PLAYLIST: April 2018

Another month, another brand new playlist brimming with fresh music! We’ve been (gladly) overwhelmed by the amount of brilliant new sounds bursting in to our ears this April, and we wanted to share our favourites with you here. Whether you’re in to the idustrial/electronic beats of Zola Jesus, the anti-fascist punk glory of Dream Nails, or if you’re breaking in to “mumble rap” with Tierra Whack…there’s something here for your listening pleasure. Scroll down to the playlist below & enjoy! 

 

Zola Jesus – ‘Bound’ 
Artist & Producer Zola Jesus has shared an eclectic set of new tracks & remixes on Okovi: Additions, and ‘Bound’ is one of many sonic treats on this project. This release follows her 2017 critically acclaimed album Okovi (via Sacred Bones Records), and features remixes by a diverse cast of artists including; Johnny Jewel, Katie Gately, Wolves in the Throne Room, and Joanne Pollock. I’ve had this track on repeat since I first heard it in March, and I’m happy to stay ‘Bound’ by Zola Jesus’ sounds. Read our review of the album here(Kate Crudgington)

Wendy Rae Fowler – ‘Svengali’ 
Having previously worked alongside the likes of Queens Of The Stone Age, Mark Lanegan and UNKLE, American artist Wendy Rae Fowler has now released her new solo album, Warped. Taken from the album is the utterly bewitching ‘Svengali’. Filled with sweeping layers of sound and the cinematic grace of Wendy’s vocals, it’s a truly captivating creation. Read our review of Warped here(Mari Lane)

Rhye – ‘Please’
I was lucky enough to get tickets to see Rhye perform in London this week, back in our ears after a four year hiatus.  What a treat. When they played this track I felt like I was melting into Heaven’s floor (apt), so incredibly gentle, sensual and intimate. I can never get enough of the gender-fluid vocals of Mike Milosh, now more so than ever. (Tash Walker)

Girls Names – ’25’
Taken from their upcoming new album, Belfast’s Girls Names’ new single ’25’ is a brooding, shoegaze-reminiscent sonic delight. Filled with sweeping, reverb strewn layers of synth-heavy sound and the dark, swooning vocals of Cathal Cully, it oozes a twinkling, ethereal haze alongside eerie undertones. An intensely captivating offering, it’ll have you hooked on first listen, and desperate to hear the album in full. Stains On Silence, the new album, is out 15th June. (ML)

Henry Green – ‘Another Light’ 
I recently reviewed Henry Green’s debut album Shift, and I felt like every track was a helpful reminder to inhale, exhale, and try to exist in the moment. His gentle electronics and intuitive lyrics have helped me to slow down (whilst still moving at full speed) this month, and I’d recommend him to anyone that needs a ‘Shift’ in perspective. (KC)

Black Gold Buffalo – ‘Magnets’
Keziah Stillwell’s vocals blaze in full glory on the mesmerising ‘Magnets’, which is a swirling fusion of bass, guitar & electronics that prove Black Gold Buffalo have a knack for writing atmospheric dark-pop songs. Their debut album is released today via their own label Buff Rekkids, and we’ve been swooning over it ever since. Read our review here(KC)

Lamb – ‘Gabriel’
I was recently reminded of Lamb after we put together our alternative Best of British playlist this week. Gabriel is a solid blast from my past taken from their album What Sound released back in 2001, which was my soundtrack of that summer.  Listening to Rhodes’ distinctive and emotive vocals wavering over the top of a medley of string samples and gentle beats, this song marks the beginning of my love for electronic music. 15 going on 16 and very sexually confused. All the feelings, all the emotions and all the hormones in the world. (TW)

Maria Kelly – ‘Small Talk’
Filled with smooth, celestial vocals and folk-tinged melodies, Irish artist Maria Kelly’s ‘Small Talk’ is a majestic, emotion-strewn offering. Written during a storm blackout in her hometown, the song parallels the nature of a storm with her own feelings of social anxiety. Double A-side ‘Small Talk’/’Dark Places’ is out 27th April via Veta Records. (ML)

