LISTEN: Grandmas House – ‘Body’

A brooding cacophony of post punk sound that was born from the desire to overcome the discomfort that facing your own reflection can cause, Bristol trio Grandmas House have shared their latest single ‘Body’. Released via Brace Yourself Records, the track is full of candid vocals, cathartic lyrics and boisterous riffs that aim to dismantle the strained relationships we have with our own bodies.

Formed of Yasmin Berndt (vocals, guitar), Poppy Dodgson (vocals, drums) and Zoë Zinsmeister (bass), Grandmas House combine gritty guitars, thudding percussion and a joyful dose of sarcasm to create their commanding and catchy anthems. Formed in late 2018, the band released their self-titled debut EP in October 2021, which covered everything from dismantling the patriarchy, to celebrating queer love, to a penchant for local pasties. Now, the trio are back with their new single ‘Body’, which they initially teased on their TikTok with a clip that has since gone viral, reaching over 400k views.

“‘Body’ is an anthem for anyone that’s ever felt uncomfortable in their own skin,” the band explain. “It’s an urgent statement about disassociation, feeling trapped and not recognising yourself in the mirror, it’s an ode to anyone who has ever felt different.” When the trio simultaneously chant “haven’t seen myself for a second of the day / it feels like everyone is growing / and I just stay the same”, they capture the uneasiness of existing in an insecure skin, whilst putting their own corrosive, riotous spin on this feeling to alleviate the pressure.

Listen to ‘Body’ below.

Follow Grandmas House on TikTok, bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Harry Steel

Kate Crudgington
@KCBobCut

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Track Of The Day: Ghost Car – ‘Conch Pearl’

With a chaotically wonderful feminist energy, London-based international punk quartet Ghost Car debut their latest spunky single ‘Conch Pearl‘. Continuing on their garage-pop path, Ghost Car come out eager with an undeniably grungy, racing drive that is sure to have you head-banging on first listen.

Reminiscent of The Runaways as well as LA based social-pop band LavaLove, ‘Conch Pearl’ feels both old and new when it comes to the track’s disposition. Whimsical, swinging vocals give Ghost Car a vintage ’60s energy, draped over overdriven, explosive rock guitar that oozes a fierce, raw emotion. And what is baked out of these juxtaposing influences feels glamorous and cathartic.

‘Conch Pearl’ is captivating and quick-witted from its start with a riff-driven intro that sets the rest of the track off to the races. Rolling drums stop for nobody, fuelling the track with a frenzied urgency. Ghost Car ask “What do you see?” as a repetitive, punk refrain that feels intimidating in the best way possible. Of the track, the band explain:

“It’s a feminist commentary on women/queer community being ‘shrunk down’ to fit a mould. The idea of a conch shell closing up, closing yourself off to the world vs opening up. We wanted to use the obsession with the pearl to represent the possession that is sometimes manifested towards women, something all of us have experienced first-hand at some point in our lives”.

This latest offering from Ghost Car is tough, empowered and dainty all at once. As ‘Conch Pearl’ oscillates, the song’s build never loses motivation – adding in more guitar, increasingly energized drums and layers of niche vocal yelling sounds to bring the track to a roaring climax. It does not let go of you – and keeps you utterly immersed for its whole ride. A short, sweet blast of glistening post-punk energy.

Truly Trash, the debut album from Ghost Car, is set for release on 28th October via One Little Independent Records.

Jill Goyeau
@jillybean

Photo Credit: Patrick Smith

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Track Of The Day: Sprints – ‘Literary Mind’

A charged, euphoric rush of gritty guitars and cathartic vocals, Dublin four piece Sprints have shared their latest single ‘Literary Mind’. Released via Nice Swan Records and produced by Daniel Fox (Gilla Band), the track is a joyful, raucous ode to falling in love and fully submitting to the feeling, full of urgent riffs and heartfelt lyrics.

Fuelled by their need to create music which “matters and that means something,” Sprints have firmly established themselves as a compelling voice in the rock and alternative underground scenes since their inception in 2019, offering a refreshingly candid perspective on life, love and the politics that mar our experiences of both. The band’s new single ‘Literary Mind’ is a poignant and powerful anthem about overcoming unconscious bias, explicitly championing queer love and embracing the freedom that comes with this acceptance.

