INTERVIEW: Softcult

Inspired by their love of 90s alternative music icons Bikini Kill and Smashing Pumpkins, Ontario-based duo Softcult blend atmospheric guitars, energetic percussion and bittersweet vocals to create their hazy, antagonistic sounds. Formed of twin sisters Phoenix and Mercedes Arn Horn, Softcult cut their teeth playing live shows in their local town of Kitchener, before moving on to bigger audiences on the North American tour circuit.

Their experiences of playing and working within a male-dominated music industry formed the foundation for their current sound, which is born from the desire to resist and relieve the pressures of existing in a patriarchal world. We caught up with Mercedes (guitars, vocals) and Phoenix (drums, production) to talk about their debut single ‘Another Bish’, their last gig before covid-19 hit, and what their dream festival line-up might be…

Hello girls, how are you both doing? Are you in lockdown in Canada at the moment?

Mercedes: We’re doing alright, we’re locked down like you guys are in the UK. It’s a lot of time to focus on music and writing and recording, so we’re very lucky that we have a home studio right now. I feel very blessed right now, because for some people I know, being in lockdown has meant they’ve been very unmotivated and unable to write, whereas that hasn’t been our experience at all. We’ve been writing and recoding loads and it’s been a God send to us, it’s kept us sane and active and motivated.

That’s good news! Let’s start at the beginning, who or what originally inspired you to start making your own music?

Mercedes: We’re twin sisters and we’ve been making music together forever. We’ve been in different bands over the years playing and getting some experience, but for this project we felt motivated by everything that’s going on right now. Having been in the music industry already for some time, we’ve experienced misogyny and sexism. At this point, I feel like this band has been put on this planet as a voice against abuse, or for people who don’t feel seen or feel like they don’t have a voice. A lot of our songs are about that.

We speak to lots of women who have unfortunately experienced misogyny in the music industry. Do you think your experience of it is somewhat heightened because you’re twin sisters? I only ask because I have younger sisters who are twins, and when we’ve been on nights out together before people have made inappropriate or creepy comments towards them without any hesitation…

Phoenix: Only another person who really knows twins would ask that, and it is so true. There’s a weird fetish around twins and it’s very creepy.

Mercedes: We find a lot of the time there’s insinuations about incest and weird stuff like that. I know a lot of women in bands who aren’t even related who have experienced that. Heart are a good example actually. The sisters in that band are constantly being pitted against each other and I think that happens a lot with women and siblings in the industry and it’s just so weird. It’s a definite downside to being a twin, but there’s also an up side too.

Phoenix and I have such a close connection and that helps a lot with our music. She’s always a step ahead of me, or finishing my sentences creatively for me. She handles all of the production side – everything we make is recorded and produced from our home studio. Then I handle all the stuff on the video/visual side of things and it just makes for a good team. There’s a closeness and and understanding and an empathy that we have from being twins, it’s not all just creepy dudes!

That’s true! Talk to me about your debut single ‘Another Bish’. What’s it about? How did you put the video for it together etc.?

Mercedes: The song is about misogyny. Phoenix and I hate the word “bitch” so we couldn’t even put it in the title, we literally felt skeeved out writing it down! The lyric “I’m just another bish that you’ll never tame” was supposed to be aimed at that typical misogynist dude who thinks all women are the same, and they’re there to be controlled and conquered. The song is from the perspective of the woman who’s sick of it and feels like the dog who’s finally going to bite its owner. It’s about fighting against that but also owning it. We noticed the type of guys who often say “she’s such a bitch” are just saying that about women who they think are outspoken. They just label them as “aggressive.”

For the video, we used paper cut-out clips of different women’s facial features – eyes, lips, nose – which we replaced with dog mouths. The dog mouths reflect the feelings of those guys who think that when you speak out about sexism you’re just some yappy dog who never shuts up. They’re also supposed to be a comment on how there’s so many double standards for women, not just in music but in the beauty industry as well. Women are having to basically try and be something that’s unattainable and if you’re not that thing, then they make out like you’re not trying hard enough. So we took those themes and put them into the video.

