LISTEN: GIHE on Soho Radio x The Great Escape Special & WIDGET (13.05.26)

Tash, Kate and Mari were back on Soho Radio this month with a special playlist celebrating the female, non-binary & LGBTQ+ artists who are playing The Great Escape this year! They dedicated an entire section of the show to the artists who are performing as part of the GIHE showcase at the festival on The Soundwaves Stage on Brighton Beach on Saturday 16th May – so listen out for tracks from Problem Patterns, The Baby Seals, YAKKIE, steel. and Jessie Mac…

The team were also joined in the studio by Ky & Estella from East London queer disco-punk band WIDGET. They spoke about the joys of being in a DIY band, the amazing people they’ve met through their various DIY communities and shared stories about the tracks on their self-released debut album, CLASSY HITS VOL.2. If you can’t make our GIHE showcase at The Great Escape this Saturday 16th May, you should head to The Pie House in Deptford to watch WIDGET play a special fundraiser gig instead! Grab a ticket here.

Listen back below:

 

We’ll be back on Soho Radio on Wednesday 10th June from 20:00-22:00
Listen via the Soho Radio app or www.sohoradio.com

Tracklist
Peaches – Boys Wanna Be Her
Lauren Auder, Celeste – Unseen
Jessie Mac – Trans Is Beautiful
The Baby Seals – Tamoo Trance
YAKKIE – Kill The Cop Inside Your Head
Problem Patterns – I’m Fine and I’m Doing Great
steel. – DFTTM
Ngaiire ft. Nai Palm – Dirty Hercules
Lumi – Once In A Blue Moon
Tanzana – Pulse, Pose, Position
Roomer – Written By
SISTRA – Things I really Mean
ARXX – We Don’t Talk About It Enough
Cowboy Hunters – Money For Drugs
congratulations – This Life
WIDGET – WHAT IF PHONES BUT TOO MUCH
**Interview with Ky & Estella from WIDGET**
Track chosen by WIDGET: Mia Musa – Knew You Before
Not Richard & Her Majesty – A Song About Being A Parasite
Twat Union – Tiny Shorts
Bonnie Trash – Hellmouth
Fraulein (Jonique) – Wait and See
Afternoon Bike Ride – Sunday Sketch
Neve Cariad – Burdens
Yaz – Father Nature
Jamaica Moana – CYA
Meduulla – Vibe Nice
Kimmortal – This Dyke
Tom Rasmussen – There’s A Lot To Be Happy About

Introducing Interview: Heart Rot

A brand new band who’ve popped into our inbox for the first time recently, New York based Heart Rot deliver their ethereal yet gritty creations with a fierce allure, inspired by the quiet-loud dynamics of the ‘90s grunge scene. A completely DIY project, the band draw influence from their experience as girls and connection to the natural world in their songwriting, and pride themselves as artists honing their craft; not just in creating their music, but in their merch too. With just two songs out so far, they’re a new favourite for sure, and we can’t wait to hear more of their raw, bewitching soundscapes.

We caught up with Lily, Maya and Ceci from the band to find out more – have a read, and make sure you check out Heart Rot‘s double A-side singles ‘Anchors To Elsa‘ and ‘Sunday Night‘ now!

Hi Heart Rot! Welcome to Get In Her Ears! How are you doing today?
Thank you so much for having us! We’re doing amazing thanks!

Are you able to tell us a bit about how you all met and started creating music together?
We met through moving to college in New York City. We all knew that we wanted to be in a band, but got so lucky to meet each other early on, thanks to social media. The first time we played together, we felt such a natural musical connection between us and by our second practice we were writing songs. 

I love your gritty grunge-tinged sounds, but who would you consider to be your main musical influences?
Our main source of inspiration definitely comes from the sounds of ’90s alternative and grunge music-acts like The Breeders, Hole, Sonic Youth, Pixies, Mazzy Star, Veruca Salt, and Belly. 

You recently released your awesome double A-side single ‘Anchors To Elsa’ / ‘Sunday Night’ – can you tell us a bit about these tracks? Are there any particular themes running throughout them?
Thank you so much! A little over a year ago, I (Lily) brought in both of these songs in the forms of rough demos, having written the lyrics and chords on her acoustic guitar. ‘Anchors to Elsa’ was written in the summer of 2021, when Hurricane Elsa was soaking the East Coast of the US. I have always been fascinated that we name storms, humanising these archetypally terrifying natural disasters. The effects of climate change are actively intensifying the prevalence and tenacity of such storms, which is the cause of so much grief and anxiety among young people today. Young[er] at the time, I was experiencing emotional turmoil and angst, stir-crazy from the pandemic and stressed about the future. Elsa was such a fitting metaphor for how I was feeling; I just wanted to run across the whole world and release all of my fears and doubts like water and wind. The fact that Elsa is already ingrained in mainstream culture as the storm of Arendelle was not intentional, but as my little sister pointed out, quite apt. Lyrically, we think it is beautiful to relate emotions to aspects of the natural world, seen in ‘Sunday Night’ through lines like “the rain washes away all I ever said” and “you need my gnarled roots, a perpetual tree”. We are really glad that we did not rush into recording right after writing, and think that the time we spent with them rehearsing and playing live really helped them to evolve. 

