Track Of The Day: Bas Jan – ‘Sex Cult’

Having released their new album, Baby You Know, today, London experimental collective Bas Jan (founded by Serafina Steer and featuring members of Jenny Moore’s Mystic Business and Jarv Is) have previously received acclaim from the likes of Marc Riley at BBC 6Music and Mojo Magazine, and charmed crowds at festivals such as Green Man and Doune The Rabbit Hole.

To celebrate the new album’s release, the band have shared a striking new video for lead single ‘Sex Cult‘. Reflecting on society’s attitude towards polygamy and dating apps, the track offers a glistening cacophony propelled by a quirky energy and captivating allure. Flowing with jangling hooks and flourishing harmonies, it radiates a celestial joy as crystalline voices come together in unity to create a soundscape that sparkles with a vibrant euphoria.

Directed by Jack Barraclough, and with costumes/collages by Andrew Kerr, you can watch the colourful new video here:

Baby You Know, the new album from Bas Jan, is out now via Lost Map Records.

Mari Lane
@marimindles

PLAYLIST: January 2022

New year, new playlist! The Get In Her Ears team have put together an eclectic mix of indie anthems, guitar tunes, alt-pop tracks & immersive electronic sounds for your listening pleasure. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Ronnie Spector – ‘She Talks To Rainbows’
Hearing news of Ronnie Spector’s passing last week hit hard. A truly innovative musical icon, she inspired generations of women in music, whilst The Ronnettes were one of the first ‘girl groups’ to receive worldwide acclaim. Sadly also famous for being a survivor of serious physical and psychological abuse from her husband of six years, producer Phil Spector, I think it’s important we remember Ronnie for the incredible musical gifts she’s left us with. I just love the sparkling, soulful splendour and whimsical grace of this lesser known beauty, ‘She Talks To Rainbows’. (Mari Lane)

Girl Ray – ‘Murder on the Dance Floor’
Girl Ray’s cover of this 2001 classic by Sophie Ellis-Bextor… Need. I. Say. More. (Tash Walker)

Bas Jan – ‘Sex Cult’
The latest single from London experimental collective Bas Jan (founded by Serafina Steer and featuring members of Jenny Moore’s Mystic Business and Jarv Is), ‘Sex Cult’ offers a glistening cacophony propelled by a quirky energy and captivating allure. Reflecting on society’s attitude towards polygamy, it radiates a celestial joy as crystalline voices come together in unity to create something quite euphoric. Baby You Know, the new album from Bas Jan, is out 28th January via Lost Map Records. (ML)

ML Buch – ‘I’m a Girl You can Hold IRL’
This song is taken from Danish electro-pop musician ML Buch’s album Skinned which came out in 2020, but I spent a lot of the winter break listening to it so thought I’d share it with you all in 2022. I love its futuristic techno electro tones and all the FEELINGS. (TW)

SEA CHANGE – ‘Is There Anybody There’
Created during a time of intense loneliness during the middle of lockdown, this atmospheric offering from Norwegian producer Sea Change gives me goosebumps. Blossoming from a place of empathy, it’s one of many evocative tunes that feature on her upcoming album, Mutual Dreaming, which is set for release on 11th February via Shapes Recordings. (Kate Crudgington)

Brimheim – ‘This Week’s Laundry’
A stirring, intricately observed guitar tune about trying to cultivate a “normal” routine during a time of deep vulnerability, I love this single from Danish alt-pop artist Brimheim. Taken from her upcoming album, can’t hate myself into a different shape, which is set for release on 28th January via W.A.S Entertainment, the track flows with her tender vocals and confessional lyrics, which chime with relatable melancholy. I had the pleasure of interviewing Brimheim about her new record and her love for Queen Avril Lavigne earlier this month. Read our chat here. (KC)

Midwife – ‘2020’
This is a gloomy (but great) track about the year we’d all rather forget: 2020. Taken from Midwife aka Madeline Johnston’s third album Luminol, which was written & produced during quarantine last year, ‘2020’ is her cover of The Offspring’s 1997 track ‘Gone Away’, which I didn’t know until the person who recommended Midwife to me sent me a link to the original song. I know she’s been around a while, but I’m newly obsessed with this track & her album.  (KC)

Wu-Lu – ‘Times’
My new obsession, I recently came across South London multi-instrumentalist and producer Wu-Lu courtesy of Mary-Anne Hobbs on BBC 6Music. Creating a wonderfully eclectic smorgasbord of immense sounds, I just love how Wu-Lu manages to fuse together dark, Deftones-esque punk with a gritty, hip-hop inspired edge. I cannot stop listening to this track right now, which features drums by Black Midi’s Morgan Simpson. (ML)

Pearly – ‘Silver Behind The Mirror’
An agitated, sultry dose of cinematic heavy rock, I’m a big fan of this single by Ohio-based trio Pearly. Taken from their upcoming album Silver of The Mirror, which is set for release on 11th February via Eto Ano Recordings, the track is a smouldering slice of “stoner rock” that heaves with heady desire. (KC)

SASAMI – ‘Say It’
This industrial-tinged “rage dance anthem” from SASAMI is 100% a bit of me. Taken from her upcoming album Squeeze, which is set for release on 25th February via Domino, SASAMI explains: “I feel like when I hear this song I see a hot femme with a mystical flamethrower engulfed in emotional blue flames throwing elbows alone in an industrial dance club in outer space.” Mate, same. (KC)

HALINA RICE – ‘Sunken Suns’
What do I love more than dreamy songs full of feelings? The answer is obscure electronica! My latest listen comes from London-based artist Halina Rice, as part of a new project where she is embarking on creating new worlds in her music. Of this track Halina explains, “I wanted to create something dark and strange and emotive. The track emerged after days spent generating sounds through synths and noise generators. I put a mass of effects on the sampled vocals and they seemed to develop a life of their own – like a half-heard transmission from another world.” LOVE IT. (TW)

Gemini Aaliyah – ‘Moonrise’
Leeds-based artist Gemini Aaliyah says her single ‘Moonrise’ is the beginning of her “fucked up fairy tale where the ghetto meets the goth girl,” and that’s something I’d like to openly support. She channels her angst through yearning vocals and brooding beats, finding solace in the idea of re-birth and reinvention through her lyrics. Gemini Aaliyah will be playing at Drown U Out Festival at Leeds University Union on 19th February, alongside two of my other favourites Ho99o9 and Bob Vylan. (KC)

Queen Cult – ‘Calm’
Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger’ and support for their resonant latest single ‘A Song About Consent’, Queen Cult’s latest single ‘Calm’ flows with luscious, heartfelt vocals before building to a sweeping, fiercely impassioned proclamation to stand up to the patriarchy. Once again showcasing the Cheshire band’s knack for creating epic pop-rock anthems with a poignant sense of intent, ‘Calm’ cements Queen Cult’s place as definite ones to watch in 2022. The debut EP from Queen Cult is set for release on 28th January. (ML)

Peaness – ‘How I’m Feeling’
Having just announced the release of their debut album, Chester trio Peaness have shared a new taster of what’s to come from the LP. Propelled by uplifting, jangling hooks, latest single ‘How I’m Feeling’ reflects on the feelings of self-loathing and melancholy that can come from being stuck in an unfulfilling job and offers a glistening sense of hope that, with a bit of determination, you can make a positive change. I just can’t get enough of Peaness’ glossy, honey-sweet sounds and sunny, playful energy. World Full Of Worry, the debut album from Peaness, is set for release on 6th May. (ML)

SPRINTS – ‘Little Fix’
Another absolute banger from Dublin four-piece Sprints. Taken from their upcoming EP A Modern Job, which is set for release on 11th March via Nice Swan Records, ‘Little Fix’ is full of powerhouse vocals, crashing drums and racing riffs. The track is inspired by vocalist Karla Chubb’s experience of imposter syndrome, as she explains: “plagued by insecurities, imposter syndrome and gender stereotypes, ‘Little Fix’ is the culmination of all my fears – the, sometimes self-applied pressure that as a woman in music, I can’t just be good, I have to be great.” Even with these anxieties, Karla and her bandmates have created a candid, intensely cathartic offering with this track. (KC)

Worse Off – ‘You Belong Here’
I love this track by excellently named New York pop punk duo Worse Off. They sent me their EP You Win Some, You Lose…A Lot, in December last year and I was headbanging away to their tunes at my desk. Definitely check them out, their EP is up on bandcamp and Spotify. (KC)

Tits Up – ‘Macho Bullshit’
Having released their debut EP Greatest Tits, at the beginning of the month, Liverpool band Tits Up are ready to blast into your lives with their immense riot grrrl inspired energy and unapologetic honesty raging against the patriarchal society in which we live. Fuelled by a frenzied punk spirit, ‘Macho Bullshit’ hits you with its riotous, angst-driven force, offering an empowering statement of intent. (ML)

