LISTEN: Amaroun – ‘Rise’

Having received support from the likes of BBC Radio 1’s Huw Stephens and BBC 6 Music’s Chris Hawkins, GIHE fave Jay Brown – aka Amaroun – returns to grace our ears with the fifth in a string of new singles she is releasing each month.

Flowing with shimmering hooks and glitchy beats alongside Brown’s rich, emotion-strewn vocals, ‘Rise’ continues the theme of being a queer woman, which has run throughout each of the tracks she’s released this year. Oozing a stirring, effervescent power, juxtaposed with a gritty energy, it’s a truly poignant reflection on rising up against oppression.

Of the track, Amaroun explains:

When you fall or get knocked down, do not stay down, do not let them hold you down,  rise up, rise up against oppression. If you are marginalised, if you are queer, it’s hard out there! Tell your story proudly, see yourself, your change and your journey as beautiful and as growth. You are an ever changing authentic being so just be exactly that.

 

Co-written with Boris Labant, ‘Rise’ is out now.

Mari Lane
@marimindles

LISTEN: Amaroun – ‘Alive’

Having received acclaim from the likes of BBC 6Music and The Line Of Best Fit, upcoming artist Amaroun’s second single, ‘Alive’, featuring Mansa, is a banger that uplifts.

In the very first strains of the tune, Amaroun’s propulsive vocals chant “I feel alive!”, whilst later, they sing about letting go and persevering through storms and fears; celebrating every moment in life. Set to glitchy and trippy clave-like rhythms, ‘Alive’ creates a majestic soundscape, pulsing with simple bass drum hits, before Mansa sends us out of the song with a rap on his own come-up. A stirring, uplifting accompaniment to these strange times.

Amaroun is a project by producer and songwriter Jay Brown. They have worked with Charlie Andrew (Alt-J/London Grammar/Marika Hackman) and collaborate with Charles Watson, Benin City, Francobollo, Boris Labant and Adam Betts.

 

‘Alive’ is out now. Listen on Spotify.

Aisha Kasmir
@aisha_vocal

INTERVIEW: Amaroun

We were first introduced to the sultry beats of London-based artist Amaroun in 2017, and we’ve been following her ever since. Her personal, instinctive song-writing and her blurring of musical genres has kept us intrigued with each new release. Tash Walker caught up with Amaroun to ask about her latest single, how she’s coping during the current lockdown, and her cathartic song-writing process…

Hello Amaroun, it’s been awhile since we last caught up. How have you been?
I’ve actually been great considering the times we are in. Music is the ultimate escape and it’s been keeping me balanced and grateful just like it always does in hard times.

We’ve been fans of yours here at GIHE for a while now, and we’re loving your new sound! Can you tell us more about the music you’ve started releasing?
I’ve always written music that just follows my instincts and isn’t about over thinking, so I’m taking that attitude with my releases. This new sound is a new found confidence I have in trusting my own decisions, and putting loving what I do at the heart of the creative process.

You’re releasing a track a month this year. Three months in, how’s that going?
I love it! If I had it my way I’d release weekly. I love to capture the feelings of any given moment. Like a musical photograph. It’s an absolute buzz for me to make music and share it as the moment unfolds. It’s deeply cathartic.

We love your track ‘Perish’. Its stripped back style reminds me a bit of Tirzah. What would you say has been influencing this slightly different direction?
Along with trusting the sounds that a pouring out of me is a process of pure experimentation and feeling a vibe.

Your music is very personal, would you say the writing process is almost cathartic?
It it total catharsis. I write for fun, for therapy, for the people I love and it’s actually habitual now.

Can you tell us a bit more about the themes that we can hear in your music and what you draw from your own experiences?
My writing draws from my experiences of growing up in a fiercely religious environment where being queer was not acceptable, and explores the challenges I faced and continue to in establishing what it means to be an out queer black British Jamaican woman. I come from a long lineage of courageous women that have found ways to share their story and I feel very passionate about sharing mine.

Your releases so far have been picked up and played by Radio 1, 6 Music, and you’ve been to a countless number of festivals! How’s that been? Quite the whirlwind?
It’s exactly what brings me joy so it’s been great. I did have a break from the whirlwind over the past couple of years. I went through a process of hibernation and development to get where I am now, the team around me has changed, I have changed and so has the sound. I’m really glad to be back to releasing music, I played a my first sell out gig of the year back in February, and I can’t wait to perform some more once we are out of isolation.

Do you have any particular highlights so far?
My highlight will always be Glastonbury. The energy there is electric. Cant wait for it to make a come back in 2021, and I need to get back there!

We saw the raw version of your latest release ‘Rosey’ on your IGTV (which was beautiful). How did that moment come about?
I met one of my good friends Adam Cleaver (Dyvr) to do a collaboration and catch up. Boris Le Chaixe joined us, who I worked on ‘Rosey’ with. We ended up at Peckham Levels, it used to be a car park, the acoustics are unreal. My girlfriend found the perfect spot and started filming. Adam and I covered ‘Losing You’ by Solange, and Boris and I just felt the vibe and had to let ‘Rosey’ flow out too. The whole thing was really relaxed and natural, I love when things just fall in to place like that.

We’re really looking forward to hearing what’s to come, music is our survival at the moment. How you are feeling about the lockdown situation right now?
It feels music is more important now than ever. Music connects us, it’s how we communicate, it’s how we unite. People all across the music industry are being so heavily impacted, but it’s amazing to see how people are getting around these with live streams and sharing the music they’ve already made. It’s a really tough time for the industry, but seeing how people have responded as reminded me what I love about the spirit of musicians.

For me, it’s really fueled my writing. I’ve channeled all my anxieties and fears into creating, and with extra time on my hands I feel like I’ve been really productive. Being or feeling isolated in one form or another has often pushed me on to a path where I do my best writing. All this being said, my heart goes out to everyone affected by the global crisis. I really hope we can come together and overcome this tough time.

Thanks to Amaroun for answering our questions. Follow her on Spotify & Instagram for more updates.

PLAYLIST: International Women’s Day 2020

Happy International Women’s Day! It’s a day to highlight and bring awareness to the issues facing women around the globe, and it’s also a time to celebrate the women we love too. This year’s theme is #EachforEqual – encouraging all of us to collectively help create a gender equal world: because an equal world is an enabled world.

At Get In Her Ears, we have only one definition of a “woman”, and that is inclusive of ALL women. Inclusivity is at the core of what we do. It’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there.

We’ve created a playlist of all the wxmen artists that continue to inspire, entertain, and motivate us into action. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Eurythmics & Aretha Franklin – ‘Sisters Are Doin’ It For Themselves’
An obvious, but essential choice for any IWD Playlist. Annie Lennox & Aretha Franklin are a dream vocal team, and I never get tired of listening to this classic. (Kate Crudgington)

Planningtorock – ‘Beulah Loves Dancing’ 
I’m forever grateful to Tash for introducing me to the lush electronics of Planningtorock. This track is all about their sister, Beulah, and her love of house music. When Planningtorock played this live at their gig at Southbank Centre last year, Beulah was in the audience, and when the two siblings embraced each other after the song, I had a tear in my eye. (KC)

The Julie Ruin – ‘Girls Like Us’
It’s no secret by now that Kathleen Hanna is the woman who has inspired me the most and pretty much the reason we started GIHE, and so it seems only right to include a track of her’s on our playlist celebrating amazing women. And this track from The Julie Ruin is just a perfect ode for womxn of all kinds this IWD. A unifying anthem for all us misfit grrrls, with relatable empowering lyrics such as “… girls like us pick up the hot handles and burn our hands and we get over it”, it never fails to pick me up and leave me feeling ready to face the world. (ML)

Big Joanie – ‘Used To Be Friends’
I think all three of us would firmly place this band on any International Women’s Day Playlist. We could not be more behind everything Big Joanie are about, having seen them countless times over the last year – their headline gig at The Moth Club was an undoubted highlight, this band just keep the good music coming. Their politics and music are inseparable, using their platform to speak to their experiences as a black, queer, punk band and the importance of intersectional feminism, it is a privilege to have had them on our radio show. (TW)

Nova Twins – ‘Bullet’
Consistent GIHE favourites Nova Twins have released their breath-taking new album Who Are The Girls, and this track is lifted from it. It’s a powerful statement against street harassment, and the myth that women are “asking for it” if they dress or act in a certain way. Amy’s lyrics are the ultimate weapon against such insults, making it crystal clear that those who touch without permission are not fucking welcome. (KC)

Jehnny Beth – ‘I’m The Man’
Though Jehnny Beth has said that ‘I’m The Man’ is “a poetic work first and foremost. Its aim is to make you feel, not think”, for me it seems to address the anger and ruthlessness surrounding toxic masculinity and the damaging effects it can have. IWD, I feel, should not only be about celebrating the brilliant women in our lives, but informing our male allies so that they can support their female peers as much as possible, and also be reassured that to be a “man” does not mean having to be aggressive or physically powerful. A poignant and powerful offering from this immense force of womankind, who I cannot wait to see live today at The Roundhouse as part of BBC 6 Music’s Festival (along with other awesome women Kate Tempest, Kim Gordon and more). (ML)