Fenne Lily – ‘On Hold’
Since I saw her live at The Islington pub a few months ago, Fenne Lily’s sad but sublime music has played on my mind (as has her sharp wit and dry sense of humour). ‘On Hold’ is the title-track from her debut album (released today), and it makes my spirits sink and soar whenever I listen to it. The accompanying video is a charming ode to small acts of kindness too. (KC)

Courtney Barnett – ‘Never Tear Us Apart (Rehearsal Room Recording)’
A beautiful stripped back cover of INXS’ ‘Never Tear Us Apart’ by Courtney Barnett. I love this simple recording of her performance, finding myself completely entranced by our Aussie fav. This song was released for an Apple commercial in support of marriage equality – here here. (TW)

Sit Down – ‘Honeysucker’
Oh. My. Word. There’s no force on earth that could make you sit still or indeed Sit Down to the sound of this Brighton duo (pictured above). The pair released their knockout debut EP Cheap Luxe at the end of March, and ‘Honeysucker’ is my go-to track. Filthy, furious, and sweet as hell. Read the full review here(KC)

Queen Zee – ‘Victim Age’
It was Transgender Day of Visibility on 31st of March (thanks to Tash for informing me), so it feels apt to support Queen Zee and all that she and her band mates stand for. They’ve been taking down trolls and tearing up stages across the country with their live shows, and I can’t wait to see them again at their sold out Sebright Arms show on April 26th. Long live Queen Zee! (KC)

Dream Nails – ‘Vagina Police’
“Your body is not your own, you are public property…” Dream Nails front-woman Janey rages in the refrain of our favourite Feminist Punk Witches’ ‘Vagina Police’. Oozing the poignant message that women are not allowed to have control over their own bodies, it races with the band’s trademark punk-fuelled energy and the riotous power of Janey’s seething, impassioned vocals. Another formidable offering that proves once again why we need Dream Nails in our lives, and makes us even more excited to see them live at The Finsbury for GIHE on 13th April! (ML)

Tierra Whack – ‘Mumbo Jumbo’
A twisted reflection of mumble rap and hip-hop, I cannot get this song out of my head and I especially love the ambiguity around what she’s saying, making it so much easier for me to join in.  Quietly. Mumbo Jumbo came out last year but I was recently introduced to her in the wake of her outstanding performance at SXSW. Soooo godamnnnn gooood. Need I say more? (TW)

BARQ – ‘Sassy Mouth’ 
One half of their new double A-side, Dublin band BARQ’s ‘Sassy Mouth’ is inspired by the courage and resilience of Ireland’s Repeal The 8th movement and the perils of online debate. Oozing the soaring power of front-woman Jess Kav’s soulful vocals alongside immense funk-fuelled beats, it’s a powerful, and empowering, call to arms. (ML)

ALBUM: Black Gold Buffalo – ‘Black Gold Buffalo’

A shimmering example of the East London band’s patience and dedication to creating atmospheric, dark-pop gems, Black Gold Buffalo‘s self-titled debut album is a precious body of work that’s been well worth waiting for. Line-up changes and relocations have altered the band’s output since their conception in 2014, but their new record, released via their own label Buff Rekkids, is a sharp exploration of personal experiences, frustrations and disillusionment with the capital city.

Hypnotic opener ‘Lay It Down’ is a sublime musical tonic for nagging thoughts and unresolved anxieties, with vocalist Keziah Stillwell’s rhetorical line “How do you feel?” echoing out over Joy Joseph’s steady beats with poignant resonance. It flows straight in to ‘Pearls Deep’, which is a blend of atmospheric bass lines from Hannah Holland, melodic guitar riffs from Marc Hayward and that consistent percussion which makes all of Black Gold Buffalo’s tracks ripple with intensity.