Bitch – ‘You’re The Man’
Set to release her debut album next month, queer electro-pop artist Bitch prides herself on being “like Joni Mitchell set to a click track… It’s neon pink, in your face, ready to hex you with its brilliance.” Latest single ‘You’re The Man’ exudes a driving, gritty energy as sizzling synths race alongside dense drum-machine beats, creating an empowering reflection on letting go of negative forces and reclaiming your inner voice. Bitch’s perfectly named debut album Bitchcraft is set for release on 4th February via legendary label Kill Rock Stars. (ML)

Combo Chimbita – ‘Yo Me Lo Merezco’
The title of this warm, joyful track from New York-based Latinx quartet Combo Chimbita roughly translates as “I deserve it”. The track and accompanying video are a celebration of self-love, spot-lighting prominent queer and trans performance artists, including Teresa Karolina who stars in the visuals. ‘Yo Me Lo Merezco’ is taken from Combo Chimbita’s upcoming album, IRE, which is set for release on 28th January via ANTI. (KC)

Flamango Bay – ‘LA’
The latest single from San Francisco trio Flamango Bay, ‘LA’ reflects on the band’s recent move to the city. Propelled by sunny, jangling melodies, it’s a dreamy slice of indie-pop that glistens with an irresistible, effervescent charm. The Fool, the upcoming debut EP from Flamango Bay, is set for release on 13th May via 0800-Moshi-Moshi. (ML)

Babeheaven – ‘Don’t Wake Me
This band never disappoint. ‘Don’t Wake Me’ is Babeheaven’s latest gently soothing release. Just lovely. (TW)

KEYAH/BLU – ‘Til Bliss’
This is the latest single by South London rapper KEYAH/BLU who I would encourage you all to go and check out if you aren’t familiar with already. (TW)

Skylu – ‘Foreign Concept’
A tune for the stolen hours, this is the debut single from Skylu, whose voice you may recognise from Bamboo Smoke. (TW)

Lucy Barton – ‘Starlight’
The latest single from singer-songwriter Lucy Barton, ‘Starlight’ offers a sparkling reflection on gaining awareness of our self-crippling subconscious thoughts. With a subtle immersive power, the track speaks of breaking free from this internal narration, allowing us to discover the beauty that exists in life. I’m a big fan of Barton’s soaring, glitchy musicality and emotion-strewn honey-sweet vocals, and can’t wait to hear more from her. (ML)

Carmel Smickersgill – ‘Questioning’
The latest single from modern classical artist Carmel Smickersgill, ‘Questioning’ offers a truly captivating and uniquely intriguing soundscape. Mentored by acclaimed musician Anna Meredith, Smickersgill prides herself on creating immersive ‘outsider pop’, and I just love this track’s whirring grace and celestial, ethereal energy, reminiscent of GIHE fave Jenny Hval. Smickersgill is releasing her debut EP in April. (ML)

Novaa – ‘You Can F With Me’
‘You Can F With Me’ by Berlin based alt-pop singer-songwriter Novaa is taken from her forthcoming album due in early 2022. This is a song about the things that people asked and told her as a victim of sexual abuse and rape. Love and solidarity to anyone who relates to that track and remember that the best thing you can ever do for anyone who has been a victim, is to listen, be kind and give them space and support to heal. (TW)

Zannie – ‘Mechanical Bull’
This is the latest single from New York-based songwriter Zannie, who’s recently signed to iconic riot grrrl label Kill Rock Stars. They remind me a little bit of Phoebe Bridgers on this track and I’m excited to hear more from them this year. (KC)

PLAYLIST: August 2021

The GIHE team have unearthed some more new music gems for you to listen to on our August Playlist! There’s an eclectic mix of electronic bangers, swirling shoegaze tunes, gritty guitar tracks and alternative alt-pop sounds. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Grandmas House – ‘Golden’
The GIHE team collectively ADORE this single from Bristol queer punk trio Grandmas House. Taken from their upcoming self-titled debut EP, which is set for release on 15th October via Brace Yourself Records, ‘Golden’ is a gritty, thundering reflection on the apathetic outlook of the organisations that profit from the suffering of others. (Kate Crudgington)

ARXX – ‘Not Alone But Not With You’
The latest single from our total faves, ‘Not Alone But Not With You’ continues to cement ARXX as consistently exciting and forever honing their sound to become even more amazing. A gritty, yet reflective, and unapologetically honest offering, I just love this track’s driving emotion and anthemic singalong energy. Another swirling slice of rousing power-pop from the impressive Brighton duo. There’s also a fab Comic Review of this track up now, courtesy of illustrator Sally-Anne Hickman. (Mari Lane)

