Interview: Bang Bang Romeo

Having been completely blown away by the immense force of Doncaster’s Bang Bang Romeo live at Cro Cro Land earlier this year, it was with excitement that I ventured out on a rainy Thursday night to see them again last week.

With their current UK tour in full swing, having already sold out shows in Birmingham, Manchester and Southampton (amongst others), and with the injuries to show for it (drummer Richard broke his foot in an unfortunate accident coming off stage in Birmingham, but is continuing to play gigs like a trooper), the band are in good spirits when I catch them for a quick chat before the gig at Omeara.

The tour’s been beyond what we expected”, front woman Stars enthuses when I ask how it’s been going so far. “We’ve sold out every night… it’s crazy. Of course, we’d hoped that Leeds and Sheffield and places close to home would sell out. But, for places down here, like Southampton, it blows my mind; driving so far away from where friends and family are, there are no guestlists, it’s just genuine fans. It’s a great feeling.”

Discussing how the crowds have all been totally “up for it“, Stars tells me how it’s been the first time she’s experienced receiving gifts from fans. From wooden BBR logos and names tattooed on people’s arms, to tasty Bake Off worthy cakes: “One BBR fan in Edinburgh had seen on social media that my favourite breakfast is Eggs Benedict with black pudding, so they baked a three tier cake in the shape of Eggs Benedict with a shiny pink tutu… And it tasted amazing.”

And so it seems that Bang Bang Romeo’s time has come to win over hearts worldwide with their energy-fuelled anthems and Stars’ unmatched charisma, and it’s fantastic to see this well-deserved success. “There’s been all these weird moments that we’ll never forget… This tour really has been a turning point.”

But what got Bang Bang Romeo started on their journey to ‘stars’dom? Has music always been a part of their lives?

There’s just nothing else we could see ourselves doing,” Stars reflects. “I’m very happy that mine and Ross’ paths crossed a few years ago. We’ve been writing together ever since.” And with Richard Gartland (drums), and the recent addition of Richard (II) on bass, their line-up is now complete. “This is the line-up that you see today,” Stars motions around the cosy dressing room, “We’re a very happy unit.”

We’re all just massive music lovers“, guitarist Ross continues, “We got a lot of inspiration from our dads.” Stars agrees: “We’ve all had our dads as a main focal point for music… Well-played dads!

As well as listening to music from a young age, Stars can’t remember a time that she didn’t love singing – “Dad says I started singing when I came out of the womb… just imagine – ‘I’m here and I’m queer!’” she chants, with that distinctive cheeky glint in her eye. Drummer Richard, too, has been honing those beats since childhood: “I started playing when I was ten. At first, I didn’t like missing Maths for the classes, but as soon as I got into it, I loved it.”

Music has always been an integral part of the band’s lives, and this completely shines through in their boundless passion and enthusiasm for all they do. Music is life, and Bang Bang Romeo’s belief in this is just one of the things which I’d imagine makes so them so popular – their genuine love for what they do resonates deeply in each of their immense performances; it’s impossible not to become swept up in their utterly infectious joyous energy. “Music is everything” Stars explains, “… Whatever experience you have relates to music – happy times, sad times, you wanna pull a girl – music… Music is the real accompaniment to every memory. It’s a wonderful thing. We are all obsessed with it.”

Bang Bang Romeo’s passion and optimism is reflected in their empowering latest single ‘Love Yourself’, which saw them team up with songwriter and producer Example. Of the collaboration, Ross explains: “It all started at a This Feeling TV show we were doing. He (Example) was also there doing an interview, and we just started chatting.” Stars continues: “Mikey Johns – the creator of This Feeling, an organisation that’s always supported us – just introduced us to his mate, Example, and we just both hit it off straight away… We had each other belly-laughing, and he suggested we should work together. Two weeks later, behind the scenes, it had all been sorted out.” Co-writing and recording the song together, the collaboration seemed like a completely natural and pretty relaxed process: “Blueprints of the song were down within two hours. It was just there.

Reflecting on the meaning behind the lyrics and its message of self-love, Stars explains: “The state that social media’s in, with the massive pressure to be perfect… It bleeds into your life and your loved one’s lives. It’s becoming more and more apparent that no one can accept a compliment or be proud of how they look. I’ve experienced it a million times with myself, and with my partner Charlotte too: I’ll say ‘You look beautiful today’, and she’ll say ‘no thanks’… I’m like basically ‘just love yourself!‘” So, it seemed only right to write a song with this message. “We all wanted to roll with that”, she continues, “Ross had had this chorus in his ‘brainlocker’ for a while, and it was just a perfect starting point for this song, and we just built around it…”

Taking this as a starting point, Example, too, was inspired: “He would just suddenly come up with lyrics… He’d be on his phone and we’d be like ‘what the fuck’s he texting for?’, and he’d literally just written the whole songThere were just little things that inspired the lyrics. Like, we were recording in London and it was absolutely pissing it down, and we went somewhere called The Moon, which is where the lyric ‘meet me down the moon some rainy Sunday’ came from. The guy’s a genius, we loved working with him.”

On the subject of working with other members of the pop elite, we discuss the band’s recent support slot on tour with the legendary P!NK. “It was amazing“, Stars recounts, “It was more than we expected. A dream come true. Everything was more than we expected“. Richard interjects: “Especially the catering!

Everything was more. We got told that P!NK’s agent had come to a show we didn’t know about – you don’t expect anything to come from it, and then obviously this happens. So, that was more than expected. Then you think you’ll be playing somewhere like the O2, then it’s Wembley Stadium two nights in a row, so it’s a little more than expected. Then on the catering, you expect chips and burgers and then it’s lamb shank with a dauphinois red wine jus. Everything exceeded every expectation. Including P!NK herself.”

With clear admiration and gratitude, Stars continues: “That saying ‘never meet your heroes’ – whoever came up with that had shite heroes! She’s a total hero of mine, and I know the lads genuinely love her and appreciate her as an artist. She was extremely inspirational in every single way. It really is a testament to her as a person, and an artist, and her whole team – putting on a band like us, a completely unknown band in comparison. I think other artists of her level should take a leaf out of that book because otherwise noone’s gonna have a chance. And we feel like we’ve been given this wonderful chance.”

Again, Stars’ and the band’s genuine emotion and love for what they do shines through. They’re clearly not taking anything for granted and relish every opportunity they get to spread the word about BBR, perform around the world, and recruit new members of the ‘BBRMY’. Their love for each other and closeness as a unit is also explicitly evident; they seem completely at ease with each other; totally on the same page, and frequently breaking out into little giggles either at each other or the various interruptions we have throughout the interview (the fire alarm and support bands’ vocal warm-ups only adding to the fun). 

With them now having shared a stage with one of the most famous women in the industry, I ask the band what they think of the representation of women in music generally. “I think it’s progressing”, Stars begins, “And quite rightly so. Just like anything else in the world, the more awareness there is about it – the more conversations we have, and the more open-minded we are – the more change will happen. And I think this change has started to happen. We’re starting to have more of these conversations; whether it’s the 50/50 split on festival line-ups, or even tragic things that shouldn’t have to be campaigns like the ‘Me Too’ movement. They shouldn’t have to be a thing, but shed light on the way women in general are treated.”

And on the labels women are so often heaped under, Stars laments: “I think we’re at a stage where people are starting to hopefully not focus too hard on ‘female fronted’ as a label. I hate that so so much – my vagina’s nothing to do with it! It’s not ‘female fronted’, it’s ‘me’ fronted! I think we’re getting there. We just need to have more conversations like this.”

It’s evident that the rest of the band are in agreement too, as Richard adds: “I think the best thing we’ve seen is women now finding the confidence to say ‘actually you can’t say that to me. You can’t do that to me‘”. In other words, Stars clarifies: “We’re not taking any more shit!

However, Stars does have some concerns about certain measures being put into place to promote ‘equality’. “The 50/50 split does kind of worry me. I wanna be on a line-up for a festival because I’m good enough, not because I’ve ticked a box. Not because there’s a space for my vagina! It would have to be a pretty big space… I take up two seats. I don’t want to be a statistic on your fucking spreadsheet. I’m here because I’m good enough.” 

