PLAYLIST: April 2021

The GIHE team have unearthed some more new music gems for you to listen to on our April Playlist! There’s an eclectic mix of indie anthems, alt-pop gems, electronic soundscapes and gritty guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Noga Erez – ‘Fire Kites’
GIHE favourite and pop renegade Noga Erez’s new record KIDS has barely left my turntable since it was released in March. The record is bursting with her trademark charisma and energy, epitomised by this track ‘Fire Kites’. Keep and eye on our GIHE socials for an exciting announcement involving Noga very soon…
(Kate Crudgington)

Miss Eaves – ‘3 Jobs’
This banger from Brooklyn-based rapper Miss Eaves features on Loud Women’s third compilation album, which is bursting with anthems from DIY bands from both sides of the Atlantic. The record also features tracks from ARXX, GÉNN, LibraLibra, Vulpynes, Bugeye, Jelly Cleaver, Breakup Haircut and Pleasure Venom. Grab your copy from bandcamp now. (KC)

Little Simz – ‘Introvert’
The latest single from innovative artist Little Simz, ‘Introvert’ may just be her most powerful offering yet. A poignant reflection on the last year and an empowering rallying cry to break free from societal limitations, the track is propelled by an immense sense of grandeur and cinematic instrumentation. A heartbreakingly impassioned anthem, touching on themes of governmental corruption, poverty and race, it’s a truly magnificent and necessary listen. “I’m a Black woman and I’m a proud one / We walk in blind faith not knowing the outcome / But as long as we unified then we’ve already won.” (Mari Lane)

Sans Soucis – ‘I’m On’
An uplifting blend of lush vocals, warm synth textures and smooth beats, songwriter & producer Sans Soucis’ single ‘I’m On’ is a genre-bending reflection on her own experiences of recovering from an extended period of depression and the joy she experienced when she was able to re-connect with herself again. (KC)

Ruti – ‘Daylight’
Essex-based songwriter Ruti may only be 21 years old, but she has a distinctive, soulful voice that shines with a majestic, mature glory on ‘Daylight’. This track is taken from her recent EP, All At Once. (KC)

People Club – ‘Damn’
This smooth new offering from Berlin-based five-piece People Club is an exploration of the behaviours surrounding addiction to internet pornography. “We wanted to examine how porn addicts can actually be super high-functioning and never get ‘found out’, yet actually can suffer seriously as a result of their habit,” the band explain about the track. ‘Damn’ features on People Club’s new EP Take Me Home, which is set for release on 7th May. (KC)

Nun Habit – ‘Righteous Jerk’
Having wowed us with their sparkling charisma playing for us at The Finsbury back in 2020, the London-based queer five-piece Nun Habit have now announced their debut album, set for release in August. Taken from their recent double a-side release, ‘Righteous Jerk’ oozes an eerie mysticism before building with thrashing beats and scuzzy, reverb-strewn riffs, alongside Kate’s sweeping soulful vocals. ‘Righteous Jerk’ is out now alongside double a-side ‘Slip n Slide’. hedge fun, the upcoming album from Nun Habit, will be released in August, with an accompanying celebratory launch party on 16th August at The Victoria in Dalston. (ML)

Maya Lakhani – ‘Walk Alone’
Inspired by the current conversations that are happening around women’s safety, the culture of victim-blaming and pure desire to walk alone as a women, British-Indian artist Maya Lakhani’s latest single is propelled by a gritty, emotion-strewn power. Flowing with the soaring, raw splendour of her vocals alongside a majestic, otherworldly musicality, it oozes a captivating sense of grandeur and poignant sentiment. (ML)

Softcult – ‘Take It Off’
I’ve been listening to Softcult aka twin sisters Phoenix and Mercedes Arn Horn’s debut EP Year Of The Rat so much recently. It’s a bittersweet collection of lush, grunge-infused songs that culminate their thoughts on sexism, misogyny and objectification, and ‘Take It Off’ aches with with their subdued anger. Lyrically, it’s directed at catcallers, but it doubles up as a care-free dismissal of ridiculous trophy wife standards too. (KC)

Bitch Hunt – ‘Eau Claire’
The latest single from London based non-binary band Bitch Hunt, ‘Eau Claire’ offers the first taste of the band’s upcoming debut EP. An ode to a Wisconsin town where singer Sian used to live, with its stripped back jangling hooks and raw, heartfelt vocals, it builds in momentum to an effervescent slice of perfect punk-pop. Shapeshifter, the debut EP from Bitch Hunt, is set for release on 28th May via Reckless Yes. (ML)