You seem to really pride yourselves on being DIY and honing your craft; not just musically, but by making all your own merch too. Are you able to tell us a bit more about this and what inspires you to do this? 
The driving force for our merch production and process is sustainability. The garment industry in particular is extremely problematic – although filling out an online order form is much easier, we really believe every act and decision is valuable. We are committed to hand printing our merch on thrifted shirts and sweaters, and being physically present throughout the process instead of outsourcing. The first part of our merch-making process is going to a pay-by-pound thrift store where it is easy to find hundreds of blank tees, tanks, and sweaters with so much life left in them. Our guitarist Maya draws incredible digital sketches and I’m able to use the printmaking studio at our school to screen-print those designs. The innate uniqueness of each shirt is something we are very proud of; no two Heart Rot merch pieces look alike.

Being based in New York must be pretty exciting. What’s the live scene like there at the moment? 
There are so many incredible rock bands in New York right now who draw influence from many different sub genres of the last fifty years of rock and indie music. It’s super awesome to go to shows because every act has such a creative and unique sound. We also know a lot of bands, including ourselves, that are in some form of art school. In addition to making music, a lot of us are photographers, painters, fashion designers, and printmakers, which speaks to the whole DIY energy here. It’s also super exciting and inviting to see and play with more women and queer-led groups. It’s great that the music scene is becoming more inclusive.

And what can fans expect from your live shows? 
We like to stack shows that we organise with as many female/non-binary bands as possible, so you should expect to see some other incredible acts (and dance in the crowd with us). We like to do this only semi-defined ritual called ‘girl mosh’ (not just for girls): our version of a safe and inclusive way to contrast the typical exclusive, almost jarring body-slam that dominates traditional punk/rock scenes. We hope to foster a safe and fun energy in the crowd. 

As we’re an organisation keen to support new artists, we just wondered how you feel the industry is for them at the moment? And do you feel much has changed over the years in its treatment of female and queer artists? 
I think many of us have seen a definite shift on what it means to be a popular and successful artist because the internet and social media have become such a determining factor in connecting with other artists and audiences. The musical landscape that female and queer musicians are entering now celebrates us a lot more and there has been an enormous amount of progress within the last fifty years. We’ve been so appreciative of how we have been received as a band, but know that our experience is certainly not universal. Misogynistic biases continue to find ways to put down female artists – the current version on social media seems to be the assumption that breakout female artists are “industry plants”. This completely disregards their artistry, chocking it up to unjust inflation or some behind-the-scenes corporate manipulation.

And are there any other new bands or artists that you’d recommend that we check out?
There are so many incredible bands active in NYC releasing music and playing shows. Le Bang, The Dutch Kills, OMAT, and Lucky Number are some of our favourites! 

Finally, what does 2024 have in store for Heart Rot? 
Definitely more music and a relentless amount of live shows! We hope to release our full length album, keep producing homemade merch and related artwork, and release more music videos. We have a handful of shows coming up in February, but we’re most excited for the show on February 10th at Stone Circle Theatre in Queens, NYC.

Massive thanks to Heart Rot for answering our questions, we can’t wait to hear more from them soon!

Photo Credit: @ellamenop3

New Track: Ski Lift – ‘Double Yellow’

Double Yellow‘ is the latest single by Ski Lift, the project of Welsh born/Croydon-based songwriter Benji Tranter with Elizabeth Walsh on bass and vocals and Adam Fletcher on drums. With its nostalgic sound, enchanting melody, and evocative lyrics, it captivated me on first listen.

The music kicks off with a gritty, grunge-infused strumming of rhythm guitars accompanied by a cool drum groove. The soft vocals gracefully float atop the guitar, while a subtle low harmony accentuates the main vocal line with a touch of melancholy. Eventually, the track drops, with the drums adopting a richer and warmer tone and the track builds for a big chorus marked by a fuzz-laden guitar chop followed by the lyric hook “my little universe” – underscoring the theme of our shrinking world during lockdown – a line you just have to sing along with. As a call-and-response melody follows, the guitars step back to give the vocals a central spotlight.

With shades of ’90s bands like Weezer, whose influence is easy to hear, the track also brings to mind more contemporary artists like Soccer Mommy and Palehound. 

A song written over lockdown, it captures the newfound fascination in the mundane and ordinary that we felt over that time, confined indoors with little to do but embark on our daily walks. The song paints vivid images of common-place things that often escape our notice in ‘normal’ daily life. Of the lyrics, Tranter explains:

During the lockdown of 2021, I explored my local area on foot most days – Broad Green, Waddon Marsh (overshadowed by the giant gasworks which have since been torn down) and Wandle Park. I became familiar with, and fond of, many little details and aspects I hadn’t noticed in busier times. I felt strange knowing that when life sped back up, I might not see those places again in the same way.

Having shared a stage with bands such as Holiday Ghosts, ARXX and Mary in the Junkyard, Ski Lift have already received radio play and support from the likes of BBC 6Music’s Tom Robinson and Radio X’s John Kennedy, demonstrating they are a band not to be ignored.

