LISTEN: GIHE on Soho Radio with Hinako Omori (16.10.23)

Tash and Kate were back on Soho Radio’s airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists! Mari offered some of her “musical musings” too. Artists featured on the eclectic playlist included Phoebe TroupCoolgirlBas Jan070 ShakeEcho JulietSlothrustJanette King, Rubie, Projector, Kloxii Li, GENN, body/negative and more.

London-based multi-instrumentalist Hinako Omori also came into the studio to chat about her upcoming second album, stillness, softness…, which is set for release via Houndstooth on 27th October. She reflected on what inspired her to write the record, how it differs in sound from her 2020 debut full length album, a journey…, and her upcoming anticipations for her live show at London’s ICA on the 2nd of December. Grab a ticket here.

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 13th November from 12-2pm!
 Make sure you tune in via www.sohoradiolondon.com

Tracklist
SOPHIE – Immaterial
Janette King – Nah Mek Me Fall
Francis of Delirium – First Touch
Phoebe Troup – Worm Dance
Coolgirl – Druid’s Hood
070 Shake – Black Dress
Echo Juliet – Life on Trains
Gabriel Gifford, Aphty Khéa – Voice From The Wind
Mica & The Midnight Blue – Human Beings
Livia – Glue
Franny London – Funny Girl
Hinako Omori – ember
**Interview with Hinako Omori**
Kloxii Li – Angel Dust
body / negative – persimmon
Chelsea Wolfe – Dusk
Twin Rains – Laws Of The Universe
Projector – And Now The End
GENN – The Sister Of
Rubie – Sicily
Glass Isle – Pols d’Ombres
Slothrust – Pony
Comic Sans – Winter In Sokcho
Clementine Valentine – Selenelion
Bas Jan – No More Swamp
Amy Winehouse – October Song

Guest Blog: Tina Boonstra

Having received acclaim from the likes of Tom Robinson on BBC 6Music and BBC Introducing, London based artist Tina Boonstra has been charming our ears for the last few years with her shimmering folk-strewn melodies and raw, immersive emotion. Now, following the release of her latest album Circle back, start again., she is about to head off on a small European tour. However, it’s not just your average tour; she wanted to make her live shows as accessible and affordable as possible during this cost of living crisis. So, with her fans, she came up with a plan for enabling those with low/no income to be able to attend the events…

Here, Tina talks about her inspirations behind the new album and the idea of gathering funds for sponsored tickets for her gigs. Have a read, and make sure you listen to the stirring sounds of Circle back, start again. now!

When Sarah and Luke told us they were expecting a baby, we couldn’t be happier for them, they were one of our first close friends to have kids, and the excitement was written all over their faces. I saw Sarah just before Christmas, the baby would arrive in just a few months, and they still had so much to do. Three weeks later, we got a text from Luke. Sarah was in hospital, the baby had died. It was like watching a tornado rip through your next door neighbour’s house, while you stood next door unharmed. We were in shock, but they were in the wreckage.  

Nobody plans for heartbreak, and yet, there’s so much in our life that we just can’t plan for. In the end, that’s what my debut album Circle Back, start again is about. It’s stories of ordinary people navigating difficult circumstances; a retired nurse re-telling family trauma, an unexpected illness, a missing friend, a miscarriage, a broken relationship… 

We all go through hard times and that can make us feel so lonely. So, when it came to planning a tour for this album, I wanted to find a way to include more people in the performances. What if fans could sponsor tickets for people who’ve been through a tough time, or couldn’t afford a ticket? I put the idea to my fans and they responded with a resounding YES. 

My goal was to be able to sponsor 10% of the tickets. We achieved it in the first week; such an incredible result, and testament to the generosity of my fans. It’s not like coming to a concert will somehow magically fix anything, but I hope a gift like this could be one night where things are just a tiny bit easier – a tiny bit more bearable in a hard time. Anyone can apply for a sponsored ticket for themselves or for a friend by messaging me on my website.

I’m really excited about hitting the road with my band and playing these songs live in a room full of people! For me, this album is all about figuring out how to do life together. Learning how to share our sorrows and joys; our hopes and our heartbreak, our faith and also our doubts. And knowing that we’ve been able to include people who didn’t think they’d be able to come to a show like this will make it even more special. 

