PLAYLIST: March 2021

It’s been another long month of lockdown here in the UK, but the end is in sight with lighter evenings and the chance to see more than one friend in public on the horizon. The GIHE team have unearthed some more new music gems for you to listen to on our March Playlist. It’s an eclectic mix of indie anthems, alt-pop gems, intriguing electronics and raucous guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Grandmas House – ‘Small Talk’
This thumping new track from Bristol-based punk trio and GIHE faves Grandmas House speaks for itself. ‘Small Talk’ explores the times when you’ve had to unwillingly engage in idle conversations with strangers at the bar, when all you want to do is sit and have a pint with your friends. (Kate Crudgington)

ARXX – ‘Deep’
The new single from GIHE faves ARXX, ‘Deep’ offers an empowering ode to leaving behind all your anxieties and getting what you want. Propelled by a sweeping, impassioned energy, it interweaves an electro-infused, glitchy sound with the duo’s signature ferocious drive, instantly hitting you with its raw, anthemic rush and gritty, sensual prowess. A swirling slice of rousing power-pop. (Mari Lane)

CLAMM – ‘Liar’
Melbourne punk trio CLAMM are gearing up to release their debut album Beseech Me on 9th April, and single ‘Liar’ is a crash course in what to expect. “The song is about mental health,” the band explain. “It’s about wanting to break through a pattern of thinking that isn’t necessarily positive. It’s about dealing with an internal monologue that isn’t always telling the truth.” Through their thrashing guitars and relentless percussion, the band beat back their doubts on this raucous offering. (KC)

Gender Chores – ‘Night In The Woods’
A slice of fast-paced punk-pop, and inspired by a video game of the same name, ‘Night In The Woods’ reflects on slum landlords and the high costs of living in the city. As the Belfast band ooze a swirling, playful energy, the track builds to an immense whirring cacophony. A raging punk anthem, truly of our times; despite being coated in a buoyant, quirky charm, it’s no less powerful in its explicit enraged message. (ML)

CYNICS – ‘Idiots’
This high energy single from London-based four-piece CYNICS is lifted from their recent EP, restless in comfort. The band will be releasing a second EP in April, so keep your eyes peeled for that. (KC)

Du Blonde and Ezra Furman – ‘I’m Glad That We Broke Up’
Du Blonde joins forces with Ezra Furman on latest track ‘I’m Glad That We Broke Up’ which is an absolute tune released ahead of Du Blonde’s upcoming LP Homecoming, due on 2nd April. “It’s our take on a 60s girl group/glam rock explosion,” Du Blonde explains. “I feel like Ezra and I have been travelling towards a duet for years and we finally got our shit together.” (Tash Walker)

deep tan – ‘camelot’
Taken from their upcoming debut EP, deep tan’s ‘camelot’ is propelled by the majestic whirr of sparse hooks and throbbing beats, building with a quirky hypnotic splendour and fizzing tension. As swooning vocals glide across the angular soundscape, it creates another truly captivating sonic delight from the post-punk trio, leaving you longing for more of their exquisite stirring allure. (ML)

People Club – ‘Take Me Home’
The title track from their upcoming EP which is set for release on 7th May, this single from Berlin-based indie outfit People Club is about the realisation of mortality in old age. It’s an upbeat offering, but it explores the cynicism that often plights the elderly after losing their loved ones and being left alone with their regrets. (KC)

ĠENN – ‘Mackerel’s Funky Mission’
Taken from their upcoming EP Liminal, ‘Mackerel’s Funky Mission’ is the latest single from Brighton-based ĠENN. Propelled by a quirky, playful energy and eccentric, colourful charisma reminiscent of the likes of The Orielles, it races with scuzzy hooks alongside the raw, gritty vocals of front woman Leona. Building to a fuzz-filled, psych-infused cacophony, it showcases all there is to love about ĠENN – a band set on continually developing their compelling sound and enrapturing our ears with their unique fantastical spirit. Liminal, the new EP from ĠENN, is out tomorrow 30th March via Everything Sucks Music. (ML)

45ACIDBABIES – ‘Mommy’s Favourite 1’
Following the success of last year’s ‘3 (Walk With Me)’, ‘Mommy’s Favourite 1’ is the latest single from Dutch band 45 ACIDBABIES. Propelled by a vibrant, playful energy, it races with swirling layers of sound creating an instantly infectious, danceable cacophony. As scuzzy, electro-driven hooks race alongside the soaring sultry power of Sophia De Geus’ vocals, a psychedelic haze ripples, creating an uplifting sonic fusion. (ML)

Boudicca’s Bass Service – ‘Egypt’s Over There’
This is the latest single from Somerset based 19-year-old Georgina Cotteril aka Boudicca’s Bass Service. I love her laid back vocals, trippy synths and the feel-good vibes of this track. Speaking about ‘Egypt’s Over There’, Georgina explains: “This song is about realising you’re doing fine, all things considered…this song brings with it the new growth of spring and provides a resting spot, a much needed escape, amongst the craziness of your mind – and the current world in which we live in.” (KC)

Notelle – ‘Doctor Sign’
Nashville-based, nightmare-pop artist Notelle’s latest single ‘Doctor Sign’ was heavily influenced by the intense, shadowy sounds of Nine Inch Nails. Writing the track was a form of emotional exorcism for Notelle, who gave herself permission to “lean into some unattractive emotions” on this new offering. (KC)

Debby Friday – ‘Runnin’
Vancouver-based audio-visual artist Debby Friday blends intoxicating rap verses, trippy beats and snaking rhythms together on this eccentric anthem about self-expression. Full of commanding rhythms and jagged synths, ‘Runnin’ marks a new musical direction for Friday, moving away from her abrasive earlier work into more sultry, effervescent territory. Dripping with unfazed confidence, Friday’s synth-rap tune smoulders with autonomous vibes. Love, love, love it. (KC)

