FIVE FAVOURITES: LALA LALA

Following the release of her latest album, I Want The Door To Open via Hardly Art earlier this year, Chicago-based musician Lillie West aka LALA LALA is preparing to take her altruistic electronic sounds on tour across Europe and the UK in February 2022. Choosing to look beyond herself for themes and inspirations when creating this record, West co-produced the album with Yoni Wolf of WHY?, and had contributions from poet Kara Jackson, OHMME, Gia Margaret and her former tour mate Ben Gibbard.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with LALA LALA to ask her about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for her ‘DIVER’ at the end of this post.

 

1. Hildegaard – ‘Jour 8’
Hildegaard was introduced to me by my friend Pascal (Fashion Club) when I asked her what I should listen to on a bike ride. This whole album is a masterpiece. I think the production is perfect, it’s sparse but very intentional. This song in particular I’m truly obsessed with – the vocal loop, the bass line, the intertwining voices, the lyrics, the beat coming in half way through. I’m very inspired by Hildegaard, their music is restrained but super impactful. Enchanting.

2. John Carroll Kilby – ‘Walking Through A House Where A Family Has Lived’
I’ve been really into piano music lately and John Carrol Kilby is a beautiful contemporary pianist. I find this record to be very emotional. I don’t know how to play piano really at all, but I aspire to make a piano record and I listen to this all the time for inspiration. It makes me think of… wind? Wind moving leaves. Looking out a window peeling an orange.

3. FPA – ‘Baby’
I listened to this song for the first time walking down the street in the morning in Chinatown in NYC. My friend Andrew sent me the record because he worked on it some. I think it’s so incredible. I love this song. “My body pure, have I not paid it forward? My heart, she beats, did I not lay her on you?” The record is a story she wrote about Princess Wiko. I really want to collaborate with her.

4. Alabaster DePlume – ‘Whisky Story Time’
Wonderful saxophone player, very reminiscent of Mulatu Astatke. Introduced to me by my partner via the label he is a part of – International Anthem, which I highly recommend, everything they release is special. I love this style of saxophone playing, very loose, fluid? Sam Gendel is another sax player I love. Lately I’ve been mostly drawn to instrumental music, maybe because I’ve been stressed… Sometimes it’s just too much to hear other people’s words all the time. Anyway I love this record and Gus is also British, like me…

5. Dua Saleh, Amaarae – ‘fitt’
Two artists I love collaborating. Amaarae was introduced to me by my bandmate Yasmine who is a longtime super fan of her. I listened on our flight together to California. I love the panning on the distorted blown out beat. I love dancing to this song. It just moves around in a really satisfying way. I also love a pitched down vocal. Produced by Dua and Psymum.

Thanks to LALA LALA for sharing her favourite songs with us.
Watch her video for ‘DIVER’ below.

LALA LALA UK Tour Dates 2022
Feb 20 – The Green Door Store – Brighton, United Kingdom
Feb 21 – Moth Club – London, United Kingdom
Feb 23 – Hyde Park Book Club – Leeds, United Kingdom
Feb 24 – Nice N Sleazy – Glasgow, United Kingdom
Feb 25 – YES – Manchester, United Kingdom
Feb 26 – Strange Brew – Bristol, United Kingdom

Follow LALA LALA on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Miwah Lee

Kate Crudgington
@KCBobCut

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Track Of The Day: Pearly – ‘Julianne Moore’

A heavy, tongue-in-cheek guitar tune inspired by Paul Thomas Anderson’s 1997 film Boogie Nights, Ohio-based trio Pearly have shared their latest single ‘Julianne Moore’. Released via Eto Ano Records who the band have recently signed to, the track is a fuzzy, distorted ode to Moore’s performance in the 90s comedy-drama, full of crashing cymbals, thrashing riffs and brooding vocals.

