New Track: She’s In Parties – ‘L Word’

An intimately poignant second single, ‘L Word‘ by Essex band She’s In Parties captures the internal conflict of letting someone know the true depths of your feelings for them. It begins softly, with a gentle beat and lilting vocals, complemented by a twinkling guitar riff that repeats like a delicate dance throughout the track.

The sense of internal conflict is beautifully demonstrated by the vulnerability in the delivery of the vocals, as well as the relatable, guarded lyrics, “Afraid to say the L word / Afraid to let my guard down”. The titular ‘L word’ carries a lot of weight, lent power by the way the ethereal and haunting vocals drift between the soft verses and the howling chorus.

While the conflict at the core of the song might not seem all that catastrophic to describe, the delivery of the vocals draws out the gut-wrenching reality of such an intense and personal anxiety in a way that aches with vulnerability. You can’t help but feel the torture of the anxiety, regardless of whether or not it’s a flavour of insecurity you’re especially familiar with.

The way the vocals and instruments ramp up into a howl in the choruses evoke the way the anxiety roils and churns, corrupting into a feeling that could be beautiful. ‘L Word’ takes on a bittersweet flavour as the feeling of love for someone, which should be a joy to share, is tainted by the fear and uncertainty behind the impending confession. The song thrusts all that emotion into an unbearable wave of agony culminating in crashing drums, screaming guitars and roaring vocals. The repeated “I didn’t mean to say that” is heartbreaking. It validates the fear, robbing the potential connection of its joy and injected regret instead, the repetition feeling much like the endless cycles of anxiety-induced heart palpitations and gasps for breath.  Then, as it winds down to a soft, solemn close, that contrite final line leaves the track’s haunting vulnerability to linger with you long after the music fades away.

End Scene, the debut EP from She’s In Parties, is set for release on 6th October via Submarine Cat records. And you can catch them live supporting Bleach Lab, and on some select headline dates, including at Third Man Records, throughout November – more info here.

Kirstie Summers
@ActuallyKurt

Photo Credit: Polocho

NEW TRACK: Hinako Omori – ’ember’

Following on from her previous single ‘cyanotype memories’ – an ode to surrendering to the unknown and finding peace within that process – London-based artist and composer Hinako Omori has shared her latest single, ’ember’. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, the track is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt.

On her upcoming record, Omori retains the soothing, enigmatic qualities of the tracks that formed her debut album, …a journey – which featured on Get In Her Ears’ Albums Of 2022 list – but she expands her use of synthesizers and seraphic vocals further. She continues to trust her intuition and channel her emotions into idiosyncratic sounds, but this time she has leaned into a more contemporary, song-based structure.

Whilst her debut album concentrated on healing others with invigorating, ambient sounds and field recordings, on stillness, softness…, Omori looks inward and gently dismantles the barriers that held her back from finding peace within herself. ’ember’ acknowledges this important on-going process, with its shimmering synths, soft vocals and earnest lyrics offering a glimpse of the respite this can provide.

“The idea behind ’ember’ is noticing that our attachment to the past can cloud our perception of situations,” explains Hianko, “and the importance of breaking through these barriers we place on ourselves to build a healthier, compassionate relationship with ourselves and others.” Urging her listeners to “break free” from their chains, Omori delivers another captivating, altruistic piece of music that resonates further each time it’s listened to.

Listen to ’ember’ below.

Hinako Omori UK & EU Live Dates 2023
24/11 – Teatro Principal, Ourense – Spain
25/11 – L’Archipel, Paris – France
29/11 – Alphabet, Brighton – UK
30/11 – Belgrave Music Hall, Leeds – UK
01/12 – The Deaf Institute, Manchester – UK
02/12 – ICA, London – UK
04/12 – Zonzij, Amsterdam – Netherlands
06/12 – XENON (Huset), Copenhagen – Denmark
07/12 – Volksbuehne (Roter Salon), Berlin – Germany
09/12 – Botanique (Witloofbar), Brussels – Belgium

 

Follow Hinako Omori on bandcamp, Spotify, Instagram, Twitter (X) & Facebook

Photo credit: Luca Bailey

Kate Crudgington
@KCBobCut

LISTEN: Hilary Woods – ‘Where The Bough Has Broken’

A hypnotic instrumental inspired by a deep love for the city she grew up in, Irish artist Hilary Woods has shared her latest single ‘Where The Bough Has Broken’. Lifted from her upcoming album, Acts Of Light, which is set for release on 3rd November via Sacred Bones, the track is an atmospheric ode to communal growth and memory, with an accompanying video that pays homage to the seemingly minor moments that play a role in creating these things.