Loraine James – ‘Simple Stuff’
This is the first single from Loraine James’ new album Reflection, which is set for release on 4th June. ‘Simple Stuff’ is a minimal, cathartic plea for equality and acceptance as a black, queer woman. I love the criss-crossing drums and Loraine’s straightforward vocals on this track. (KC)

Mykki Blanco – ‘Free Ride’
The latest single from queer pioneer and musician/rapper extraordinaire Mykki Blanco, ‘Free Ride’ was written back in 2018 after Blanco had just ended their first long-term relationship. Co-produced by FaltyDL and Hudson Mohawke, it oozes a funk-fuelled uptempo musicality and glistening soulful refrains alongside Blanco’s trademark flowing lyricism. Appearing less brash and perhaps more sentimental in sound than some of their previous offerings, it loses none of their distinctive wit and poignant spirit. The video for “Free Ride” was directed by Hannah Rosselin, produced by DIVISION, watch it here. (ML)

Ci Majr – ‘Guillotine’
This is the latest track from Atlanta-based, emerging non-binary artist Ci Majr. Taken from their upcoming debut EP Side Effects, set for release on 16th April, ‘Guillotine’ is a shimmering pop anthem about cutting off your own ego in order to grow in a new relationship. (KC)

Sofia Kourtesis – ‘La Perla’
One of my absolute favourite songs at the moment! Inspired by the sea and her father (written when he was dying of leukemia), the result is a kaleidoscope of synths and deep house. Kourtesis describes the song as about feelings that can’t be captured with words – ‘La Perla’. (TW)

Gemma Cullingford – ‘Wide Boys’
Known as one half of GIHE faves Sink Ya Teeth, musician and songwriter Gemma Cullingford has now announced the release of her debut album this summer. Taken from the album, ‘Wide Boys’ reflects on the need for us to wake up and take back control from those in power. Driven by a racing energy and interweaving immense hooks, including a fiercely flowing flute solo, it’s an instantly catchy funk-fuelled call to arms for these desperate times. (ML)

Elsa Hewitt – ‘Inhaler’
This new single from London-based, experimental electronic producer & GIHE favourite Elsa Hewitt soothes my tired mind. It’s taken from her upcoming album LUPA, which is set for release via Cargo Records on 30th April. (KC)

Fears – ‘vines’
Another poignant meditation on some of her darkest hours, Dublin-born London-based musician Fears aka Constance Keane penned her latest single ‘vines’ before she experienced a breakdown. Through her tentative beats and soft vocals, Fears taps into her pain and offers listeners a chance empathise and heal alongside her. I’m excited to hear her debut album Oíche when it’s released on 7th May via her own label, TULLE. (KC)

Penelope Trappes – ‘Nervous’
A graceful, evocative soundscape that tentatively traverses the inner thoughts of an anxious woman, this single from Australian-born Brighton-based artist Penelope Trappes is taken from her new album, Penelope Three. Set to be released on 28th May via Houndstooth, the track ripples with a sense of mystery and disquiet, both of which are beautifully reflected in the accompanying video. (KC)

Beckie Margaret – ‘FF’ 
Inspired by the Bob Marley quote “I don’t have that type of richness. My richness is life, forever,” ‘FF’ is the latest single from Essex songwriter Beckie Margaret, released via Cool Thing Records. Her voice melts me every time I hear it, and this lush, atmospheric new offering is no exception. (KC)

Ailbhe Reddy ft. Sacred Animals – ‘City Unfolds’
Dublin alt-folk artist Ailbhe Reddy and producer Darragh Nolan aka Sacred Animals have teamed up for this atmospheric new offering ‘City Unfolds’. Lyrically based on Ailbhe’s own experience of being close to a panic attack in the back of a taxi on her way to play a festival in Barcelona, the pair blend tentative keys and atmospheric beats to work through this heightened state of emotion. (KC)

Shamir – ‘DsharpG’ (Sharon Van Etten cover)
Shamir’s cover of Van Etten’s ‘DsharpG’ is just beautiful and will appear on Epic Ten, a special 10th anniversary edition of Van Etten’s second album, Epic. (TW)

Flock Of Dimes – ‘Hard Way’
Taken from her second solo album Head Of Roses, ‘Hard Way’ is the latest single from Wye Oak’s Jenn Wasner aka Flock Of Dimes. Reflecting on the power of the subconscious to hide truths from ourselves, it combines glitchy elements of modulated synths with a lilting musicality and the smooth, emotion-rich splendour of Wasner’s vocals, creating a truly exquisite enchanting soundscape. (ML)

Hanya – ‘Lydia’
Having previously captivated our ears playing for us live on more than one occasion, Brighton band Hanya have now shared a brand new single. Flowing with shimmering hooks and an effervescent, ethereal grace, ‘Lydia’ showcases the stirring emotion of Heather Sheret’s rich, glossy vocals alongside a swirling musicality, creating a beautifully dreamy slice of shoegaze-tinged indie; a soothing soundscape oozing a blissful tranquillity. (ML)

Thallo – ‘Mêl’
This is a lush offering from Welsh songwriter Thallo, sung in her native tongue. Of the track, she explains: “‘Mêl’ which is Welsh for ‘Honey’ is about fearing inevitable heartbreak, but only making a feeble attempt to avoid it and resist temptation.” Check out her latest single ‘The Water’ too. (KC)