The rolling rhythms on ‘Weightless’ are the perfect catalyst to ‘Start A Fire’, which is a haze of smoldering vocals, fiery guitar and bass lines that cut through the smoke. The funky ‘Penkenna’ keeps the heat rising with it’s atmospheric beats which promise to “take you away”, before ‘Anntropix’ breaks the spell, playing out in a soothing, yet anthemic fashion.

Keziah’s vocals blaze in full glory on the mesmerising ‘Magnets’, while exquisite penultimate track ‘Body Of Verity’ is a swirling fusion of bass, guitar & electronics. Brooding bass and guitar melt together once more alongside driving rhythms and bittersweet vocals here, before the slow-burning ‘Amillion’ closes the record.

Combining emotion with integrity, DIY ethics with big ambitions and blurring genre boundaries with ease, Black Gold Buffalo’s debut continues to strengthen after every listen. Help them celebrate their success at the album launch at The Shacklewell Arms on April 10th. RSVP here.

Order your Limited Edition USB version of the album here.

Follow Black Gold Buffalo on Facebook for more updates.

Kate Crudgington
@KCBobCut

EP: Sit Down – ‘Cheap Luxe’

Describing themselves as “halfway between Jack Black and Jack White,” Brighton duo Sit Down are a DIY force to be reckoned with. Formed in 2016 after temporarily living in New York City, guitarist & vocalist Greg Burns and drummer & vocalist Katie Oldham honed their punk ethos and admiration for strong rebellious women and created their knockout debut EP, Cheap Luxe.

Labelled by the band as “the lovechild of sin and substance,” the EP was self-produced between two bedrooms and released online at the end of March. Listeners will be cracking their knuckles in preparation for opening track ‘Mothership’, which provides a defiant, alien-invasion-inspired introduction to an onslaught of seething, seductive sound. Getting revenge sounds brutal and beautiful on second track ‘Bloodlust’, on which Katie leads the vocals and Greg welds more of his manic, menacing riffs.

The devious ‘Honeysucker’ rips through shortly after, demanding listeners attention with its primal drumming, filthy riffs and Greg & Katie’s dual vocals colliding in blood-lusting fashion. Closing track ‘Cheap Luxe’ is a searing, sassy attack on materialism with visceral reverb and pounding percussion that’ll have listeners reveling in the idea that the real high life is “living cheap as fuck!”

There’s no force on earth that will make you sit still – or indeed Sit Down – to this Goliath-sounding debut EP. Get up, get moving and get sweaty to Cheap Luxe. Fans of The Yeah Yeah Yeahs, The Kills & Deap Vally will definitely approve.

You can listen to/download Cheap Luxe on bandcamp here. Follow Sit Down on Facebook for more updates.

Photo Credit: Jessie Morgan

Kate Crudgington
@KCBobCut

Track Of The Day: Esther Joy – ‘Day 4 (Landing)’

Unusual artist Esther Joy has released the second track from her upcoming record The Acid Caves Vol 1 (released April 27th), and it’s a warped ear-worm which continues to document the story of the character at the centre of the concept record: young alien Silipur.

The London-based producer’s electronic manipulations on new single ‘Day 4 (Landing)’ are mind-bendingly catchy, and Esther has accompanied them with the following explanation:

“This song is the second in the Acid Caves story, following a young alien ‘Silipur’ in a world where all intelligent lifeforms are able to see in a new dimension called ‘The Chaos’. The Chaos gives the ability to see, understand and manipulate emotional energy which is fuelling the universe. Humans are the only beings that lack this ability as a fixation on ego stunted their natural evolution.

‘Day 4 (Landing)’ is based on Silipur’s first day on Earth. She is overwhelmed by the psychological state of the planet and the emotional toxicity of it’s atmosphere. Humans cannot understand ‘The Chaos’ and have therefore left their planet to emotional ruin. I wanted this song to feel violent and intrusive, as if you are experiencing the extremity and destruction of earth for the very first time.”

We’re enthralled by Esther’s narratives and are highly anticipating the next slice. Listen to “Day 4 (Landing)” below, and follow Esther Joy’s alien tales on Facebook.