Are there any women in music at the moment who you admire who are standing up for themselves and not taking any sexist bullshit?

Phoenix: Laura Jane Grace from Against Me! – big time. We were just little teeny boppers when we first found out about Against Me! and we were obsessed. She’s a huge icon for a lot of reasons, but something I’ve always admired about her is that she is really outspoken about who she is. It’s so brave to go through the transgender transformation when you’re in a very male dominated space in a very male dominated music genre, and just rebelling against all expectations and being yourself. That’s a huge inspiration.

Do you remember the last gig you went to before Covid-19 hit?

M & P: Yes!

Mercedes: It was another music project that we in at the time and it was at this dive bar. It was in March (2020), right after the stay-at-home orders happened and we were trying to play our way home, but we realised we had to cancel everything because it was just not responsible to have shows. So it was our very last gig and the vibe was very depressing.

Phoenix: People obviously didn’t show up, quite rightly, and we just wanted to go home.

Mercedes: We actually ended up staying over at a girls house. Up until then we were just crashing on floors on the tour, we didn’t have hotels booked or anything like that. So this girl kindly let us stay at her place and made us pizzas.

Phoenix: We were like “are you sure you still want us to stay? It’s totally cool if you don’t, we can sleep in the van!” but she still let us crash.

Mercedes: Her Dad had all these cool guitars so we just had a jam session with her. So after a kind of depressing show, we had this jam session in her living room and it was probably the most uplifting thing ever. That was probably the last real hang time we had with anyone outside of our house since lockdown started.

When we can all hang out properly at a festival again, who would be on your dream line-up?

Mercedes: I keep watching all these old videos from Reading & Leeds festival and wishing we could play that somehow…one day!

Phoenix: We’ve watched the Reading & Leeds Veruca Salt set a million times!

Mercedes: We love the UK. Every time we’ve been there we’ve had such an amazing time. I think the scene for music in the UK is sort of unlike anywhere else I’ve ever been. The fans are so in to the music. They know the lyrics, they know about the meaning behind the little pieces of art on your albums covers – I feel like they’re really into it and that’s really cool. Our dream line-up would be a dope festival somewhere in the UK and we’d have Bikini Kill, Veruca Salt, Against Me! playing…

Phoenix: …and Radiohead, they’re one of my all time favourite bands.

Mercedes: We’ll play the opening slot at 11am so that we can watch all the other bands.

Good decision! Finally, if you had to describe your music in three words, what would they be?

Mercedes: Rebellious would be one, empathetic might be another. It’s not all just angry stuff though, sometimes it gets pretty feelsy and sad.

Phoenix: Fuzzy? (laughs). On the production side, people always think that distortion and fuzz are for loud music, which typically they are, but you can also make super dreamy, fuzzy distorted music and we try to do that as best as we can.

Huge thanks to Mercedes & Phoenix for answering our questions!

Follow Softcult on SpotifyInstagramFacebook & Twitter

Kate Crudgington
@KCBobCut

 

#ThrowbackThursday: GIHE w/ TABS 05.09.19

Due to the ongoing Covid-19 pandemic and lockdown in the UK, we’re unable to make it into the Hoxton Radio studio to broadcast our weekly live new music show from 7-9pm. Instead, we’re sharing previous GIHE radio show recordings as #ThrowbackThursday sessions, so you can still enjoy 2 hours of new music tunes & chats with some of our favourite artists each week.

Today, we’ve picked our September 2019 show with London-based musician TABS. Tash, Kate and Mari spoke to her about her EP Love Like This, the amazing Butch, Please! night she organises at the Royal Vauxhall Tavern and how her experiences within the music industry pushed her to produce and release her own music. She also played some special acoustic versions of her new songs.

Listen back to the show below.