Watch a beautiful live session of ‘Double Yellow’ that the band recorded for Sub Cat Records; really highlighting their tight musicianship and the intricate harmonies they’re able to create.


Catch Ski Lift live on 29th March at The Cavendish Arms’ London Indie Pop Weekender – get tickets here.

Ella Patenall
@ellapatenall

Photo Credit: Jas Kisbee

Five Favourites: Erica Nockalls

Having collaborated with renowned bands such as Echo and the Bunnymen and The Proclaimers, and performed at legendary venues such as The Royal Albert Hall, musician and songwriter Erica Nockalls released her innovative album Dark Music From A Warm Place back in 2021, a partnership with Parisian studio producer/artist Jean-Charles Versari. Oozing a dark ethereal splendour throughout, and showcasing Nockalls’ soaring crystalline vocals, it’s a beautifully cinematic collection, brooding with a shimmering grace and immersive musicality. And, more recently, to celebrate her September tour dates with Echo and the Bunnymen, Nockalls shared her own unique rendition of Roxy Music’s ‘In Every Dream Home A Heartache’.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of ‘In Every Dream Home A Heartache’, we caught up with Erica to ask about the music that has inspired her the most. Read about her five favourite songs and watch the video for her cover of ‘In Every Dream Home A Heartache’ below!

Imogen Heap – ‘Hide and Seek’
I discovered and listened to the shit out of this track in lockdown, somewhere in between sneaking to the studio to mix my own album Dark Music From A Warm Place under the cover of nightfall, and gleefully drinking cocktails for breakfast. Imogen has penned a masterpiece here, and I would very much love to work with her one day because of this song. Her still, honest vocals, layered, creating a vast and chillingly brutal landscape of desperation, sorrow and loss. Lyrics lines effected, ebb in and out, (“Spin me round” has a Leslie effect on it, for example, which I consider to be a production stroke of genius). I enjoy hearing the stacked close harmonies and complex cluster chords, probably (definitely) because I do the same. Such a brave stance to take these days – solely using vocals as your musical ingredients, climaxing into her accompanying herself rhythmically and harmonically without any additional instrumentation. I even believe you can hear a chink of glass bottles been taken out for recycling at one point, which made me think that this evolved from a home recording (or maybe even remnants of a demo) that was lovingly coaxed and manipulated into a thing of utter beauty, but maybe I’m reading too much into it. Best line of the song? “Crop circles in the carpet”… alluding to, in my mind, imagery of recently moved large furniture, because someone just left with their possessions. Heartbreaking, and exceptional. 

Versari – ‘Brûle’
I had the honour of hearing the whole Sous la peau album by Versari, new and fresh from mastering, one warm (and admittedly decadent) evening, on the balcony of a Parisian hotel. I was instantly impressed. I was charmed by how one three piece can deliver such a thorough obliteration both sonically and viscerally; their sound took my breath away. Sung in French – at the time I didn’t understand the lyrics, but I almost didn’t need to – Jean-Charles’s vocal style is low, distinctive, seductive, and effortlessly and tastefully distressed. Now, even though I understand the lyrical content, I still feel the same when I hear this song, which led me to release a remix of it.

Devin Townsend Project – ‘Failure’
I paint a lot to the Transcendence album. I use it as a temporal yard stick – once the record has finished, it’s time to stop painting. Complex, agressive, powerful. A truth behind the personal complexities of performing. Most of us feel like a failure at times. Devin’s honest admissions here gave me the strength to consider continuing what I was doing, even if it scares the absolute shit out of you. I particularly like the drum work here delivered in this track by the epic force that is Ryan Van Poederooyen. His style is watertight yet dynamic, with a playful musicianship not often found in the metal world. Bravo.

Immaculate Fools – ‘Two to Tango’
Raymond is a special human to me. Half godfather-type-figure, half cool uncle, half mentor… (I’ve always been excellent at maths). I was in a testy place just before I moved to Spain to write my third album, ‘Dark Music From A Warm Place’ and, prior to getting my own place, I lived a short while with Ray. He would play guitar in his music room late into the night, and I would fall asleep in the next room listening to him, which was a much needed comfort to me. This track was one of the songs he was working on at the time, which in my humble (and correct) opinion is one of the greatest songs ever to have been written. It’s genius. I often think Ray’s music is a little like Bowie’s, in that they both have the ability to make music sound simple, and palatable, when it’s anything but.

Roxy Music – ‘In Every Dream Home A Heartache’ 
I remember my Mum driving me to youth orchestra rehearsals on many a friday night in her lovely old Saab. We’d sing along to the tape of For Your Pleasure, both laughing at our occasionally misheard lyrics. ‘Dream Home’ stood out to my juvenile brain. The emotional temperature of the lonesome lyrics spoke to me. Despite sounding so serious, Mum told me it was about a blow-up doll, and… on paper, that does sound like a joke, right? I was happily perplexed. And I liked the album artwork. I loved this song so much. Electing to cover and release it recently was one of my better ideas!

Massive thanks to Erica for sharing her Five Favourites with us! Watch the stirring video for her rendition of Roxy Music’s ‘In Every Dream Home A Heartache’ below: