FIVE FAVOURITES: Julia-Sophie

Describing herself as finally finding her “hullabaloo within the storm”, new electronic artist Julia-Sophie shared her mesmerising debut EP, Y?, last week, and we cannot stop listening to it.

Y? is a sublime four track record of emotionally intelligent, electrifying electronica. Music which builds and layers, over and over, resulting in an almost painfully blissful experience; much like listening to a Gazelle Twin record. Julia-Sophie is clearly an artist who has a solid understanding of producing sound, removing boundaries and letting music speak for itself.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Julia-Sophie to ask about her “Five Favourites” – five albums that influenced her own writing techniques. Check out her choices below, and scroll down to watch the video for her single ‘x0x’ at the end of this post.

 

1. Thom Yorke – ANIMA
I’ve been listening to a lot of Thom Yorke this last year and feel very drawn into his latest album ANIMA. For me, it feels dark and tender and addresses emotional holes in my life. I’m attracted to his lyrics that have a dreamlike quality, like a stream of consciousness; like a beautiful nightmare. I love the way the album floats through unease as it slips and slides all over the place without ever becoming boring. It’s a left of centre electronic album with jabbing pulses, syncopated rhythms, spring loaded grooves and wheezy synths surging in waves; I love how effortless it all feels. I only dream of making music with that apparent ease. I love feeling like I can hear his whole creative process. The album makes me feel like I’m listening to art, like a sculptor mastering textures and layers; as I drift off the album catches me unawares. I love it and can’t recommend it enough.

2. James Blake – Assume Form
James has an infectious take on post-dubstep and downtempo, minimalistic electronica. His vocals are otherworldly, airy and his productions boundary-breaking. When the way that you relate to the world becomes difficult I look for artists who express emotions that I cannot; that I am searching for. I felt particularly connected to this album; it is melancholic yet hopeful. The record is full on emotion, and like all the best things in life, it doesn’t reveal itself immediately; it deserves time. As a producer, his sounds make me want to explore the record further and as I do, I capture themes that I didn’t quite grasp the first time round. When I feel dulled by emotion and trauma, James’ music makes me feel safe; his music makes me feel like I’m being held; arms wrapped around me delicately; all unencumbered by musical form. The guests on this album are incredible and are definitely worth revisiting, most notably Moses Sumney’s performance on ‘Tell Them’ blows me away. There’s definitely something particularly special about this album.

3. Art School Girlfriend – Into The Blue Hour
I’m not sure where or how I first came across Polly Mackey, aka Art School Girlfriend (knowing me, I was probably stalking Paul Epworth’s Wolftone Records as I’m a guilty Glass Animals and Harry Edwards fan). Art School Girlfriend self-produces music that for me shares the hypnotic euphoria of trance music. Her ability to create surreal, ethereal bodies of work laced with moodiness not only blows my mind and inspires me, but also gives me feelings of lustfulness and space; within this space I find myself free to think, feel, bend and reflect. I love that place she takes me to. Her music is all very dreamlike but packed with emotion and feels as menacing as it does beautiful. As someone who loves and is obsessed with electronic sounds, I love her use of electronica and only dream to be able to create hazy soundscapes like her, that are tied together with an innate pop understanding. Her music to me, feels quite sad and melancholic, but all tinged with beauty and mystery; it draws me in. Definitely music worth escaping to (plus she has a really cute dog, so what’s not to love about her and her music?)

4. TT (Theresa Wayman) – Lovelaws
I was never a huge Warpaint fan, not because I didn’t like them, but because I was late to the party. Warpaint’s music was so big that it seeped into my life all the same, always playing in the background at friend’s houses or in cafés, and so I’ve always had a wispy notion of their sound. When I heard Warpaint’s Theresa Wayman’s solo debut, I guess because I’ve become more into electronic music than guitar-led music, I was immediately drawn in. Her vocals felt intimate and her use of electronica excited me. This debut record feels really honest; where she explores themes of motherhood, isolation and romances. Her songs are dreamy and I feel she allows me to dream with her; the sound of skin on skin, she journeys fragile threads of human connections and makes me feel a certain sense of companionship and loneliness, all given in equal weight. The album never overpowers; it is warm and comforting: its songs mutate in ways that are unexpected and offer different kinds of rewards. She reminds me that we are all human, obsessing, disconnecting, passionate and jealous. I love her and this record for it.

5. Double Negative – Low
I first discovered this record at my local record store, Truck Music Store in Oxford, as they made it their album of the year. I remember Carl who works behind the counter waving it to me as I asked for recommendations. He was telling me about this album and I loved it from the get go. It’s an immensely creative, ambitious, warped slowcore album that takes you on an experimental journey from start to finish. It’s a radical record in many ways, creating all kinds of atmospheres; sometimes through drone and then also through using song as a conduit. It thumps, crackles and hums, is as oblique in its nature as it is haunting and on first listen sent shivers through me. I was hooked; I found myself lost in its noise, its darkness and heartbreak and yet the album somehow made me feel good even when I was falling apart.

Thanks to Julia-Sophie for sharing her favourites. Listen to her EP here.
Follow Julia-Sophie on Instagram for more updates.

#THROWBACKTHURSDAY: GIHE x Riot Grrrl Day x Record Store Day 11.04.19

Due to the current lockdown/coronavirus situation, we’re unable to make it in to the Hoxton Radio studio to broadcast our live new music show from 7-9pm for the foreseeable future.

We have plenty of past shows to share with you though! We’re sharing previous recordings as #ThrowbackThursday sessions, so you can still enjoy 2 hours of new music, and chats with some of our favourite artists each week.

Today, we’ve picked our April 2019 show that celebrated Record Store Day (13th April) and Riot Grrrl Day (9th April). We know RSD has been cancelled this year, but we’re treating this as an opportunity to reminisce, and to get excited about being able to browse in record shops again when this is all over.

Music highlights come from Art School Girlfriend, Elsa Hewitt, Soccer Mommy, LibraLibra, Velvet Volume Zoey Lily – as well as feminist punk classics from Bikini Kill and X-Ray Spex.

Listen back to the show here:

Featured Artists
Medicine, Robin Guthrie (The Crow Original Motion Picture Soundtrack)
Art School Girlfriend
Velvet Volume
X-Ray Spex
Elsa Hewitt
Soccer Mommy
Bikini Kill
LibraLibra
Runah
Fever Ray
Sister John
TacoCat
Courtney Barnett
Zoey Lily
Nirvana

Track Of The Day: Art School Girlfriend – ‘Come Back To Me’

A delicate blur of dreamy sounds designed to pine over; ‘Come Back To Me’ is the latest single from Margate-based producer Art School Girlfriend. It’s her first release of 2019, and draws a full circle to her debut ‘Bending Back’, which she describes as its “lyrical inverse”.

Art School Girlfriend is the moniker of Polly Mackey; a producer, multi-instrumentalist and vocalist from Wrexham, North Wales. Since moving to the British seaside town of Margate and opening her bookshop “Spine Books”, Mackey has spent most of her time creating new recordings that reflect the space and clarity she has found since her move away from the crowded city to the coast. Speaking about ‘Come Back To Me’, she explains: “The song is quite transparently about lust and being out of control of your own desire. It’s about wanting someone to come to you and how that yearning can be simultaneously enjoyable and torturous.”

Mackey performed at this year’s SXSW festival and will be joining The Japanese House on her April & May US tour dates too. She’ll be playing some UK shows before she sets off (see dates below) so make sure you catch her when she’s in town. Listen to ‘Come Back To Me’ below and follow Art School Girlfriend on Facebook for more updates.

Art School Girlfriend 2019 UK Tour Dates
02/04 – Bristol, Louisiana
03/04 – Leicester, Cookie
04/04 – Leeds, Hyde Park Book Club
05/04 – Newcastle, Cluny 2
06/04 – Glasgow, Hug & Pint
07/04 – Manchester, Soup Kitchen
09/04 – Birmingham, Hare & Hounds
10/04 – London, Omeara

Kate Crudgington
@KCBobCut

PLAYLIST: October 2018

The dark winter nights are creeping in, but our brand new October playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. If our selections are anything to go by, the October 5th is THE date to release a record, and we’re excited to share our track selections with you. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Health (feat. Soccer Mommy) – ‘Mass Grave’
I’m obsessed with this new track from L.A. noise rockers HEALTH, which features the divine vocals of Soccer Mommy. Produced by Corin Roddick (Purity Ring), ‘Mass Grave’ is a haunting fusion of alarming synths, apathetic vocals and spaced out percussion. (Kate Crudgington)

Kill J – ‘Strange Fruits of the Sea’
Kill J’s latest offering tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic ‘Strange Fruit’ (1939). Speaking about the track, Kill J explains: “It’s a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”. I’m a big fan of Kill J’s defiance, which she explores through hypnotising electronics. ‘Strange Fruits of the Sea’ is taken from her upcoming album Superposition, released 5th October via Nettwerk. (KC)

Pip Blom – ‘Come Home’
Catchy AF, ‘Come Home’is the latest single from Amsterdam favourites of mine Pip Blom, taken from their upcoming EP Paycheck which is out on 5th October. I had the pleasure of seeing these guys support The Breeders earlier in the year at the Roundhouse, an abundance of energy and an abundance of hair. Catch them if you can, they’re playing all over the UK this November including The Lexington on the 22nd. (Tash Walker)

Big Joanie – ‘Fall Asleep’
‘Fall Asleep’ is the latest single from Get In Her Ears faves Big Joanie, I only heard this for this first time a week or so ago but it’s firmly got into my head.  They’ve recently announced their debut album Sistahs is going to be released this November by The Daydream Library Series, and I can’t wait to hear the record in full! (TW)

Gold Baby – ‘What Party?
Having charmed us with their with their twinkling charisma and catchy offerings live at The Finsbury, East London’s Gold Baby have now shared new single ‘What Party?’. Reflecting on self-induced boundaries and the limits we often place on ourselves, ‘What Party?’ is propelled by a scuzzy, sparkling energy. Catch Gold Baby live at The Shacklewell Arms on 5th October. (Mari Lane)

Mammoth Penguins – ‘When I Was Your Age’
Having finally been lucky enough to catch Cambridge-based Mammoth Penguins supporting Adult Mom at The Shacklewell Arms last week, my love of their 2015 album Hide and Seek has been freshly revived, and I once again cannot stop listening to it. Fronted by Emma (also known for playing bass for GIHE faves Suggested Friends, and being part of the wonderful Indietracks Festival team), live the band ooze an utterly infectious, shimmering energy, with a highlight being the highly relatable (and seemingly appropriate – it’s Emma’s birthday) ‘When I Was Your Age’. Reflecting on the common pressures of growing up and habits of people to constantly compare themselves to each other, it’s a twinkling slice of impassioned indie-pop, fitting perfectly into the band’s collection of dreamy, scuzzy, emotion-filled delights. A totally uplifting set that stands me in good stead for crying the night away (in a good way) to the lush sounds of Adult Mom. (ML)

Chorusgirl – ‘No Goodbye’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, new single ‘No Goodbye’ is filled with jangly hooks and sunny uplifting beats, despite perhaps a lingering dark undercurrent. As Silvi’s distinctive, lush vocals soar throughout, effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. Another truly dreamy slice of sparkling garage-pop, ‘No Goodbye’ proves that it’s impossible to listen to Chorusgirl and not feel instantly better. Shimmer And Spin, the upcoming new album from Chorusgirl, is out 16th November via Reckless Yes. (ML)

Praa – ‘Y’
This new single from Praa was released at the end of September, and it’s all about questioning our human connection with virtual relationships maintained via our screens. I think it’s a beautiful example of modern neo-soul. Thank you Praa. (TW)

Hazel Iris – ‘A Prince’
‘A Prince’ by classically trained Hazel Iris, is a totally enchanting piece of music, loaded with emotion and fusing classical, indie folk, and a bit of jazz. Her debut album Nine Sisters is due out on 26th October and she’ll be performing at St Batholomew-the-Great in Smithfield’s on the same date, which will no doubt be a mesmerising show. The track’s not up on Spotify just yet, but you can listen to it below (TW)

Ah! Kosmos – ‘June’
Taken from her new album Beautiful Swamp (due 5th October via Compost Records), ‘June’ is another example of Ah! Kosmos’ stunning ability to create powerful, rapturous soundscapes. Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist – and I can’t wait to review her new record for the website this week. (KC)

Aisha Badru – ‘Splintered’
Following the lush, enveloping sound of previous single ‘Bridges’, New York’s Aisha Badru returns to charm our ears with a sparkling new offering. A call for people to take control of their lives‘Splintered’ flows with the beautiful, sweeping splendour of Badru’s delicately emotion-strewn vocals. Oozing a majestic grace, alongside twinkling melodies and a soaring musicality, it’s filled with a raw emotion that’ll send shivers down the spine on first listen. Pendulum, the latest album from Aisha Badru, is out now. (ML)

Varley – ‘Lonely Were The Days’
Reflecting on the ever-growing demands of today’s society from the effects of social media and the pressure this puts on a whole generation to “be something”, ‘Lonely Were The Days’ is an instantly infectious slice of dreamy alt-pop from Berlin-based Varley. As pulsating beats propel the track alongside the shimmering splendour of front woman Claire-Ann’s vocals, a captivating soundscape is created, leaving you no choice but to bask in its glorious, glistening glow. Catch Varley playing for us live at Notting Hill Arts Club on 1st December alongside Alyss, Elsa Hewitt and Temples Of Youth! (ML)

Art School Girlfriend – ‘Distance (Blank)’
Art School Girlfriend is the moniker of producer & multi-instrumentalist Polly Mackey. Her latest single ‘Distance’ is taken from her recent EP Into The Blue Hour, which was influenced by her move from London to the seaside town of Margate. I love her calm vocals and subtle, yet grand use of synthesizers on this track. She makes being “in over [your] head” sound so, so appealing. (KC)

TAYNE – ‘Sacrifice’
This TAYNE track dropped in to my inbox in January, and it’s been swirling around my head ever since. I’ve also been singing the lyrics incorrectly for the last nine months (the chorus is “I want hope”, not “I want her” as I initially thought) – but I’m not going to let a blip like that stop me from praising this synth-laden, noise-pop gem. TAYNE are celebrating the release of their debut album Breathe at The Old Blue Last on Thursday 4th October (with support from Birthmarks & Volkova Sisters). It’s a free gig, and you can pick up a copy of the clear magenta vinyl (which features ‘Sacrifice’) on the night, ahead of its official release on 2nd November. Us Get In Her Ears girls will all be there, so we’ll see you at the bar! (RSVP here). (KC)

GUIDE & PLAYLIST: The Great Escape 2018

The Great Escape Festival kicks off in just 7 days time (17th-19th May), and we’re ready to tread Brighton’s pebble beach, chomp on some chips, and trek around town trying to catch the best new music acts.

The prolific 3-day event is renowned for championing new music from all genres, and their female-friendly line-up (which Mari celebrated in her recent article about women & festival lineups for Trash) features some of our all time favourite bands. Dream Wife, Queen Zee, REWS, Pillow Queens & Amaroun will all be strutting their stuff by the seaside over the course of the weekend, but we’re excited to discover some brand new talent too.

In alphabetical order, these are the artists we’re keen to catch at 2018’s Great Escape Festival. Scroll down to our Spotify playlist to get better acquainted with them, and make a note of their stage times too…

Audiobooks
Playing at: HORATIOS – 3:30pm Friday 18th

Art School Girlfriend
Playing at: THE WALRUS – 8:15pm Friday 18th

Amaroun
Playing at: THE WALRUS – 8:15pm, Thursday 17th

Amyl & The Sniffers
Playing at: PRINCE ALBERT 11:10pm – Friday 18th & BEACH HOUSE 12:50pm – Saturday 19th

Benin City
Playing at: PAGANINI BALLROOM (THE OLD SHIP) – 11:15pm Saturday 19th

Brooke Bentham
Playing at: PATTERNS (UPSTAIRS) – 6:15pm Friday 18th

CHROMA
Playing at: LATEST MUSIC BAR – 12:45pm Thursday 17th

Deep Throat Choir
Playing at: SALLIS BENNEY THEATRE – 10:15pm Saturday 19th

Dream Wife
Playing at: BEACH CLUB – 8:45pm Thursday 17th

Elsa Hewitt
Playing at: KOMEDIA STUDIO BAR – 11:45pm Saturday 19th

Flohio
Playing at: EAST WING (BRIGHTON CENTRE) – 6:15pm Thursday 17th
KOMEDIA STUDIO BAR – 3:30pm Saturday 19th
SHOOSHH – 9:30pm Saturday 19th

