NEW TRACK: CLT DRP – ‘I See My Body Through You’

Following on from their incendiary anthems ‘New Boy‘ and ‘Nothing Clever, Just Feelings‘, Brighton feminist electro-punks CLT DRP have shared their powerful new single ‘I See My Body Through You’. Taken from their upcoming second album, Nothing Clever, Just Feelings, which is set for release on 8th September via Venn Records, the track is a dynamic, corrosive rumination on objectification and how it can affect our own identity and self worth.

Annie Dorrett’s distinctive, self-possessed vocals lead the charge alongside drummer Daphne’s considered percussion and guitarist Scott’s blend of melodic and visceral riffs. By combining quieter verses with a blistering chorus, CLT DRP reflect the tumultuous emotions and lack of control that can come from feeling exposed and viewed through a skewed and restricting lens. “They just say grin and bear it” Annie muses, before listeners are pummelled by a wall of cathartic, abrasive sound.

The single is accompanied by an intriguing set of visuals, directed by Alice Strutt. Annie explains the thought process behind the video: “‘I See My Body Through You’ is probably one of the tracks we’re looking forward to putting out the most. The content of the song set against the visuals all came out perfectly.”

“There’s a lot behind this song,” she continues, “different ways to interpret it, but the unsettling feeling and tension in the orchestration and in the video match up to the emotions that created this song in the first place—the emotions of being constantly on show, being objectified, and your own confidence being warped because of other people’s gaze. I think Alice heard the song and understood those feelings immediately, as most women do, and came up with some striking and strange concepts for the video.”

Director Alice Strutt comments further: “Inspired by the song’s content, the video embraces the use of ambiguous imagery, employing fractured reflections and obscured veils to symbolise the interplay between how we imagine others perceive us and its effect on our self-perception. The aim was to create impactful and disjointed visuals that invite contemplation of the blurred lines between reality and interpretation.”

Fresh from performing in their hometown at The Great Escape Festival earlier this year and a recent support slot with electronic music pioneer Gary Numan in Antwerp, CLT DRP are set to headline one of the stages at ArcTanGent Festival this weekend (18th August). The band have also announced a string of winter UK headline tour dates, including a show at The Lexington in London on 29th November. Full listings are below and tickets are on sale here.

Watch the video for ‘I See My Body Through You’ below.

CLT DRP UK Live Dates 2023
11.08.23 – Winchester, UK – Boomtown
18.08.23 – Somerset, UK – ArcTanGent
08.09.23 – Brighton, Green Door Store
15.09.23 – Sofia, BG – Wrong Fest
12.10.23 – Manchester, Beyond The Music
02.11.23 – Leeds, Oporto
03.11.23 – Glasgow, Hug & Pint
23.11.23 – Southampton, Joiners
24.11.23 – Bristol, Rough Trade
29.11.23 – London, Lexington

Pre-order CLT DRP’s new album Nothing Clever, Just Feelings here

Follow CLT DRP on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: Libby Malandrone

Kate Crudgington
@KCBobCut

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GUIDE & PLAYLIST: ArcTanGent Festival 2023

Event: ArcTanGent Festival

Where: Fernhill Farm, Bristol, England

When: Thursday 17th – Sunday 20th August 2023

Ticket Info:
3 day ticket: £190.50

Full ticket info and options (including day tickets & VIP packages) are available on DICE

General Info:
We’ve been keeping tabs on independent alternative festival ArcTanGent for a few years now, and their 2023 line-up looks better than ever! Described by Metal Hammer Magazine as “a haven of progressive music across the spectrum of all things heavy,” the festival aims to showcase an eclectic array of artists and bands across five alternating stages.

Things kick off early on Wednesday 16th August with special guest performances from a diverse range of upcoming alternative artists, but the official line-up starts on Thursday 17th August. There’s also a silent disco on each night from 11pm-3am.

Who’s Playing: Check out the full line-up here

There are so many excellent bands playing at ArcTanGent this year, it’s hard to pick favourites! As you all know, at Get In Her Ears, we focus on female, non-binary and LGBTQ+ talent, so beneath the official line-up poster below, there are some in depth recommendations about bands who we have championed via our website, Soho Radio show or live nights in recent years.

We have no doubt that these artists will put on a phenomenal show too: HEALTH, Devin Townsend, Russian Circles, SWANS, CONVERGE, Spurv, Deafheaven, PETBRICK, A Burial At Sea, Loathe and Birds In Row. You can get to know them all better by listening to our accompanying Spotify Playlist at the end of this feature.

BRUTUS

This heavy trio from Belgium will definitely be a festival highlight. We spoke to Brutus’ drummer and vocalist Stefanie Mannaerts ahead of the release of the band’s third album, Unison Life, back in 2022 and she spoke eloquently about the sheer determination that went into creating their strongest record to date. We also caught Brutus’ live at The Garage in London on their UK tour later that year, and they blew us away with their thunderous, triumphant, self-possessed sound. We overheard someone refer to Stefanie as “Bjork on drums,” which we think is an immense compliment. Read our full interview with her here.

CLT DRP

It feels cliche to say it, but Brighton trio CLT DRP (pronounced ‘clit drip’) are a band that need to be seen live to be fully appreciated. Blending punk vocals with wild, idiosyncratic guitar FX and phenomenal drumming; Annie, Scott and Daphne have an unparalleled energy when performing on stage together. We got caught up in the mosh pit for one of their four(!) sets at The Great Escape Festival in May, and we’ve only just recovered from it. We can’t wait to hear their upcoming album, Nothing Clever, Just Feelings, in full when it’s released in September.

