INTERVIEW: Le Butcherettes

When I speak to Teri Gender Bender – front woman of Le Butcherettes – she’s in the van with band mates Alejandra (drums), Rikardo (guitars) and Marfred (bass) on her way to Kansas. Later that evening, the band (who are based in El Paso) are supporting riot grrrls L7 on their current tour, and naturally, Teri is in high spirits. I’m in high spirits too, as I’m talking to the woman who I saw dominate the stage at Hackney’s Moth Club at Le Butcherettes’ headline show a few months ago. Her voice and her presence are a formidable force, and I’m pleased to hear that off stage on the phone, her energy is just as prolific. We talk about the band’s new album bi/MENTAL and their recent support slots with Bikini Kill in LA, and even manage to conjure up a voodoo Beatles collaboration….

Hello Teri! I saw you play with Big Joanie at Moth Club in Hackney a few months ago. Talk me through how that went and how you came discovered them…

I wish I could say that we’re in the know, but I have to give the credit to the show’s promoter. He hooked us up with a great new discovery. They blew my mind, holy shit! They were amazing. Putting that all aside, they’re not just talented – there are many super talented people out there – they’re genuine sweethearts. We shared a dressing room with them and they were very self aware and conscious of space, and we’re the same. We always try not to be a burden, so we were both really shy together, and we bonded over that. It was really sweet you know? “We were like cool, we’re weirdos too, yay! You like pizza, I like pizza!” It worked out beautifully and I saw that they’re playing with Bikini Kill in London soon too, which is fucking awesome.

It is, I’ll be there to watch them! You recently supported Bikini Kill in LA too. Please tell me in as much detail as you can how the gig went…

It was like a dream come true. It felt like winning a Grammy. It was a pretty emotional day as it was, because it was our guitarist Rikardo’s birthday. He was turning the big ’29’ so that was pretty symbolic, it was his birthday and we got to spend it at The Palladium, another great venue that we really love and are big fans of, we’ve seen a lot of great shows there before. And to top that, we were opening up for one of our favourite bands ever. Someone once asked me if you could organise a festival who would you have as the headliner? And I was like “Bikini Kill would be my headliner!” They’re also super sweethearts. They came in to say hello and treated us as their guests, so in that sense it felt like home, very Latino, very welcoming. Some bands are shy, and I know I have been before. But when you get a little older you’re less shy, and you take things less personally. Sometimes people might just be having a bad day and not want to talk you know? I used to take that personally, but the end of the day it’s not about me. Everyone has their own movie going on, you know?

But yeah, Bikini Kill are sweethearts and they were very, very welcoming. Such a breath of fresh air. And their set was amazing, holy shit! They played ‘Double Dare Ya’ ‘Tammy Rae’, ‘Suck My Left One’, ‘Rebel Girl’ of course! They essentially played almost all of their songs off the two records they put out, and the EP that was produced by Ian MacKaye from Fugazi. There were loads of people in the crowd too, I ran in to Henry Rollins, and Juliette Lewis was at the show so it was really cool. There were a lot of people who I would say are usually introverts that came out to go and see them.

That sounds amazing! I can’t wait to see them at Brixton in June. You have a very strong performance style and you seem fearless on stage. Who inspired you as a performer and a front woman?

It’s basically this never-ending love/hate relationship between me and my Mother. I say that because she’s the “real deal” artist of the family, and when I was little she was basically putting her career in theatre on hiatus just to be able to be a stay at home Mum with us. But over the years, she took that out on us. So there was this relationship of “damn, I am guilty because she’s the real deal and she knows it, I know it”, so it’s this angst of me just trying to scream all of that desperation on stage trying to get rid of it. And also to get rid of the wrong-doing that’s been done, you know? For me it’s my therapy.

It helps to have other women Pioneers to open up the past as well, like Alice Bag, Kathleen Hana, Tobi Vale, Karen O and Mon Laferte. Mon Laferte is also fearless off stage. She’s had politicians who want to take pictures with her and she’s been put on the spot by them, and she’s had the guts to be like “I am not going to take a picture with you”. Especially in Mexico, the politics can be very corrupt and messy, so just hanging out with one of them can have you end up on someone’s hit list. So to say no to a Politician is to basically get your name on a hit list. But she’s a badass, she still said no to them and she still continues with her art.

But my Mother, she’s an unlimited source of inspiration. Even though we’re sometimes at one another’s throats.