Deux Furieuses – ‘Year Of Rage’
GIHE faves Deux Furieuses last year dropped their immense album My War Is Your War – a collection of poignant, impassioned and all-too-relevant rock anthems. Taken from the album, ‘Year Of Rage’ is a seething offering addressing the #MeToo movement and the anger felt by women everywhere trying to seek justice. Delivering a message of empowerment through the raging riffs and soaring vocals of Ros Cairney and frenzied pummelling beats from Vas Antoniadou, it’s a hugely powerful and distinctly necessary listen this IWD. (ML)

The Joy Formidable – ‘The Last Drop’
I’ve lost count of the amount of times I’ve told people how much I adore The Joy Formidable. I’ve been following them for a decade now, and I am still in awe of their ability to create heavy, magnetic, alternative tracks like this one. (KC)

ARXX – ‘Intervention’
Another playlist, another ARXX track. But we make no apologies about this. ARXX have been faves for a while now, and with their “unapologetically loud”, ferocious raw power, they continue to blow us away with their unrelenting raucous sounds. This track, ‘Intervention’, taken from 2018’s EP Daughters Of Daughters, talks of social injustices, giving a shout out to the LGBT charity Stonewall, exclaiming that “you don’t get to say who we fall in love with”. A perfect, raging anthem for equality. Two of the coolest women we know, ARXX also headlined our IWD gig last year at The Finsbury, and it really was the best way to celebrate. (ML)

Amaroun – ‘Perish’
Previous guest on our radio show Amaroun has recently jumped back into the limelight with several new tracks, inclusive of this one ‘Perish’. I’m loving this next step in Amaroun’s musical journey – the beats, the vocals, the stripped back simplicity, sublime. Drawing from her experiences as a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music, these themes stand strong throughout her songs. I can’t, and don’t want to stop listening. (TW)

Nayana Iz – ‘How We Do’
What a tune1 ‘How We Do’ is possibly one of the best debuts I have ever heard. Indian born, London raised Nayana Iz has arrived and she’s taking you with her. Eyes wide open people and get watching. (TW)

Missy Elliott – ‘She’s A Bitch’
One of the coolest, most inspiring women in the business, Missy Elliott delivers the most empowering and entertaining of offerings, just by being her incredible self. Proving that a woman can conquer a previously male-dominated genre, whilst consistently unashamedly oozing self confidence, she never fails to motivate me and put a smile on my face. Showing women that it’s ok to not fit the “feminine” stereotype that the industry so often seems to demand, and just be who you are and wear whatever the f*** you feel comfortable in (whether that’s an inflated bin bag or a scarecrow costume – check out last year’s performance at the VMAs to see this in action), she continues to push boundaries and remains a colossal force of nature. ,(ML)

Nilüfer Yanya – ‘Tears
One of my favourite tracks from Nilüfer Yanya, a slight move away from her guitar heavy tunes, ‘Tears’ released early last year captures and takes you along with its bouncing beats and sad reflective lyrics. It’s been great to watch this artist reach the acclaim she so rightly deserves, with my personal highlight seeing her play at Primavera 2019. It was the definition of sun-drenched guitars. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I wanted to include this track today, not only because I just love its poignant, soulful groove, but because Trans Women are of of course women too and should be celebrated on International Women’s Day (and every day)! (ML)

Lido Pimienta (feat. Li Saumet) – ‘Nada’
Inspired by the birth of her daughter, Canadian-Columbian musician Lido Pimienta has penned this beautiful song ‘Nada’. Taken from her upcoming album Miss Colombia, Pimienta ruminates on the pain women experience – from debilitating period pains to giving birth – and how strong we are despite being unfairly dubbed the “weaker sex”. Watch the accompanying video for the track here(KC)

FKA Twigs – ‘sad day’
The master and the muse; FKA Twigs continues to dazzle my eyes and ears with each new release. This track is taken from her second album, Magdalene, a record which blends vulnerability and raw power in equal measure. There aren’t enough adjectives to describe how much I love the music this woman makes. (KC)

