LISTEN: GIHE debut Soho Radio show with Noga Erez 05.05.21

After 6 years of presenting on Hoxton Radio, the GIHE team are thrilled to announce that we’ve moved over to the NYC & Culture channel on Soho Radio! For our debut show, we played a mix of iconic feminist punk anthems and new music tunes from some of our favourite women and non-binary artists.

Tel Aviv-based pop renegade Noga Erez also spoke to us about her brilliant second album KIDS, working alongside her creative & life partner Ori, and we circled back on some of the interesting things she said the first time we met her back in 2019.

Listen below:

Tracklist
Bikini Kill – Rebel Girl
Noname – Blaxploitation
PÁULA, POVOA & JERGE – Primavera
Sans Soucis – I’m On
ARXX – DEEP
Grandmas House – Always Happy
Shy Girl – Tasty
Catherine Moan – Fools (Depeche Mode Cover)
Currls – Let Down
SOPHIE – BIPP (Autechre Mx)
Tiece – Nowhere Now Here (Tiiva Remix)
Nun Habit – Righteous Jerk
Bitch Hunt – Eau Claire
Noga Erez – VIEWS
Noga Erez – You So Done
**Noga Erez Interview**
Fousheé – Deep End
Tirzah – Send Me
Fears – Fabric
Beckie Margaret – FF
Mykki Blanco – Free Ride
New Pagans – Yellow Room
Fightmilk – Overbite
pink suits – Fake Great Britain
Thigh High – Because The Night (Patti Smith Cover)
Naz and Ella – No (Doesn’t Mean Convince Me)
X-Ray Spex – Oh Bondage, Up Yours!

PLAYLIST: March 2021

It’s been another long month of lockdown here in the UK, but the end is in sight with lighter evenings and the chance to see more than one friend in public on the horizon. The GIHE team have unearthed some more new music gems for you to listen to on our March Playlist. It’s an eclectic mix of indie anthems, alt-pop gems, intriguing electronics and raucous guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Grandmas House – ‘Small Talk’
This thumping new track from Bristol-based punk trio and GIHE faves Grandmas House speaks for itself. ‘Small Talk’ explores the times when you’ve had to unwillingly engage in idle conversations with strangers at the bar, when all you want to do is sit and have a pint with your friends. (Kate Crudgington)

ARXX – ‘Deep’
The new single from GIHE faves ARXX, ‘Deep’ offers an empowering ode to leaving behind all your anxieties and getting what you want. Propelled by a sweeping, impassioned energy, it interweaves an electro-infused, glitchy sound with the duo’s signature ferocious drive, instantly hitting you with its raw, anthemic rush and gritty, sensual prowess. A swirling slice of rousing power-pop. (Mari Lane)

CLAMM – ‘Liar’
Melbourne punk trio CLAMM are gearing up to release their debut album Beseech Me on 9th April, and single ‘Liar’ is a crash course in what to expect. “The song is about mental health,” the band explain. “It’s about wanting to break through a pattern of thinking that isn’t necessarily positive. It’s about dealing with an internal monologue that isn’t always telling the truth.” Through their thrashing guitars and relentless percussion, the band beat back their doubts on this raucous offering. (KC)

Gender Chores – ‘Night In The Woods’
A slice of fast-paced punk-pop, and inspired by a video game of the same name, ‘Night In The Woods’ reflects on slum landlords and the high costs of living in the city. As the Belfast band ooze a swirling, playful energy, the track builds to an immense whirring cacophony. A raging punk anthem, truly of our times; despite being coated in a buoyant, quirky charm, it’s no less powerful in its explicit enraged message. (ML)

CYNICS – ‘Idiots’
This high energy single from London-based four-piece CYNICS is lifted from their recent EP, restless in comfort. The band will be releasing a second EP in April, so keep your eyes peeled for that. (KC)

Du Blonde and Ezra Furman – ‘I’m Glad That We Broke Up’
Du Blonde joins forces with Ezra Furman on latest track ‘I’m Glad That We Broke Up’ which is an absolute tune released ahead of Du Blonde’s upcoming LP Homecoming, due on 2nd April. “It’s our take on a 60s girl group/glam rock explosion,” Du Blonde explains. “I feel like Ezra and I have been travelling towards a duet for years and we finally got our shit together.” (Tash Walker)

deep tan – ‘camelot’
Taken from their upcoming debut EP, deep tan’s ‘camelot’ is propelled by the majestic whirr of sparse hooks and throbbing beats, building with a quirky hypnotic splendour and fizzing tension. As swooning vocals glide across the angular soundscape, it creates another truly captivating sonic delight from the post-punk trio, leaving you longing for more of their exquisite stirring allure. (ML)