HighSchool – ‘Sirens’
Full of moody vocals, buzzing bass lines and playful riffs, Melbourne trio HighSchool have shared this sultry lo-fi banger accompanied by a very cool music video. Check out their previous single ‘De Facto‘ too. (KC)

Basement Revolver – ‘Skin’
Inspired by guitarist & vocalist Chrisy Hurn-Morrison’s thoughts and struggles about her own body image, Basement Revolver’s ‘Skin’ is a swirling, reassuring ode to self-acceptance. The track is taken from the band’s upcoming album Embody, which is set for release later this year. (KC)

Slow Crush – ‘Hush’
Hazy guitars, lush vocals and heavy beats combine on this beaut new single from Belgian shoegaze outfit Slow Crush. ‘Hush’ is also the title of their upcoming album, which is set for release on 22nd October via Quiet Panic. (KC)

Lost In Your Mind – ‘Restless’
Dublin-based newcomers Lost In Your Mind have shared this new single today, along with an accompanying video. Inspired by their love of Riot Grrrl, post punk and dark wave, Aoife McMahon, Tracey McEvoy, Elisa Kuhl and Andrea Lambe make music that makes them feel good, and latest single ‘Restless’ does exactly that. (KC)

Berries – ‘The Expert’
The latest single from GIHE faves, London trio Berries, ‘The Expert’ takes down all those patronising know-it-alls with a spiky punk energy. Tackling imposter syndrome with a ferocious, grunge-fuelled drive, Holly Carter’s distinctive sweeping vocals ring out with a rippling power alongside frenzied riffs, showcasing the band’s trademark raw passion. (ML)

Barry – ‘Neolithic Homosex’
Following their eponymous 2019 album, South London based Barry have now shared a new double A-side release. First of the tracks, ‘Neolithic Homosex’, ponders the all-important issue of what gay sex was like in ancient times. Propelled by breezy beats and joyously jangly hooks, whirring keys flow alongside brazen vocals and added cheering hand claps, oozing an uplifting, sunny energy with a fizzing, playful charisma. ‘Neolithic Homosex’, alongside double a-side ‘No More Boys’, is out now. Download from bandcamp. (ML)

Beorma – ‘Her’
I love this track from Birmingham-based duo Beorma. Mixing R&B and indie pop sensibilities with a Prince inspired guitar solo, ‘Her’ is a smooth, melancholy-tinged reflection on absent love. (KC)

Sans Soucis – ‘On Time For Her’
London based artist and one of our faves Sans Soucis has released ‘On Time For Her’ as the lead single from their highly anticipated EP of the same name. Speaking of the track, Sans Soucis says it’s a life changing statement: “It means that I am finally here for myself and I’m ready to seek happiness in life rather than being stuck in my past trauma.” (Tash Walker)

Emma Bradley – ‘I’ll Be Outside’
22 year old Emma Bradley’s ‘I’ll Be Outside’ is a song I find incredibly calming, written about being the person who shows up for yourself. Of the track, she explains “I hope that when people hear my songs, they can feel less alone in their own experiences and also empowered in some way. I think sensitivity gets a bit of a bad reputation, but everything that we feel someone else somewhere has also felt.” (TW)

Bleach Lab – ‘Real Thing’
This Bleach Lab melts me every time I listen to it. Definitely check out their recent EP A Calm Sense Of Surrounding if ‘Real Thing’ makes you a big ball of feelings too. (KC)

Anna B Savage – ‘Since We Broke Up’
Lifted from her upcoming EP These Dreams which is set for release on 24th September via City Slang, Anna B Savage’s latest single ‘Since We Broke Up’ tentatively celebrates the joy she experienced after an emotional break up. If you like the sound of this, you should definitely check out her debut album A Common Turn. (KC)

Aisha Badru – ‘The Way Back Home’
The latest single from Aisha Badru, ‘The Way Back Home’ offers an endearing reflection on relationships and the age-old realisation of “if you love something, set it free”. Propelled by a lilting energy and shimmering grace, it’s a beautifully stirring ballad, with a poignant lyricism swirling throughout. A simply exquisite, evocative creation that’ll soothe the ears with its resplendent, uplifting allure. The Way Back Home, the upcoming EP from Aisha Badru, is set for release on 3rd December. (ML)

