LISTEN: GIHE on Soho Radio with Fears 28.07.21

Tash, Kate & Mari were back on the NYC & Culture channel on Soho Radio‘s airwaves for their third GIHE show! They played a mix of golden oldies – including a tribute to the late Amy Winehouse – and new music tunes from some of their favourite women, non-binary and LGBTQ+ artists.

Irish musician & Tulle Collective co-founder Fears aka Constance Keane also joined them to talk about the reaction to her beautiful debut album Oíche, her upcoming gig plans, and how watching Love Island and Mary Kate & Ashley’s 2002 rom-com When In Rome have helped her through periods of lockdown & Covid-induced isolation.

Listen below:

Tracklist
Amy Winehouse – Me & Mr Jones
Babeheaven – Lovefool (The Cardigans Cover)
Abra – Roses
Evil House Party – Head Held High
Maria Uzor – Innocence
Witch Prophet ft. Stas THEE Boss – MUSA (Remix)
Alewya – Sweating
Denise Chaila – 061
Seraphina Simone – Skin
PET Wife – Sword
Smoothboi Ezra – Without Me
My Idea – Stay Away Still
WILLOW ft. Travis Barker – transparentsoul
Fears – Fabric
**Interview with Fears**
Pixie Cut Rhythm Orchestra – I Didn’t Love You When I Said I Did and I Don’t Now
F.R.U.I.T.Y – U.P.S
Tirzah – Tectonic
Gazelle Twin – Changelings
Bad Waitress – Strawberry Milkshake
Pretty Happy – Sudocream
Catherine Moan – Drop It!
Crisp&Classy – Boom Bay
BAXTR – In Pop We Trust
Sugababes – Same Old Story (Blood Orange Remix)
Planningtorock – Gay Dreams Come True

PLAYLIST: July 2021

The GIHE team have unearthed some more new music gems for you to listen to on our July Playlist! There’s an eclectic mix of alternative tunes, synth-pop bangers and raucous guitar anthems for you to enjoy. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Amy Winehouse – ‘Me & Mr Jones’
“What kind of fuckery is this?” – one of my all time favourite lyrics, courtesy of Amy Winehouse. This month marked ten years since her untimely death and gave us all a chance to reflect on her iconic musical legacy. Charming, intelligent and rib-achingly funny, but simultaneously plagued by addiction, alcoholism and bulimia, Amy Winehouse’s altruistic talent is one that simply can’t be rivalled. RIP Amy. (Kate Crudgington)

Babeheaven – ‘Lovefool’ (The Cardigans Cover)
Babeheaven are a band who do wonders with their covers and this one is no exception. Singer Nancy Andersen’s voice just beautifully falls over the music every time, the perfect accompaniment to this sweltering summer where we just have to slow down. (Tash Walker)

Abra – ‘Roses’
This song has been spinning its way around all of my playlists over the last month. Released back in 2015, I always have space for a return listen for Abra. The way a song sounds six years later is part of the beauty of it, especially the lyrics on this one – “You taste best when you are in full bloom” – turn up your dials for a big slice of distilled electro pop. (TW)

Evil House Party – ‘Head Held High’
I love this captivating synth-pop tune from Copenhagen-based duo Evil House Party. Taken from their debut EP Grand Theft Audio, which is set for release on 24th September via Third Coming Records, the track is a heady, bittersweet reflection on personal uncertainty and laments the struggle of trying to survive in the real world whilst also trying to fulfil your dreams. (KC)

Maria Uzor – ‘Innocence’
The latest solo release of Maria Uzor (also one half of GIHE faves Sink Ya Teeth), ‘Innocence’ offers an other-worldly soundscape propelled by glitchy electronic hooks and drum ‘n’ bass reminiscent beats. Interweaving a whirring ethereal splendour with shades of the likes of Grimes with a unique soul-fused drive, I just can’t get enough of its blissful, euphoric energy and bewitching allure. Innocence And Worldliness, the upcoming EP from Maria Uzor, is set for release on 27th August. (Mari Lane)

John Glacier – ‘Icing’
This song! Coming in at 1.44 a song has never left me desperate for more, obsessed is an understatement. East London’s John Glacier released this as a teaser from the forthcoming 12-track project SHILOH: Lost For Words, due on 30th July. (TW)

Moor Mother ft. lojii – ‘Shekere’
Having released her debut album Fetish Bones back in 2016, musician-poet-artist-workshop facilitator Camae Ayewa – aka Moor Mother – has now announced her upcoming new album, Black Encyclopedia Of The Air. Taken from the album, latest single ‘Shekere’ features Philadelphia rapper lojii and is propelled by a stripped-back, jazz-infused musicality as it oozes a swirling, stirring allure and immersive, soulful drive. As poetically poignant lyricism is set against the captivating flow of the instrumentation, an exquisitely enthralling, and undeniably necessary, battle-cry is created. Black Encyclopedia Of The Air, the upcoming album from Moor Mother, is set for release on 17th September via ANTI-. (ML)