Congratulations on the release of your third album bi/MENTAL. I read that you felt comfortable working with Producer Jerry Harrison because you were able to be “vulnerable and in-your-face at the same time” – that definitely comes across in the songs on the new record, but can you elaborate on that a little more? Did he leave you to your own devices or did he play a bigger role?

I think it was a combination of everything. When you mentioned about be left to your own devices, that’s something I’m definitely aware of when I’m working with a new producer. When you have your original idea and you’re working with someone new, because it’s always been myself in the past or another member of the band so that there’s always a comfort or a shoulder to lean on, you know? But I felt like it would be great to work with Jerry. He was number one on my list because I’ve always admired his work with Talking Heads, but I’m also a big No Doubt fan, and out of the songs he put out with them, ‘New’ is one of my favourite songs and he produced that.

The fact that he was open to producing for us – and that he’d actually heard of our band – was like “Oh shit, I’m not left to my own devices then!” So from the beginning when we just had a phone call I was shaking! It felt so “Ooooh the mystique!” because we hadn’t met face-to-face before. Then his wife was on the phone and she was great, saying she couldn’t wait for pre-production to begin and she invited me to spend that time with them in their home. They were very welcoming, they had me in their home before we started work in the studio, and I got to see the process of how they live and they welcomed me to be part of their family dinners in the evening. I was living in a home full of love, I felt like the family cat you know? Like when a cat relaxes and their tails gets kinda curly? That’s what I felt like, a relaxed little cat. Being able to relax and explore the songs together and just be part of a family. They had no reason to do that either, it could’ve been all just via email you know?

That’s really generous, and great that you felt relaxed. I know you’re an advocate for being open about mental health, and I think that comes across on the themes and lyrics on your new album. Without being too invasive – are you able to tell me why you think it’s so important to be honest with yourself and with others about your own trauma, and the emotions that come with it?

I think it’s important – at least for me – it’s definitely helped. But some people don’t feel comfortable talking about it, and that’s okay too. It’s okay to hold on to something for a long time, eventually the time will come when you want to talk about it. It’s hard to know if there will be someone to hear you out. You’re never alone though, and I try to tell myself that. Just opening up a dialogue is very healthy, which is something I wish I had when I was younger at school when I had all these questions about why I was feeling this way, or why do I have the urge to cut myself and think these horrible thoughts about myself?

I remember when someone would try to open up about it, at least in Mexico with the Catholic Church – we’d be automatically expelled or put in for psychological testing with such a rude manner. There was no tact, it was like “we better evaluate her because she might be a threat”. So maybe a little empathy and dialogue are what’s needed. With mental health in general though, sometimes people don’t want to take care of themselves, period. They’re dealing with over stimulation constantly. A breather would be good. I feel sorry for kids at school now, I remember when I was barely going in to high school when MySpace was becoming a thing, but I cannot imagine being around [social media] now during pre-school or even kindergarten.

It must be a bit of a minefield trying to grow up nowadays.

Collaboration seems important to you – you worked with Alice Bag & Chilean vocalist Mon Laferte on your new album, and you work with members of the Mars Volta in your other project Bosnian Rainbows. In your mind, what makes for an effective collaboration? Who else would you like to work with in the future?

What makes for an effective collaboration is just the wanting to and the will power to do it. There are many times when people say “Yeah let’s do this!” and I’m guilty of it myself, but then dead air…you see the inactivity or you keep pushing it for later, later…that’s what kills a collaboration. For me, I’m attracted to individuals that are like “Shit, let’s do this now, I don’t care where the fuck we are! We’re gonna make this work”. Where there’s will, and want, and desire to do it then hell yeah – we’re in! So luckily all of these individuals that we’ve worked with have had that and the appreciation do it, you know? Why would you want to work with someone that makes you feel shit, right?

There are many, many talented people out there [that I’d collaborate with]. I say this time and time again, but there’s this great artist called Natalia Lafourcade from Mexico and Vanessa Zamora who is a great folklore/pop star, and a great shredder and songwriter. Also Selda, she’s an OG from Turkey, the list goes on! The Beatles, well Paul McCartney…maybe do some voodoo and get the whole group back? Some Voodoo Beatles?

I think you just found the concept for your next record…

You’re returning to London on 9th July to play the Boston Music Room. What are your anticipations for this gig?

Well, hopefully that some people go! We’ll be playing the new songs off of the new record. I take things one day at a time really, but hopefully when the time comes, that everything goes to plan, that we get there safe, that everyone going to see us gets there safe. The cool thing about it – here comes a sales pitch for our shows – is that we never really know what’s gonna happen, we fucking roll with it. It’s a real kind of feeding thing, a give and take situation, that’s why I’m hopeful that people are going because it’s a two-way street. I feed off of the people the band feeds off the people, we feed off each other. It’s like a feast! We’re all just eating!

It’s going to be a banquet, I can’t wait! You’re on tour with L7 now, so tell me as much detail as you can about how excited you are to share a line-up with them…

It’s show number 6 or 7 with them, but it’s been so chill. Another example of great talent and great people who are fucking inspiring and their fans are really sweet to us. It’s been amazing. Our set is about 30 minutes, so it’s really nice to have some chill time afterwards, because when it’s our own shows we have to basically leave right away because it’s curfew!

We played one show with them in this really old and rustic theatre, which I loved! I felt like there were at least a couple of ghosts there, so that was a highlight for me. I love ghosts, who doesn’t right? Who wouldn’t want to hang out with a ghost? I mean, not a demon, just a ghost. But there were a couple of ghosts in that theatre for sure.

Sounds spooky…What artists are you listening to at the moment. Who would you recommend?

Blood Orange – Marfred & Rikardo put it on when we drive, so we’ve all become fans. I’ve kind of been on a repeat too, going back to the classics like Talking Heads, but my biggest obsession that’s been taking up 80% of my listening time is Ariana Grande! I wish I could say something underground, but I went to see her recently and it was insane how she’s only like, 5″ tall and that voice comes out of her! You can see the pain and grief in her eyes.

Good recommendations. Finally, do you have any advice for any woman or non-binary person who’s contemplating starting a band?

My advice – and I’m sure you hear this all the time – is don’t feel like you’re a burden. I feel like that will hold you back. I’ve missed out on so many beautiful friendships and possible songs and ideas only because I thought I was a burden. I felt like I started late, I was 17 when I started a band but I wanted to start a band since I was 6! All those years – from age 6 to 17 – that’s so many years of fear! I wish I’d started earlier. I mean, there was a band who opened up for Bikini Kill on their other LA date that were 10 years old! When I saw them I was like “damn!” and I was so inspired. They’re definitely not having any fear of being a bother or holding back, and that’s so great.

I feel the same about writing, you know? I’ve always wanted to write books, tangible things, because songwriting can be kind of abstract. I wanted to be a tangible “real” writer but my teachers would get frustrated with me because of my language impediments and I felt like I was being a burden on them so I gave up. But it’s never personal, that frustration you know? Sometimes it’s projection. It’s scary sometimes, but you have to just get out there!

Huge thanks to Teri for answering my questions. Catch Le Butcherettes on their upcoming UK tour (dates below)

9th July – London, Boston Music Rooms
10th July Brighton, Green Door Store
11 July – Cheltenham, 2000 Trees Festival

Kate Crudgington
@KCBobCut

PLAYLIST: Pride 2018

Pride. What is Pride?  

Pride is a day to celebrate but it’s also a day to remember. Remember the partial decriminalisation of homosexuality in 1967, the Stonewall riots of 1969. Remember the first official Pride in London in 1972 and remember it increasing in size during the ’80s to protest Section 28. Remember the first European Trans Pride in Brighton in 2014, and last year Sadiq Khan being the first London Mayor to lead the Pride parade.

Here in the UK we have come so far as a society but still on the streets of London I am shouted at when I kiss my girlfriend. LGBTQ+ people should not be victimised, they should not be judged, they should not be isolated. People should be free to live without fear of judgment or discrimination. LGBTQ+ people should not have to fear for their lives because of their sexuality or gender identity.

Throughout the years so many people have stood up for LGBTQ+ rights and achieved so much in the name of equality and this should be celebrated.

So wherever you are, at whatever Pride you are supporting, spread the word and make it known – equality is for everyone.

Here at GIHE we are supporting Pride Month and will be out supporting Pride in London on 7th July, and because we think everything deserves a soundtrack, here is ours for Pride Month and for all of you, whichever Pride you are supporting across the world.

Hercules & Love Affair – ‘Blind’
Their self-titled album released in 2008 was without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life. (Tash Walker)

J.D.Samson / MEN – ‘Who Am I To Feel So Free
As part of my favourite trio Le Tigre, and later MEN, LGBTQ+ activist J.D.Samson holds a pretty special place in my heart. Last year I had the honour of being able to dance the night away to tunes that she hand-picked at M.I.A’s Meltdown Festival. It was a blissfully euphoric experience filled with an immense joy and sense of unity, proving that it’s more important than ever to make time to come together, dance, love, and be united against those who seek to divide us. (Mari Lane)

Peaches – ‘I U She’
Throughout history many people who are bisexual have been criticised by both the LGBTQ+ communities and the non-LGBTQ+ communities. I don’t think people realise how ingrained biphobia is within our society, which makes songs like ‘I U She’ soooo powerful and sooo important. (TW)

Fever Ray – ‘To The Moon and Back’
After seeing Fever Ray live at The Troxy this year – which was breath-taking – the memory of her fans joyfully echoing her explicit lyrics on this track still makes me smile. (Kate Crudgington)

Mykki Blacno – ‘Loner’ 
Rapper and queer pioneer Mykki Blanco delivers powerfully honest and thought-provoking social commentaries with a ferocious, fun-filled spirit. Seeing them live at M.I.A’s Meltdown Festival last year was like witnessing a colourful whirlwind, a beautifully buoyant ray of light. (ML)

Janelle Monae (feat Grimes) – ‘Pynk’
A perfect pop song from Janelle Monae – who spoke about her pansexuality in a recent Rolling Stone interview – which champions female pleasure. What’s not to like? (KC)

Shamir – ‘On The Regular’ 
The frenzied joy of Shamir’s ‘On The Regular’ is a must-have for any celebration, particularly one for Pride. His uptempo, playful pop puts a smile on my face without fail, and a hug from him at Visions Festival a few years ago was a definite life highlight. (ML)

King Princess – ‘1950’
The latest generation of LGBTQ+ people continually amaze me with their openness and their acceptance of how others identify in their sexuality and gender identity. King Princess’ ‘1950’ is an excellent example of the progression we have made throughout the last 60 years.(TW)

St Vincent – ‘Birth In Reverse’
A believer in gender fluidity, Annie Clark seems incapable of creating a song that isn’t completely wonderful. A particular favourite of mine, ‘Birth In Reverse’ is a vibrant example of her ability to make even the most mundane of subjects utterly intoxicating. (ML)

Partner – ‘Woman Of Dreams’ 
Canadian duo Partner are queens of jangly guitar fuzz, sparkling harmonies and witty lyrics. Seeing them live at The Victoria (with Suggested Friends and Charmpit) recently was a night of pure queer-pop perfection. (ML)

Ms Mohammed – ‘Pandora’
As a champion of cross-cultural tolerance and an out queer artist who advocates for LGBT rights and visibility, Ms Mohammed challenges prejudice through her music. Her video for ‘Pandora’ is another superb example of this. (KC)

Suggested Friends – ‘I Don’t Want To Be A Horcrux For Your Soul’
I just can’t get enough of the perfect, immensely infectious ‘tweemo’ punk-pop of Suggested Friends. Filled with racing, catchy hooks and luscious harmonies, Faith Taylor’s witty charm and exquisite vocals fill me with joy on each listen. (ML)

Bikini Kill – ‘Rebel Girl’
A personal choice for me, this song made me feel a lot less isolated when I was growing up, not quite knowing who I was or where I fitted in. (TW)

Dream Nails – ‘Bully Girl’ 
An uplifting queer anthem from our favourite Punk Witches. Yet another sparkling creation from the formidable force that is Dream Nails. (ML)

Gossip – ‘Where The Girls Are’ 
Beth Ditto, what a legend. (TW)

Sleater Kinney – ‘Dig Me Out’
Sleater Kinney’s third album Dig Me Out is filled with explosive emotion. Following the break up of Corin Tucker and Carrie Brownstein (and Brownstein then being famously outed by Spin Magazine), it’s a defiant and important collection – with anger and frustration used to fuel something wonderful. A necessary and motivating listen. (ML)

Madonna – ‘Vogue’
Inspired by the iconic Paris Is Burning documentary and recorded at the height of America’s AIDS crisis, this song has become an essential to any LGBTQ+ playlist. (TW)

Bronski Beat – ‘Smalltown Boy’ 
Released in 1984 at the height of the AIDS crisis by openly gay Bronski Beat, Smalltown Boy is a heartbreaking story given an empowering beat. (TW)

Princess Nokia – ‘Tomboy’ 
A feel-good body image anthem and general all-round banger, Princess Nokia’s ‘Tomboy’ asserts that we should be proud of our bodies (“my little titties and my fat belly”) whatever shape they may be. A snarling ode to her small frame and ‘masculine’ ways, it’s a perfect celebratory playlist must-have. (ML)

Kim Ann Foxman – ‘Creature’
Growing up I don’t remember any out famous LGBT+ women in music, so when I discovered Kim Ann Foxman who was so confident in her sexuality, it made the biggest of impressions on me. The music isn’t bad either. (TW)

Ultra Nate – ‘Free’
This song’s chorus speaks for itself, “Cause you’re free to do what you want to do / You’ve go to live your life / Do what you want to do.” (TW)

Perfume Genius – ‘Queen’
I don’t really have the words to describe my love of Perfume Genius. The first time I saw the video for ‘Queen’ it broke me. Filled with the emotion-filled power of Mike Hadreas’ heartbreaking vocals alongside luscious pop melodies, it’s a song inspired by “gay panic”, and the power one can derive from knowing their mere being is making everyone around them extremely uncomfortable. A powerfully poignant offering from this unique and truly beautiful artist. (ML)

Antony and the Johnsons – ‘For Today I Am A Boy’ 
A stirring and powerful ode to the journey of transitioning. With the immense passion of Anohni’s distinctive, soulful vocals, ‘For Today I Am A Boy’ is a simply exquisite creation. (ML)

Listen to our ‘Pride 2018’ playlist here:

If you have any questions or would like to discuss issues around sexuality and/or gender identity Switchboard – the LGBT+ Helpine is available to listen and support.

You can contact Switchboard via the telephone, instant messenger and email.

Open from 10am to 10pm, 365 days a year.

0300 330 0630

 

Tash Walker / @maudeandtrevor
Mari Lane / @marimindles
Kate Crudgington / @kcbobcut

PLAYLIST: Galentine’s Day 2018

Grrrls, it’s the best day of the year: GALENTINE’S DAY! Coined by Parks and Recreation character Leslie Knope (played by Amy Poehler) back in 2010, Galentine’s has since been recognised by girls across the globe, and used as a light-hearted platform to celebrate the girls and women who enrich our lives.

We wanted to celebrate it with you in the best way possible: by chucking some of our favourite female artists on a big old playlist. We’re all about self-love & sisterly love today, so scroll down, press play, and share that big ol’ Galentines love!

Bikini Kill – ‘Rebel Girl’ 
What can I say? The ultimate anthem for female unity and sisterly love. Singing of the affection and admiration felt for a best friend, Kathleen Hanna reminds us of the importance of telling the queens of our world how much they mean to us. (Mari Lane)

The Nyx – ‘Myself’
I told you The Nyx would feature on all of our playlists this year! Chuck ‘Myself’ on whenever you start to doubt how great you are. It’s a reminder that you are enough, which is something Mari & Tash are quick to say to me whenever I’m having a bad day. Thanks Grrrls. (Kate Crudgington)

Chromatics – ‘Girls Just Wanna Have Fun’
A great cover of a great track. ‘Girls Just Wanna Have Fun’ always reminds me of a story about this 60 year old Italian woman who walked into her local fire station as she was having trouble with her lock. When the firemen asked the woman where she lived, thinking she’d locked herself out of her house, she lifted her sweater and showed them her chastity belt. (Tash Walker)

Chastity Belt – ‘Joke’
Which leads me nicely on to my next track by Chastity Belt. This was one of the bands I discovered at the start of Get In Her Ears, all those years ago, and just reminds me so much of what it was like at the start of it all. Three years on here’s to my two GIHE gals Mari & Kate, and all of the jokes we’ve had along the way. (TW)

Wolf Alice – ‘Bros’
Taken from their knockout debut album My Love Is Cool, ‘Bros’ is one of my favourite Wolf Alice tracks. The video shows two young girls eating chips, colouring each others nails in with felt tip pens, and climbing trees; all past-times my siblings & I used to indulge in as kids. Waves of nostalgic joy smother me every time I hear this beautiful track. (KC)

Kesha – ‘Bastards’ 
What would a GIHE playlist be without a Kesha choice from me…? “Don’t let the bastards get you down, don’t let the assholes wear you out.” – wise words from the artist, and ones which we’ve all recited to our friends as we’ve hugged and sought strength from each other during tough times. (ML)

Pretenders – ‘Alone’
I was lucky enough to see the Pretenders live last year, and they opened their Hammersmith Apollo set with this anthem of independence. Chrissie Hynde is the ultimate example of a woman making her way through the world with talent, stamina, and absolutely no apologies. (KC)

Shirley Ellis – ‘Soul Time’
I love this song, it’s just so much fun and completely infectious. Shirley Ellis often unfairly categorised as a novelty act by many music historians has a well earned place in the history of American soul.  Funky, sophisticated and sassy.  All the sisterly love for her! (TW)

Miss Eaves – ‘Thunder Thighs’ 
This is a fantastically empowering and uplifting anthem for all us gals – encouraging us to celebrate and take pride our body, whatever shape or size it may be. Thank you, Miss Eaves, for this wonderful lesson in self-love. (ML)

TLC – ‘No Scrubs’
This track is almost a decade old, but it’s still the best thing to spin after you’ve been mugged off by a fuckboy, or when you’re getting ready to paint the town red with your girl gang. (KC)

Ji Nilsson & Marlene – ‘Love You Anyway’
Released back in 2014 this was the first song that jumped to mind for this Galentine’s Day playlist, Love You Anyway is all about female friendship. The lyrics speak of solidarity but with a slight note of sadness, combined with the enchanting quality to the music the whole thing intertwined together is mesmerising. (TW)

Nicki Minaj & Beyonce – ‘Feeling Myself’ 
This perfect collaboration between Queen B and Nicki Minaj offers a super uplifting and witty message of self confidence and female unity, with a massive middle finger up to society’s expectations of girls having to be ‘good’/modest in order to be respected. (ML)

Peaches – ‘Boys Wanna Be Her’ 
Although each track on the incredible Impeach My Bush is a pretty hard-hitting, empowering masterpiece, ‘Boys Wanna Be Her’ is just a perfect celebratory anthem; as Peaches explains – “It’s just a celebration. Seriously. I want it to be like a post-gender and post-age celebration of becoming who you are.” (ML)

Dream Nails – ‘LoveFuck’
Dream Nails are all about self love and sisterhood, and I never get tired of their music or their inspiring activism. Whether you’re newly single, happily single, or fed up of being single: this track is designed to restore your faith in the good fucks again. Hang in there girls. They’re out there waiting for ya. (KC)

Deap Vally – ‘Smile More’ 
I just love this powerful and refreshingly tongue-in-cheek offering from this incredible duo. With lyrics such as “I am not ashamed of my mental state/And I am not ashamed of my body weight…”, ‘Smile More’ is the perfect motivational mantra that incites in me a strength to get up and face the world. (ML)

Savages – ‘When In Love’
I remember scoring last minute tickets to see Savages’ sold out Roundhouse gig back in 2016 and feeling so excited I nearly threw up at my desk. I went on my own to see them in the flesh, and it was one of the best things I’ve ever witnessed. I’ll always remember Jehnny Beth telling her crowd that this track was about knowing how love is going to fuck you up, but you should have the nerve to go ahead and pursue it anyway. A reckless, but  brilliant piece of advice. (KC)

Carole King – ‘You’ve Got A Friend’ 
Having sung this at my loved ones many a time, ‘You’ve Got A Friend’ fills me with emotion on each listen. An uplifting message of unity and platonic love, Carole King once again continues to inspire me, my mother before me, and women everywhere, with this beautiful, heartfelt anthem. (ML)

Track Of The Day: LUCIA – ‘Melted Ice Cream’

Discovered whilst busking in the streets of Glasgow, LUCIA‘s career has taken a remarkable turn since she released her debut EP Best Boy via indie label Dead Beet Records last year.

The singer has supported bands like Black Honey, The Big Moon and The Undertones on tour, and her sound has been described as encapsulating the “bubble-gum aesthetic of The Ronettes with the seething punk attitude of Bikini Kill”. Sharing bills and blog-space with prolific names such as these is an achievement LUCIA should definitely be proud of.

She’s set to release her new single ‘Melted Ice Cream’ tomorrow on Jan 12th, and she’ll be celebrating alongside her band tonight at The Old Blue Last with a headline show with support from Chemtrails and HUSSY (RSVP here). Listen to the track below and make sure you head down to the gig tonight to support her.

LUCIA 2018 Live Dates

11th January – Old Blue Last, London
25th January – Camden Assembly, London with Milk Disco

Follow LUCIA on Facebook for more updates.

Kate Crudgington
@KCBobCut