FIVE FAVOURITES: Muna Ileiwat

London-based, New Jersey-born songwriter Muna Ileiwat creates tender indie pop tunes that are a blend of soft vocals, shimmering electronics and steady beats. Her debut EP, Twenty-Seven, released today (19th Aug) via Fear of Missing Out Records, explores the fluctuating nature of relationships in all their forms, and the resilience and freedom that comes with creating art for arts sake.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Muna to ask about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for ‘Pity Party’ at the end of this post.

 

1. Ms. Lauryn Hill – ‘I Find It Hard to Say (Rebel)’
This song made me want to learn guitar and start writing my own music. When I started guitar lessons I learned classical music. At the end of each lesson, my teacher and I would spend a bit of time learning a “pop” song. This was the first song I chose. I heard Lauryn Hill’s MTV Unplugged album a lot when I was young (my dad owned it on CD). I’m not really into live albums except this one I love. I’ve come back to this song throughout my life. It’s not a conventional structure and the lyrics are stunning. The song’s nearly 7 minutes long, but every time I listen to it, it feels like half the time, probably because it’s so moving. Lauryn Hill’s performance is so raw. Once I was old enough, I discovered the song was about the murder of Amadou Diallo.

2. Yeah Yeah Yeahs – ‘Maps’
An indie gem. I have such a soft spot for Karen O, she’s so badass! Yeah Yeah Yeahs were one my first introductions to indie music (this song in particular). There’s something so understated and vulnerable about the chorus line – “wait, they don’t love you like I love you”. It’s hard to convince me that a guitar solo is ever cool, but Nick Zinner’s solo in this is very cool. I got so wrapped up in the story behind this song. Music is so much about storytelling. You get a unique perspective into the deepest parts of people’s inner emotional states, the things people want to talk about, but just don’t know how. In the music video, Karen O is apparently crying real tears because her boyfriend was hours late to the shoot, right before her tour. There’s speculation that the song title is an acronym for ‘My Angus Please Stay’ and even though Karen O has never confirmed it, this kinda makes me love the song more. It really hurts. You feel her disappointment when the person you love can’t show up for you in the ways you need.

3. Selena – ‘Como La Flor’
I spent my early childhood in the US and Selena was always on the radio. I can’t begin to explain how much I love her and what she represents. Her outfits – incredible. Her voice – flawless. Her stage presence – mesmerising. Her music crossed cultural boundaries. That’s so powerful. Her iconic performance of this song at the Astrodome can bring me to tears. I’ve watched that performance a billion times. She was so talented. Her music is a nostalgic part of my childhood.

4. Solange – ‘Losing You’
The synths, chord progression, harmonies, production, the video – I love this song! It’s so fun! It’s melancholy cloaked in catchy hooks. I love the simplicity of the lyrics. Nothing is hidden under metaphors. I find songwriting like this bold. You can’t disguise your vulnerability under fancy wordplay. It’s direct. I’m a big Dev Hynes fan so the fact that he co-wrote this explains why it’s so goddamn good. I’ve always appreciated Solange’s holistic approach and commitment to her art. The video manifests a sense of community. It reminds me of Curaçao and that island life.

5. Robyn – ‘With Every Heartbeat’
I’ve always admired Robyn’s songwriting. She’s so inspiring and her music is so cathartic. This song has everything you need – a sweeping orchestra and driving beat. The lyrics are a perfect blend of hopefulness and devastation, particularly in the chorus. Robyn is so good at finding that balance, and nothing hits like a pop song about the realisation that you have to leave someone behind even though it hurts. I dream, and will continue to dream of writing a Robyn equivalent one day.

 

Thanks to Muna for sharing her favourites with us! Watch her video for ‘Pity Party’ below.

Pre-order Muna Ileiwat’s debut EP, Twenty-Seven, from Rough Trade here

Follow Muna Ileiwat on Apple MusicSpotifyTwitterInstagram & Facebook

Photo Credit: Guy Gotto

Kate Crudgington
@KCBobCut

Track Of The Day: AGAAMA – ‘Sarehole Mill’

A captivating blend of hypnotic vocals, experimental instrumentation and altruistic beats, Birmingham-based artist, composer, vocalist and producer AGAAMA has shared her latest single ‘Sarehole Mill’. Taken from her upcoming EP Wandering Worlds, which is set for release on 15th September via The state51 Conspiracy, the track is a warm musing on the importance of spaces that nurture creativity and humility.

“‘Sarehole Mill’ is about places and people that ground us,” AGAAMA explains about the context of her new single. “We all have these spaces and these people. I hope that when people listen to the track (even though they may not know what or where Sarehole Mill is), that it makes them feel nostalgia, safety, fondness and love and makes them think about being in their own city savannah with their mates.”