Witch Prophet – ‘Makda’
I have Tash to thank for introducing me to the majestic sounds of Ethio queer hip-hop fusion artist Witch Prophet. ‘Makda’ is a celebration of the Ethiopian Queen of Sheba and the accompanying video for the track is all about showcasing “the power of Black women and mothers.” (KC)

Piroshka – ‘V.O’
Taken from Piroshka’s brand new album, Love Drips and Gathers, ‘V.O’ offers a poignant tribute to 4AD’s late in-house art director and graphic designer Vaughan Oliver. A swirling, ethereal soundscape, sparkling with a captivating, shoegaze-tinged splendour, the track reflects not only on Miki Berenyi’s memories of Vaughan, but also her experience of attending his funeral last year – with many of the lyrics inspired by speeches that she heard on the day. Find out more about Piroshka and their new album in our recent interview with Miki here. (ML)

Praises – ‘A World On Fire’
This shadowy track by Toronto-based Praises is such a hypnotising listen. The new project of Jesse Crowe (formerly one-half of Beliefs), ‘A World On Fire’ “imagines a diaspora and a war, whilst tackling other ideas of mortality, identity and love.” The track is taken from Praises’ upcoming EP, EP4, which is set for release on 5th August via Hand Drawn Dracula. (KC)

Tirzah – ‘Tectonic’
Anyone who knows me/has asked me what I’m listening to over the last couple of years will have given you one answer: TIRZAH. She’s recently announced the release of her new album Colourgrade which I am counting down the days to. This song ‘Tectonic’ is totally hypnotic, starting with a conflicting drone before her vocals arrive, rougher than we’re used to, all adding to the music’s intensity – and don’t even get me started on the lyrics. Needless to say, this track gives me FEELS. (TW)

Täpp – ‘Aquaria’
The latest release from Jazztronica/hip hop/ classical collective Täpp, led by classically trained jazz violinist Rebekah Reid. This track is lifted from their debut album, named after the winner of Season 10 of RuPaul’s Drag Race – ‘Aquaria’ is an anthem created to empower women, transgender/gender non-conforming people and the LGBTQ+ community, encouraging them to step into their light and “shine like the gifts they are to the world.” Can’t argue with that. (TW)

Tiiva – ‘Bones’
Is it even a GIHE playlist if I don’t include a Tiiva track? I’m a big fan of all their releases so far and ‘Bones’ is no exception. The London-based producer has crafted another captivating soundscape full of atmospheric beats, hushed vocals and summery synth sounds. (KC)

Planningtorock – ‘Gay Dreams Come True’
This song gives nothing but pure gay joy, a pleasure to hear it pouring out of any speakers. Planningtorock has to be the most consistent creator of absolute dance tunes right now. I LOVE IT. What vibes, what fun. (TW)

cheeky – ‘SPADES’
cheeky is a classically trained pianist, queer non-binary producer based in Philadelphia. This track ‘SPADES’ is taken from their recent EP The Tower. Constructed of mostly percussive sounds sampled from their piano, cheeky says this song is “about struggling with self love.” Definitely check out their new EP, it’s a bittersweet exploration of their musical influences and includes a bewitching cover of ‘Nightingale’ from Disney’s Cinderella. (KC)

FLOSSING – ‘SWITCH’
FLOSSING is the new project from Heather Elle, formerly of Bodega and The Wants. I love her candid, moody sound on her debut single ‘SWITCH’, which explores her own sexuality and “the deviant nature of men.” I can’t wait to hear her new EP Queen Of The Mall, which is set for release on 10th September. (KC)

Ailsa Tully – ‘Sheets’
Ahead of the release of a new EP next month, Welsh artist Ailsa Tully recently shared poignant single ‘Sheets’. Flowing with a shimmering, stripped back musicality, ‘Sheets’ combines lilting melodies with Tully’s crystalline, honey-sweet vocals. Oozing an immersive, delicate emotion and sparkling grace, there is something uniquely captivating about the juxtaposition of the vocals and the rippling instrumentation; the gentle build up and crescendo evoking images of waves delicately crashing against swathes of sand. Holy Isle, the upcoming EP from Ailsa Tully, is set for release 20th August via Dalliance Recordings. (ML)

