LISTEN: Dream Nails – ‘Payback’

A rallying cry against the lack of justice for survivors of sexual violence; GIHE favourites Dream Nails have shared their powerful new single ‘Payback’. Taken from their upcoming self-titled debut album, set for release 3rd April via Alcopop! Records, the track is accompanied by a poignant video showcasing the work of UK feminist activist group, Sisters Uncut.

With it’s mantra-like lyrics – “Hey mister, get your hands off my sister” – and abrasive guitar riffs, Dream Nails have created an aural call to arms that vehemently protests the rights of domestic violence survivors. The track is heavy in terms of volume and context, but as is the case for so many of Dream Nails tracks, it’s also tear-jerking because of the depressing reality behind their catchy lyricism.

Vocalist Janey Starling provides further insight: “In the UK, only 1.5% of rape cases lead to a charge or summons. ‘Payback’ is a song about how the UK criminal justice system fails survivors – and we’re angry about it. This is a country where two women are murdered every week by a partner or ex-partner. So many women have lived through sexual and physical abuse, and carry the scars and memories of that – but will never see justice for it.”

Drummer Lucy Katz adds that the single is “fuelled by fury borne from our experiences and the stories we hear from our peers, from the news, and in our day jobs. We are sick and tired of being failed and gaslit again and again by a state and a system that does not care about the continued abuse of women.”

Whilst there is a necessary and underlying rage throughout ‘Payback’, Guitarist Anya Pearson reminds us that it provides time and space to blow off some steam: “This is a tune to mosh to, throw yourself around with your sisters and non binary babes in the pit and scream the chorus: “One day we’ll make you pay””

Dream Nails are a vital force in both musical and activist societies, and their refusal to accept sub-standard treatment for their fans and their allies is why we keep returning to their music time, and time again. Watch the video for ‘Payback’ below, and follow Dream Nails on Facebook & Spotify for more updates.

Dream Nails UK Tour Dates 2020
10 April Cardiff, Wales Goes Pop!
11 April Leicester, The Shed
22 April St Albans, The Horn
23 April London, Oslo – Album Release Show
24 April Bristol, Louisiana
25 April Reading, Are You Listening? Festival
26 April Southampton, Heartbreakers
29 April Leeds, Oporto
30 April Manchester, Castle
02 May Edinburgh, Stag & Dagger Festival
03 May Newcastle, Hit The North
09-11 July Cheltenham, 2000Trees Festival
31 Jul – 01 Aug Oxfordshire, Truck Festival

Photo Credit: Marieke Macklon

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

LISTEN: Jennifer Touch – ‘Chemistry’

A smoldering, dark electro-pop gem; Jennifer Touch‘s latest single ‘Chemistry’ is a seductive, bold new offering. Lifted from her debut album Behind the Wall, which is set for release via FatCat on 24th April, the Dresden-born, Berlin-based musician wrote the track in the midst of a depressive episode.

“’Chemistry’ is the base of all of the songs on the record” explains Touch. “It was created on a Sunday in my studio when I felt kind of depressed with everything, useless and alone. I knew I had the music inside, but it felt like it was stuck. I started by experimenting with some sounds from the Nordlead I had borrowed from a friend. I’m really happy with how it turned it out”

It’s this harnessing of Touch’s nervous energy that makes ‘Chemistry’ such an interesting listen. The restless, looping synths underscore her measured, confident vocal delivery, giving the track its slow-burning power. Touch blends elements of 80’s pop with the techno of Berlin’s underground music scene, creating moody, cinematic soundscapes.

Inspired by her father’s record collection, featuring Human League, Karat and Duran Duran, as well as the likes of The KLF, Karen O and PJ Harvey; Touch’s influences have filtered through into her own sound. Listen to ‘Chemistry’ below, and follow Jennifer Touch on Facebook and Spotify for more updates.

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

ALBUM: Wilsen – ‘Ruiner’

A collection of thoughtful songs that allow space for reflection and growth; Wilsen‘s latest record Ruiner is a deceptively quiet listen. Released via Dalliance Recordings, the album is soft in terms of volume, but lyrically it speaks loudly about overcoming and accepting inherent introversion, and self-doubt.

“Making this record was somewhat of a coming of age process,” guitarist & vocalist Tamsin Wilson explains. “We’re getting older and becoming more deliberate, less precious, less measured, trusting [our] instincts more.” Perhaps it’s this trust that led the band to partner with acclaimed producer Andrew Sarlo (Big Thief, Bon Iver) and mastering engineer Sarah Register (Protomartyr, U.S. Girls) on their new record.

“I can be a ruiner…” confesses Wilson on the album’s eponymous opening track. Written in a moment of “self-sabotage”, her vocals float beautifully over Johnny Simon Jr’s atmospheric, shimmering guitar sounds, belying the negativity that informed the song’s context. The gently tumultuous ‘Align’ follows, with more layered guitar and meandering lyrics about having the guts to go steady with someone.

The catchy refrain and Drew Arndt’s bass lines on ‘Down’ stick in the memory, while the gentle acoustics on ‘Wearing’ compliment Wilson’s lyrics about being worn down (“like a bag stuck in a tree / I’m helplessly clinging on”). ‘YNTOO’ flows in the same vein, before the guitars slowly swell for the final minute of the track.

The brief ‘Birds, Pt.1’ and the thoughtful, extended ‘Birds, Pt.2’ beautifully bookend each other, with the poignant ‘Wedding’ sitting in between. The infectious, full-sounding ‘Feeling Fancy’ celebrates the power of inherent shyness. As Wilson states in the song; “Everybody’s got a story”, and regardless of the volume it’s told at, it deserves to be shared and acknowledged.

The penultimate ‘Fuse’ looks forward with reassuring confidence, leaving you “ready to disco, baby”, whilst closing track ‘Moon’ is the most stripped back on the record. Tentative and delicate, it reiterates the idea that shyness and confidence can exist comfortably side-by-side.

A subtle, but powerful record that speaks to those who are trying to find the balance between being comfortable with themselves, and trying to refrain from being a Ruiner; Wilsen’s latest offering is a poetic, reverb-strewn, dreamy affair.

Listen to Wilsen’s new album Ruiner on Spotify.
Follow the band on Facebook for more updates.

Photo Credit: CF Watkins

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

Track Of The Day: HMS Morris – ‘Babanod’

In a mesmerizingly glitchy new tune, Welsh psychedelia-smiths HMS Morris bring their listeners on an ethereal journey in ‘Babanod’.

With a swirling slow build at the song’s start, HMS Morris gracefully casts a spell made of warm synths and a pulsing back-beat that feels anthemic from the moment the haunting vocals begin. The mood established here is both adventurous and relaxing, providing a soundscape that can just as easily be danced to or studied to.

Branching across several sonic moods creates a captivating and accessible track, impossible to pigeon-hole into one genre. ‘Babanod’ has such rich tones impending from their entire instrumental mix, from explosive breaks at each chorus to dwelling atmospheres that linger throughout its verses, with dynamics playing a huge role in the soaring psychedelic sound. The never-ending layers of synth and a tasty use of sonic space is reminiscent of shoegaze but with a whisper of ’80s pop in its melodies throughout.

HMS Morris’ knowledge and creativity within the electronic-psych genre is expansive and satisfying. ‘Babanod’ is an odyssey that feels like an exciting exploration of self.

‘Babanod’ is out now via Bubblewrap Collective.

Jill Goyeau
@jillybxxn

Get In Her EarsLeave a comment