Wallice – ‘Hey Michael’
It was love at first listen when I heard this single from LA-based Wallice. I love her candid lyrics on this playful lament about having your ear chewed off by a mediocre man at a party. Watch the accompanying video for the track here. (KC)

Fightmilk – ‘Overbite’
The recent single from total faves Fightmilk, ‘Overbite’ is taken from their upcoming new album. Oozing a track’s subtle romanticism and tongue-in-cheek wit, the raw emotion and distinctive smooth-yet-husky charm of front-person Lily’s vocals deliver a heartwarming sentiment alongside an infectious, shimmering energy. The perfect, alternative fuzzy love-song. Contender, the new album from Fightmilk, is set for release on 14th May via Reckless Yes. (ML)

PACKS – ‘New TV’
This brooding offering from Toronto-based PACKS is a hazy ode to “other people’s garbage.” I love the sound of Madeline Link’s vocals and the grungy, hazy guitars on this track. The band will be releasing their debut LP Take The Cake on 21st May via Royal Mountain Records/Fire Talk. (KC)

Tirzah – ‘Send Me’
The latest single from Tirzah, the first we’ve heard from her in two years and boy am I glad she’s back. Teaming up again with previous collaborators Coby Sey and Mica Levi, Tirzah delivers us another beautiful song with futuristic subtlety. The amount of emotion and longing that’s conveyed in her music blows me away every time, leaving me with all the feels. Fingers crossed the release of ‘Send Me’ is only the beginning of more music to come from Tirzah. (Tash Walker)

Deap Vally – ‘Give Me A Sign’
Us GIHE girls are super excited to hear Deap Vally’s new EP American Cockroach, which this new track ‘Give Me A Sign’ is lifted from. Set for release on 18th June via Cooking Vinyl, the LA-based duo have collaborated with Jennie Vee (Eagles of Death Metal) and the brilliant Ayse Hassan (Savages/ESYA) for this record, which the duo describe as “songs for the underdog, the outlaw, the defeated, for the days when you feel like no one understands you or you can’t do anything right.” (KC)

Catherine Moan – ‘Fools’ (Depeche Mode Cover)
This is a fun, polished cover of a Depeche Mode b-side from Philadelphia-based electro-pop artist Catherine Moan. Her buoyant electronics and infectious rhythms give this slice of 80s alternative music nostalgia a welcome sultry twist and it’s been bouncing around my head for weeks. (KC)

Shygirl – ‘Tasty’
One thing that is getting me through my weeks at the moment is listening to music that makes me just want to dance. Especially this track from the incredible Shygirl. Pull up those hoods and get moving. (TW)

Mykki Blanco – ‘Free Ride’
Firm fave Mykki Blanco released ‘Free Ride’ alongside the news that they’d signed to Transgressive Records at the beginning of this year. Speaking about the track, Mykki explains “Some of the most intimate moments and conversations I have ever shared were with my mother on long drives in the Southern countryside when I was a teenager. The music that soundtracked these memories on our daily journeys was the stuff of my mother’s generation. I would find myself daydreaming, reflecting and envisioning the kind of life I would like to create for myself.” With all its feel-good vibes, this song has been buzzing around my head constantly since I first heard it – I LOVE IT. (TW)

DEELA ft. T6lu – ‘FIT’
A fun, provocative cut from British-Nigerian rappers DEELA and T6lu, ‘FIT’ is all about being able to say what you want, when you want. Their slick lyrical delivery and dense beats reflect the pair’s direct approach to making empowering, unapologetic anthems. (KC)

Alex Loveless – ‘Through 2 U’
This is a slow-burning offering full of hazy beats and brooding vocals from Hackney-based DIY electronic artist Alex Loveless. Released via Loveless’ own label Dirty Mind (named after their own club night inspired by the Prince record) ‘Through 2 U’ is an intoxicating combination of smouldering alt-pop hooks and melancholy-tinged lyrics. (KC)

Pallas Athene – ‘Gimme Gimme’
Toronto-based artist Pallas Athene contributed this ambient track to Object Ten, a compilation album that features original pieces of experimental, electronic music by new and established artists. Put together by London drone-pop band The Leaf Library, the album is a real breath of fresh air for anyone looking for a departure from their usual listening habits. (KC)