“‘Literary Mind’ is probably one of our most light-hearted songs in terms of subject matter, while still exploring something quite close to heart,” explains vocalist Karla Chubb. “It’s a real deep dive and exploration into the feeling of falling in love, particularly queer love, in which you feel like you’ve been conditioned to believe a heteronormative way of life is the only ‘right’ way to live, which leads to incredible difficulty and emotional oppression.

You push these feelings down, ignoring them, praying them away even but eventually with acceptance comes a rush of emotion that you never thought you’d feel. You unlock, finally, what it means to be happy and with it comes the rollercoaster of emotions, hot sweats, fever dreams, happiness, giddiness and excitement that we’ve tried to capture in the energy and pace of the song.”

Sprints will play a headline show at The Dome in Tufnell Park on 13th October. Grab your tickets here.

Watch the video for ‘Literary Mind’ below.

Follow Sprints on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Niamh Barry

Kate Crudgington
@KCBobCut

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ALBUM: Stella Donnelly – ‘Flood’

Just like the Australian shorebirds that adorn the cover of Flood, Stella Donnelly is in flux; wading into the water with an introspective sophomore record flowing with playful observations on human dynamics. Unlike the previous punk snark of her guitar-driven debut LP Beware of the Dogs, or her 2018 EP Thrush Metal, Flood feels far more self reflective and personal.

During her time living in Bellingen, the Aussie singer-songwriter reconnected with herself through birdwatching, forgetting who she was as a musician; a humbling experience of just being her “small self”. Leaving the subtropical rainforest, and passing through new locations like Fremantle, Williams, Guilderton, Margaret River and Melbourn, brought new approaches to her creativity. Donnelly spreads her wings on Flood; a collection of eleven narrative-driven tracks that are unafraid of showing vulnerability.

Uniquely, Donnelly writes from the perspective of various personas. Opening with indie-pop track ‘Lungs’ – the first single released from the LP – Donnelly assumes the role of a intimidatingly honest child whose family has just been evicted. “we put up with your shit to keep the power on / and I see the way you look at my dad and mum.” Lyrically it’s a stark contrast to the infectious instrumentation; a combination of twangy bass and bright, snappy synth. “Long live the asbestos on the rental!”

Delivering her verses in Courtney Barnett-esque spoken-word across breezy riffs, ‘How Was Your Day?’ reveals a struggling relationship through fragments of conversations; at odds with the warm tone of the track. “You said ‘I can’t do this anymore, I can’t do this anymore’ / We let our patterns of bad behaviours take over / I’m no longer keeping score.” ‘Restricted Account’ follows with a cacophony of melancholic piano notes and reverberated flugelhorn – courtesy of Jack Gaby and Julia Wallace respectively – before fading out to ‘Underwater’, Donnelly’s poignant lyrics tackling domestic abuse with sensitivity and understanding. “They say it takes a person seven tries to leave it / I can remember at least five.”

From the dreamy, brass-laden ‘Medals’, the piano-centric ballad ‘Move Me’, to the sweet sing-song melody of title track ‘Flood’, Donnelly’s soft vocals deliver astute observations over an expansive sound; tracks that rhythmically and thematically ebb and flow. ‘This Week’ ruminates on mental health, celebrating small moments of relief through self-care. “I know, not to get my hopes up / but I feel better.” But it’s the deeply personal, melancholic elegy, ‘Oh My My My’, that sees the Australian artist at her most vulnerable; grieving the loss of her grandmother.

The painfully literal ‘Morning Silence’ laments the generational “same old fight” of sexual and physical assault, before closing track ‘Cold’ finds Donnelly exploring Dolores O’Riordan-esque harmonies over a piano-led ethereal soundscape until the final cathartic chant: “You are not big enough for my love.” Like its predecessor, Flood engages its listeners with meaningful, empathetic storytelling and dry wit; the end result being a poignant soundtrack to the last days of summer when reality settles in.

 

Follow Stella Donnelly on Spotify, Twitter, Instagram & Facebook

Order your copy of Flood here

Ken Wynne
@Ken_Wynne

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