Track Of The Day: Spurge feat. Bri Foxx – ‘Why Would You?’

Having met in the Atlanta underground scene, queer feminist artists Bri Foxx and Jen Hodges decided to join forces after playing a show together in their respective bands. And now, we’re super excited to share the outcome of their collaboration – Spurge‘s catchy new single!

A song that carries the weight of failed relationships in its core, ‘Why Would You?‘ has a simple but relatable premise. The track as a whole is executed in a way that takes the familiar stab of heartache and draws out the raw and powerful emotions within.

The song reflects on relationships, written from a healthier place. The lyrics juxtapose a heartbroken chorus against wiser, more contemplative verses which creates a moving narrative – a story of growth following pain, only to revisit that same sorrow with another person later on. The fact that the separate sections were written during very different emotional times in the writer’s life is evident in the rich texture of the song. It makes for a more powerful piece that encapsulates the moments of pain in the context of a positive, hopeful journey. There is a cycle to it, but one that delicately balances the resignation to start over with a great sense of hope that next time will be the one.

The vocals pair elegantly with the feeling in the lyrics. You can really feel the rawness and the power in the lead line, whilst backing vocals lend weight to the emotional high points in the track – the hardest parts of the conversation that herald the end of a relationship. Every never and don’t go and why would you feels ripped from the moment.

This is bolstered by instruments that flow together really well. The string lines running through the track are playful and catchy, ramping up into very fun interludes that give the song a lot of energy.

‘Why Would You?’ ends with the lead vocal, alone, holding one final, powerful note. It clings to that emotional feeling down to the very last beats, lingering like the memory of an old love.

‘Why Would You?’ is accompanied by a gritty live video, directed by Tyree Smith and Daniel Medina. Watch it here:

Kirstie Summers
@actuallykurt

Introducing Interview: Lunar Vacation

With acclaim from the likes of The Fader and Clash, and having previously charmed our ears with the luscious sounds of singles ‘Mold’ and ‘Gears‘, Atlanta-based Lunar Vacation have just released their debut album, Inside Every Fig Is A Dead Wasp. With each track oozing a shimmering allure and stirring emotion, the album showcases the band’s ability to create heartfelt, irresistibly effervescent indie-pop with a catchy, lilting musicality reminiscent of the likes Best Coast and Alvvays. A collection glistening with a cinematic grace as droplets of stirring melancholy ripple on a seemingly serene surface.

We caught up with Grace from the band to find out more about the album, their thoughts on the music industry at the moment and more. Have a read, and make sure you treat your ears to the beautiful new album as soon as possible!

Hi Lunar Vacation, welcome to Get In Her Ears! Can you tell us a bit about yourselves?
Hey! I’m Grace, and I play guitar and sing in Lunar Vacation. Currently I’m finishing up my last semester at college, making some art, and playing with my cat, Science. 

Are you able to tell us a bit about how you initially started creating music together? 
Maggie and I became friends in high school during a guitar class songwriting project. Connor and Matteo also went to our high school and we just naturally found each other. 

I love your shimmering, blissful sounds with shades of faves Rilo Kiley and Alvvays, but who would you say are your main musical influences?
It changes all the time – all four of us listen to different genres of music from different times, so there is always a good, unique collection of music swimming ‘round in our heads. Right now, Big Thief has been one of my biggest influences musically and lyrically. I admire how Adrienne approaches writing lyrics and how she uses music to work through her thoughts and feelings. There is a really beautiful, delicate aspect of her reflections expressed in her music. 

You’ve just released your debut album – Inside Every Fig There’s A Dead Wasp – which is super exciting! Are you able to tell us a bit about this? Are there any particular themes running throughout the album?
We are all extremely proud and looking forward to finally letting her run free into the world. It’s ultimately up to the listener to form their own idea and interpret it how they want. Once it’s out there, it’s not ours anymore. So in other words, you’ll have to listen to find out!!

Do you have a favourite track on the album? And if so, why does that one mean the most to you?
I think my favourite out of all of them is ‘Gears’. I’m extremely proud of how it came together and how honest the lyrics are – this was one song where I felt that the words flowed perfectly and found their place in the song. Writing that song helped me process a lot of loose ends I had from a relationship that was drawn out for way longer than it should have and to fully move on. 

And how have you found recording and promoting an album during these strange times? 
It was definitely strange making a record at the height of COVID – there were times that it felt like the studio was an intense vacuum of time and space and there would never be an end to the pandemic. Ultimately, I think it added a unique aspect to the record itself… The music, writing, productions, feelings, etc. Everything happens for a reason and I guess the right time for our record was a global pandemic. I’m not sure if that speaks to anything. 

The album’s produced by Daniel Gleason of Grouplove – how was the experience of working with him, and how would you say his contribution added to the collection’s overall sound?
The record wouldn’t have been what it is without Dan and our engineer, TJ Elias. They are such an amazing duo and helped us create what was in our head onto the record. They pushed us sonically and creatively to lean into our strengths, explore our weaknesses, and embrace our own styles. 

How do you feel the industry is for new artists at the moment? Do you feel much has changed over the last few years in its treatment of female and non binary artists? 
That’s a layered question. I have a lot of qualms with the industry as a whole and how it’s shifted to artists having their “moment” instead of focusing on the longevity of their music. Sometimes it seems like it just favours the algorithm, vanity, and self promotion to the point of image and social media coming first and then the actual music following second. Music streaming platforms have made artists reliant on being “playlisted” to have a career. I guess it’s the modern day radio, but it doesn’t sit quite right with me. However, I think the accessibility from social media has made an extensive, positive amount of room for new LGBTQIA+ and BIPOC identifying artists, which has been really promising and inspiring to experience. But, I would like to see more representation in the gay and non-binary community instead of the few token white, straight passing people that are labelled “gay icons”. There are more people out there that represent the community and they need to be uplifted and celebrated.

And, as we’re a new music focused site, are there any other upcoming artists or bands you’re loving right now that you’d recommend we check out?
Definitely pay attention to Future Crib, Binki and The Slaps! These aren’t new, but I’ve been listening to a lot of Lynn Castle, Yuck, and Big Thief.

Finally, in addition to the release of your album, what does the rest of 2021 have in store for Lunar Vacation?
Playing a few more shows and hopefully graduating college in December!! All good vibes ahead. 

Massive thanks to Grace for answering our questions! Inside Every Fig Is A Dead Wasp, the brand new album from Lunar Vacation, is out now via Keeled Scales. Catch them live on their UK Tour next Spring – tickets here.

Photo Credit: Violet Teegardin 

WATCH: Lunar Vacation – ‘Mold’

With a twinkling new excursion, Atlanta-based band Lunar Vacation share their new single ‘Mold’ in anticipation of their debut album Inside Every Fig Is A Dead Wasp, which is set for release in October.

Setting the scene with choral vocals and synth pads that hold the power to stretch for days, ‘Mold’ is captivating from its start, casting off into a dream sequence breathing honest lyrics on the art of balance. Catchy riffs nudge the track into its snappy rhythm and develop Lunar Vacation’s indie-rock disposition into irresistible, danceable dream-pop. Modest, detail oriented drums keep the track swirling, sustaining ‘Mold’s luscious yet driving guitars and honey-sweet vocals. However, it is the chemistry between players that seals the effortless breeze and nonchalant feel of Lunar Vacation. 

A sense of closeness seeps through every crack of ‘Mold’s mix. Its world remains “changing with the seasons” as the track unravels through warm sing-along choruses, and signs off with a sonic shift that hits like winter in slow motion. Reminiscent of the dreamy soundscapes of Snail Mail or Alvvays, Lunar Vacation elegantly share a melancholic experience packaged in a lush, sparkling soundscape.

‘Mold’ is accompanied by a quirkily psychedelic, Wes Anderson-inspired new video. Watch it here:


Inside Every Fig Is A Dead Wasp, the upcoming new album from Lunar Vacation, is set for release on 29th October via Keeled Scales.

Jill Goyeau
@jillybxxn

Photo Credit: Violet Teegardin

Track Of The Day: The Coathangers – ‘Bimbo’

Atlanta trio The Coathangers have shared their new single ‘Bimbo’ taken from their upcoming album The Devil You Know, due for release on March 9th via Suicide Squeeze Records. The track is a cathartic burst of melodic guitars and riot grrrl vocals that acknowledges the need to let go and move on.

Switching between gentle verses and a thumping chorus, ‘Bimbo’ is an ideal blend of The Coathanger’s garage-rock and punk sensibilities. Guitarist/vocalist Julia Kugel explains the track’s premise further: “‘Bimbo’ is a bittersweet note on love, self preservation, and letting go. It came together naturally and was one of the easiest songs to be written for the new record. It tells two sides of the story but still feels uplifting and positive. An acceptance of things the way they are.”

The single is accompanied by a cool new video, shot during The band’s last European tour by Mackenzie Sutch. The footage was shot mostly in Spain and Portugal and was edited by the trio’s good friend Nacho Montero.

Listen to ‘Bimbo’ below and follow The Coathanger’s on Facebook for more updates

The Devil You Know will be released on March 9th via Suicide Squeeze and is available to pre-order here.

Photo Credit: Matt Odom

Kate Crudgington
@KCBobCut