Girlhood
Playing at: DR. MARTENS STAGE – 12:45pm Thursday 17th
THE HAUNT – 7:30pm Thursday 17th

Goat Girl
Playing at: THE ARCH – 9:15pm Thursday 17th

Hatchie
Playing at: KOMEDIA – 12:50pm Thursday 17th
HORATIOS – 1:00pm Friday 18th
THE ARCH – 6:00pm Friday 18th

Hero Fisher
Playing at: QUEENS HOTEL – 1:30pm Saturday 18th

Japanese Breakfast
Playing at: KOMEDIA – 11:15pm Thursday 17th

Jealous Of The Birds
Playing at: BAU WOW – 9:15pm Thursday 17th
JUBILEE SQUARE – 2:00pm Friday 18th

Men I Trust
Playing at: KOMEDIA – 7:15pm Thursday 17th

Nao
Playing at: BEACH CLUB – 10:00pm Friday 18th

Nelson Can
Playing at: DR. MARTENS STAGE – 1:00pm Friday 18th
STICKY MIKE’S FROG BAR – 10:30pm Saturday 19th

The Orielles
Playing at: BEACH HOUSE – 2:30pm Thursday 17th
HORATIOS – 9:00pm Thursday 17th

Phoebe Bridgers
Playing at: KOMEDIA – 9:15pm Friday 18th

Pillow Queens
Playing at: PRINCE ALBERT – 1:00pm Thursday 17th

Partner
Playing at: GREEN DOOR STORE – 1:30pm Thursday 17th
GREEN DOOR STORE – 7:15pm Thursday 17th
THE WALRUS – 2:15pm Saturday 18th

Queen Zee
Playing at: THE HOPE AND RUIN – 10:45pm Thursday 17th

REWS
Playing at: BEACH HOUSE – 9:15pm Friday 18th

The Regrettes
Playing at: HORATIOS 11:15pm Saturday

Soccer Mommy
Playing at: BEACH CLUB – 7:30pm Thursday 17th

Snail Mail
Playing at: BEACH CLUB – 6:30pm Thursday 17th

Stella Donnelly
Playing at: KOMEDIA – 8:15pm Thursday 17th
UNITARIAN CHURCH – 7:45pm Friday 18th
DR. MARTENS STAGE – 1:20pm Saturday 19th

The Ninth Wave
Playing at: HORATIOS – 3:30pm Thursday 17th
THE HAUNT – 9:30pm Friday 18th
MARINE ROOM (HARBOUR HOTEL) – 10:15pm Saturday 19th

The Vegan Leather
Playing at: HORATIOS – 1:45pm Thursday 17th
STICKY MIKE’S FROG BAR – 8:15pm Friday 18th

 

Get your tickets for The Great Escape here.

Kate Crudgington
@KCBobCut

PLAYLIST: May 2018

Bin your umbrellas and bust out your sunglasses: May marks the beginning of UK Festival season! Whatever the weather, we’ve got a brand new collection of music to see you through the next month. Maybe you’re going to see Bjork or The XX at All Points East (25th May – 2nd June), or perhaps you’re treading the pebbles for The Great Escape Festival in Brighton (17th-19th May)? Either way, scroll through our tracks and listen to our Spotify playlist for new music inspiration…

Yeah Yeah Yeahs – ‘Zero’
All Points East Festival kicks off on May 25th with headliners LCD Soundsystem in Victoria Park, and Yeah Yeah Yeahs are performing on the same bill. They have four albums worth of gems to pick from, but I’ve chosen ‘Zero’ from 2009’s It’s Blitz! purely because I love watching Karen O parade through the streets in her studded leather jacket in the accompanying video. I’m planning to mimic her every move/cry when I hear it live (it’s my birthday, and I’ll cry if I want to). (Kate Crudgington)