She has a valid point. These measures are of course positive steps, but what’s key is the awareness of the issue, and the importance of female/non binary artists being given as many opportunities as their male peers. “I think we just need to come up with more ideas, because it’s working and I’m seeing more bands with a strong female presence, and that’s because of this, and soon I won’t have to say a ‘female band’, that’s the dream for me… Just stop calling me a ‘female fronted’ band!” Stars’ passion fills the room; her assertive and vibrant nature is something that I truly admire, and wish I had more of. She’s a force to be reckoned with, an essential strong presence in today’s industry.

So, it is not surprising that when asked about sexist attitudes she’s come across directly, her initial response is: “I think the majority of people wouldn’t fucking dare! I don’t know if you’ve noticed, but I’ll just tell you what I think.” (I have noticed, and it is one of the things I love most about her).

“Yeah, I’ve experienced little things – it’s hard to compile just one experience. But there are always things that make you go ‘Oh, you said that because you’re a man… At a show abroad recently, I was getting interviewed and the guy was like ‘how do your band feel about a woman fronting them?’ … I was like ‘they probably feel pretty fuckin’ lucky. Next question’… And then he continued ‘how does it feel to be female in a band in a man’s world?’ – I was like ‘what is this?! Am I being Punkd?!'” So, yes, even the strongest and most outspoken of us experience sexism from ignorant men in the industry… “There are so many other interesting things to talk about… Why are we talking about my tits?!

And it’s clear this wasn’t a stand-alone incident, as Richard adds: “And a bloke the other day said he’d wank over Stars. He even said it twice, for effect.” Stars continues: “Yeah, he said it like it was a compliment, like I should be flattered. I was like ‘why are we having this conversation?!’ If I could get away with breaking someone’s nose, I’d have broke his nose. Obviously I don’t condone violence though… Piss off!

My admiration for Stars only continues to grow, as I secretly wish she had broken that guy’s nose…

So, onto subjects other than being in a ‘female fronted band’…

It’s with evident excitement that the band talk about their upcoming debut album, which is out this Friday, 1st November. “We had the release pushed back a couple of times due to various things, like the P!NK tour and Example song“, Richard explains, “And us all just being total perfectionists… But we’re finally in a position when it’s ready.

We’re itching to get it out“, Stars adds, “It’s a compilation of songs that we’re so excited about. It’s our life’s work versus recent work, showing the journey of us as musicians, and how we’ve progressed.”

I just think it’s a really good introduction to what we deliver” Richard continues, “It varies from different sorts of vibes. It’s got funkier tracks, heavier ones, and then more mellow ballads, like my personal favourite ‘Beautiful World‘.”

“It includes songs we’ve recorded all over the world“, Stars explains, “From songs we recorded a few years ago, to one we recorded in March of this year. It really does span a long amount of time and distance – from NY and LA, to Birmingham, London and Doncaster.

This distinctive, yet eclectic, sound is a Bang Bang Romeo trademark, as I witness at the gig that follows – from head-banging, fist-clenching heavy rock moments, to lighters (phones) in the air emotional pop ballads. Their versatility, all held together by the immense power of Stars’ vocals, her unique charisma, and the band’s consistently tight musicality, is another element that I think contributes to their widespread and ever-growing fan base.

And, yet again highlighting their closeness as a band, Stars explains how all the songwriting is completely collaborative: “In terms of lyrics, me and Ross will write the songs, then when we take the bones into the studio, it’s all very hands on in how we want it to sound. We all help each other out with everything, we’re strangely in tune with each other, and have the same kind of vision. We all trust each other completely, and want each other to be completely happy.

One of our favourite things to do“, Ross adds, “is just being in the studio, throwing ideas around. With ‘Beautiful World’, for example, Stars went in to do a vocal on it, and just went off on a tangent of crazy vocals. We were all hugging each other, and she had no idea what was going on – it was perfect. There are loads of little beautiful moments. So, hopefully people will listen to the album and get those too.

It seems, with the tour and album, that Bang Bang Romeo are pretty busy and couldn’t possibly fit in anything else for the rest of the year, but they’re not stopping there…

We have got a few announcements coming up. A few Christmas shows we’re playing and announcements for next year…” Richard assures me.

Even though our debut album will have just come out”, Stars adds, “we are going straight back into the studio to record album number two… Sitting on our hands and doing nothing is just not an option. Not just financially, but we just don’t wanna do anything else… This is life. We are often talking ’til midnight, and then will be back on the phone at 8am. Not a day goes by when we don’t speak.”