Exploring this notion through her atmospheric electronics and cinematic orchestral horn arrangements, AGAAMA creates a palpable atmosphere of contentedness, soothing listeners with her jazz-inspired vocals. Her eclectic sounds stem from a childhood rich with varied musical experiences. Growing up in a British-Jamaican household, AGAAMA was influenced by the contemporary classical tastes of her Father and her Mother’s love for Sarah Vaughan and Quincy Jones. She sang in Church on Sundays and studied classical trombone as a teenager, but she also spent her weekends raving to UK bass music and writhing in the mosh pit at metal gigs. This glorious array of musical experiences have all informed her work as AGAAMA, making her sounds as vast and altruistic as her collective memories.

Her upcoming EP, Wandering Worlds, reflects this kaleidoscopic musical vision perfectly, whilst also tapping into something darker. “I grew up listening to a lot of angsty, heavy music – metal, dubstep, prog rock and bass music. I wanted to make something where you could explore angst and frustration,” AGAAMA explains. “I found that having a space to release angst within music was healthy and helpful on my path toward healing. I really wanted to incorporate this brooding, meditative, almost primal thing that hooked me into music. At the time of making the record, I lost complete interest in beautiful sounds and music. I was craving something darker.”

Listen to ‘Sarehole Mill’ below.

 

Follow AGAAMA on Spotify, Twitter, Instagram & Facebook

AGAAMA UK Tour Dates 2022
19th August – London, Shacklewell Arms (with Muna Ileiwa)
22nd September – London, Hootenanny (with Jack Tyson Charles)
29th September – (EP Launch) London, state51 Factory
3rd October – Birmingham, The Night Owl

Photo Credit: Lucy Feng

Kate Crudgington
@KCBobCut

Track Of The Day: Bad Sidekick – ‘Lemon Eyes’

Inspired by the cute nickname that vocalist Cooper gave to her cat, Bad Sidekick‘s latest single ‘Lemon Eyes’ is a buoyant ode to genuine, selfless love. Taken from the band’s upcoming debut album Daily Lottery, which is set for release on 19th August, the track is full of upbeat riffs, tender lyrics and Cooper’s charming Bristolian intonation, warmly reflecting on the joy that comes with nurturing someone you love, and watching that relationship blossom into something truly comfortable and secure.

Formed of Cooper Rose (vocals), Robbie Jenner (bass), Joe Blount (guitar) and John Blount (drums), Bad Sidekick create alt-rock anthems inspired by the nuances of everyday life. Based between London and Bristol, the band released their debut self-titled EP back in 2018, and since Robbie Jenner joined the ranks earlier this year, they’ve been busy writing and recording their debut album, Daily Lottery. They released the gritty, eponymous track from the album as a single earlier this month, but with their new single ‘Lemon Eyes’ the band showcase their softer side, courtesy of a catchy chorus and playful riffs.

To celebrate the release of their upcoming record, Bad Sidekick will be playing an album launch gig on the 19th August in Bristol at The Crofters Rights, supported by Annabel Allum, Sit Down and Holy Reptile. They will also be playing a London show on 3rd September at The Finsbury Pub supported by The Baby Seals, Brie and Holy Reptile.

Listen to ‘Lemon Eyes’ below.

 

Follow Bad Sidekick on Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

WATCH: Brutus – ‘Liar’

Gritty vocals, powerhouse percussion and charged riffs punctuate ‘Liar’, the latest single from Belgian trio Brutus. Taken from their upcoming third album Unison Life, which is set for release on 21st October via Hassle Records/Sargent House, the track is a heavy lament that criticises the lies we tell ourselves in order to keep a false and temporary sense of calm.

“When things get a bit more difficult or when relationships demand too much energy, I choose to avoid confronting things, or just lie about it for the sake of keeping the peace,” vocalist and drummer Stefanie Mannaerts explains about the context of the new single. “At that point, it just seems like the easy thing to do so that nobody gets hurt. But in the long run, those well-intentioned lies will catch up with you, and the peace you thought you’d found turns out to be an illusion.” Through her instinctive, thudding beats and primal vocals, Mannaerts shatters these illusions amidst a cacophony of riffs from guitarist Stijn Vanhoegaerden and bassist Peter Mulders.

The single is accompanied by a video, directed by Maximiliaan Dierickx and shot in the desert near Marrakech and Essaouira in Morocco. The visuals reflect the duality expressed in Mannaerts’ lyrics, and how masking your true feelings ultimately only leads to further disappointment. Dissecting the darker, more desperate parts of the emotional spectrum fuelled the creation of Brutus’ new album Unison Life. “I wanted every song to feel like the last song we’ll ever write,” Mannaerts comments about its conception. “It killed me inside because it’s almost an impossibly high standard, but that was my personal goal for this album. It was a two-year quest of trying to do better.”

Pre-order your copy of Brutus’ new album Unison Life here.

Watch the video for ‘Liar’ below.

Follow Brutus on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: Eva Vlonk

Kate Crudgington
@KCBobCut