CMAT – ‘2 Wrecked 2 Care’
Irish pop sensation CMAT says this song is based around the idea of what “would have happened if Sheryl Crow ever had to work in a TK Maxx” – absolute lols. I love everything CMAT creates and I can’t wait to see her live for the first time at her sold out show at The Troubadour in November. (KC)

Bad Waitress – ‘Strawberry Milkshake’
The latest single from Toronto based Bad Waitress, ‘Strawberry Milkshake’ blasts into the ears with pulsating hooks and thrashing beats, as Kali-Ann Butala’s seething vocals soar with a riotous power. Propelled by a gritty energy and frenzied, empowering drive, it’s a wonderfully sinister – hell-raisingly raucous yet fuzzily catchy – punk-fuelled anthem. Of the track, the band comment: “Strawberry Milkshake’ is saccharine sweet, milky pink terror. On the surface it’s sexy and enticing – but there’s a poisonous sludge bubbling just beneath.” No Taste, the debut album from Bad Waitress, is set for release on 3rd September. (ML)

Pretty Happy – ‘Sudocream’
Centered around the Cork-centric story of a girl who is suffering from alcohol poisoning in the Mercy Hospital whilst her partner sits across the road in the Franciscan Well pub, Pretty Happy’s ‘Sudocream’ kicks and screams with the kind of frustration, panic and anxiety that can’t be soothed by the childhood medicinal staple it’s named after. It’s a frantic, witty, cathartic burst of art punk noise from the Cork trio, lifted from their recent EP Sluggers Bridge, released via Art For Blind Records. (KC)

My Idea – ‘Stay Away Still’
The latest single from New York duo Nate Amos and Lily Konigsberg – aka My Idea – ‘Stay Away Still’ is a perfectly jangly slice of lo-fi, indie-pop. I’m a big fan of this track’s luscious, sunny melodies and the way it juxtaposes a deadpan wit with a dreamy, twinkling energy. ‘Stay Away Still’ has been released with accompanying single ‘That’s My Idea’ ahead of the duo’s debut EP, set for release on 30th July. (ML)

Softcult – ‘Spit It Out’
I’m a big fan of this lush, swirling guitar tune from Canadian duo Softcult. Formed of Ontario-based twins Phoenix and Mercedes Arn Horn, this new single gently encourages listeners to face up to, and reject their unconscious bias. Check out the accompanying video for it here. (KC)

Meggie Brown – ‘Dusty Smells’
The first song to be taken from London-based Meggie Brown’s upcoming new EP, ‘Dusty Smells’ is a nostalgia-inducing anthem for anyone struggling with their identity. With shades of the likes of Aussie fave Courtney Barnett, it juxtaposes Brown’s deadpan-yet-poetic reflections with a sparkling musicality as scuzzy hooks flow with a lilting energy, offering an uplifting glimmer of hope. Of the track, Brown – who has recently come out as transgender – explains: “Coming to terms with one’s gender identity has been both beautiful and challenging during this lockdown. When I wrote and recorded ‘Dusty Smells’ I wanted it to match through sound how non-binary those emotions and realisations were.” HOME, the upcoming EP from Meggie Brown, is set for release later this year. (ML)

th’sheridans – ‘Awesome Summers & Kate’
The latest single from indie-pop duo th’sheridans, ‘Awesome Summers & Kate’ is taken from their upcoming career-spanning compilation. Propelled by scuzzy hooks, jangly drum-machine induced beats and a swirling, danceable energy, it reflects on the tentative anticipation of possibilities as restrictions start to lift. With shades of the stripped-back hype-pop/dance-punk of Le Tigre, it offers a perfect smattering of effervescent euphoria – something that is much needed in these uncertain times. Pieces Of General, the upcoming compilation album from th’sheridans, is set for release on 10th September via Reckless Yes. (ML)

Death Valley Girls – ‘Sanitarium Blues’
A refreshingly honest reflection on mental health struggles, Death Valley Girls’ latest single ‘Sanitarium Blues’ was inspired by vocalist Bonnie Bloomgarden’s stay at a professional institution amidst a serious battle with her own mental health. Propelled by the soaring, gritty power of Bloomgarden’s vocals, it’ll soak you in its fierce, reverb-strewn riffs that rage with a frenzied, angsty drive. Oozing a sludgey, grunge-fuelled fuzz with a swirling psychedelic allure, it’s an instantly bewitching and eerily immersive creation. Street Venom, the re-issued album, is set for release on 30th July via Suicide Squeeze Records. (ML)

Ms White – ‘Fuck Men’
I’m ashamed to say that I hadn’t heard of Ms White until recently, when Belfast artist F.R.U.I.T.Y thankfully introduced me to her by including this track in their recent Five Favourites feature for us. A wonderfully empowering anthem from the Trans artist, the name really speaks for itself: I challenge you to listen to this and not feel motivated and ready to face the world. (ML)

WATCH: Softcult – ‘Spit It Out’

A lush, swirling guitar tune that gently encourages listeners to face their unconscious bias, Canadian duo Softcult have shared their latest single ‘Spit It Out’. Since the release of their debut EP Year Of The Rat earlier this year, the pair have been busy working on new material, with this new offering building on their existing manifesto to resist and relieve the pressures that come with existing in a patriarchal world.