People Club – ‘Take Me Home’
The title track from their upcoming EP which is set for release on 7th May, this single from Berlin-based indie outfit People Club is about the realisation of mortality in old age. It’s an upbeat offering, but it explores the cynicism that often plights the elderly after losing their loved ones and being left alone with their regrets. (KC)

ĠENN – ‘Mackerel’s Funky Mission’
Taken from their upcoming EP Liminal, ‘Mackerel’s Funky Mission’ is the latest single from Brighton-based ĠENN. Propelled by a quirky, playful energy and eccentric, colourful charisma reminiscent of the likes of The Orielles, it races with scuzzy hooks alongside the raw, gritty vocals of front woman Leona. Building to a fuzz-filled, psych-infused cacophony, it showcases all there is to love about ĠENN – a band set on continually developing their compelling sound and enrapturing our ears with their unique fantastical spirit. Liminal, the new EP from ĠENN, is out tomorrow 30th March via Everything Sucks Music. (ML)

45ACIDBABIES – ‘Mommy’s Favourite 1’
Following the success of last year’s ‘3 (Walk With Me)’, ‘Mommy’s Favourite 1’ is the latest single from Dutch band 45 ACIDBABIES. Propelled by a vibrant, playful energy, it races with swirling layers of sound creating an instantly infectious, danceable cacophony. As scuzzy, electro-driven hooks race alongside the soaring sultry power of Sophia De Geus’ vocals, a psychedelic haze ripples, creating an uplifting sonic fusion. (ML)

Boudicca’s Bass Service – ‘Egypt’s Over There’
This is the latest single from Somerset based 19-year-old Georgina Cotteril aka Boudicca’s Bass Service. I love her laid back vocals, trippy synths and the feel-good vibes of this track. Speaking about ‘Egypt’s Over There’, Georgina explains: “This song is about realising you’re doing fine, all things considered…this song brings with it the new growth of spring and provides a resting spot, a much needed escape, amongst the craziness of your mind – and the current world in which we live in.” (KC)

Notelle – ‘Doctor Sign’
Nashville-based, nightmare-pop artist Notelle’s latest single ‘Doctor Sign’ was heavily influenced by the intense, shadowy sounds of Nine Inch Nails. Writing the track was a form of emotional exorcism for Notelle, who gave herself permission to “lean into some unattractive emotions” on this new offering. (KC)

Debby Friday – ‘Runnin’
Vancouver-based audio-visual artist Debby Friday blends intoxicating rap verses, trippy beats and snaking rhythms together on this eccentric anthem about self-expression. Full of commanding rhythms and jagged synths, ‘Runnin’ marks a new musical direction for Friday, moving away from her abrasive earlier work into more sultry, effervescent territory. Dripping with unfazed confidence, Friday’s synth-rap tune smoulders with autonomous vibes. Love, love, love it. (KC)

Loraine James – ‘Simple Stuff’
This is the first single from Loraine James’ new album Reflection, which is set for release on 4th June. ‘Simple Stuff’ is a minimal, cathartic plea for equality and acceptance as a black, queer woman. I love the criss-crossing drums and Loraine’s straightforward vocals on this track. (KC)

Mykki Blanco – ‘Free Ride’
The latest single from queer pioneer and musician/rapper extraordinaire Mykki Blanco, ‘Free Ride’ was written back in 2018 after Blanco had just ended their first long-term relationship. Co-produced by FaltyDL and Hudson Mohawke, it oozes a funk-fuelled uptempo musicality and glistening soulful refrains alongside Blanco’s trademark flowing lyricism. Appearing less brash and perhaps more sentimental in sound than some of their previous offerings, it loses none of their distinctive wit and poignant spirit. The video for “Free Ride” was directed by Hannah Rosselin, produced by DIVISION, watch it here. (ML)

Ci Majr – ‘Guillotine’
This is the latest track from Atlanta-based, emerging non-binary artist Ci Majr. Taken from their upcoming debut EP Side Effects, set for release on 16th April, ‘Guillotine’ is a shimmering pop anthem about cutting off your own ego in order to grow in a new relationship. (KC)

Sofia Kourtesis – ‘La Perla’
One of my absolute favourite songs at the moment! Inspired by the sea and her father (written when he was dying of leukemia), the result is a kaleidoscope of synths and deep house. Kourtesis describes the song as about feelings that can’t be captured with words – ‘La Perla’. (TW)

Gemma Cullingford – ‘Wide Boys’
Known as one half of GIHE faves Sink Ya Teeth, musician and songwriter Gemma Cullingford has now announced the release of her debut album this summer. Taken from the album, ‘Wide Boys’ reflects on the need for us to wake up and take back control from those in power. Driven by a racing energy and interweaving immense hooks, including a fiercely flowing flute solo, it’s an instantly catchy funk-fuelled call to arms for these desperate times. (ML)

Elsa Hewitt – ‘Inhaler’
This new single from London-based, experimental electronic producer & GIHE favourite Elsa Hewitt soothes my tired mind. It’s taken from her upcoming album LUPA, which is set for release via Cargo Records on 30th April. (KC)

Fears – ‘vines’
Another poignant meditation on some of her darkest hours, Dublin-born London-based musician Fears aka Constance Keane penned her latest single ‘vines’ before she experienced a breakdown. Through her tentative beats and soft vocals, Fears taps into her pain and offers listeners a chance empathise and heal alongside her. I’m excited to hear her debut album Oíche when it’s released on 7th May via her own label, TULLE. (KC)

Penelope Trappes – ‘Nervous’
A graceful, evocative soundscape that tentatively traverses the inner thoughts of an anxious woman, this single from Australian-born Brighton-based artist Penelope Trappes is taken from her new album, Penelope Three. Set to be released on 28th May via Houndstooth, the track ripples with a sense of mystery and disquiet, both of which are beautifully reflected in the accompanying video. (KC)

Beckie Margaret – ‘FF’ 
Inspired by the Bob Marley quote “I don’t have that type of richness. My richness is life, forever,” ‘FF’ is the latest single from Essex songwriter Beckie Margaret, released via Cool Thing Records. Her voice melts me every time I hear it, and this lush, atmospheric new offering is no exception. (KC)

Ailbhe Reddy ft. Sacred Animals – ‘City Unfolds’
Dublin alt-folk artist Ailbhe Reddy and producer Darragh Nolan aka Sacred Animals have teamed up for this atmospheric new offering ‘City Unfolds’. Lyrically based on Ailbhe’s own experience of being close to a panic attack in the back of a taxi on her way to play a festival in Barcelona, the pair blend tentative keys and atmospheric beats to work through this heightened state of emotion. (KC)

Shamir – ‘DsharpG’ (Sharon Van Etten cover)
Shamir’s cover of Van Etten’s ‘DsharpG’ is just beautiful and will appear on Epic Ten, a special 10th anniversary edition of Van Etten’s second album, Epic. (TW)

Flock Of Dimes – ‘Hard Way’
Taken from her second solo album Head Of Roses, ‘Hard Way’ is the latest single from Wye Oak’s Jenn Wasner aka Flock Of Dimes. Reflecting on the power of the subconscious to hide truths from ourselves, it combines glitchy elements of modulated synths with a lilting musicality and the smooth, emotion-rich splendour of Wasner’s vocals, creating a truly exquisite enchanting soundscape. (ML)

Hanya – ‘Lydia’
Having previously captivated our ears playing for us live on more than one occasion, Brighton band Hanya have now shared a brand new single. Flowing with shimmering hooks and an effervescent, ethereal grace, ‘Lydia’ showcases the stirring emotion of Heather Sheret’s rich, glossy vocals alongside a swirling musicality, creating a beautifully dreamy slice of shoegaze-tinged indie; a soothing soundscape oozing a blissful tranquillity. (ML)

Thallo – ‘Mêl’
This is a lush offering from Welsh songwriter Thallo, sung in her native tongue. Of the track, she explains: “‘Mêl’ which is Welsh for ‘Honey’ is about fearing inevitable heartbreak, but only making a feeble attempt to avoid it and resist temptation.” Check out her latest single ‘The Water’ too. (KC)