Tokky Horror – ‘Godliness’
London-Manchester-Liverpool trio Tokky Horror have taken things down a notch on their latest offering ‘Godliness’, which is taken from their debut EP I Found The Answers And Now I Want More, set for release on 21st May via Alcopop! Records. “I think we show our more expansive side on ‘Godliness’,” Zee Davine explains. “Where our first two singles were the ‘flag-in-ground’ moment when we wanted to assert our presence with intensity, ‘Godliness’ is us letting our guard down a bit for something more genuine.” (KC)

GHLOW – ‘Not Fit For This’
A visceral blend of distorted guitars, energetic beats and commanding vocals, this single from Russian-Swedish heavy duo GHLOW is taken from their debut album Slash and Burn, recently released via PNK SLM Recordings. I love their intense rhythms and jagged riffs and recommend listening to the full album if you like what you hear. (KC)

A Place To Bury Strangers – ‘End Of The Night’
With a change in lineup and a new EP titled Hologram on the way, Brooklyn’s A Place To Bury Strangers have unleashed this caustic new tune that buzzes with unrest. Founding member Oliver Ackermann has been joined by John Fedowitz (bass) and Sandra Fedowitz (drums) for this record, which is released on 16th July. (KC)

SPITBOY – ‘In Your Face’ (Remastered)
Don Giovanni Records have announced that they’re releasing trailblazing San Francisco based 90s feminist hardcore band SPITBOY’s discography on 25th June. Titled Body Of Work (1990-1995), 100% of the profits from the record will be going to the National Women’s Law Center. This is the first time SPITBOY have appeared on my radar and I’m loving their grungy, riot grrrl sound. (KC)

The Bug Club – ‘Checkmate’
Set to release their debut EP this Friday, Welsh trio The Bug Club’s ‘Checkmate’ showcases their uniquely uplifting, frenetic brand of garage rock perfectly. Propelled by a vibrant, driving energy, it oozes a playful sense of euphoria as gloriously scuzzy hooks race alongside blissful harmonies. Launching Moondream One, the upcoming debut EP from The Bug Club, is out 30th April via Bingo Records. Read our interview with Tilly from the band here. (ML)

Queens & Kings – ‘Going Through Hell’
Propelled by a fuzzed-out visceral energy and gentle blues-rock twang, ‘Going Through Hell’ reflects on Toronto duo Queens & Kings’ 10+ year relationship and the struggles they have gone through both personally and as a band. As Alissa’s gritty swooning vocals flow with a stirring, soulful drive alongside scuzzy hooks, it’s a powerful Americana-tinged slice of garage-rock brimming full of anthemic emotion. (ML)

GracieSouz – ‘Brian Cox’
Having just released her stirring debut EP Better In Space, GracieSouz creates sweeping, ethereal soundscapes. Paying ode to the famed scientist with Gracie’s soaring, crystalline vocals and a cinematic splendour, it oozes a bewitching, majestic grace. A shimmering slice of brooding electro-pop. Better In Space, the new EP from GracieSouz, is out now. (ML)

MELÓ – ‘Castle’
Taken from her upcoming EP Youthless, Canadian-Hungarian artist MELÓ’s latest single ‘Castle’ reflects on themes of mental illness. Evoking images of escapism, it oozes a sweeping, ethereal soundscape propelled by the soaring power of the soulful vocals. Flowing with a shimmering majesty, it’s a captivating slice of dreamy alt-pop. (ML)

Gillie – ‘Retirement Paradise’
The title track from her recent EP, Welsh songwriter Gillie tentatively explores what it means to slow down and reflect on what you truly need on ‘Retirement Paradise’. “I think this is the track that defines me as who I am today,” she explains. “I’m now aware that the people whom I previously thought lived slow and boring lives, have become the people I take note from. I often joke that I could go into retirement right this moment and live quite happily, and so that’s how this track developed.” (KC)

Be Charlotte – ‘We Are Burning’
Taken from her debut EP Dreaming With The Lights Off, Be Charlotte’s ‘We Are Burning’ soars with a twinkling emotion and lilting, folk-tinged melodies. Propelled by Charlotte’s distinctive luscious Scottish vocals, it’s a sparkling pop anthem, calling us to action at a time when hope may seem to be lost. (ML)

All cats are beautiful – ‘(u know) u mean a long minute to me’
The first single to be taken from their upcoming EP, all cats are beautiful (acab)’s ‘(u know) u mean a long minute to me’ is a truly stirring slice of twinkling lo-fi indie pop. A shimmering, swirling soundscape, it wraps itself around the ears and heartstrings with beautiful harmonies and woozy beats. A wonderfully soothing offering oozing an emotive sparkling splendour. the things we made, the upcoming new EP from all cats are beautiful, is set for release on 6th August via Moshi Moshi. (ML)