Formed of Ontario-based twins Phoenix and Mercedes Arn Horn, Softcult cut their teeth playing live shows in their local town of Kitchener, before moving on to bigger audiences on the North American tour circuit. Their experiences of playing and working within a male-dominated industry formed the foundation for their current sound, which is born from the desire to reject toxic standards of femininity and embrace a more equal world.

‘Spit It Out’ embodies this outlook, as the band explain in more detail: “The song is about rejecting harmful ideologies that we’ve come to accept as normal, even though they perpetuate our own oppression. Most people understand that misogyny, sexism, racism, etc are wrong, but don’t often notice when it occurs in our every day lives, in the media, or how we’ve been conditioned to perceive the world. We can even unknowingly become part of the problem because we’ve internalized these ways of thinking. We wrote the song about resisting societal standards which only serve to benefit those that hold power over others. By simply refusing to accept these ideologies, we can weaken the pillars in our society that allow oppression and injustice. It all starts with questioning them in the first place, and then deciding that we aren’t going to continue to contribute to them.”

Watch the video for ‘Spit It Out’ below.

Follow Softcult on SpotifyInstagramFacebook & Twitter for more updates

Photo credit: Judith Priest

Kate Crudgington
@KCBobCut

ALBUM: Anika – ‘Change’

Moving beyond the punishing sounds and default to doom-saying that’s often defined her previous work, Berlin-based musician Anika‘s new album Change is a more positive cut, possessing some of her most accessible work yet. Set for release via Sacred Bones & Invada Records on 23rd July, the album is not without its jagged, angsty moments, but on the whole it’s certainly a cleaner offering.

Fans of the musician’s existing output – a 2010 solo debut performed alongside Beak> and a string of releases with Exploded View – will recognise the blueprint of locked drum & bass grooves, noisy synths and Anika’s haunting voice floating above it with a cracked serenity that feels as though it could collapse into tears or hysterical laughter at any moment. The key sonic difference with Change is its polished quality, which lends a new refinement and approachability to Anika’s work. At times it feels a little too neat, lacking that terrifying, paint-stripping howl that makes for the best Exploded View tracks. Having said that, it opens up a new side to Anika, one that many will want to hear more from.

Anika reports that the words on Change were written largely “on the spot”, going some way to explaining the recourse to simple yet enigmatic refrains, felt most urgently on tracks like the thunderous opener ‘Finger Pies’ and the disquieting ‘Rights’. Her willingness to employ a smoother set of sounds allows for some unexpectedly great pop moments. ‘Critical’ is lead by a neat synth line that could have come straight from Jane Weaver’s Modern Cosmology, wonderfully plucking the song from the murk of a driving rhythm section.

‘Change’ is an excellent track, epitomising the huge shift Anika makes as an artist on this record. It offers a guarded optimism in its hedged refrain “I think we can change” and tempers the album’s concerns about the destructive nature of man, articulated on tracks like ‘Never Coming Back’ (inspired by Rachael Carson’s book Silent Spring and our destruction of the natural world), enabling us to find consolation in our agency as individuals to avert future consequences of human activity. It is telling that ‘Change’ is the eponymous track and that its central idea was chosen to be the defining theme of the album, creating room for a more sanguine outlook.

The album closes with ‘Wait for Something’, which, like ‘Change’, plays a crucial role in forging the overall mood of the piece. Emerging out of the claustrophobic terror of ‘Freedom’, we are encouraged to find solace in its vagueness, in the belief that some salvation will come, even if we cannot conceptualise the form it might take. People often draw the obvious and not entirely helpful comparison between Anika and Nico, but as the drums kick in here it feels more like we’re listening to the Velvet Underground’s Loaded, pushing us into the realm of unadulterated pop rock. Sitting on those flying keys and cymbal crashes, listeners can really feel the joyous optimism Anika seeks to leave them with.

Sonically drifting away from brutal electro-terror and thematically more positive than earlier efforts, Anika’s Change is an interesting transitional album in sound and spirit, not entirely comfortable in its optimism, but telling for its willingness to seek it out.

Follow Anika on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Sven Gutjahr

Lloyd Bolton
@lloyd_bolton