Janelle Monae – Pynk (feat. Grimes)
What a song, what a woman. The first note of ‘PYNK’ right the way through to the end is pure and simple PLEASURE. Janelle Monae collaborating with Grimes has delivered us a pure slice of vagina-pop, where the video is as important as the music. The description of which declares “PYNK is a brash celebration of creation. Self love. Sexuality. And p-ssy power!” Need I say more. (Tash Walker)

Amaroun – ‘Indecisive’ 
Written about emerging from a period of deep denial, ‘Indecisive’ – Amaroun’s latest captivating single – oozes a sweeping emotive power and heartfelt lyrical richness. And, as Jay Brown’s stirring vocals sing the perfectly relatable “I can agoraphobic, London can be overwhelming. Yes, I am addicted, I’ve learnt to live through all the noise”, it’s impossible not to be completely swept away by this dreamy sonic delight. (Mari Lane)

Elsa Hewitt – ‘Catvision’ 
My favourite festival – The Great Escape – takes place this month, and I’ve started putting together a list of artists I want to catch when I’m down in Brighton. The experimental electronic sounds of Elsa Hewitt have been swirling around my skull since I discovered her on the website, so I’m keen to hear ‘Catvision’ live when she plays at the KOMEDIA Studio Bar on Saturday 19th. (KC)

Alyss – ‘Envirus’
Producer and singer Alyss’ EP 3EARTH was released last week and it is gold. Taken from the EP, Envirus is dense in its electronic production, tribal in its beats and soulful in the vocals – needless to say the results are addictive. (TW)

Art School Girlfriend – ‘Measures’
Another artist I’m hoping to catch at The Great Escape, I’ve been soothed by the somber, subdued sounds of Art School Girlfriend. She’ll be playing at The Walrus on Friday 18th. (KC)

Rookes – ‘The Game And The River’
Having supported the likes of Stealing Sheep and She Makes War and set to play at The Great Escape later this month, Birmingham artist Rookes graces our ears with her new single ‘The Game And The River’. Filled with the stirring passion of her deep emotion-strewn vocals, it flows with twinkling folk-tinged melodies and a subtle, soulful splendour, making for a truly uplifting slice of heart-warming alt-pop. (ML)

LIINES – ‘Cold’ 
Manchester trio LIINES have been a long term favourite of ours, especially since blowing us all away their riotous, impassioned energy at The Finsbury a couple of months back, and so we’re beyond excited that their brand new, debut album is due for release on Friday! An immense blast of post-punk perfection, latest single ‘Cold’ is an epic taster of what’s to come. (ML)

Chroma – ‘Vampires’
Chroma were recommended to me by the marvellous Queen Zee (interview coming soon to the website!), so I’m chuffed that both bands will be in Brighton for The Great Escape. I’m excited to see Chroma in the flesh at Latest Music Bar on Thursday 17th – potentially my first gig of the festival! (KC)

Suzie Stapleton – ‘Negative Prophet’
Exuding a dark, brooding atmosphere, ‘Negative Prophet’ is Suzie Stapleton’s protest in an oversaturated world where the powerful feed on the powerless. As the immense power of her deep, raw vocals drift alongside reverb-strewn, blues-ridden hooks, it’s a majestic, and spine-tinglingly captivating, creation. We can’t wait to see Suzie headline for us at The Finsbury next Friday, 11th May! (ML)

Men I Trust – ‘Show Me How’
Canada’s Men I Trust first came to my attention when elusive electronic producer H1987 remixed their track ‘You Deserve This’. I love the reassuring nature of their psych-tinged, lo-fi indie anthems, and I’m hoping to catch them at Komedia on Thursday 17th for their Great Escape set. (KC)

i2m1 – ‘Illusion’
i2m1 is the solo recording project of Irene Carson from Colorado Springs. Starting back in 2015, it has since developed into a multimedia project featuring artist Graham Gale. Their second release Zoo is a collection of 20 songs, “one made for a year of my life..” Irene explains, which reflect her ongoing story. ‘Illusion’ is all synth-laden and dreamy pop – a big slice of me which has me going weak at the knees. (TW)

S4U – ‘Refrain ft JD Reid’
Refrain is the latest single from Londoners S4U featuring JD Reid, which is set for release on 1st June via Different Recordings. Low-slung R&B, and dark electro base all mixed together with some heavy 90s influences. Yes. Please. (TW)