STRAIGHT GIRL

This Leeds-based electronic artist is responsible for the first ever stage invasion at a Get In Her Ears gig! if that’s not incentive enough to turn up early for their DJ set on Wednesday, we don’t know what is? They filled the room with candid, chaotic queer joy and fierce synth-driven noise when they headlined for us at The Shacklewell Arms in East London in July. Checkout out some excellent pics that photographer Cassie Barnard took of them here.

TOKKY HORROR 

We still haven’t seen the formidable TOKKY HORROR play live, but we’re sure their wild blend of punk, rave and dance music will be a sensational experience not to be missed. We spoke to producer Zee earlier this year about the band’s latest EP, KAPPACORE, and the their ethos of making space in music for marginalised folks and making the mosh a safe and inclusive place. Read the full piece here.

ROLO TOMASSI

After almost two decades of playing together, Sheffield-based five-piece Rolo Tomassi have a distinctive sound that keeps their fans coming back for more. We caught them live at Camden’s Electric Ballroom in February, and we were dazzled by Eva Korman’s elastic vocal range, which was made all the more potent by the crystalline, visceral walls of sound her bandmates conjured.

We were also deeply impressed by their support act; genre-defying, Phoenix-based four-piece Holy Fawn. They have a collective intuition for balancing perfectly timed, blissfully noisy drop-ins alongside more shadowy, majestic sounds. This state of emotional flux is something the band captured on their recent album Dimensional Bleed, and it’s one that translates beautifully in a live setting.

NEW TALENT

These artists are completely new to us, but we recommend you check them out too:

GGGOLDDD, Chinese Football, Cultdreams, Svalbard, Bones Of Minerva, Pupil Slicer, LOS SARA FONTAN, Mountain Caller, Other Half, Parachute For Gordo, Heilung, Liturgy, Ashenspire, Lack The Low, Lys Morke, Witchsorrow, The World Is A Beautiful Place & I Am No Longer Afraid To Die, The Callous Daoboys, fakeyourdeath, Naut, Every Hell and Thought Forms.

For more information visit the ArcTanGent official website

Check out our ArcTanGent Playlist below, led by tracks from some of the female & non-binary talent playing the festival this year!

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INTERVIEW: A.A. Williams

A creator of heavy, beguiling soundscapes; London-based musician A.A. Williams has been compared to the likes of Chelsea Wolfe and Emma Ruth Rundle, but she’s captivating in her own right. Her 2019 self-titled debut EP caught the attention of critics and fans, and now she’s set to return to the prestigious Roadburn Festival in April this year, as well performing a headline show at London’s Southbank Centre in March. We caught up with Williams to ask her about her EP, her collaboration with Japanese instrumental giants MONO, and her anticipations for her London gig…

 

It’s been just over a year since you released your debut EP (Congratulations!) What are you most proud of about this record? And do you have a favourite track?

Thank you! I’m so pleased that the songs resonate with people. Hearing so many positive words from people at shows makes me very proud of what these tracks have become. I don’t have a favourite song. They are each important to me in their own right.

You beautifully cover Dolly Parton’s track ‘Jolene’ on the EP. If you had to pick someone to cover one of your tracks, who would you pick?

I think Johnny Cash would have done a beautiful version of ‘Control’.

The EP also features three “stripped down” live rehearsal recordings. What process do you go through when deciding which songs you’re going to strip back? What elements of a live recording do you enjoy the most?

Generally, each song can be stripped down, because each song begins in that form, as a voice and with either guitar or piano. The hardest thing is to decide how to treat the instrumental sections, sometimes I’ll sing a guitar line or incorporate a few melodies into one piano part, but generally the main focus is to ensure that the arrangement has enough space and doesn’t sound too mechanical. I love all elements of recording, I’d spend every day in a studio if I could. The best thing is to press record when you’re running a song, just in case, even if you don’t feel fully prepared! You never know what magic will happen.

You’ve just released a split EP with MONO. We know you toured with them last year, but talk us through how this collaboration came about, and what the reaction to the record has been like so far.

Taka heard my EP and got in touch to see if working together would be something I’d be interested in. I’d met the band briefly at Roadburn 2019 (I was performing with them during their headline show. They performed ‘Hymn To The Immortal Wind’ with a string quartet, of which I was a part), I couldn’t wait to take on the opportunity! We emailed some ideas between us and gradually found the time to record in July last year. I’ve been so pleased with the reaction. It’s great to see that fans of instrumental music are open to the inclusion of vocals and a slightly different approach.

You’ll be making your Southbank Centre debut when you headline The Purcell Room on March 12th (tickets available here). What are your anticipations for this gig?

I’m so excited for this performance. I’ll be extending the full-band line up to include a string quartet and adding some guest vocalists too. Up to this point, all of my shows have been supports or festivals, so it’ll be a joy to be able to spend more time on stage and create a fuller show.

Do you have plans to release new music this year?

I’m always writing, so fingers crossed!

Who, or what inspires you to create your music?

I find writing a very therapeutic process, so I’ll often begin working on a song because purely because I find it enjoyable. I don’t deliberately write inspired by anything or anyone, though ultimately we are each a sum of everything we’ve ever heard, seen and felt.

You’re returning to Arctangent festival this year in August. Is there anyone on the line-up you’re looking forward to seeing?

I’m really looking forward to seeing Maybeshewill and Amenra, and I’d like to catch Swans and Svalbard too! The weather was so awful last year that I didn’t really get to see many other artists, so hopefully I can remedy that this time around.

As we’re a new music blog, we always ask the artists we interview to name a new band or artist they’ve been listening to. Who would you like to recommend?

Gaupa’s 2018 self-titled EP is so good! It’s as if Björk had formed a psych-stoner band. Also, I know they’re not new, but I was recently introduced to Khemmis. I’ve really been enjoying their album, Absolution.

Thanks to A.A. Williams for answering our questions.
Follow her on Facebook & Spotify for more updates.

Kate Crudgington1 Comment