Naz & Ella – ‘No (Doesn’t Mean Convince Me)’
Having just announced a new EP set for release this Spring, Naz & Ella have now shared a poignant new single. Reflecting on the all-too resonant theme of sexual harassment, ‘No (Doesn’t Mean Convince Me)’ oozes a gritty, grunge-infused aura alongside the duo’s traditional folk-inspired musicality. Tinged with an eerie majesty with shades of grunge pioneers Alice In Chains, it’s a beautifully stirring offering, exuding a subtle, stark power. Find out more in our recent interview with Naz & Ella. (ML)

Ayoni – ‘Unmoved (A Black Woman Truth)’
‘Unmoved (A Black Woman Truth)’ was released last year, but I only heard it for the first time recently. Described as her most vulnerable song to date, the song is about her journey and the struggles she’s endured as a Black woman growing up. In Ayoni’s words “This song is my every uttered whisper and prayer. It is every heartbreak, micro-aggression, breakdown in the bathroom, and every swallowed fit of rage. But most importantly it is every single moment I remembered the walking poems that are my Black sisters, the breathing reasons to continue fighting to forge a path forward. So here I remain unmovable and unmoved.” (TW)

Clever Girls – ‘Stonewall’
“I wrote ‘Stonewall’ about the distribution of emotional labour in relationships and what is often asked of us AFAB (assigned female at birth) individuals based on our perceived gender identities,” explains Clever Girls’ front person Diane Jean. “It’s really my own anthem of rebellion – against my own perfectionism and against the constant inner monologue that tells me to adapt to others’ needs and expectations.” I love this track, which is taken from the band’s recent album, Constellations. (KC)

Johanna Samuels – ‘Single File’ (Elliott Smith Cover)
Iconic riot grrrl label Kill Rock Stars turns 30 this year! To celebrate, they’re releasing a string of cover singles under the title Stars Rock Kill (Rock Stars), where several artists from around the world will cover tracks from the label’s expansive back catalogue. This dreamy cover of Elliott Smith’s ‘Single File’ by Johanna Samuels is their latest celebratory offering, full of lush vocals and soft guitars. (KC)

Amy Ellen – ‘This Life’
Dublin-based indie musician Amy Ellen says ‘This Life’ is about “loosing someone who meant something to you, but also appreciating those who come into your life and stick around.” She embraces life’s bittersweet nature via her clear vocals and rich guitar sounds on this single. (KC)

Vox Rea – ‘Dufferin Ave.’
Always a sucker for some silky sax, this latest track ‘Dufferin Ave.’ from Vancouver-based Vox Rea delivers with an abundance of ambience. As we look to warmer and lighter evenings, I’m looking forward to listening to this song glisten out over those hazy nights. (TW)

Nadine – ‘Hair Up’
An aspiring singer & rapper from Sudan who’s currently based in Cairo, Egypt, Nadine wrote this R&B-tinged offering after she spent a week living in sweatpants during quarantine. It’s a chilled tune that celebrates feeling confident in your natural state. (KC)

Track Of The Day: ARXX – ‘deep’

Following last year’s emotion-driven ‘Call Me Crazy’, and with acclaim from the likes of BBC Radio 1’s Huw Stephens, John Kennedy on Radio X and BBC 6Music’s Steve LaMacq, GIHE faves ARXX are back with a swooning new single.

An empowering ode to leaving behind all your anxieties and getting what you want, ‘DEEP‘ is propelled by a sweeping, impassioned energy. Interweaving a more electro-infused, glitchy sound than previous releases with their signature ferocious grunge-fuelled drive, it instantly hits you with its raw, anthemic rush and gritty, sensual prowess. Showcasing the fierce power of Hanni’s vocals alongside Clara’s distinctive thrashing beats and scuzzy riffs, it oozes an immense, stirring splendour reminiscent of alt-pop heroes HAIM. A swirling slice of rousing power-pop that leaves me longing to see the Brighton duo in all their live glory once more.

Consistently honing their sound with each offering, impossible to pigeonhole into one genre, ARXX continue to impress us with everything they do and remain one of the most exciting bands I’ve ever come across. I can’t wait to hear where they take our ears next!

‘Deep’ is produced by Steven Ansell and mastered by Katie Tavini (Pillow Queens, Arlo Parks). And, to coincide with the release of ‘DEEP’, ARXX will be sharing a special remix EP, featuring the likes of Dream Wife’s Alice Go, Anna from Brighton’s LIME and Linda Buratto.