And it shows. Bang Bang Romeo are clearly as tight personally as they are musically. There will be no stopping them as they continue to blast into our ears and minds, expanding their ‘BBRMY’ and creating powerful, empowering anthems. With the incredible raw force of Stars at the helm, they’re unlike any other band around; their music, and all they stand for, is truly admirable. It was an honour not only to meet them, but to continue to have my mind blown by their colossal live show once again.

A Heartbreaker’s Guide To The Galaxy, the upcoming debut album from Bang Bang Romeo, is out 1st November.

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

PLAYLIST: October 2019

Our ears have been flooded with new music over the last few weeks, and our October playlist is an eclectic reflection of the artists who have been giving us goosebumps. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist link at the bottom of the page…

 

ILL – ‘Kick Him Out The Disco’
We’re all in agreement at GIHE that ILL’s new track is a GRADE. A. BANGER! These grrrls blend the best bits of punk, noise, and electronics to create cathartic anthems about standing up for yourself and not letting the bastards grind you down. ‘Kick Him Out The Disco’ is a “glittered middle finger” to anyone who’s tried to manipulate you, or to anyone who made you question your self worth. (Kate Crudgington)

Peggy Sue – ‘Motorcade’
Taken from their upcoming album Vices (set for release February 2020), Peggy Sue’s new single ‘Motorcade’ flows with the pair’s distinctive rich vocals as it interweaves lilting ’60s inspired melodies and a ’90s garage scuzz. Inspired by feelings of being honest with yourself when ending a relationship, luscious harmonies float along a bright, uplifting soundscape, building with a shimmering energy to create a magnificently more-ish offering. (Mari Lane)

Grizzly Coast – ‘High Functioning’
A GIHE Team favourite, ‘High Functioning’ by Grizzly Coast is a track that has got firmly into my head. It’s all about holding your life together in every place, but your own head. Of the track, Grizzly Coast explains: “I was going through a difficult time with my OCD choosing to power forward and work towards my goals”, she found the purpose and drive to stay confident through it all. And we are very thankful for that, ‘High Functioning’ is a total tune, keep up the great work Grizzly Coast, we’re behind you 100%! (Tash Walker)

Poolblood – ‘Dreamer’
Recently signed to Shamir’s label (Accidental Popstar Records), newcomer Poolblood describes their sound as one that evokes feelings of “crying, dancing, teen movies and nostalgia”. If that’s not enough to make you listen to ‘Dreamer’, I don’t know what is. (KC)

Superglu – ‘Forever Endeavour’
After a two year hiatus, long time faves Superglu are back with this new single. Oozing the band’s trademark buoyant energy, ‘Forever Endeavour’ is filled with a gentle sentimentality that we may not have heard in previous releases, creating an instantly uplifting and immensely infectious indie-pop anthem. (ML)

Rosa Bordallo – ‘Citadel’
‘Citadel’ by Chamoru-American indie artist Rosa Bordallo is all about Capitalist vultures in the concrete jungle, showcasing her riot grrrl influences. It’s a “balls-to-the-wall angry eff-you to the 1 percenters who suck us dry, written out of frustration with the myth of New York (“if you can make it here, you can make it anywhere”) that attracts bright and ambitious folk who may not realize what they’re getting into until it’s too late”. ‘Citadel’ is the second single from her recent solo debut album Reef Walker. (TW)

Jemma Freeman and the Cosmic Something – ‘Keytar (I Was Busy)’
Inspired by a frayed childhood and fractured memories, ‘Keytar (I Was Busy)’ oozes the distinctive soaring majesty of Jemma’s vocals and swirling, twinkling hooks, creating a colourful slice of psychedelia, filled with raw emotion and an energised electro twist.’Keytar (I Was Busy)’ is taken from JFATC’s new album Oh Really, What’s That Then?, out now via Trapped Animal Records and Cargo Records. (ML)

Kim Gordon – ‘Murdered Out’
Music icon Kim Gordon released her first solo album this month, No Home Record, and it’s a raw, gritty, artistic affair. Her inimitable voice and talent for experimentation shine through on this record, and ‘Murdered Out’ is my favourite track. I was lucky enough to pick up a signed copy from her in person at Rough Trade East (I tried very hard not to nerd out, but I 100% did) (KC)