Formed of Josie Yeager, Austyn Benyak and Dalton Edwards, Pearly are inspired by an eclectic range of influences, including the films of David Lynch and the music of TOPS and Nine Inch Nails. Together, they create a mixture of soft indie rock tunes and swaggering, aggressive dance rock, with new single ‘Julianne Moore’ falling into the latter of the two categories. A bold, brash mix of noise that builds to a manic, metal-inspired breakdown, the track was penned as a carefree anecdote on creating music with a sense of fun, instead of solemnity.

“This song and who we are as people is [about] being tacky and not taking ourselves too seriously,” guitarist Austyn explains. “We all like it, and most importantly, we can dance to it.” Injecting a sense of frivolity into their heavy, swirling tune, Pearly have blended their dramatic tendencies with their ordinary desire to cut loose and enjoy life’s more playful moments.

Listen to ‘Julianne Moore’ below.

Follow Pearly on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

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Track Of The Day: Sea Change – ‘Never Felt’

An intoxicating blur of soft vocals, lush beats and ambient electronics, Norwegian artist & producer Sea Change has shared her latest single ‘Never Felt’. Taken from her upcoming album Mutual Dreaming, which is set for release on 11th February via Shapes Recordings, the track is a heady extension of an improvisation the musician originally created whilst performing live.

“This was the very first song I wrote for the album,” Sea Change aka Ellen A. W. Sunde explains. “It started as an improvised live version first performed at the Oslo release show, but it was in Luft Studio last fall that it really came to life and became what it is now. This slow-paced, feverish track.” This natural evolution and attention to the detail of the moment is mirrored in many tracks on Sea Change’s upcoming record.

Equally as inspired by the club music of LA and Berlin as she is by her current quieter surroundings in the southern coastal town of Kristiansand in Norway, Sea Change’s sounds ebb and flow with a tranquil, yet deeply primal desire to move through an intensity of feeling that sometimes escapes verbal or written articulation. Previous single ‘Night Eyes’ explored the need to separate the body from the mind, but on ‘Never Felt’ the two feel connected, and the result is an altruistic, captivating soundscape.

Listen to ‘Never Felt’ below.

Follow Sea Change on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Victoria Nevland

Kate Crudgington
@KCBobCut

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WATCH: Witch Fever – ‘Bully Boy’

A thunderous, ruthless assertion of autonomy that spits in the face of misogynistic behaviour, Manchester four-piece Witch Fever have shared their latest single ‘Bully Boy’. Taken from the band’s recent EP Reincarnate, released via Sony’s Music For Nations, the track is a cathartic, brutal takedown of the toxic men who repeatedly push women to their limits.

Full of thumping beats, gritty riffs and Amy Walpole’s visceral vocals, ‘Bully Boy’ is a scathing reflection on the misogyny that Witch Fever have experienced first-hand. “We wrote this song after we played a gig where the guitarist from one of the support bands shouted at us on stage to take our tops off,” Amy explains. “For us ‘Bully Boy’ is our combined rage about these experiences funnelled into one track. The alternative music scene is still very much a ‘boys club’ leaving female and non-binary people vulnerable to misogynistic and sexist behaviour, and we are always challenging this.”

Aware of the track’s heavy context, Witch Fever decided to put a dramatic but playful spin on the accompanying visuals for the track. Directed by Sam O’Leary, the video’s concept was “The Witch Trials meets drag queens and CBeebies”, which Sam and Roma Allenby helped the band create. “The video is different to anything we’ve done before,” Amy continues. “The lyrics are quite brutal so we thought it’d be fun to turn it on it’s head and create something that on the surface is colourful and fun but has a dark undercurrent.”

Fusing their rage with a darkly comic twist, Witch Fever’s mantra “Off with his head!” is one that listeners can scream in unison together, channelling their rage through an empowering and fearless sentiment.

Watch the video for ‘Bully Boy’ below.

Follow Witch Fever on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Debbie Ellis

Kate Crudgington
@KCBobCut

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