Naz & Ella – ‘No (Doesn’t Mean Convince Me)’
Having just announced a new EP set for release this Spring, Naz & Ella have now shared a poignant new single. Reflecting on the all-too resonant theme of sexual harassment, ‘No (Doesn’t Mean Convince Me)’ oozes a gritty, grunge-infused aura alongside the duo’s traditional folk-inspired musicality. Tinged with an eerie majesty with shades of grunge pioneers Alice In Chains, it’s a beautifully stirring offering, exuding a subtle, stark power. Find out more in our recent interview with Naz & Ella. (ML)

Ayoni – ‘Unmoved (A Black Woman Truth)’
‘Unmoved (A Black Woman Truth)’ was released last year, but I only heard it for the first time recently. Described as her most vulnerable song to date, the song is about her journey and the struggles she’s endured as a Black woman growing up. In Ayoni’s words “This song is my every uttered whisper and prayer. It is every heartbreak, micro-aggression, breakdown in the bathroom, and every swallowed fit of rage. But most importantly it is every single moment I remembered the walking poems that are my Black sisters, the breathing reasons to continue fighting to forge a path forward. So here I remain unmovable and unmoved.” (TW)

Clever Girls – ‘Stonewall’
“I wrote ‘Stonewall’ about the distribution of emotional labour in relationships and what is often asked of us AFAB (assigned female at birth) individuals based on our perceived gender identities,” explains Clever Girls’ front person Diane Jean. “It’s really my own anthem of rebellion – against my own perfectionism and against the constant inner monologue that tells me to adapt to others’ needs and expectations.” I love this track, which is taken from the band’s recent album, Constellations. (KC)

Johanna Samuels – ‘Single File’ (Elliott Smith Cover)
Iconic riot grrrl label Kill Rock Stars turns 30 this year! To celebrate, they’re releasing a string of cover singles under the title Stars Rock Kill (Rock Stars), where several artists from around the world will cover tracks from the label’s expansive back catalogue. This dreamy cover of Elliott Smith’s ‘Single File’ by Johanna Samuels is their latest celebratory offering, full of lush vocals and soft guitars. (KC)

Amy Ellen – ‘This Life’
Dublin-based indie musician Amy Ellen says ‘This Life’ is about “loosing someone who meant something to you, but also appreciating those who come into your life and stick around.” She embraces life’s bittersweet nature via her clear vocals and rich guitar sounds on this single. (KC)

Vox Rea – ‘Dufferin Ave.’
Always a sucker for some silky sax, this latest track ‘Dufferin Ave.’ from Vancouver-based Vox Rea delivers with an abundance of ambience. As we look to warmer and lighter evenings, I’m looking forward to listening to this song glisten out over those hazy nights. (TW)

Nadine – ‘Hair Up’
An aspiring singer & rapper from Sudan who’s currently based in Cairo, Egypt, Nadine wrote this R&B-tinged offering after she spent a week living in sweatpants during quarantine. It’s a chilled tune that celebrates feeling confident in your natural state. (KC)

GIHE: Ones To Watch 2021

Whilst 2021 may not be looking too promising in the grand scheme of things at the moment, the array of amazing new music to look forward to is giving us some hope. So many fantastic bands and artists over the last year have been getting us through the nightmare of 2020, and here we’ve selected just a few who’ve made a particularly lasting impression, and who we’re hoping to hear a lot more from over the next twelve months.

Following our Tracks, Albums and Highlights of 2020, here’s our Ones To Watch in 2021…

deep tan
With acclaim from the likes of The Quietus, NME, So Young and BBC 6Music already under their belts, Hackney based trio deep tan have been enchanting our ears this year with their immersive, hypnotic splendour. First capturing our attention with the swirling grace of 2019’s ‘Air’, they continued to cast their majestic spell over us with this year’s ‘deepfake’ – a poignant comment on the worryingly sexist ways the strange internet phenomenon is used in society. Fusing together the cold-wave side of post-punk with their trademark eerily captivating allure and illustrious, swooning French and English vocals, deep tan have already shown their knack for creating utterly bewitching, sonically complex, soundscapes. I expect their dreamy, effervescent charm to continue drawing in more listeners throughout 2021.
Listen to deep tan on Spotify or bandcamp now. 
(Mari Lane: Co-Founder/Managing Editor)

CMAT
I have The Irish Jam radio show to thank for introducing me to CMAT! The pop sensation released some stellar singles throughout 2020, including ‘Another Day (KFC)’ – a bop about crying your drunken heart out in a chicken shop – and ‘I Wanna Be a Cowboy, Baby!’ – a witty, melancholic anthem about struggling with urban isolation. I interviewed her via Zoom earlier this year and she was just a joy to chat with (read the full thing here.) Even though things still look shaky for the music industry in 2021, I reckon CMAT will release more singles that manage to hit the nail on the head, and I hope that she’ll continue to be a stand-up comedian via her Twitter and Instagram accounts too.
Listen to CMAT on Spotify or bandcamp now. 
(Kate Crudgington: Co-Founder/Features Editor)

Amaroun
Having already caught the attention of BBC 6Music and BBC Introducing, Jay Brown – aka Amaroun – spent the first part of 2020 releasing a new single each month. With each single touching on a different theme surrounding life as a queer woman, she has had us hooked on her scintillating alt-pop. From the poignant, swirling power of ‘Rise’ to the gentle romanticism and playful wit of love song ‘Scarlet’, and the grimey groove of latest single ‘Highest Head’ (a collaboration with Jung Mergs), Amaroun never fails to impress with her unique creations – in equal parts soulful and gritty. I can’t get enough of her stirring, effervescent power, and I’m excited to hear what she has in store for us in 2021.
Listen to Amaroun on Spotify or bandcamp now. (ML)

Divide and Dissolve
Formed of Takiaya Reed and Sylvie Nehill, Divide and Dissolve create eerie, thunderous instrumentals designed to rouse their listener’s state of awareness into questioning what it means to be truly free. I was thrilled to see the duo were back releasing new music this year and that their new album Gas Lit – the follow up to 2018’s Abomination – will be released in January 2021. With their dense and intriguing sounds, Divide and Dissolve are instrumental activists who seek to disrupt toxic white supremacy, reclaim indigenous rights and invite others to join their fight. Their elegant, doomy battle cries will be the perfect soundtrack to 2021.
Listen to Divide and Dissolve on Spotify or bandcamp now.
(KC)

Nuha Ruby Ra
With her diverse range of influences, background in art and satire, and the unique style of both her fashion choices and music videos, Nuha Ruby Ra feels at once a familiar composite of acts from the darker end of alt-pop, and something completely fresh. With two singles released earlier this year, Ra has recently dropped what looks to be a breakthrough. ‘Sparky’ is a tale of escapades in a post-punk, dark synth-pop style, the track is her first release on her new label, Brace Yourself Records, and is taken from the forthcoming EP, How to Move. Ra has been a burgeoning, if slightly less prominent artist for sometime, having appeared on stage with a number of indie favourites, including Warmduscher, but the spotlight seems to suit her perfectly. With her latest release having got radio airplay almost from the minute it was released, and a string of tour dates already planned for live return, don’t be surprised to see Nuha Ruby Ra’s name up in lights in 2021.
Listen to Nuha Ruby Ra on Spotify or bandcamp now.
(John McGovern: Contributor)

KIN
Having first charmed our ears when they played their second ever gig for us at The Finsbury back in January 2019, London trio KIN are already receiving plenty of acclaim for their euphoric alt-pop sounds. As evidenced by receiving over 70,000 streams on Spotify for recent bewitching single ‘Sharing Light’ (and nearly that many for other singles ‘L.O.V.E’ and ‘Wander & Lost’), they seem to be quickly rising to success; their alluring majesty providing a soothingly cathartic listen for fans of all genres. Consisting of Grace, Ritu and Adam, KIN have already completely stolen our hearts, both with their exquisite celestial soundscapes and their unwavering dedication to consistently championing fellow females in the industry. I cannot wait to hear more from them in 2021, and I’m quite sure I’m not alone in my excitement!
Listen to Kin on Spotify now.
(ML)

ZAND
Self-proclaimed “ugly pop” star ZAND creates delightfully wicked tunes that take down slut-shamers and whorephobes, whilst revelling in the joyful feeling of not fitting the mould. The Blackpool-based artist has cultivated a defiant sound and image for themselves, mixing their sweet vocals with savage rap verses laid across warped and wonderful electronics. They’ve got a lot to say and I’m looking forward to hearing more from them in 2021.
Listen to Zand on Spotify now.(KC)

King Hannah
Although I did feature King Hannah as One To Watch last year too, I think it’s completely necessary to include them again. Not only does 2020 not really count anyway, but I think it’s fair to say that, with the immediate success of their recently released debut EP Tell Me Your Mind And I’ll Tell You Mine and signing to City Slang Records (also home to Noga Erez, Lampchop and Laura Gibson), King Hannah are now on the cusp of something very, very exciting… I first fell in love with the Liverpool band (thanks to our writer, John!) on hearing their debut single ‘Crème Brûlée’ (which now has over 60,000 streams on Spotify) back in 2019 – its sweeping, ethereal power and majestic musicality completely casting me under its spell on first listen. And now the entirety of the EP remains utterly compelling; with shades of the likes of War On Drugs propelled by the unique melancholic splendour of Hannah Merrick’s vocals, it’s an emotion strewn listen, oozing a stirring, bewitching allure.
Listen to King Hannah on Spotify or bandcamp now. (ML)

CIRCE
London-based dark-pop artist CIRCE had me under her spell from the moment I read that her track ‘Ten Girls’ was inspired by Margaret Atwood’s novel, The Handmaid’s Tale. Her debut EP She’s Made Of Saints is a majestic blend of her bittersweet vocals, cinematic electronics, her feminist awakenings and obsession with the dark side of LA glamour, epitomised by tracks like ‘Dancer’ on which she explores the dangerous allure of Californian cult The Source Family. She’s crafted this mysterious, David Lynch inspired image that fits her sound perfectly too.
Listen to Circe on Spotify or bandcamp now.
(KC)

Ailbhe Reddy
Ireland-based artist Ailbhe Reddy made her debut appearance on the indie circuit in 2016. However, it was 2018’s beautifully poignant single ‘Shame’ which introduced me to Reddy’s sharp songwriting. Having completed the checklist of performing at various UK festivals, Ailbhe Reddy was poised to make the leap across the pond with a slot at SXSW festival before 2020 pressed pause on the live music industry. Despite the setback, Ailbhe Reddy provided the soundtrack of my lockdown 2.0 with her debut album Personal History. An introspective snapshot of everyday emotional turmoils, coupled with a polished production, Personal History is Ailbhe Reddy’s armour to march back into the live music scene in 2021.
Listen to Ailbhe Reddy on Spotify or bandcamp now.
(Nicky Lee-Delisle: Contributor)

New Pagans
Another Irish Jam find! Belfast-based New Pagans’ debut EP Glacial Erratic is an impressive collection of urgent, considered, intensely catchy songs that challenge the norms surrounding relationships, history and gender roles. The band take the best elements of post-punk, grunge and indie rock and transform them into beautifully melodic noise, and this is epitomised on ‘Yellow Room’, the single they released shortly after their EP. They’re currently working on a full length record, so fingers crossed they’ll be able to share that with us in 2021.
Listen to New Pagans on Spotify or bandcamp now.
(KC)

Fräulein
Having only come across Fräulein earlier this year, through seeing them perform a stripped back ‘live’ set for Hanni from ARXX’s Coming Out Staying In festival back in April, I’m already a big fan of the duo’s raw, visceral sound. Oozing a captivating dark energy, this year’s singles ‘Drag Behind’ and ‘Mary’ are propelled by the gritty power of Joni’s raw sweeping vocals, as abrasive, grunge-infused hooks steadily build an increasing tension with the help of Karsten’s immense beats. With shades of the mysterious allure of underrated ’90s band Slint, Fräulein offer a unique, spellbinding majesty. A new favourite, in ‘normal’ times, I’d be booking Fräulein for a gig with us at The Finsbury as soon as possible, but for now I will have to settle for listening to ‘Drag Behind’ on repeat, and dreaming of the day I can witness their dark energy live in a room full of sweaty fans.
Listen to Fräulein on bandcamp now. (ML) 

GIHE: Albums Of 2020

It feels strange to be celebrating anything in 2020, but the GIHE team want to shine a light on some of the brilliant music that’s been released against the odds during the last 12 months. If you, or your band managed to release a full length record, Congratulations! You should be super proud. If you didn’t manage to write anything new this year though, we fully understand and we’ll still be here to sing your praises when you feel ready to write again.

In the absence of live shows where we’d normally celebrate the release of an album, we’ve coped by dancing around our living rooms, miming underneath our face-masks and telling as many people as we can on our Zoom calls to listen to these records. So, in alphabetical order, here are ten albums that helped us get through 2020 (with some honorable mentions at the end because we’re a little bit fed up of restrictions this year…)

Bitch Falcon – Staring At Clocks
Released via Small Pond Records in November, Staring At Clocks is a blistering cacophony of grunge, post-punk and shoegaze inspired sounds from Dublin trio Bitch Falcon. Effortlessly switching from a savage scream to a sublime extended yearning, front woman Lizzie Fitzpatrick’s elastic vocal ability never fails to impress and my admiration for her natural talent swells with each listen. Her intuition is matched by Nigel Kenny’s razor sharp cymbal strikes and Barry O’Sullivan’s brooding bass hooks. Equal parts gritty and graceful, I’m properly in love with Bitch Falcon’s debut album and no, I will not stop talking about it. Listen to Staring At Clocks via bandcamp or Spotify.
(Kate Crudgington – Features Editor)

Bugeye – Ready Steady Bang
A long-standing fave of GIHE, Bugeye have previously wowed us with their vibrant live shows, including performing for us at The Finsbury and at Cro Cro Land, a festival put together by front person Angela Martin in my hometown of Croydon. They’ve also received plenty of acclaim from the likes of Radio X’s John Kennedy and BBC Introducing, and rightly so. Ready Steady Bang is like nothing you’ve heard before; a vibrant fusion of disco, punk and everything in-between, all fused together with magnificent energy into a relentlessly riotous and utterly uplifting collection. This explosive debut fizzles with a wonderfully unique colourful pizazz as the band reflect on the state of the world today. Raging with Angela’s gritty, snarling vocals and whirring electro hooks, alongside crunching riffs and poppy harmonies, each track is a total earworm. Reminiscent of nineties indie legends Elastica, with shades of the retro energy of Blondie, it’s an album oozing a sparkling majesty that’ll charge you up and leave you ready to face whatever 2021 has in store.
Ready Steady Bang is out via Reckless Yes Records, listen on bandcamp or Spotify.
(Mari Lane – Managing Editor)

Dream Wife – So When You Gonna… 
To be honest, I was a little apprehensive about the release of this year’s sophomore Dream Wife album. I had been so completely enamoured by their 2018 eponymous debut that it seemed impossible not to be disappointed, but how wrong I was. So When You Gonna… is both uplifting and poignant in equal measure. From the heartfelt and relatable stirring emotion of album closer and pro-choice anthem ‘After The Rain’ to the immersive inspirational power of ‘Validation’ and fun-filled playful energy and trademark charisma of ‘Hasta La Vista’ and the album’s title track, it proves that Dream Wife are here to stay. With this latest collection, they’ve come back more empowering, passionate and truly joyous than ever.
Listen to So When You Gonna… via bandcamp or Spotify.
(ML)

Gordian Stimm – Your Body In On Itself
I remember thinking “yessss this is a bit of me!” when Gordian Stimm’s (aka Maeve Westall of itoldyouiwouldeatyou) experimental gem of a record first dropped into my GIHE inbox in April. Released via independent Leicester-based label Amateur Pop, Stimm’s debut album is a vivid exploration of bodily autonomy. There’s an enjoyable violence underscoring their vision; a gleeful, sometimes painful dissecting of the self and the social cues that either help construct or dismantle it. At times reminiscent of early Passion Pit or Crystal Castles, Your Body In On Itself is a wonderful collection of distorted, dance-able beats that I continue to enjoy even after multiple listens. The cassette tape is cute af too.
Listen to Your Body In On Itself via bandcamp or Spotify. (KC)

Happy Accidents – Sprawling
Probably my most listened-to full album of 2020, Happy Accidents’ Sprawling follows 2018’s equally addictive Everything But The Here And Now. Since first falling in love with the band back at Indietracks of the same year, I’ve been continually seeking comfort in their sparkling creations. Now a duo made up of Phoebe Cross and Rich Mandell, Happy Accidents have showcased all there is to love about them in this latest collection. An album about “getting out of your head and allowing yourself to connect with others on a fundamental level”, it offers a perfect juxtaposition of honey-sweet vocals, swirling jangling melodies and luscious harmonies, all delivered alongside the heartfelt emotion of the reflective, relatable lyricism, making it impossible not to get utterly immersed in. With Rich and Phoebe taking turns with the lead, each track maintains the glistening warmth and twinkling uplifting charm that first drew me to the band. And now I can’t seem to stop listening; forever seeking soothing catharsis in Happy Accidents’ shimmering, Sprawling indie-pop.
Listen to Sprawling via bandcamp or Spotify.
(ML)

Hilary Woods – Birthmarks
Inspired by field recordings, images from post-war Japanese & wet-plate photography and the secret life of trees, Hilary Woods’ second album Birthmarks is a cohesive set of shadowy soundscapes that smolder with quiet intensity. Released in March via Sacred Bones, the Irish multi-instrumentalist collaborated with Norwegian experimental noise producer Lasse Marhaugher to create a record that was “of the body…a more physical record” than her previous work. She crafted eight fleshy, twisted, charged lullabies that are laced with a mix of hushed vocals, melancholy strings, saxophone sounds, distorted drone noises and Okkyung’s exquisite cello playing. Recorded over the course of two years between Galway and Oslo whilst Woods was heavily pregnant, Birthmarks feels like her most personal and powerful record to date and I’ve thoroughly enjoyed listening to it this year.
Listen to Birthmarks via bandcamp or Spotify. (KC)

Indian Queens – God Is A Woman
Described by lead vocalist & guitarist Jennifer O’Neill as “a late night record”, London trio Indian Queens’ debut album is a sublime offering, designed to dissolve uncertainty and soothe anxious minds. Released via Cool Thing Records in April, the band have written thirteen dizzying tracks that are as driving as they are delicate, providing a welcome rush of blood to the head every time they’re listened to. I love everything about this band and I’m so glad I got to hear them live again in March before the rest of 2020 got cancelled.
Listen to God Is A Woman via bandcamp or Spotify. (KC)

Nova Twins – Who Are The Girls?
Us GIHE grrrls collectively agreed that this is a stunning debut album. Nova Twins’ battle cry for equality and diversity on Who Are The Girls? resonates long after the record stops spinning. Amy Love & Georgia South are a force for fun, for fury and – most importantly – for change in an industry that still “struggles” to book women as headliners at major festivals. This album, released via 333 Wreckords in February, is a collection of thundering bass lines, uncompromising rhythms and wicked riffs. It’s an aural uppercut that proves the London-based duos talent and instinct for writing anarchic anthems. Nova Twins always have us riled, re-energised, and ready to ask for more.
Listen to Who Are The Girls? on Spotify. (KC)

Screaming Toenail – Growth
Having blown us away with the impassioned magnificence of their live show at The Finsbury last December, anti-colonial queer punks Screaming Toenail have become firm favourites here at GIHE, and their message is more resonant now than ever before. Opening with a jarring recording of reports of trafficking migrants and “swarms” of refugees coming across the Mediterranean seeking a better life, Growth starts as it means to go on: honest, politically charged and utterly necessary. Combining shades of ‘80s post-punk with the band’s raw magnetism and angst driven drive, the album covers poignant subject matter, ranging from institutionalised racism and damaging hetero-patriarchal norms, to “little old ladies shoplifting from Boots” and other inspiring female figures such as Diane Abbott and Reni Eddo-Lodge. Growth is truly a soundtrack to our times. Fuelled by a motivational cathartic rage, it starkly reminds us that on returning to “normality”, we need to create a new normal. One in which voices like Screaming Toenail’s can be amplified to the max; one in which we prioritise creating safe, queer, inter-sectional communities and spaces for people to share their art together.
Listen to Growth via bandcamp or Spotify.
(ML)

Sink Ya Teeth – Two
Long time GIHE faves who first completely took our breath away playing for us live at The Finsbury a few years back, Norwich duo Sink Ya Teeth brought some groove-laden joy to this nightmare year with their second album, appropriately titled Two. Having been booked to play our very first Get In Her Ears festival that would have taken place this summer, being able to listen to all the unique dance-punk soundscapes throughout this album offered a bit of consolation. Blowing us away with the soaring, sparkling majesty of each track, they continue to mark themselves out as truly innovative in their craft. From the synth driven glitchy hooks of ‘Somewhere Else’ to the immense funk-fuelled groove of ‘The Hot House’, everything the duo create oozes an infectious shimmering energy, showcasing Maria Uzor and Gemma Cullingford as the ultimate dream team in both songwriting and performing.
Listen to Two via bandcamp or Spotify.
(ML)

Honorable mentions:
A.A. Williams Forever Blue
Ailbhe ReddyPersonal History
ByenaryByenary
The Crystal FursBeautiful and True
Diet CigDo You Wonder About Me?
Dream NailsDream Nails
Lido PimientaMiss Colombia
MOURN – Self Worth
Nadine ShahKitchen Sink
No HomeFucking Hell
Phoebe BridgersPunisher
REWSWarriors
WaxahatcheeSaint Cloud
The Fight Is Not Over (Live album feat. Problem Patterns, Sister Ghost, Strange New Places, Gender Chores)

PLAYLIST: September 2020

It’s been another testing month, filled with more government Covid-19 “rule” changes and unwanted opinions on social media, but we’re determined to keep our spirits up by listening to some of our favourite women and non-binary artists. September’s GIHE playlist is filled with an eclectic mix of alt-pop gems, frenzied guitar anthems, indie tunes and alternative new sounds. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Noga Erez – ‘You So Done’
An emotionally charged offering from a resilient and uncompromising artist, Noga Erez’s latest single is accompanied by a stunning set of visuals directed by Indy Hait. The Tel Aviv based artist delves deep into the memories left behind by a toxic relationship, making this her most personal release to date. She’s yet to share something that we don’t collectively adore here at GIHE, so expect to see her name on all future playlists! (Kate Crudgington)

Eilis Frawley – ‘Stats’
The poignant new single from GIHE fave Eilis Frawley, ‘Stats’ offers a completely unique soundscape from the classically trained percussionist. Kicking off with an arresting drumroll, it quickly picks up the pace moving into bold, Krautrock-infused spoken word, as the lyrics see Frawley recite hard-hitting stats, highlighting the everyday injustices facing women today. Tackling issues such as period poverty, FGM, domestic violence and other vital issues, it’s a beautifully striking and necessary listen. A poignant protest song that you can dance to. ‘Stats’ is out now via faves Reckless Yes. (Mari Lane)

Æ Mak feat. Seba Safe – ‘i dance in the kitchen’
Embracing production duties for the first time on her new EP, how to: make a kitsch pop song to show the world, Æ MAK – aka Aoife McCann – made this record during the Covid-19 lockdown period with “100% childsplay and solo belly laughs”. This single in particular showcases her delightfully carefree, vibrant attitude when it comes to letting go of performance qualms and focusing on making music that makes you feel good. (KC)

HANYA – ‘Texas’
The latest single from Brighton’s Hanya, ‘Texas’ is propelled by a dreamy haze, as it flows with twinkling hooks and the soaring, effervescent vocals of front person Heather Sheret. With shades of the lush surf-pop of Real Estate or Best Coast, it’s a shimmering slice of exquisite indie-pop oozing a blissful tranquility and spellbinding ethereal splendour. The perfect soundtrack to soothe these post-summer blues. Of the track, the band explain: “‘Texas’ was entirely written and recorded during lockdown, experimenting with working remotely as a group. The track explores the startings of a relationship – the head-over-heels uncertainty, the self-doubt and the desire to know each other entirely.” (ML)

Daniela Andrade – ‘Puddles’
A definite September highlight for me comes from Honduran-Canadian producer and musician Daniela Andrade. The track is called ‘Puddles’, it’s self-produced and it has been reverberating around my head since I first heard it. If you don’t start swaying when you hear this, something is wrong. This track was announced alongside details of her new EP, Nothing Much Has Changed, I Don’t Feel The Same, which is out on 30th September via Crooked Lid. (Tash Walker)

Komang – ‘DEWI’ 
I cannot get this song out of my head! It’s excellent. It comes from Melbourne artist Komang and is her debut release, endorsed by a mentorship with the amazing Sui Zhen. Komang is a multidisciplinary producer, performer and vocalist who blends soul-based groove and echoes of traditional Gamelan to create vibrant electronic RnB described as “neo-soul meets Balinese mystic power”. This track is lifted from her forthcoming EP Mythologies, which is set to be released later this year. There’s only one way to listen to this song and that’s very loudly with your eyes closed. TURN UP THAT DIAL. (TW)

Nina Cobham – ‘Solar’ (Bipolar Sunshine Remix)
I love this remix by Bipolar Sunshine of Nina Cobham’s ‘Solar’, it’s so goddamn sultry. Makes me hold onto those dreamy summers of years gone by… (TW)

Seraphina Simone – ‘Hollywood $$$’
The latest release from one of my faves Seraphina Simone, a song shining the spotlight on the glitzy, gritty, ghastly Hollywood. In her words, “’Hollywood $$$’ is about the Lynchian, fame-obsessive undercurrents of tinsel town, with its sirens, starlets, leeches & letches. It’s about that world of smoke and mirrors – where nothing and no one is really as it seems, and the world of celebrity – where we deify or demonise people into these superhumans or arch villains. Kim Gordon mentions ‘tarantula LA glamour’ in Girl In A Band, and that sums it up perfectly I think – the predatory darkness under the glitz.” Amazing description, I defy you to not think of Mulholland Drive or even Selling Sunset (for my sins) when you press play on this. (TW)

ZAND – ‘Slut Money’
A defiant, savage pop tune that celebrates self-autonomy, body positivity and sexuality, self-described “ugly pop” star ZAND takes aim at slut shamers on their latest single. They deftly defy the haters on ‘Slut Money’ through a combination of gritty beats, sweet vocals and candid rap verses. (KC)

Leikeli47 – ‘Zoom’
I’m ashamed to say I’m extremely late to the Leikel47 party, but I’m so glad I’ve now discovered the gritty, brutal wit of the bandana-clad Virginia born rapper. Following 2018’s epic album Acrylic, last month she shared ‘Zoom’. Holding nothing back, ‘Zoom’ showcases Leikel47’s swagger and tenacity with its glitchy beats, catchy hooks and lyrical wit, with references to ‘90s boy bands and her roots in the DMV area: “I ain’t the type of bitch to do a lot of barking/ And only thing I need validated is my parking/ I’m from the back street boy, where it’s very rare to link/ And if you using the wrong note/ We’ll put yo ass n sync…” I just can’t get enough of it. And if you too are new to the joy of Leikel47, I strongly suggest checking out singles ‘Girl Blunt’ and ‘Money’. (ML)

Tolü Makay – ‘Don’t Let Go’
An understated, beautifully soothing listen, Nigerian-born, Ireland-based artist Tolü Makay gently reassures her listeners to let go of their fears through her smooth vocals, tender lyricism and jazz inspired instrumentation on this reassuring track. (KC)

SUSU – ‘Work Song’
New York based SUSU have shared this epic guitar tune that powerfully demonstrates the deep civil unrest that’s simmering beneath the Covid-19 pandemic in the USA. The band explain: “This song is for US – the disenfranchised, black, brown, minority, middle class, poor, trans, gay, and subjugated communities stepping down off the auction block, breaking the stranglehold; saying: ‘If a house gets in my way, you know I’ll burn it down.’ As Nina Simone once said, ‘An artist’s duty, as far as I’m concerned, is to reflect the times’.” (KC)

MOURN – ‘Men’
A rallying cry against toxic masculinity and street harassment, Barcelona-based MOURN’s latest single is lifted from their upcoming album Self Worth, which is set for release on 30th October via Captured Tracks. The song is an honest, cathartic purge of the distrust and anger many women suppress on a daily basis when they’re intimidated in public spaces. (KC)

Francis Of Delirium – ‘Equality Song’
Funded by Luxembourg’s Ministry of Equality to celebrate 100 years of women’s right to vote, Francis Of Delirium’s vocalist & guitarist Jana Bahrich penned this poignant track in the wake of the Brett Kavanaugh hearings. It’s a powerful, necessary dismantling of the ingrained sexism and toxic masculinity that permeates society. (Just a heads up: there’s mention of rape/sexual assault) (KC)

Fightmilk – ‘If You Had A Sister’
The latest single from faves Fightmilk, ‘If You Had A Sister’ may be more sombre in tone than previous releases, as it oozes a swirling melancholy and heartfelt lyricism, but it loses none of the band’s trademark emo-tinged indie-pop goodness. Propelled by the gritty, raw emotion of front person Lily’s yearning vocals alongside scuzzy hooks and perfectly interwoven musical layers, it offers a shimmering reflection on life and loss. The band expand: “ … if there was ever a time for songs you can do ominous slow dancing to, it’s 2020.” ‘If You Had A Sister’ is out now via Reckless Yes. (ML)

Ailbhe Reddy – ‘Looking Happy’
Dublin’s Ailbhe Reddy has transformed the crushing sadness that comes with seeing your ex “enjoying” their life on social media without you, into a buoyant alt-folk gem. Lifted from her upcoming debut album Personal History, which is set for release on 2nd October, the track taps into the feelings of inadequacy we all experience when the FOMO unexpectedly hits us while scrolling through our ex’s newsfeed. (KC)

First Frontier – ‘Take Cover’
Having been creating music together since last year, South London duo Helena Poole (who has previously played for us at The Finsbury in her other band Macadamia Sluts) and Paul Stafford – aka First Frontier – pride themselves on choosing hope over fear and play over fight. Focusing on what we can control and devote positive energy to, debut single ‘Take Cover’ is propelled by scuzzy hooks and thrashing beats, creating a catchy slice of fuzzed-out garage rock, tinged with dark ‘80s nu-wave vibes and swirling harmonies. (ML)

Nadine Shah – ‘Ladies For Babies (Goats For Love)’
In the wake of another irritating tirade from “that” man-punk-band of the moment, I just wanted to take this opportunity to declare my love for Nadine Shah. Having released her immense latest album Kitchen Sink earlier this year, she completely blew me away when playing the BBC 6Music festival in March; one of the most immersive live performances I’ve ever witnessed, it’s simply impossible not to become utterly captivated by her unique charisma and the subtle, gritty power of her vocal delivery. I’d pay whatever it took to take her on tour with me… (ML)

Vanessa Richardson – ‘Spider’
This track is right up my experimental music street. It comes from Toronto/Montreal based Vanessa Richardson who is an experimental singer, songwriter and producer. I’ve listened to it non-stop since I heard it first, I love the loops, the deep vocals, the feverish percussion, it really creates this wonderfully dark intoxicating sound. Sublime. (TW)

Masma Dream World – ‘Theta’
This is the lead track from the upcoming album by Masma Dream World, the solo recording project of multi-disciplinary artist Devi Mambouka. Of the track, she explains: “From age 0-7, the human brain is in ‘theta,’ a state during which our minds can be programmed to believe anything. I became quickly aware of that programming growing up in the African country of Gabon, where, despite its Matriarchal roots, young girls are groomed to be wives and mothers only — there are no other options.” Mambouka wanted to create an anthem for these young girls, which developed into the otherworldly trip-hop song ‘Theta,’ driven by a deep sub-bass and kick drum. The lyrics, which are heard both forward and in reverse, translate to: “We are girls from central Africa. We are Gabomas!” Gaboma refers to a young hip Gabonese girl. As with the rest of her debut album, the music is designed specifically to awaken one’s power source from within, and it set for release on 25th September via Northern Spy. Incredible. (TW)

LibraLibra – ‘Listerine’
A step away from the usual high energy riotous cacophonies of the Brighton band’s previous releases, ‘Listerine’ reflects on lingering painful memories. Showcasing the incredible soaring splendour and versatility of front woman Beth Cannon’s vocals with an almost operatic force, the track oozes a glistening soulful majesty, creating a striking cinematic soundscape. With blissful twinkling keys providing the backdrop to Beth’s vocals, it’s filled with poignant, reflective lyricism as a raw, emotion-strewn power builds to a magnificent, immense anthem of self-realisation. ‘Listerine’ is taken from LibraLibra’s new EP, Hail Mary, out now. (ML)

Balraj Singh Samrai, Pandit G Gavsborg, Farah Amad Khan, Shanique Marie, Tunde Adekoya, Vikaash – ‘I should have hugged you tighter when we last met (Oh What A Joy)’
This piece was made in June of this year with the help from Opera North’s artist development programme, Resonance: The Lockdown Edition. Combining  music and spoken word to document life  during the COVID-19 pandemic and its impact on  communities of colour, Samrai initially produced an instrumental which tabla player Vikaahsh Sankadecha added South Asian percussion rhythms to. Equiknoxx member Gavsborg then penned a poem for the track, and Farah Ahmad Khan added her own spoken word contribution. The accompanying video is so powerful and was made by the Rainbow Collective, go check it out and raise the profile of this track. This is documentary art at its best. (TW)