Massive thanks to Tina for telling us about her album and sponsored gig tickets! If you fancy catching her immersive live set, nab a ticket here or apply for a sponsored ticket by messaging her on her website! Dates below:

Saturday 7th OctoberFolklore Rooms, Brighton
Saturday 14th OctoberThe Grace, London
Tuesday 17th OctoberRetro, Manchester

Five Favourites: Supersaurus

Self described “non-binary fronted indie-pop girl band”, London-based Supersaurus’ influences range from MUNA to The 1975, and with acclaim from the likes of BBC Radio 1 and BBC Introducing, they’re really starting to hone their place as esteemed creators of sad-pop bangers. Reflecting on queer love and being part of the LGBTQ+ community, latest single ‘Let U Down‘ offers a swirling electro-pop energy as it soars with instantly catchy singalong refrains and a shimmering emotion-strewn splendour.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate ‘Let U Down’, we caught up with each member of Supersaurus to ask about the music that has inspired them the most. So, read about their favourite albumsthere’s four of them, so actually only four choices this time, but we’ll let them off! Have a read and make sure you take a listen to ‘Let U Down’ now!

Tayla’s Pick:

Pale Waves – Unwanted
There’s actually so many albums that I could choose from for so many different reasons either because they have a personal nostalgic meaning to me and/or they’re just purely no skip albums for me. But if I was to pick one at this very moment in time I’d have to go with Pale Waves – Unwanted. I’ve been a fan of their music for a while, ever since I first heard ‘Change’ a while back and then recently just suddenly had the urge to binge listen to all their stuff again after seeing them at Truck Festival. When I get obsessed with a song or an album trust me, that’s going to be on repeat for a good few weeks at least and the songs on this album really made me feel a lot, which is mainly what I look for. Don’t get me wrong, I love lyrics and all that but for me to really be obsessed with a song it’s got to make me feel a certain kind of way – and this album does just that. If I’d have to pick a favourite off the album I’d probably go with either ‘Lies’, purely for the insane amount of energy and the cool guitar riff, or ‘Reasons To Live’, which – ironically after saying that the lyrics aren’t the main reason that draws me into a song – the lyrics for this one did just that. An all round banger album for me – plus they’re sick live, which makes listening to their stuff even better.

Lauren’s Pick:

Kings Of Leon – Come Around Sundown
Come Around Sundown is an album I’ve come back to again and again since I was about 17. I never get tired of listening to it from start to finish, and it remains one of the select few albums I keep in my car. Originally, it had this new feeling of reflection that Kings Of Leon managed to write into their songs, a sense that you’ve been here before even though you’ve never heard it. Now it’s got the added nostalgia of driving around town with college mates (as well as many other KoL albums). I was introduced to the album by an old band mate, and I remember us being amazed at the ending of ‘The End’ – the beautiful, almost mystical keys that seem never ending but a perfect fit. Musically, the album has influenced my drumming to be more creative, following rhythms of different band members more than just the bass. It’s also a great lesson in playing what is necessary for the song. Some of the tracks on the album have huge choruses, but Nathan never goes over the top. 

Bec’s Pick:

Caroline Polachek – Desire, I Want To Turn Into You
I have a strong attachment to this album, mainly because of the way I felt when I first heard it. I was hooked, instantly. It was kind of fated to be a pretty significant album for me. The day it was released (Valentine’s Day), I was driving back from a weekend in Wales with my girlfriend to watch Caroline perform; the weather was pretty shocking but kind of added to the atmospherics of the album, and I was about eight songs deep when I realised that I could listen to this album, on repeat, forever. ‘Blood and Butter’ started and, if I am being honest, I was shook to my very core – bagpipes! She had only gone and done it. From that point on, it became my favourite album. Accidentally, Caroline has ended being my most seen live act, she was my last gig before lock down and the first one out of it. And, with each iteration, she has added more to her live show; this last time watching her with a full live band really brought this album to life. The opening track from the album, ‘Welcome To My Island’, exploded to life with loud guitars and thumping drums, and I just beamed… This is what music is all about. The past few years I’ve really been getting into more electronic indie pop music, and this album still uses a lot of live instruments, including guitars. Which for me is key – live is king. This album is full of incredible left of centre pop moments which lean into catchy hooks without being cheap. ‘Bunny Is A Rider’ is a perfect example of not taking yourself too seriously, but landing the finish. Dido, Grimes, and Bagpipes. Sold.

Benji’s Pick: 

Jimmy Eat World – Clarity
I kinda can’t not pick Clarity by Jimmy Eat World. It’s the only album that can make me sad and happy at the same time. It’s a weird one, because it’s my favourite album but I really don’t listen to it very often; it makes me feel too much, and I could do without that! But it’s a masterpiece, more albums should open with a ballad. It was either this or Three Cheers For Sweet Revenge by My Chemical Romance, but I think Clarity has the edge.

Massive thanks to Supersaurus for talking about their favourite albums with us!

‘Let U Down’ is out now, and we can’t wait to hear more from this lot!

PLAYLIST: September 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and R&B gems and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Whitelands – ‘The Prophet & I’
The latest single from London band Whitelands, ‘The Prophet and I’ is based around the philosophical book, The Prophet, by Lebanese-American author Kahlil Gibran. A beautifully woozy soundscape, it flows with fuzzy hooks and shimmering harmonies; oozing all the dreamy, shoegaze-inspired vibes. (Mari Lane – Managing Editor)

NewDad – ‘Angel’
Taken from their upcoming debut album, Madra, which is set for release on 26th January 2024 via Fair Youth/Atlantic Records, this track from Galway alt-rock four piece NewDad is inspired by the destructive relationship between characters Rue and Jules in hit TV show Euphoria. It’s a magnetic, heady guitar tune that’s been swirling around my skull since I first heard it. (Kate Crudgington – Features Editor)

Coolgirl – ‘High Altar’
Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records, this Coolgirl track is a hypnotic blend of synths, intriguing samples and atmospheric beats. GIHE fans will recognise Coolgirl aka Lizzie Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her new solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. (KC)

Maria Uzor – ‘Sometimes They Look At You’
Maria Uzor consistently delivers with her amazing electronic soundscapes, and ‘Sometimes They Look At You’ is no exception. It’s taken from her upcoming debut album, SOFT CUTS, which is set for release on 13th October via Castles In space. Come to her album launch at The Windmill in Brixton on the 18th October, we’ll all be there!
(Tash Walker – Digital Editor)

Tirzah – ‘F22’
‘F22’ is taken from Tirzah’s recently released new album, trip9love…???, produced by Micah Levi. It’s a stripped back sonic sound-bath of distortion, off-key haunting piano and drum machines. Get listening. (TW)

1000 Beasts & Tomike – ‘Cherry Delight’
The latest release from Cork-based producer 1000 Beasts and London-based Irish artist Tomike! Some low-key neo soul, filled with rich jazz harmony – just lovely. (TW)

DEBBY FRIDAY – ‘let u in’
Polaris Music Prize-winning artist DEBBY FRIDAY has dropped this drum & bass-tinged pop banger. It follows on from her acclaimed debut album, GOOD LUCK, which she released via Sub Pop earlier this year. DEBBY FRIDAY will be touring the UK in November, playing a show at Thirdman Records in London on Friday 10th November, and she’ll be performing at The Roundhouse for Pitchfork Music Festival on Saturday 11th November. (KC)

Amaroun – ‘Pussy Whine’
London-based alt-R&B artist Amaroun releases her new EP, Dopamine, today (29th Sept), and this track is a definite highlight. Speaking about ‘Pussy Whine’, Amaroun explains: “I want to fly the flag for sexual freedom, especially for black and queer people that have heavily felt the impact of oppression forcing you to repress your instinctual self. I find the word an empowering way of claiming my right to pleasure and sexual expression. Lyrically, it’s about that moment when you meet someone that you then can’t stop thinking about, and the thrill of the chase! ” (KC)

Rainy Miller and Space Afrika ft. Mica Levi – ‘Maybe Time To Lay Down The Arms’
This track is absolutely mesmerising. ‘Maybe Time To Lay Down The Arms’ is the first single I’ve heard coming out of this amazing collaboration, with more set to be released on 16th November. I can’t wait. (TW)

Gabriel Gifford ft. Aphty Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s upcoming concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, this track is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well. (KC)

Hinako Omori – ‘ember’
This is the latest single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, ’ember’ is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt. I’m looking forward to hearing it live when Hinako plays at London’s ICA on 2nd December. (KC)

AVR – ‘A Closer Touch, A Plan Of Art’
Berlin-based artist AVR (formerly known as ANNA VR) played live for us at Notting Hill Arts Club a few years ago and she was wonderful. ‘A Closer Touch, A Plan Of Art’ is her latest single, and she’s preparing to release more new music later this year, so keep an eye out for announcements from her in the near future. (KC)

Clementine Valentine – ‘Selenelion’
Formally known as Purple Pilgrims, but now going by their birth names, New Zealand duo Clementine Valentine have just released a beautiful new album. Taken from the album, ‘Selenelion’ glistens with an enchanting folk-strewn majesty as its swirling, other-worldly grace immerses you completely. The Coin That Broke The Fountain Floor, the new album from Clementine Valentine, is out now via Flying Nun. (ML)

Bas Jan – ‘No More Swamp’
The latest single from London collective Bas Jan, ‘No More Swamp’ reflects on how the band’s lives have changed over the years, with shifting priorities and responsibilities. Showcasing the band’s trademark quirky energy and perceptive songwriting ability, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. (ML)

tall child – ‘Damaged’
tall child, formerly known as ZHA Gandhi and previously associated with projects like Buggs and Luce Rushton (fka TV Room), has now released their debut single ‘Damaged’. An “introspective exploration of a turbulent parent-child relationship”, it’s propelled by a stirring emotion, showcasing their soulful vocals with a captivating allure. With a shimmering ethereal musicality, it’s a beautifully cathartic ballad. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room. (KC)

Becca Mancari ft. Julien Baker – ‘Over and Over’
Having received acclaim from the likes of the New York Times and queer publication them, and collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari has just released their latest album, Left Hand. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. Read our recent interview with Becca Mancari here. (ML)

Small Crush – ‘Rumblin Tummy’
The latest single from Californian band Small Crush, ‘Rumblin Tummy’ offers a fresh perspective on 2019’s similarly named ‘Tummy Rumblin’. Oozing luscious scuzzy vibes and a twinkling uplifting energy, it’s a shimmering slice of dreamy surf-pop, reflecting on “staying in love and getting butterflies in your stomach no matter how long it’s been.”
I’m a big fan of Small Crush’s cute sounds and have been really enjoying their new album, Penelope, which is out now via Asian Man Records. (ML)

dethcaps – ‘Nightstand’
This is the debut single from non-binary indie grunge band dethcaps (great name). It’s inspired by the feeling of pure infatuation when you first start falling in love with someone, underscored by a buoyant melody and heartfelt lyrics. (KC)

Brenda – ‘Pigs’
It was so fun to chat to Litty from Brenda on our recent Soho Radio show. I love this track which is full of rage, taken from their self-titled debut album which is epic! You can listen back to my conversation with Litty on our GIHE takeover of the Morning Glory Show on Soho Radio here. (TW)

Problem Patterns – ‘Lesbo 3000 / Poverty Tourist’
What a TREAT we have for you here – a double dose of pure punk bangers from GIHE faves, Belfast Riot Grrrls Problem Patterns. On ‘Lesbo 3000’, drummer Beth takes the lead on vocals, shouting back at homophobes and screaming her lungs out. On ‘Poverty Tourist’, bassist/vocalist Ciara and vocalist/guitarist Alanah take turns to call out the appropriation of working class culture in the music industry and further afield. Both tracks are taken from Problem Patterns’ upcoming debut album, Blouse Club, which is set for release on 27th October via Alcopop Records. The band will be headlining for us at Sebright Arms on 17th November – tickets are on DICE now. (KC)

SPRINTS – ‘Up And Comer’
This riotous single from Dublin rockers SPRINTS is taken from their debut album, Letter To Self, set for release on 5th Jan 2024 via City Slang. The band have been going from strength to strength since Mari & I saw them them live at the Women’s Work Showcase in Belfast last year. If you like what you hear, you can catch them playing at The Dome in Tuffnell Park here in London on 4th October. (KC)

Projector – ‘And Now The End’
Brighton trio Projector continue to evolve their sound with this latest single ‘And Now The End’. Written as a response to a breakup scenario, but also inspired by the general state of chaos that we currently live in, the track ricochets between spite, apathy and a need for resolution. ‘And Now The End’ is accompanied by a beautifully shot video that you can watch here. (KC)

HotWax – ‘Phone Machine’
Hastings trio HotWax are fast becoming firm favourites here at GIHE. Full of their trademark riotous vocals and tenacious riffs, this single is taken from their upcoming EP, Invite, Me Kindly, which is set for release on 18th October. (KC)

Venus Grrrls – ‘Liar Liar’
The latest single from Leeds rockers Venus Grrrls, ‘Liar Liar’ incites the listener to reclaim their autonomy and rediscover their worth. Propelled by a seething energy and fierce, impassioned drive, it’s a perfectly riotous anthem proving this band to be a true force to be reckoned with. (ML)

Comic Sans – ‘Winter in Sokcho’
Written and inspired through tarot readings, queer experience and healing, and quest to be your true queer self, ‘Winter In Sokcho’ is the latest single from London band Comic Sans. Building with an eerie splendour and gritty allure to a dark rock anthem, it offers fierce hooks and tension-building beats, as the sweeping power of the majestic vocals takes hold. (ML)

The Vanity Project – ‘Eureka’
London-based self described “queer-freak-pop” Flora Jackson and Rob Paterson aka The Vanity Project, pride themselves on creating swirling chaotic soundscapes, interweaving multiple genres and techniques. Latest single ‘Eureka!‘ reflects on the daily grind of the 9 to 5, and the dangers of capitalism in a wonderfully wacky blast of empowering riotous energy and sparkling musicality. The Vanity Project’s debut album, We Should Never Have Come Here, is released today (29th Sept), and you can catch them live tonight at The Cavendish Arms in Stockwell to celebrate! (ML)

NESS NÖST – ‘MAID 4 U’
I love this lead single taken from NESS NÖST’s debut EP, Working Hours, which is out now. It delves into the challenges women in the service industry face, battling misogyny, self-sabotage and pursuit of dreams all wrapped up in an acoustic-pop sound. (TW)

Charlotte Carpenter – ‘You’re My Reason Why’
Described as a “dystopian gay love story’, this latest single from Midlands artist Charlotte Carpenter reflects on her fond memories of spending time with her wife in a tiny cottage during lockdown: “I can honestly say, they were some of my favourite times together. It put so much into perspective for me. I had stripped away all of those routines and expectations, and I found what I truly valued in life, which is love and time.” I just love the track’s lilting musicality, with its heartfelt twinkling emotion, it oozes a stirring grace and comforting warmth. Charlotte Carpenter’s debut album, A Modern Rage, is out on 6th October. (ML)

Anna Pancaldi – ‘Stay This Way’
Exploring the complexities of loss when it’s entangled with childhood, this latest single from London artist Anna Pancaldi offers a beautifully poignant ode to nostalgia. Shimmering with Pancaldi’s soaring rich vocals and an emotion-strewn splendour. Catch Anna Pancaldi live at The Waiting Room on 20th October. (ML)

Maria BC – ‘Still’
Newly signed to Sacred Bones, this track from Maria BC is a gentle, evocative blend of their poetic lyrics and clear vocals, accompanied by a piano motif that they composed at the tender age of sixteen. ‘Still’ is lifted from Maria BC’s upcoming album, Spike Field, which is set for release on 20th October. (KC)

Chelsea Wolfe – ‘Dusk’
Freshly signed to Loma Vista Records, this is the latest offering from the marvelously macabre Chelsea Wolfe. ‘Dusk’ is a smouldering, gritty “mythical love song” that effortlessly showcases her potent vocals. I can’t wait to hear more of her new music in the near future. (KC)

Gazelle Twin – ‘Black Dog’
New to the INVADA Records roster, this is the latest single from GIHE favourite Elizabeth Bernholz aka Gazelle Twin. Alicia from NYX Drone choir described ‘Black Dog’ as “the soundtrack to my insomnia” when we interviewed them on our recent Soho Radio show, and I couldn’t agree more. Full of Bernholz’s trademark eerie electronics and shadowy sounds, it’s a cell-tingling exploration of what haunts us in life’s darker moments. I can’t wait to hear Gazelle Twin’s new album, also titled Black Dog, when it’s released on 27th October. It’s going to sound superb when it’s ricocheting off the walls of majestic London venue Bush Hall when she performs it live on 10th November. (KC)

Hilary Woods – ‘Where The Bough Has Broken’
A hypnotic instrumental inspired by a deep love for Dublin City, I’m fascinated by this new release from Irish artist Hilary Woods. Lifted from her upcoming album, Acts Of Light, which is due on 3rd November via one of my favourite record labels Sacred Bones, ‘Where The Bough Has Broken’ is an atmospheric ode to communal growth and memory, with an accompanying video that pays homage to the seemingly minor moments that play a role in creating these things. (KC)

Yay Maria – ‘L’Appel Du Vide’
The latest single from trangender artist Yay Maria, ‘L’Appel Du Vide’ marks the upcoming release of her new EP, Suburbia, which is out on 20th October via I’m Not From London. Self-described as “queer pop music for feelz and boogying”, the new EP offers a celebration of trans joy, with the mission of combating the all-too-frequent negative narrative the media presents us with. I just love the twinkling energy and swirling, ethereal grace of the soundscapes Yay Maria creates. This single ‘L’Appel Du Vide’ is accompanied by a “fully animated extravaganza” of a new video – check it out here. (ML)