Tracklist
M.I.A. – Paper Planes
GHOST CAR – Awkward
Keren Illan – Take Her down
ESYA – Nothing
The Txlips – The Lost Ones
Annie Taylor – 17 Days
Junk Whale – Chestburster
Emzae – As This Day Fades To Another
Lola – Care
Freja Frances – Catching Fire
False Idols – Hurricane
Shamir – Straight Boy
Errunhrd – Easier
Daniele Andrade – Wet Dreams
BABEHEAVEN – Seabird
**TABS live acoustic session & interview**
Campbell L. Sangster – Lil’ Sis’
Esmé – Ella
Blushing – Control
She Drew The Gun – Trouble Every Day
Lu.Re – Night Soul
Mexican Radio – Night of the Nihilist
Common Holly – Joshua Snakes
HAWXX – You’re No God
Tape Runs Out – Knife
Queen Latifah – UNITY

Track Of The Day: Grandmas House – ‘Always Happy’

A thumping post-punk anthem that seethes with sardonic wit, Bristol-based trio Grandmas House have shared their latest single ‘Always Happy’. Released via Brace Yourself Records, the track is a raucous juxtaposition of the confident image we project externally to others, when internally we often feel the complete opposite.

Formed of Yasmin Berndt (vocals, guitar), Poppy Dodgson (vocals, drums) and Zoë Zinsmeister (bass), Grandmas House combine gritty guitars, powerhouse percussion and visceral vocals to create their corrosive, commanding sounds. Formed in late 2018, the band were busy cutting their teeth on the UK gig circuit before Covid-19 put an abrupt stop to live music. The trio decided to use their time in lockdown constructively, quickly writing and recording new material, including their new single ‘Always Happy’.

“The song is wrapped in sarcasm based on our experiences of being perceived as a certain person, particularly on stage where we are overconfident, exaggerated versions of ourselves,” the band explain. “[It’s] a song we wrote about the social anxiety we all experience in some way or another, particularly concerning social media which gives the chance to easily convey a polished, perfect life which is often misleading – it’s not daily life, but snippets of the best parts. It was one of those songs that just came together so quickly as we were all completely on the same wavelength concerning the meaning of it.”

Through Berndt’s raspy, sarcastic vocals, Zinsmeister’s smouldering bass lines and Dodgson’s distinctive drum strikes, the trio smash through the false perceptions that happiness or contentment are permanent states of being. This welcome dose of cynicism will be accompanied by another equally infectious track ‘Small Talk’ on the band’s upcoming cassette release on 12th March.

Listen to ‘Always Happy’ below.

 

Follow Grandma’s House on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo credit: Belle Whittington

Kate Crudgington
@KCBobCut

LISTEN: Naz & Ella – ‘Internalised’

A gentle, sincere lament about the personal affects of internalised homophobia, North London-based duo Naz & Ella have shared their latest single ‘Internalised’. The first track to be taken from their upcoming EP (DE)HUMANISE, the track is a quiet yet candid exploration of the struggles the duo have faced whilst coming to terms with their sexuality and gender identities.

“It was important to us that this song conveyed an emotional journey with a light at the end of the tunnel,” explains Ella. Though the context of ‘Internalised’ is rooted in pain and confusion, the duo treat it tenderly with their blend of dreamy guitars and lush vocal harmonies. Together, they overcome the fears that have manifested after “too many years of hiding in the shade / wrapped in shame” to find peace and pride in their identities. “For the first time in my life / I’m proud to call you mine” the pair sing, providing hope for queer listeners who may still be on their journey to self acceptance.

“Internalised homophobia is a very isolating experience,” Naz explains. “Not only are you hurting yourself, but also those around you whether intentional or not. Whilst we think it’s important to take responsibility for your actions, we wanted to call out how growing up in a cisheteronormative world teaches queer people that there’s something wrong with us. Ultimately, only we can set ourselves free if we’re willing to unlearn that socialisation and push through the pain.” The duo have also explored the experiences they touch on in ‘Internalised’ further in a new podcast which you can listen to here.

Listen to the track below.

Follow Naz & Ella on bandcamp, Spotify, Instagram, Twitter & Facebook for more updates.

Kate Crudgington
@KCBobCut