Following on from her second full length record Birthmarks (2020), and her hypnotic EP Feral Hymns (2021), Woods has expanded and experimented with her sound even further on her upcoming album. Written, recorded, mixed and produced by Woods over the two years she spent between the west coast of Ireland and Dublin, Acts Of Light includes a myriad of idiosyncratic sounds.

The record features choristers of the Palestrina choir together with the voices of the Galway City Chamber Choir, that Woods captured in the Pro Cathedral Dublin. Strings by Oslo-based musician Jo Berger Myhre appear throughout, and all the tracks are interspersed with field recordings that Woods captured during her time spent travelling through the north west of Spain. These influences have culminated into the nine “hypnotic dirges” that make up Acts Of Light, with single ‘Where The Bough Has Broken’ being the first hint of what’s to come.

Shadowy and evocative, the track is a deep rumination inspired by Woods’ memories of living in Dublin, which she captures in the accompanying self-directed visuals, made with footage from RTE Archives. “Made from old newsreels of archive footage, this video muses on the beauty of community and resilience, made to a piece of music that celebrates connection and the specificity and transience of time, space, and human expression,” Woods comments. “This music video is a visual love letter to the Dublin City I grew up in, to the spirit of familial roots and the extraordinary moments in ordinary life that leave their lasting impression.”

Watch the visuals for ‘Where The Bough Has Broken’ below.

Hilary Woods Ireland & UK Tour Dates 2023
25/10/2023 IRL Dublin The Gallery space at The Complex
26/10/2023 IRL Dublin The Gallery space at The Complex
30/10/2023 UK Liverpool Kazimier Stockroom
31/10/2023 UK Brighton Rose Hill Arts
01/11/2023 UK London Cafe OTO
02/11/2023 UK Bristol Cube Cinema
03/11/2023 UK Newcastle Cobalt Studios
04/11/2023 UK Manchester The White Hotel
05/11/2023 UK Leeds Headrow House

Pre-order Acts Of Light here

Follow Hilary Woods on bandcamp, Spotify & Instagram

Kate Crudgington
@KCBobCut

LISTEN: tall child – ‘Damaged’

tall child, formerly known as ZHA Gandhi and previously associated with projects like Buggs and Luce Rushton (fka TV Room), has now released their debut single ‘Damaged‘. With a full band now in tow, tall child is making a name for themselves in London, having played headline shows at iconic grassroots venues like The George Tavern and supporting artists like Bel Cobain at Matchstick Piehouse.

Their soulful vocals enter straight away and are then accompanied by dreamy ripples of clean electric guitar, whilst the haunting and captivating melody immerses your ears straight away. Bringing to mind artists such as Orla Gartland and Lucy Dacus, with the ethereal shades of Mitski, their vocals shine through with a subtle soulfulness.

Soon, a lush harmony enters with a folk-strewn depth and gentle jazzy drum beat, adding a pleasing rhythmic layer and progressing the song. With melancholic undertones, the vocals shimmer with emotion complemented by delicately plucked guitar – “maybe I should count my blessings ‘cos I’m not like you, I’m nothing like you”. The song is an “introspective exploration of a turbulent parent-child relationship”, reflecting on the idea that they are glad to have not inherited the toxic traits from their absent parent. A beautifully cathartic ballad, flowing with stirring emotion.

Of their songwriting, Zha notes:

“For me, this project is about pushing the boundaries of songwriting through the analysis of personal trauma and reflection. I wanted to create a space that merges all my musical influences into one to form a truly unique sound. I’m hoping that someone with a troubled relationship with a family member can relate to this song and that it reminds them of their autonomy...”

The song builds up in energy before being brought down for the bridge, offering a slower breakdown and some time for reflection. Awash with glistening harmonies, delicate cymbals and layered voices, it’s emotive but uplifting; an acceptance. It builds gradually but brilliantly before reaching a climax and ending back on a gentle chord. ‘Damaged’ really takes you on a journey and at a lengthy five minutes, it manages to hold your attention throughout its subtle twists and turns, with a heartfelt honesty.

As for what’s next, tall child will be playing more gigs – “taking up space as a queer black artist” – and further developing and carving out their original style. A single release listening party show followed by an upcoming EP is soon to be announced, so keep your eyes peeled! 

Ella Patenall
@ella_patenall

Photo Credit: Jody Evans