Shari Vari – New York City
I cannot get enough of the Hamburg based alt-electro/punk/producersShari Vari. Their debut album, Now, out via Malka Tuti is packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverbs and cinematic crescendos. What can I say, I’m hooked. (TW)

The Leaf Library – ‘Hissing Waves’
‘Hissing Waves’ is the latest single from The Leaf Library, taken from their new album which is set for release on 25th October via Where It’s At Is Where You Are. This, their first single from the album is in their words “the most pop the band have ever sounded”, skipping inside-esque electronics, and looping verses; I’m enjoying the feeling of elasticity in its sound. (TW)

Hinako Omori – ‘Auraelia’
Influenced by the pain and blurred vision she experienced from multiple migraines, London-based Japanese artist Hinako Omorio has transformed her ailments in to intriguing electronic tunes. ‘Auraelia’ is the title track from her debut EP, which is set for release on 22nd November via Injazero Records. (KC)

POLIÇA – ‘Driving’
POLIÇA are set to release their new album When We Stay Alive in January 2020, and ‘Driving’ is the first track to be lifted from it. Vocalist/synth player Channy Leaneagh explains the context of the new single far more eloquently than I can: “Laying in bed, as I healed from a 10 foot fall of carelessness with my life, I would dream of running in green grass and tears would pour from my eyes – Running in the tall tear grass; imagine wanting life and the want remains – That is a feeling to hold onto; that life is worth living even when all the towers are crumbling and this goes beyond my own little accident but the world around me. Following the crone into the sinking ship and having the chance to return without a shadow. Drive on, Drive on. A second chance you won’t forget”. (KC)

Baby Taylah – ‘Reclaim’
My choices for the October Playlist would not be complete without a heavy helping of pop electronica, which you know I love oh so much. This time it comes from Scottish Baby Taylah, with her debut single ‘Reclaim’. It’s big, it’s bold and it’s a banger! There’s only one way this track should be played, and that’s LOUD. (TW)

Audrey – ‘Paper’
New Jersey based singer-songwriter Audrey has dropped ‘Paper’ her latest single, which is nothing short of a soulful, trap-tinged record, hitting hard with 808s and heavy bass. The accompanying video is equally as cool, with nods to her Korean heritage. (TW)

Bang Bang Romeo (feat Example)- ‘Love Yourself’
An empowering ode to self love, this new single from northern powerhouse Bang Bang Romeo showcases the immense soulful power of front woman Stars’ vocals perfectly. Having completely blown my mind at Cro Cro Land earlier this year, I was thrilled to catch them live again at Omeara. (ML)

Foundlings – ‘I Love You All’
A cover of the original, taken from the 2014 Lenny Abrahamson film Frank, Foundlings’ new single ‘I Love You All’ flows with jangly hooks and luscious vocals, creating an uplifting slice of fuzz-filled indie pop, showcasing all there is to love about them. (ML)

Moor Mother – ‘The Myth Hold Weight’
Philadelphia-based artist, poet, and musician Camae Ayewa – aka Moor Mother – has shared this track from her upcoming album Analog Fluids of Sonic Black Holes, which is set for release via Don Giovanni Records on 8th November. Described as a “dystopian freestyle poem touching on past, present, and future trauma”, the calmness in her voice as she speaks her heavy truths is remarkable. (KC)

Kate Tempest – ‘People’s Faces’
The new album from Kate Tempest, as with all her albums, is a heart-wrenchingly poignant and mind blowingly powerful collection about the state of the world today. ‘People’s Faces’ is just completely spot on and showcases Tempest’s unique poetic skill at creating relevant and hugely emotive social narratives. As she laments “My country’s coming apart/ The whole thing’s becoming such a bumbling farce…”, she offers a glimmer of hope: “There is so much peace to be found in people’s faces”. Heartbreaking perfection. (ML)

Happy Birthday Us: GIHE Turns Two!

To mark two years since the birth of our baby website, we’ve decided to look back at a few of our personal highlights of the last 24 months. From fantastic gigs and memorable interviews, to informative guest blogs and the return of some of our favourite bands, it’s been amazing getting to share what we’re passionate about on our little platform.

So, we’d also like to take this opportunity to thank all who’ve supported us on this journey – to all the wonderful bands and artists who inspire us every day, and anyone who takes time to read/listen to us and spread the word about what we do. We’re super grateful for you all, and could not have done this without you! Here’s to the next two years and more, continuing to do as much as possible to promote and support female/non binary/LGBTQ+ people in new music.

Have a read about some of our highlights of the last couple of years, and listen to our special birthday playlist below…

Guest Blog: Dream Nails’ Janey – “What It Means To Be A Punk Witch”
One of the first ever posts to go up on the website, it was a real honour to have Janey from faves Dream Nails share with us what it means to be a punk witch; discussing the importance of sisterhood, feminism and direct action, and the need for women and non-binary people to come together in safe spaces. All things that we hold with great regard here at Get In Her Ears. Talking about the catharsis of channelling “the instinctive, magic energy of womanhood together”, reading this highlights just how necessary and powerful voices such as Janey’s are at times like this; why we need bands like Dream Nails more than ever – groups willing to combine activism and music to form a unifying force against the patriarchy.
– Mari Lane

Get In Her Ears w/ Big Joanie
It’s hard to pick favourites when it comes to guests we’ve booked for our radio show, but when Steph & Estella from punk band Big Joanie agreed to come in to the studio for a chat, I was genuinely excited. Their knowledge and experience surrounding the DIY music scene and intersectional feminism is so fascinating and so vital. The work they do on and off stage is incredible, so I’m glad we could support them on our platform.
– Kate Crudgington

Having Steph & Estella from Big Joanie as guests on the radio show was definitely a highlight for me! We barely needed to ask a question; as Kate says, they spoke with such knowledge and experience surrounding the DIY music scene and intersectional feminism, it was an honour to listen to what they were saying. And their music’s not too bad either…!
– Tash Walker

Get In Her Ears Live @ The Finsbury w/ ARXX
To celebrate International Women’s Day this year, we invited one of our most favourite bands to headline for us at The Finsbury. And what better way to celebrate womanhood than with the utterly phenomenal, ferocious force of the magnificent ARXX. Joined by the fun-filled empowering energy of The Baby Seals, the fierce post-punk of Scrounge and the twinkling soundscapes of Rainbow Corp, it was a truly special night; one which left me feeling all the feels and incredibly grateful for being able to do what we do.
– Mari

Introducing Interview: Helga
I really enjoyed interviewing Helga both because I love her music but also because it’s so important to us at Get In Her Ears to champion the artists we believe in. Publishing interviews, reviews and guest blogs from womxn and non-binary people across the music industry is what we’re about, and will always be about for all the years to come!
– Tash

Interview: Teri Gender Bender from Le Butcherettes 
I only discovered Le Butcherettes after they released their fourth album bi/MENTAL earlier this year – I must’ve been living under a rock. Shame on me! I saw them live at Moth Club and I was blown away by front-woman Teri Gender Bender’s formidable voice and captivating performance style. When I called her for a chat, I was worried my fan-girling would get in the way of my journalistic interests in her music, but luckily for me, she was incredibly friendly, charming and funny.
– Kate

LIVE (Photos): Cro Cro Land (Part 1) (Part 2)
As a fairly new Croydon resident, it was a real honour to be asked to help with the inaugural Cro Cro Land festival this year by friend and all round wonder woman Angela Martin (of Bugeye). A festival which ensures gender balance across the board – not only with those performing, but with all crew and staff behind the scenes – it was a fantastic day filled with incredible music from both widely known bands such as The Lovely Eggs, Nova Twins and Bang Bang Romeo, and personal favourites like Chorusgirl, Fightmilk and ARXX. Being able to be a part of it, and DJ on the day, was such a wonderful and informative experience, and we can’t wait for Cro Cro Land 2020… !
– Mari 

Playlist: 50 Years Of Pride
Supporting LGBTQ+ rights is at the core of what we do at Get In Her Ears 365 days a year. I’m so proud to be part of an organisation which takes the time to acknowledge this throughout everything we do, from gender neutral toilets at our gigs, to standing up in defence of LGBTQ+ equality. Our 50 Years of Pride playlist is a culmination of everything we believe in and represent, and a great way both to celebrate and take stock of what still needs to be done in the ongoing fight for equality for everyone.
– Tash

Get In Her Ears w/ ESYA
It’s an understatement to say that us GIHE girls were thrilled when ESYA (Ayse Hassan of Savages, Kite Base, 180 db) agreed to come into the Hoxton Radio show for a chat with us. There were a LOT of capital letters used in our group chat on WhatsApp. I’d seen her live and interviewed her at her gig at The Glove That Fits earlier in the year, and I was so happy to discover she rates Gazelle Twin’s music as highly as I do. Her attitude to going solo, and her general work ethic, are truly admirable. ESYA is proof that it doesn’t matter what level you’re at in the industry, doing things for yourself is a positive and honest way of working (even when you’re snowed under with emails/EP orders/life).
– Kate

Track Of The Day: Chorusgirl – ‘No Goodbye’
Three years after the release of their self-titled debut, GIHE faves Chorusgirl last year shared their poignant second album Shimmer and Spin via DIY label Reckless Yes. The return of a favourite band after a bit of a hiatus is always pretty exciting, but there was something particularly special about Chorusgirl’s come back. Chronicling a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news, the album was the result of immense hard work and dedication from Silvi and co. ‘No Goodbye’ was the perfect introduction to the collection: a truly dreamy slice of scuzzy, sparkling garage-pop showcasing all there is to love about this band.
– Mari

Guest Blog: Grapefruit
I really loved this piece from Grapefruit’s Angela as part of our Guest Blog series. She chose to focus on what it means to take claim of being a woman in the music industry – it’s a great read! They also played a fantastic set for us at one of our Notting Hill Arts Club gigs, great music and great minds.
– Tash

EP: Petty Phase – ‘Petty Phase’
I love that our GIHE platform has allowed us to reach some of our established favourite artists but at its core, it’s about providing coverage for new musicians who deserve to be heard by all of our listeners/readers. Petty Phase are an Essex Riot Grrrl band who I’ve happily promoted over the last fews years on our website, and there are plenty more hard-working bands out there who are worthy of your/our attention too.
– Kate

LIVE: Indietracks Festival (Part 1) (Part 2)
With our ongoing disappointment at the lack of diversity on the majority of mainstream festival line-ups, I was particularly excited to have found out about Indietracks Festival last year – one that refreshingly, consistently, champions DIY bands and artists of all genders and genres. And it exceeded all expectations. With highlights including Sacred Paws, Colour Me Wednesday, Happy Accidents, Sink Ya Teeth and Ghum, it was so wonderful to be a part of. Indietracks is truly like a different world; a safe, joy-filled world, and one jam-packed with all the best music.
– Mari

LIVE: Hilary Woods, St Pancras Old Church
I’ve just re-read my live review of Hilary Woods’ performance at St Pancras Old Church from 2018, and it’s clear I was an emotional wreck during her show, and afterwards too. What a wonderful thing though – to be so moved by someone’s music that you hammer out 500 words about how insane you are.
– Kate

Get In Her Ears w/ Bengi Unsal
A radio show highlight for me was interviewing the Southbank Centre’s Senior Contemporary Music Programmer Bengi Unsal. She gave great insight to the work that she’s done at the Southbank Centre and throughout her career, including curating several Meltdown festivals, and the championing of electronic and world music.
– Tash

GIHE Behind The Scenes: Southbank Centre’s Alex & Phoebe
A recent feature we’ve started for the website, our behind the scenes feature focusses on all those amazing womxn working hard behind the scenes in the industry. It was a real honour to get to chat to Alex and Phoebe, the PR team behind promoting all the amazing events at my favourite space in London, Southbank Centre, for the first in the series. It was wonderful to find out about all the hard work they do, their dedication to accessibility and inclusivity, and all the Southbank Centre does for London’s culture.
– Mari 

Have a listen to our special birthday highlights playlist here:

 

Mari Lane / @marimindles
Tash Walker / @maudeandtrevor

Kate Crudgington / @kcbobcut 

Photo Credit: Jon Mo / @jonmophoto

LIVE (Photos): Cro Cro Land, 06.04.19 (Part 2)

Last weekend saw the launch of Croydon’s brand new festival, Cro Cro Land. Organised by Croydon residents Angela Martin and Julia Woollams, the festival aimed to promote gender equality in both its line-up and staff, whilst championing a number of local bands and artists, and working in conjunction with a number of grassroots organisations and charities, including Lives Not Knives.