Mari Lane
@marimindles

Photo Credit: Jessie Morgan

GIHE: Personal Highlights Of 2020

2020 has been a year unlike any other and we’ll be glad to see the back of it, but before we wave goodbye, the GIHE team would like to share some of their personal highlights. Thanks to everyone who has been following, reading or listening to GIHE this year. It really does mean the world to us and we couldn’t do this without you.

Shared Highlights

Seeing the GIHE name appear in a PHYSICAL BOOK was a landmark moment for the team this year. Music journalist Lucy O’Brien mentioned us in her 25th anniversary edition of She Bop, a fantastic book that explores the role of female artists and how they’ve helped to shape the music industry. You can buy your copy here.

Fellow GIHE Co-Founder Tash Walker was super busy recording & producing series 2 of The Log Books throughout 2020, a podcast which explores the history of the LGBTQ community via the phone archives of LGBT+ charity Switchboard. Tash is a co-chair at Switchboard and she is dedicated to celebrating and supporting the LGBTQ community through her work with them, and through her work with GIHE. She is one of the most resilient, informed and hilarious people we know and it’s a privilege to work alongside her and call her a friend. The Log Books are a truly necessary listen for all.

Now for some personal highlights…

Kate Crudgington (Features Editor)

GIHE usually takes up a big part of my life, but it was a lifeline for me during March of this year when the government text me (lol) telling me to shield for 12 weeks. Thanks to the magic of the internet, I was able to talk to the people who were making the music that was distracting me from the panic-inducing headlines, reminding me what a huge privilege it is to have access to this amazing platform.

As our followers already know, Lockdown 1.0 instantly put a stop to our weekly GIHE new music shows on Hoxton Radio. We had 16 weeks off air, so when it was “safe” for me to go back in to the studio in July I was buzzing with excitement (which you can hear in my voice if you listen back to the show here.)

Like most platforms during the pandemic, we embraced technology and started interviewing artists over Zoom instead of inviting them in to the studio for the usual chat and live session. We managed to get time with Jessica Winter, BISHI, Lucy O’Brien, Tessa from Girlhood, Julia-Sophie, Lizzie from Bitch Falcon, Grave Goods, Problem Patterns, ZAND, Hannah from PELA, Seraphina-Simone & Penelope Trappes. It was so lovely to see Tash in person in the studio most weeks, and while we both missed seeing Mari a great deal, her weekly track contributions to the show still made it feel like a GIHE team effort.

At the beginning of the year, I was invited by Niall Jackson, one of the hosts of Riverside Radio’s The Irish Jam, to be a contributor to their New Music Sunday section. Co-hosted by Kealan, Mel and Rob, The Irish Jam is a London based radio show that celebrates and promotes music from Irish artists. The crossover of favourite bands between GIHE & the Jam is huge and something I’ve enjoyed chatting to the team about both on and off air. They’ve introduced me to the likes of CMAT, fears, Denise Chaila, Silverbacks and Celaviedmai, whilst I’ve shared tracks by Kynsy, Party Fears and CAMI with them. Listening to their show on a Sunday evening continues to be a wonderful distraction from life.

Who could’ve predicted that bandcamp would become the musical hero of 2020? When the streaming platform announced that on the first Friday of every month they’d be waiving their fees so that 100% of profits would be going directly to artists, my newsfeeds were awash with new music recommendations. Moving home to Essex from London in March meant I actually had some expendable income to buy new records, so I was furiously typing bespoke recommendation threads on Twitter every time the date rolled around. bandcamps’ generosity meant you were able to genuinely support your friends (and the artists you secretly wish you were friends with) during a truly depressing year for music.

Normally, we’d be picking our live music highlights too, but for obvious reasons, we’ve hardly been to any gigs this year. Mari had to cancel half of the gigs GIHE she had booked pre-pandemic and it’s fucking depressing to not know when it will be (properly) safe for her to book more. That’s why I feel incredibly fortunate to have wedged in one last GIHE gig before Lockdown 1.0. GIHE worked together with Sofar Sounds to put together a special International Women’s Day gig at their Hackney HQ in March, with Beckie Margaret, Amahla and Indian Queens on the bill. It was so exciting (and nerve-racking) to host the evening with fellow GIHE pal Tash too. Even if I’d had a year full of gigs, this one still would’ve made my highlights list.

One last gloat – I published some of my all-time favourite features on our website this year. My Zoom interviews with the wonderful A.A Williams, the hilarious CMAT and the ultra talented Lido Pimienta are well worth a read.

