ALBUM: Soccer Mommy – ‘Clean’

“I always wrote songs just for myself. I did it for fun, I didn’t think anyone would notice,” explains Nashville’s Sophie Allison aka Soccer Mommy about her music. After listening to her debut album Clean, it’s clear she’s an artist afflicted with false modesty, as the record showcases her impressive talent for crafting affecting, emotional indie tunes.

Released via Fat Possum Records, Allison teamed up with a full band and producer Gabe Wax (War On Drugs, Deerhunter, Beirut) to curate this new collection of poignant songs, all of which were mixed by Ali Chant (Perfume Genius, PJ Harvey). The result is the “cohesive” record she was looking for, a “piece” of her life that addresses “similar themes” and comes together as a whole. These themes include love, lust, uncertainty, self-doubt and Allison’s trademark “soft anger”.

The tentative ‘Still Clean’ opens the record, with her gentle, clear voice lamenting the bittersweet pain of drowning in the water after a lover has washed her from his “bloody teeth.” Second track ‘Cool’ – which Allison says “comes from a place of insecurity and idealization” – is polished and uplifting in its delivery. She has a gift for transforming frustration and insecurity into upbeat gems through her laid-back vocals and melodic guitar riffs.

‘Your Dog’ is another sublime example of this. Her frank admission of “I don’t wanna be your fucking dog” is a cathartic, emotional uprising against neglect that seethes and soothes in equal measure. On ‘Flaw’, Allison documents a loss of romantic faith, but she finds a quiet confidence again on following track ‘Blossom (Wasting All My Time)’. The song’s content will strike a painfully familiar chord with those carefully breaking out of their caged heart, taking tentative steps towards a new love.

Much like ‘Cool’, ‘Last Girl’ is an upbeat take on insecurity and a wish to have the “everything” that other girls seem to have. ‘Skin’ is a smoldering assertion of lust – “Back in the alleyway behind your Father’s home / I’m clawing at your skin, trying to feel your bones” – Allison’s urgency is palpable here, but so is her fear on following track ‘Scorpio Rising’. The hopeful opening lyrics are unraveled by her poignant image of being overlooked – “She’s lovely and sweet like coca cola / I watch from my drink as you look her over”. Her loves are unsustainable sugar rushes, but she longs for longevity and sincerity.

‘Interlude’ brings some brief respite from Allison’s exquisite negativity. It’s a reverb-strewn instrumental that leads in to closing track ‘Wildflowers’, exploring the depths of her “grey and shriveled” heart. Even when she sings of her emotional fragility on Clean, Soccer Mommy’s skewed self perception is raw, honest and remarkably strong. Definitely invest in this record if you like confessional, beautifully modest indie music.

Photo Credit: Shervin Lainez

Kate Crudgington
@KCBobCut

Track Of The Day: Grace Gillespie – ‘Restoration’

Grace Gillespie is a London-based artist and producer originally from Devon, who spent much of 2017 touring as part of 4AD’s Pixx. Now she’s making her own sounds, and ‘Restoration’ is the first of many introspective, dream-pop singles from this promising new artist.

Grace’s sound is influenced by folk, psych and dream-pop traditions, and it’s this blending of genres which saw her early demo of ‘Restoration’ tipped to Q Magazine by Newton Faulkner, and brought her to the attention of Kaleidoscope, who are set to work alongside her to produce her first solo releases in 2018.

Listen to ‘Restoration’ below, and follow Grace Gillespie on Facebook for more updates.

Kate Crudgington
@KCBobCut

NEW TRACK: Caroline Says – ‘I Tried’

Imaginative, delicate and tainted with sadness, Caroline Says‘ latest single ‘I Tried’ is a somber yet sweet affair. The Austin-via-Alabama songwriter penned the song “from the perspective of a washed up Hollywood actress, remembering her careless youth” and produced it in her “disgusting mildewed basement apartment”.

We’re impressed by her resilience, and her ability to create something beautiful whilst working three jobs, living in the damp, and putting up with noisy neighbours. ‘I Tried’ is taken from Caroline Says new album No Fool Like An Old Fool, which is set to be released on 16th March via Western Vinyl.

Listen to ‘I Tried’ below, and follow her on Facebook for more updates.

Pre-order your copy of No Fool Like An Old Fool here.

Kate Crudgington
@KCBobCut

Track Of The Day: Girl Ray – ‘The Way We Came Back’

Following the success of last year’s debut album Earl Grey, and charming us with their sunny charisma at Green Man Festival, North London’s Girl Ray have since been receiving acclaim from the likes of BBC 6 Music, The Line Of Best Fit and The Guardian, and have now shared an infectious new single.

Written by Poppy Hankin when she was just sixteen, ‘The Way We Came Back’ is the perfect antidote to this bitter weather. Flowing with the band’s trademark smooth, swooning vocals and uptempo, jangly melodies, it oozes a sparkling, uplifting grace. As sweeping, lush harmonies glide alongside delicate refrains, it’s another shimmering slice of gentle garage-rock from the band, cementing their place firmly in our hearts.

Of the track, Sophie Moss explains:

“It’s an early, early – we’re talking pre-Earl Grey here – banger that we wanted to oil up. A plump cow that needed to be milked. It was one of the first songs Poppy wrote when she was 16 which we all found pretty impressive. Sly arrangement, good vibes here”

Watch the new video for ‘The Way We Came Back’ (fittingly filmed in below freezing temperatures on the Isle Of Sheppy) here:

Catch Girl Ray live:

10 April – Bristol, Thekla
11 April – Nottingham, Bodega
12 April – Hebden Bridge, Trades Club
13 April – Glasgow, Art School
15 April – Middlesbrough, Wegarth Social Club
16 April – Sheffield, The Leadmill
17 April – Manchester, Deaf Institute
18 April – London, Heaven
19 April – Brighton, The Haunt
05 May – Leicester, Handmade Festival
06 May – Newcastle, Hit the North
28 July – Derbyshire, Indietracks

Mari Lane
@marimindles

Photo Credit: Nyla Davison