single ‘4th of the 1st’ – a poignant reflection on emotional resilience and self-soothing – Fears has created another deeply moving offering on ‘11249’. Written whilst she was visiting New York city back in February 2023, the new single sees her reflect on the life-affirming realisation that her present emotions powerfully contrast with those of her past. The track also features fellow musicians Jemima Coulter on brass and Ailbhe Reddy on accompanying vocals.

“Sometimes, you encounter things that hit you so hard, [that] you think ‘wow, so if I had actually died a few years ago when I tried to, I’d never have gotten to see and experience this’” Fears explains about the feelings that underscore her new track. From her softly delivered, striking opening lyric “Sometimes I remember that I tried to die”, through to her hopeful closing lines – “So I call my Mum, cry on the pier / Think about how it feels to still be here / with two feet on the ground / When I look how far I can see clear / overwhelmed that I didn’t disappear / when I tried to drown” – Fears quietly, yet defiantly marks a truly impressive personal milestone.

Much like her debut album Oíche, on her upcoming second record, affinity, Fears continues to create emotive, elegant and enlightening soundscapes. This time however, she spotlights her ability to find peace in the often chaotic settings around her. Written and recorded between London, New York, and Dublin, across 10 tracks she shares stories of human connection in its strongest and most fragile forms, something which her new single ‘11249’ beautifully highlights.

The track is accompanied by a video, filmed at Fears’ birthday party and directed by her close friend and M(h)aol bassist Zoe Greenway. Watch it below.

Fears Irish & UK Tour Dates 2024
Wed 3rd April – Dublin, IE – Sugar Club
Wed 1st May – London, UK – Oslo Hackney
Fri 10th May – Glasgow, UK – The Hug & Pint

Pre-order Fears upcoming album, affinity, here

Follow Fears on bandcamp, Spotify, Instagram, Twitter (X) & Facebook
Follow TULLE on Instagram & Twitter (X)

Photo Credit: Niamh Barry

Kate Crudgington
@KCBobCut

NEW TRACK: Kim Gordon – ‘I’m a Man’

Following on from her recent single ‘BYE BYE‘ – an eclectic combination of dense beats, brooding basslines and bruising reverb – renowned musician and visual artist Kim Gordon has shared her new track, ‘I’m a Man’. Taken from her upcoming second solo record, The Collective, which is set for release on 8th March via Matador Records, this new cut is a potent blend of grinding guitar FX, slow, sinister beats and Gordon’s distinctive vocals.

Recorded in her hometown of Los Angeles, Gordon continued to collaborate with producer Justin Raisen (Lil Yachty, Yeah Yeah Yeahs, Charli XCX, Yves Tumor) on The Collective, with additional production from Anthony Paul Lopez. The follow up to her acclaimed 2019 debut solo album, No Home Record, on her new full length offering Gordon has retained her idiosyncratic style, remaining eclectic and ambiguous across each of the eleven tracks. She has captured a rumbling, intoxicating sense of unease which is translated both sonically and visually – first with her single ‘BYE BYE’ and now with her latest release ‘I’m a Man’.

Throughout the track, Gordon cogitates on the ways in which capitalism is redefining and ultimately diminishing the role of “traditional masculinity”, pitted against a chaotic backdrop of disarming noise. These ruminations are also reflected in the accompanying video, directed by Alex Ross Perry and starring Gordon, her daughter Coco Gordon Moore and Conor Fay. ‘I’m A Man’ is another exhilarating creation from a musician who immerses herself wholly into all aspects of her art. Watch the visuals for it below.

Pre-order Kim Gordon’s new album, The Collective, here

Follow Kim Gordon on bandcamp, Spotify, Instagram, X & Facebook

Photo Credit: Danielle Neu

Kate Crudgington
@KCBobCut