NEW TRACK: Nyokabi Kariũki – ‘Nazama’

A deeply soothing, hypnotic soundscape inspired by a recovery from long-term illness, Kenyan-born, USA-based composer and sound artist Nyokabi Kariũki has shared her latest single ‘Nazama’. Taken from her upcoming debut full length album, FEELING BODY, which is set for release on 3rd March via cmntx Records, the track is a considered, experimental blend of soft vocals and instrumentation that tentatively celebrates the regaining of physical and emotional strength.

“There’s a trauma of illness that remains within you, both in the physical places that it existed; and in the mind,” Kariũki explains about the context behind ‘Nazama’, a Swahili term which translates as “to sink”. On this single, and throughout her new album, the musician explores the marks left by her experience of living with long-COVID for a large part of 2021. She was also inspired by the fluid and healing capacity of water, which is a recurring motif throughout the record.

Following on from her acclaimed debut EP, peace places: kenyan memories, released in (2022), FEELING BODY provided a new space for Kariũki to dismantle and make sense of the impact that chronic illness has had on her well being. Using field recordings, flexing her impressive vocal range, and accompanied by violinist Yaz Lancaster and trumpet player Michael Denis Ó Callaghan, Kariũki created a safe space to examine this difficult process.

“To share a painful story is to also to discover ways to protect yourself as you do so,” comments the musician. “Asking text-to-speech to say phrases you struggle to repeat; recording stream-of-consciousness voice notes so that you don’t have to sit long in thoughts; and to find, in sound — from field recordings, to dreamy improvisations by musical friends — a way to express visceral feelings and noisy thoughts.”

These “noisy thoughts” have translated into dreamy, ethereal soundscapes like ‘Nazama’, which is the concluding track on FEELING BODY. “There is a lot to say about being sick, about being sick during a pandemic; about how the world treats you if you are sick for longer than “just a cold”,” Kariũki continues. “I am ever in awe of our bodies, and how they keep going, despite and in spite of all the pain we go through in life. In a way, this album is an expression of love, and gratitude, to my own.”

Listen to ‘Nazama’ below.

Follow Nyokabi Kariũki on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: Gianfranco Bello

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

New Track: Alien Chicks – ‘Cowboy’

A riotous fever dream of a song, ‘Cowboy‘ by GIHE faves (and ‘Ones To Watch‘ for 2023) Alien Chicks has themes of regret, confusion and self blame holding up its foundations. The track has a surreal feel to it that echoes the way these feelings surface in the subconscious; amorphous and jarring.

The song begins with a mellow vibe. Soft, low vocals float over music that complements them, but it’s already moving at a fast pace. The beat is quick, with a sense of tension coiled within it that hints at what awaits as the song ramps up to the chorus. The repeated “I am nervous” gets neither louder nor faster, but you can feel that tension growing within it – subtly but still noticeable, until it crashes into the discordant clash of the chorus.

The structure echoes the feelings that the song captures – regret and blame and self-doubt often creep up on you. The way they fester under the surface until it feels like they’ve been triggered by the most insignificant of misfortunes – a cut lip becoming the final broken straw that allows a broiling and chaotic eruption of emotions to burst through. The lyrics are chaotic; they take you on a bizarre journey that sucks you into the weirdness of it until, seemingly spontaneously, it makes its own unique sense. It captures that dreamlike feeling of reality being visible but not quite within reach. 

The juxtaposition of the gentler verses, versus the hectic instrumental clashes in the chorus, throws you around. The theme of intense confusion is as much baked into the tortuous lyrics as they are the cacophonous sounds.

‘Cowboy’ ends abruptly, jolting you sharply out of the journey it’s on and back to reality. It feels like you’ve lurched out of its dream, left alone to recalibrate with just threads and whispers left behind. Throughout the track, you can feel the way that a wide variety of different genres have influenced Alien Chicks’ music style; they’ve been combined in ways that jar, but with obvious intention. It’s a carefully constructed and instantly immersive song that knows exactly how it wants you to feel and nails it. A perfect example of the relentless funk-fuelled punk-rock that this unique South London trio are able to create.

‘Cowboy’ is out now via Slow Dance Records. Make sure you catch Alien Chicks live sometime soon – it’s an incredible experience! Details on their UK April tour below, and tickets for their Lexington headline show on 19th April here.