And what a festival it was! Paying host to SO MANY incredible bands, it was not only a day filled with all the best live music, but also a completely unmatched sense of community spirit and united joy at being part of the DIY scene. As well as all the superb bands playing on the day, we bumped into so many other bands and artists there to support their peers, as well as other key members from the community, such as Caffy from The Zine UK and staff from Croydon’s best pub, The Oval Tavern. It was like a huge family gathering, filled with all the most life-affirming vibes and, of course, the best live music.

Check out Part 1 of our review of the day here. And here’s some more fantastic photos from Jon Mo and Jamie MacMillan, who were there to capture all the action…

Following Bugeye’s impressive set, we stick around at the main Town Square stage to catch the festival’s ‘secret’ headliner – Liverpool’s She Drew The Gun. Kicking off with the politically-driven power of ‘Resister’, they treat us to an immense and utterly immersive set filled with a sincere, empowering energy.

Photo Credit: Jamie MacMillian

Photo Credit: Jamie MacMillan

Continuing the incredible performances at the Town Square stage, South Yorkshire’s Bang Bang Romeo blast into our eyes and ears with a magnificent energy. As front woman Stars completely blows my mind with her incredible compelling charisma and the soaring soulful power of her vocals, they deliver a truly breathtaking and instantly memorable set, taking full control of the huge crowd.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

Rather nervous about some of my favourite bands clashing (it’s just such a perfect line-up!), I manage to fit in at least some of all the ones I’m desperate to see over the next hour – flitting between the Concrete Playground and Town Square…

From Bang Bang Romeo, I catch a good chunk of the luscious, punk-infused indie-pop of Fightmilk. With their wonderfully raucous energy, they never fail to uplift, as I find myself singing along to each of their dreamily catchy offerings – including personal highlight ‘Dream Phone’ (and yes, sadly I am old enough to remember the game!).

Photo Credit: Jon Mo

Photo Credit: Jamie MacMillan

Dashing back to the Town Square in time to catch South London duo Nova Twins, they once again succeed in completely taking my breath away with their ferocious power and biting energy. Having been following Georgia and Amy for some time now, it’s no surprise to see them achieving the success they have been (supporting Wolf Alice and Prophets Of Rage, praise from the likes of Iggy Pop, playing festivals across the world…); their truly immense, seething offerings are like nothing else I’ve heard before, and the vibrant, mighty force of their live show remains completely unmatched.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

Back at the Concrete Playground, total faves Chorusgirl do not disappoint. Another band I’ve been following for the last few years, it really is wonderful to see them develop their sound, with their incredible dedication to their craft paying off with the release of last year’s truly epic second album Shimmer and Spin. A set filled with a joyous energy and front woman Silvi’s endearing modest charm, I just can’t get enough of their scuzzy, sparkling garage-rock, and may even have shed a tear upon hearing personal favourite ‘Stuck’ live for the first time; a poignant offering from the new album, that tugs at the heartstrings in all the right ways.

Photo Credit: Jamie MacMillan

Photo Credit: Jamie MacMillan

I manage to get back to the Town Square just in time to catch The Lovely Eggs. Despite a significant amp explosion moments before they’re due to start, the Lancaster duo deliver their immense punk-infused sonic fusions to perfection. With the brash, inspiring charisma and no-frills-yet-empowering presence of Holly Ross, they blast out a swirling, psychedelic cacophony and uplifting lo-fi fuzz. And, with their blunt realism and scathing retorts to all the dickheads in the world accompanying their riotous frenzied energy, they remain one of the most relevant bands around (and one of the most exciting to see live).

Photo Credit: Jamie MacMillan

Photo Credit: Jon Mo

Closing the incredible day, Blood Red Shoes deliver a headline set filled with raucous anthems new and old. Oozing their trademark whirring riffs, thrashing beats and the immense, energy-fuelled interplay between Laura Mary and Steven, they fill the room with a mass of buoyant bodies, singing along to each electrifying offering.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

HUGE thanks to Angela and Julia for organising one of the best days ever; and here’s to Cro Cro Land 2020!

Photos:
Jon Mo / @jonmophoto
Jamie MacMillan / @jamiemacphotos

Words:
Mari Lane / @marimindles