Mari Lane (Managing Editor)

It goes without saying, most of the highlights I’d normally mention at this time of year were not able to go ahead in the void of 2020. They would normally consist of the monthly gigs that I host at The Finsbury, whereas this year I was only able to put on two before Covid hit. And, in addition to having to cancel at least seven of our regular gigs, we were pretty heartbroken to cancel what would have been our very first festival, due to take place in July. However, I did manage to fit in a couple of memorable live experiences before being confined to being permanently pyjama clad; my only weekly highlight being our regular beer delivery from Croydon’s Art & Craft bar.

The first gig I hosted this year felt particularly special. Personal Best headlined a night filled with all the best vibes. Drawing the night to a memorable close, front person Katie Gatt dedicated their set closer to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see / ’cause this is what we look like,” the poignancy of the lyrics was overwhelming and an empowering sense of unity took hold. The night also included the shimmering folk-strewn offerings of Athabaska, the quirky energy and sparkling charisma of Nun Habit and the sun-drenched swirling anthems of Hurtling. There is nothing quite like that joyous sense of togetherness that comes from hosting gigs filled with like-minded wonderful people.

I was also lucky enough to fit in seeing one of my all time favourite bands with a few of my all time favourite people. The last time that Tash, Kate, Paul and I were all together pre-Covid was for Sleater Kinney at Brixton Academy – a pretty special night. Not only did I get to see the legendary Carrie Brownstein deliver her distinctive gritty, scuzz-filled riffs alongside Corin Tucker’s unmistakable swooning vocals in the flesh, conjuring up massive feelings of awe and nostalgia, but they were supported by one of our favourite current bands. The second time we’d seen Big Joanie on the Brixton Academy stage (the first being opening for Bikini Kill last year!), they showcased just how deserving they are of their rising success; with their unique, raw, post-punk soundscapes and poignant lyricism, they delivered an absolutely incredible set. A truly memorable night.

My last ‘outing’ before lockdown was to the BBC 6Music festival for International Women’s Day at The Roundhouse. An epic line-up consisting of some incredible women and non-binary folk that I’m incredibly grateful I got to witness before everything fell apart. In addition to the immense poignant power of Jehnny Beth, the utterly beguiling splendour of Nadine Shah (who I fell in love with there and then), and the completely mind-blowing presence of hero Kim Gordon, Kae Tempest delivered a fiercely moving, truly breath-taking headline set.

And then gigs were gone. To be replaced by online streamed “events” which I think have had mixed reviews over the last few months – they’re of course no replacement for the “real thing” and it’s hard to feel motivated to “attend” things when you’ve been on the sofa in your pjs for weeks. However, I have managed to organise a few GIHE Instagram ‘Takeovers’, featuring some of our favourite bands and artists. From ARXX’s drum and guitar lessons, LibraLibra’s quirky tele-sales style feature and Tiger Mimic’s interviews with others on the scene, to inspiring chats with Amaroun, Eckoes, Foundlings and Husk, beaut “live” sessions from Gold Baby, Scrounge and KIN, and King Hannah’s EP run through, I feel grateful that so many creatives have wanted to be involved.

It’s a strange time, no doubt, but one which is made that much better by a sense of togetherness within the community. One positive from all this really has been the mutual support and genuine care that I’ve seen musicians and those within the industry show for each other.

John McGovern (Contributor)

On the one hand, there’s been almost no gigs, no festivals, much fewer physical releases and closed record shops. On the other, BBC 6Music’s response helped me stay indoors and make the most of my furlough life. Lauren Laverne‘s show was extended to cover the late morning, running to nearly double the length of most of the other shows on the station and basically saw her appointed as chief mood-lifter for the BBC’s flagship alternative music station. Amongst the days of uncertainty, where even leaving the house offered the risk of serious illness, with no guarantee of a job at the end of the summer, having Lauren there to soundtrack breakfast/brunch made a world of difference. It produced a kind of odd stasis: the background radiation of a pandemic, but an excellent range of music, usually featuring a smattering of classics, new music and obscure gems. The only disappointment was when the schedule reverted back to usual come the end of lockdown. Hopefully, that same semblance of normality will be back for us all, soon.

Thanks to everyone who took the time to read our highlights!

You can read about our GIHE Albums of 2020 here and our GIHE Tracks Of 2020 here.

Keep an eye out for our Ones To Watch in 2021 feature next week!