Kirstie Summers / @ActuallyKurt
Photo Credit: Lauren Cremer

Kirstie Summers1 Comment

NEW TRACK: Grandmas House – ‘Desire’

A smouldering blend of charged riffs and commanding beats, Bristol punk trio Grandmas House have shared their latest single ‘Desire’. Taken from the upcoming new EP, Who Am I, which is set for release on 3rd March via Brace Yourself Records, the track is inspired by the disorientating power of romantic infatuation.

Formed of Yasmin Berndt (vocals, guitar), Poppy Dodgson (vocals, drums) and Zoë Zinsmeister (bass), Grandmas House combine gritty guitars, thudding percussion and a joyful dose of sarcasm to create their catchy punk inspired anthems. The band released their self-titled debut EP in October 2021, which covered everything from dismantling the patriarchy, celebrating queer love, to a penchant for local pasties. Now, Grandmas House are back with their new single ‘Desire’, and another collection of songs that tackle topics such as body image, identity and disassociation, and negatively stereotyped zodiac signs.

“‘Desire’ is about meeting someone new and being immediately intrigued by them,” the band comment about their new song. “It focuses on the confusion surrounding infatuation and trying to keep yourself grounded at the same time.” Berndt’s raucous voice rises and falls alongside Dodgson’s backing vocals and blistering beats across the track, whilst Zinsmeister’s rumbling basslines enhance the all-consuming yearning that’s explored in the lyrics.

The single is accompanied by a monochrome video, directed by Oliver Mallory. The visuals feature Frankie Darwin and American writer, poet and friend of the band Savannah Brown, who end up clashing over an unusually intense game of chess.

Grandmas House will be celebrating the release of their new EP with a UK headline tour this March. Full dates are listed below. Grab your tickets here.

Watch the video for ‘Desire’ here:

Grandmas House UK Tour Dates 2023
3rd Mar – Liverpool, UK – Kaz Stockroom
4th Mar – Bristol, UK – Exchange
9th Mar – Leeds, UK – Oporto
10th Mar – Glasgow, UK – McChuills
11th Mar – Sheffield, UK – Sidney & Matilda (Basement)
16th Mar – Leicester, UK – Duffy’s
17th Mar – Manchester, UK – YES (Basement)
18th Mar – Cardiff, UK – Clwb Ifor Bach (Downstairs)
23rd Mar – London, UK – The Victoria
24th Mar – Brighton, UK – The Hope & Ruin

Follow Grandmas House on TikTok, bandcamp, Spotify, Instagram, Twitter & Facebook

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

NEW TRACK: Montauk Hotel – ‘Dive’ (Come Afloat)

A bittersweet reflection on the conflicting feelings that come with returning to your hometown, Dublin-based trio Montauk Hotel have shared their latest single ‘Dive (Come Afloat)’. Marking the indie-pop band’s first release since 2019, the new track is laced with shimmering guitar sounds and soft vocal harmonies, which soften the feelings of discontent and disappointment that are explored in the lyrics.

“‘Dive (Come Afloat)’ reflects on the uncertain border that separates present from future, hesitation from release, uneasiness from comfort and deceit from honesty,” the band comment about their new single. “The song discusses friendship, insecurity and feelings of homecoming in a motionless town.” Montauk Hotel capture this feeling of sinking and re-surfacing through their use of crystalline 80s inspired guitar lines, gentle beats and buoyant, lullaby-esque vocals.

Montauk Hotel released their self-titled EP in March 2017, and their 2019 singles ‘Stains’ and ‘White Billboards’ were playlisted on Spotify New Music Friday, as well as receiving support from Nialler9, RTE, 2fm, The Thin Air, The Last Mixed Tape and BBC Radio. Now, with more new music on the horizon, the band are looking forward to returning to the live scene again, after previously headlining shows at Whelans, The Workman’s Club, The Sound House, Bello Bar and Roisin Dubh.

The band have also previously supported international acts such as Goat Girl, PINS and Beauty Sleep, and have appeared at festivals such as Electric Picnic, Other Voices, Groove Festival, Sea Sessions, Vantastival and Sunflower Festival.

Listen to their latest single ‘Dive (Come Afloat)’ below.

Follow Montauk Hotel on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment