Track Of The Day: Something Leather – ‘Trip To The Sun’

A smouldering, psych-tinged, existential exploration of where we are, vs where we want to be; Brighton three-piece Something Leather are pushing the boundaries with their latest single, ‘Trip To The Sun’. Released via We Can Do It Records, the track is loosely inspired by the character of Icarus from Greek mythology.

Formed of Phillie Etta Jane (vocals/organ), Greg Pass (guitar) and Mike Nussbaum (drums), Something Leather have been cutting their teeth on the London & Brighton live circuits for a few years now. Their dark creations are a captivating blend of old and new sounds; the vintage organ that Phillie plays combines perfectly with Greg’s distorted guitar noises, and Mike’s rhythmic drum beats.

The band articulately describe the context of new track ‘Trip To The Sun’ as “a sarcastic take on the “Fall of Icarus”. It deals with our constant desire to escape from a deadly routine, and the fear that pushing too far might consume you. It has a frenetic pace, western B-movie shootout feel and layers of post-punk and psychedelia on top.”

Something Leather are set to release their debut EP Midnight Reverie on 17th April, and we’re psyched to hear more of their altruistic, alternative sounds. Listen to ‘Trip To The Sun’ below, and follow Something Leather on Spotify & Facebook for more updates.

Photo credit: Jessie Morgan

Kate Crudgington
@KCBobCut

ALBUM: Indian Queens – ‘God Is a Woman’

Described by lead vocalist & guitarist Jennifer O’Neill as “a late night record”, London trio Indian Queens‘ debut album God Is A Woman is a sublime offering, designed to dissolve uncertainty and soothe an anxious mind. Set for release via Cool Thing Records on 3rd April, the band have written thirteen dizzying tracks that are equal parts driving and delicate, shimmering with cinematic flair.

Formed of sisters Jennifer (guitar/vocals) and Katherine (bass) O’Neill and lifelong friend Matthew Dudan-Bick (drums), Indian Queens were born and raised in Hackney Wick. Influenced by the restless city that surrounds them, the trio’s soundscapes reflect darkness and light on both a personal and universal scale. This is epitomized on opening track ‘Bubblewrap’, a beguiling lament about the state of the planet. It smolders with its tentative beats, atmospheric guitars and Jennifer’s captivating vocals. “We were born in plastic bags / conveniently stored / bubble-wrapped indoors”, she muses, but despite the track’s haunting context about the climate crisis, Indian Queens still manage to lull their listeners into a peaceful state.

Based on a childhood memory of the O’Neill sisters’ grandparent’s house, the nostalgic ‘Pretty Little Thing’ rings out with warmth and understated joy. Jennifer’s extended vocals in the chorus and the rose-tinted guitar sounds make this track feel truly uplifting. The eponymous ‘God Is A Woman’ is a tentative, elusive exploration of tolerance, hope and faith. “Who wants to start a revolution?” asks Jennifer, with a sharp awareness and those “fingers crossed” for a positive response.

‘Some Kinda Blue’ is a frustrated, but intensely affecting invitation to rekindle the flames of a valued relationship. The guitar seems to reflect the quick-switching nature of emotion; one moment it’s shimmering and atmospheric, the next it rings with distortion. Thudding beats, buoyant riffs and hopeful lyrics permeate ‘Wanderlust’, which is a joyful pact to “live for the day”. ‘Us Against The World’ is an intoxicating blend of all that makes an Indian Queens’ track so euphoric. Jennifer’s comforting lyrics, charming vocals and agile riffs, Katherine’s buzzing bass lines and Matthew’s considered percussion are truly magnetic here.

A restless, searching spirit fuels ‘I Got So Much I Wanna Say’ and continues throughout ‘I Get No Rest’. The sweeping, all encompassing sounds on following track ‘Concrete Lips’ and the repeated lyric “there’s something ’bout you that I can’t forget” combine to make a heady, moody lullaby. The dreamy, gentle ‘Warning Sign’ precedes the lusting, disorientating ‘You Came Over Late’, before anti-party anthem ‘Shoot For Sexy’ kicks in with its intoxicating beats. With its suggestive lyrics and smoldering bass lines, it’s a track best appreciated under low light with intimate company. Lust paves the way for adventure and hope on poignant, exhilarating final track ‘Walk’.

On God Is A Woman, Indian Queens have crafted a dazzling collection of meaningful songs that provide a welcome rush of blood to the head. It’s impossible not to be caught up in their captivating sound.

Pre-order your copy of God Is A Woman here. Follow Indian Queens on Facebook & Spotify for more updates.

Photo Credit: Kana Waiwaiku

Kate Crudgington
@KCBobCut

Track Of The Day: Painted Zeros – ‘Commuter Rage’

“I don’t owe you anything” Painted Zeros‘ Katie Lau firmly states on her latest single ‘Commuter Rage’, a song that tackles the natural resentment towards those who invade your personal space. The Brooklyn-based musician & sound engineer blends elements of shoegaze and indie music with her cool vocals to set the record straight.

Lifted from her second album When You Found Forever, set for release on 29th May via Don Giovanni Records, ‘Commuter Rage’ is the sound of an artist who has had enough of making space for everyone else, and is ready to take it back for herself. “Go read a fucking book / don’t you fucking look at me / to teach you things that you are responsible for learning on your own” Lau sings, with quiet and relatable anger, over a deceptively sweet melody.

Lau is the focus of the visuals that accompany the single, directed by Jess Coles. She explains why she enjoyed working with Coles so much, and how the context of the video is linked to her growth as a musician: “I was excited to work with director Jess Coles for multiple reasons: we are both queer women, and her style of film-making mirrors the way I make music. I write, perform, record, and mix everything myself, and Jess directs, shoots, produces, and edits all of her own work.”

“While discussing video ideas over coffee, I mentioned that I felt like I had been hiding myself in the past;  hiding from taking ownership of Painted Zeros as my solo project, hiding my voice in my last album by burying it in my mixes, and that I didn’t want to hide or allow my art to be dictated by fear anymore. Jess suggested a music video that focused mostly on my face, with me and the sky as characters…I have to confess that a music video where my face is the unflinching focus was not the most comfortable idea for me to wrap my head around, but after working with Jess and seeing the outcome, I’m glad I did.”

“The chorus of ‘Commuter Rage (“I don’t owe you anything”) has become something of a personal mantra, a note-to-self when dealing with people who feel entitled to my time and energy. I wanted to write something that combined the feeling of being pissed off about injustice with a tongue-in-cheek (“be your benevolent overlord”) and ultimately joyous reclamation of my space/emotional boundaries.”

We’ve got all the time in the world for Painted Zeros’ music, and fully support her messages of self-autonomy and overcoming personal fears. Watch the video for ‘Commuter Rage’ below, and follow Painted Zeros on Facebook & Spotify for more updates.

Kate Crudgington
@KCBobCut

LISTEN: Indian Queens – ‘Shoot For Sexy’

An intoxicating blend of hazy guitars, alluring vocals, and brooding beats; Indian Queens‘ latest single ‘Shoot For Sexy’ is a sublime new offering. Lifted from their debut album God Is A Woman, set for release via Cool Thing Records on 3rd April, the London trio consistently impress us with their beguiling sounds.

Formed of sisters Jennifer (guitar/ lead vocals) and Katherine (bass/vocals) O’Neill, and lifelong friend Matthew Dudan-Bick (drums), Indian Queens were born and raised in Hackney Wick. Influenced by the restless city that surrounds them, the trio’s soundscapes reflect both the darkness and the light on a personal, and a universal scale.

Single ‘Shoot For Sexy’ is an anti-party anthem, despite its suggestive lyrics and smoldering bass lines, it’s a track best appreciated under low light with limited, or intimate company. It fits the mood of the band’s upcoming album perfectly, as Jennifer explains: “God Is A Woman is a late night record, an album to put on during a dark drive, to play at the end of the party when it all slows down”.

We’re more than happy to slow down to the captivating sounds of this talented trio. Listen to ‘Shoot For Sexy’ below, and follow Indian Queens on Facebook & Spotify for more updates.

Photo Credit: Kana Waiwaiku

Kate Crudgington
@KCBobCut