Olivia Dean – ‘Slowly’
‘Slowly’ is a lovely piano ballad from Olivia Dean showcasing a different, more intimate side to the London artist. Taken from her recently released EP, Growth. (TW)

Siv Disa – ‘Toxic’ (Britney Spears Cover)
Having recently announced the release of her upcoming debut album, Siv Disa has now shared a wonderfully unique cover of a Britney Spears classic. Propelled by a shimmering musicality and chiming beats, Disa’s rendition of the 2001 anthem oozes its own majestic ethereal haze as the bewitching, sweeping allure of her vocals flows throughout. A beautifully captivating ode to our favourite pop queen. Siv Disa comments on her decision to release this cover: “Now that the abuse of Britney’s conservatorship has been exposed I hope we’re all taking a minute to think about how she was publicly judged ten years ago, and how that played into the nightmare she had to live in. I hope she gets back everything that was taken from her. We love you, Britney!!” (ML)

Alex Loveless – ‘Brixton’
East London based musician Alex Loveless’ new single ‘Brixton’ captures a moment of romantic indecision with its lo-fi beats and strung out vocals. This is Loveless’ first release that features a guitar, which they managed to borrow from a friend. (KC)

BEBELUNA – ‘Drunk’
BEBELUNA is an artist I’ve played before on our radio show and I’ve been following them ever since. This track ‘Drunk’ is a very enjoyable mash up of jungle and electroclash. My only criticism of is that it is TOO SHORT, but there’s nothing wrong with being left wanting for more. (TW)

CREATRX – ‘experience’
Non-binary, LA based rebel CREATRX declares they are “Not a boy / not a girl / baby I’m an experience” on this savage new single. “This song is a reflection of how I view my gender,” CREATRX explains. “I feel that my spirit (and many others) transcends the limited ideas of gender in Western society and this is a song celebrating that – encouraging us all to take up space, explore and push more.” This single is taken from their upcoming EP dirt. honey. glitter. water, which is an exploration of “what it means to be Black, young, ratchet and spiritual” in today’s world. (KC)

DROWND – ‘Sinner’ (KANGA Remix)
I’m a big fan of KANGA’s industrial, pop-tinged sounds and I am obsessed with her remix of DROWND’s new track ‘Sinner’. Full disclosure – DROWND is the new project of my older brother Joe – and I am thrilled that she’s remixed this track for him as he is also a big fan of her work. You can check out the slick visuals for the original track here. (KC)

Nilufer Yanya – ‘Day 7.05093’ (keiyaA Remix)
I can’t get enough of this track with its synthy sizzles, insect tapping beats and of course Nilufer Yanya’s dreamy vocals. So good. Check out their recently released Feeling Lucky? Remix EP out now. (TW)

John Glacier – ‘Icing’
This song comes in at under 2 minutes and leaves me gagging…gasping for more! It comes from elusive East London vocalist John Glacier, taken from her recently released 12-track project SHILOH: Lost For Words. You can all send me your thanks for the recommendation later, but for now enjoy ‘Icing’ because this track is over almost as soon as it starts. (TW)

BABii – ‘Shadow’
As is always my want, I’m going to slip a little bit of UK garage influenced music into this playlist. ‘Shadow’ from BABii nods to those club sounds we’re all desperate to be immersed in right now, with an edge of electronics. (TW)

JOON – ‘Just Can’t Get Enough’ (Depeche Mode Cover)
A cover of the Depeche Mode classic, JOON’s rendition of ‘Just Can’t Get Enough’ offers a playful, twinkling soundscape, whilst maintaining all the colourful energy of the original. Joon is Yasmin Kuymizakis, a Maltese musician and producer who ten years ago survived a life-changing car accident, and since then has seen making music as a necessary part of recovery. She’s recently released her beautiful album Dream Again and is also co-founder of the Maltese Sound Women’s Network – an organisation connecting, supporting, mentoring, promoting and educating women and girls in electronic music and sound. Find out more about her in a recent interview we had with her. (ML)

YAY MARIA ft. Franx – ‘Template’
Having previously captivated our ears as the front person of Grawl!x, Trans and queer artist YAY MARIA has now announced the release of her debut solo album, Oyez. The first of three tracks to be shared from the album, ‘Template’ is an empowering slice of poignant power-pop. Made in collaboration with Nottingham based queer artist and musician Franx, it’s a blissfully euphoric anthem celebrating being your true self in the face of adversity. You can buy ‘Template’ on bandcamp now – and all proceeds are going to the QTIBIPOC Therapy Fund; an initiative of the Radical Therapist Network, to create access for Queer & Trans People of Colour to safe therapeutic spaces & services. (ML)

Jenny Moore’s Mystic Business – ‘He Earns Enough’
Featuring members of Trash Kit, F*Choir and Bamboo, six-piece choral punk ensemble Jenny Moore’s Mystic Business have been captivating our ears for some time. Latest single ‘He Earns Enough’ reflects on shamelessly money-grabbing men who increased their fortunes to the tune of billions during the pandemic, while millions around the world struggled and suffered. As the swirling layers of vocals trickle alongside each other and grow with an empowering energy, a sweeping, celestial splendour is created. And, ending with a sea of voices exclaiming “Enough!” in unison, it perfectly captures the rage and sense of hopelessness of living with the continuing injustices of a patriarchal capitalist society. He Earns Enough, the upcoming new EP from Jenny Moore’s Mystic Business, is set for release 8th October via Lost Map Records. (ML)

Bas Jan – ‘You Have Bewitched Me’
Formed of songwriter, vocalist and multi-instrumentalist Serafina Steer, alongside Rachel Horwood (Trash Kit, Bamboo, Jenny Moore’s Mystic Business), Emma Smith (the Elysian Quartet, Jarv Is, Seamus Fogarty) and Charlie Stock, London experimental collective Bas Jan have now shared their first music in three years. Propelled a swirling ethereal majesty, ‘You Have Bewitched Me‘ offers an effervescent reflection on the mesmerising power of first attraction and new love. With the delicate grace of its sparkling harmonies, ‘You Have Bewitched Me’ showcases the subtle power of crystalline voices coming together in unity to create a truly euphoric soundscape. (ML)

MEI – ‘Let Dusk Welcome Me’
Taken from London artist MEI’s latest EP, ‘Let Dusk Welcome Me’ provides a welcome pool of tranquility. Reflecting on a refreshing evening walk she took after having been ill with COVID, it interweaves a lilting jazz-infused groove and funk-fused beats, rippling with the smooth allure of MEI’s lush, soulful vocals and a gently empowering spirit. The Hard Way Around The Sun, the new EP from MEI, was created with an all-female team and is out now. (ML)

Blonde Maze – ‘Being Pulled’
The latest single from total favourite, New York based artist Blonde Maze, ‘Being Pulled’ is inspired by “the conflicting feelings of wanting to move forward while being pulled backwards by your memories”. Bathing the ears in shimmering ripples of dreamy reflection and oozing a woozy, hypnotic splendour, Amanda’s vocals flow with a blissful haze, creating the perfect soothing tonic. A beautifully calming and delicately uplifting soundtrack that I so desperately need right now. (ML)

Track Of The Day: Bas Jan – ‘You Have Bewitched Me’

Having initially formed back in 2015, London experimental collective Bas Jan was co-founded by songwriter, vocalist and multi-instrumentalist Serafina Steer, and now features Rachel Horwood (Trash Kit, Bamboo, Jenny Moore’s Mystic Business), Emma Smith (the Elysian Quartet, Jarv Is, Seamus Fogarty) and Charlie Stock. Following 2018’s Yes I Jan, the ensemble has now shared their first new music in three years.

Propelled a swirling ethereal majesty, ‘You Have Bewitched Me‘ offers an effervescent reflection on the mesmerising power of first attraction and new love. As steady bass and sweeping strings flow, the track builds with a lilting, twinkling energy to a burst of vibrant colour and heartfelt blissful joy. With the delicate grace of its sparkling harmonies, ‘You Have Bewitched Me’ showcases the subtle power of crystalline voices coming together in unity to create a truly euphoric soundscape. As an eclectic array of shimmering sounds are interwoven with a captivating allure, ‘You Have Bewitched Me’ treats the ears to a beautiful calming cacophony.

Of the formation of the track, Serafina explains:

“It was a result of an Arts Council funded project… For Bas Jan to rehearse and record live at a performance space [Cafe Oto, London] during lockdown in Autumn 2020. It was then mixed by Capitol K at Total Refreshment Centre. ‘You Have Bewitched Me’ marks a new era of collaborative writing as a four-piece – more of which to be revealed soon.”

Watch the new video for ‘You Have Bewitched Me’ here:

‘You Have Bewitched Me’ is out now via Lost Map Records, as part of Lost Map’s PostMap Club monthly subscription service.

Mari Lane
@marimindles