Pumarosa – ‘Lose Control’
I interviewed Pumarosa’s front woman Isabel Munoz-Newsome last year for The Line Of Best Fit (read here), and she said this was her favourite track from their latest album Devastation. She spoke candidly about how she wanted to change the narrative around “love” or “breakup” songs, and her words have stayed with me ever since. This track is a slow-burning banger. (KC)

Arlo Parks – ‘Cola’
Watching Poet, rapper, singer & producer Arlo Parks grow over the last couple of years, receiving the absolutely deserve notoriety and success that an artist of her calibre should has been our pleasure. ‘Cola’ her debut single has kept a solid place on many of my playlists, a tender, confessional and mesmerising track. If you haven’t heard of Arlo Parks yet, go check her out now. You can thank me later. (TW)

Sleater Kinney – ‘Modern Girl’
Having been left completely speechless by seeing total heroes Sleater Kinney live last week, I couldn’t not include a track by this group of inspirational women. Seeing Carrie Brownstein perform this song, with all her infectious charisma and musical magnificence, was a definite highlight. And the lyrics “anger makes me a modern girl” seem particularly poignant this International Women’s Day. (ML)

Amahla – ‘Old Soul’
Hackney-Native Amahla blew us away with this song ‘Old Soul’ at the beginning of 2019 and has just kept getting better. An artist who uses their platform for greater good talking about women’s issues, race and current political climates, has an unquestionable place on our IWD2020 playlist. (TW)

Antony and the Johnsons – ‘My Lady Story’
“My womb’s an ocean full of grief and rage.” I can’t listen to that lyric without my heart breaking a little. A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice this International Women’s Day. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Dolly Parton – ‘Here You Come Again’
With the recent release of the Dolly Parton podcast and BBC documentary, I’ll take any chance I can to lap up any more content from this one. Dolly, what a woman. I don’t think I need to say anything more. (TW)

Merry Clayton – ‘Love or Let Me Be Lonely’
I recently watched 20 Feet From Stardom and to my shame learned so much about this amazing woman’s history that I did not know. A long established American soul and gospel singer, she provided backing vocal tracks to so many notable performing artists, the most famous being the Rolling Stones’ ‘Gimme Shelter’. Take her voice out of that and what are you left with? Here’s a shout out to the often forgotten or overlooked backing singers from some of the best hits out there. An established and amazing recording artist in her own right, it’s never too late to get into Merry Clayton. What a voice. (TW)

Jackie Shane – ‘Any Other Way’
A Get In Her Ears playlist would not be complete without Jackie Shane, I think this track ‘Any Other Way’ has featured on so many of our playlists and radio shows, but for good reason. Kate introduced me to this artist a couple of years ago and I was sold on first listen. Jackie Shane lived her life as a woman in the spotlight, during a time when compassion and acceptance were not always reciprocated to those who identified as trans. A pioneer for trans rights in the 60s, who very much lives on in our memories today. (TW)

Girl Ray – ‘Friend Like That’
GIHE faves Girl Ray have recently released their uplifting second album, Girl, and I cannot get enough. Taken from the album, ‘Friend Like That’ is an ode to friendship flowing with the trio’s colourful energy and funk-filled, pop-inspired hooks. Of the track, the band explain: “This is a friendship anthem. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” Basically a perfect, shimmering anthem to celebrate all your fantastic female peers this International Women’s Day. (ML)

Shari Vari – ‘New York City’
Since hearing their debut album, Now in 2019, I still cannot get enough of the Hamburg based alt-electro/punk/producers Shari Vari. Now out via Malka Tuti, it’s packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverb and cinematic crescendos. One of my albums of 2019, I consider myself still completely hooked. (TW)

Mentrix – ‘Nature’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture, along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. Her extensive travels and multiple influences – from Latin and French Literature, to The Qu’ran and traditional Persian poetry – give her music a diverse and fascinating edge. I can’t wait to hear her album My Enemy, My Love, which is set for release via her own (female-led) record label, House of Strength, on 3rd April. (KC)

Gazelle Twin – ‘Anti-body’
“I’m credibly unknown, and incredibly ok with that” wrote Elizabeth Bernholz – aka Gazelle Twin – in response to a fan who suggested she should be added to the Reading Festival lineup to fill the obvious void of female bands/artists on the bill. Bernholz’s pioneering sound and vision is best experienced elsewhere though, as her avant-garde, haunting electronic soundscapes demand your full attention. This track is lifted from her second album Unflesh, and although Bernholz has said she will never return to this material (having crafted her spectacular third album, Pastoral), I always come back to it when I’m feeling restless. (KC)