Thigh High – ‘Because The Night’ (London 2021)
I first heard Thigh High’s cover/performance of ‘Because The Night’ as part of Patti Smith’s celebrations around the inauguration of President Biden. The track is now available for you to download and it’s just beautiful. I had the pleasure of interviewing Thigh High last year and I recommend you check out the rest of their catalogue – a band truly dedicated to celebrating and centering queer joy in their music! (TW)

 

Track Of The Day: Bitch Hunt – ‘Eau Claire’

Following last year’s split cassette release with adults, London based non-binary band Bitch Hunt are set to release their debut EP, out next month via Reckless Yes. Having formed at First Timers Fest in 2017, and since charmed us with an immense live set at a GIHE night back when gigs were a thing, the band have now shared the first single from their upcoming EP.

With stripped back jangling hooks and raw, heartfelt vocals, ‘Eau Claire’ is an ode to a Wisconsin town where singer Sian used to live. Building in momentum and shimmering harmonies to a gently scuzzy, emotion-strewn anthem, it oozes shades of the sparse, twinkling energy of Seattle faves Tacocat, creating an effervescent, stirring slice of punk-pop. With its swirling riffs and reflective lyricism, it conjures a warms sense of nostalgia for long summer nights spent with friends; something we can hopefully start to look forward to now… Of the track, the band explain:

‘Eau Claire’ is the name of the town in Wisconsin where Sian lived some years ago, and the song is very much for the good people they met and the good time they spent. It’s also about the rose-tinted glasses we wear when we look at past summers. There was pain and heartbreak among the fun so don’t miss yesterday too much, maybe next year can be even better.

‘Eau Claire’ is out now, available to listen on Spotify. Shapeshifter, the debut EP from Bitch Hunt, is set for release on 28th May via Reckless Yes. Pre-order now via bandcamp.

Mari Lane
@marimindles

Photo Credit: Glen Michael-Harper

GIHE: Tracks Of 2020

It feels strange to be celebrating anything in 2020, but the GIHE team want to shine a light on some of the brilliant music that’s been released against the odds during the last 12 months. If you or your band managed to release some music this year – congratulations! You should be super proud. If you didn’t manage to write anything new this year though, we fully understand and we’ll still be here to sing your praises when you feel ready to write again.

Following our album round-up yesterday, today we share our ‘top tracks’ of 2020. As you can tell, we haven’t held back, as there’s just been so much amazing music released this year that we felt deserved a mention. So, read about our forty two favourite songs of the year (told you we weren’t holding back!), and then hit play on our mammoth, and super eclectic, playlist at the end of this post….

HAWXX – ‘Deadlands’
Having previously blown us away with their immense live show, heavy rockers HAWXX this year released their epic four track debut Deadlands. And the immense title track has been on heavy rotation around my ears since first hearing it back in May. With an explosive frenzied energy propelling raging hooks and the seething vocals of front woman Anna Papadimitriou, it’s an utterly compelling whirlwind; a fantastically fierce accompaniment to the chaos of 2020.
(Mari Lane: Co-Founder/Managing Editor) 

Vulpynes – ‘Sister’
Having been majorly disappointed when we had to cancel our April gig at The Finsbury that Dublin duo Vulpynes were set to headline, it came as some consolation that they released a perfectly riotous EP Us Against Them later in the year. Taken from the EP, ‘Sister’ is a powerful ode to ‘pseudo sisterhood’. Propelled by Molly’s raw, impassioned vocals, it oozes an immense sense of urgency amid a seething eerie underlying force. With swirling, reverb-strewn hooks and pounding primal beats, it’s a fantastically fierce, empowered slice of ferocious rock magnificence.
(ML)

Guitar Gabby/The Txlips – ‘The Dead Pool’
With a mission to change the narrative in which the music industry showcases women, Atlanta based Guitar Gabby and The Txlips partner with Girls Rock Camps internationally and nationally to bring classes about home recording, equipment set up, copyright law and more to young girls. Taken from their explosive album Prison Of Life, ‘The Dead Pool’ is filled with scuzzed out riffs as Gabriella Logan’s seething growl soars. Oozing a gritty emotion, it’s a ferocious, empowering anthem; a completely necessary angst-driven offering for these strange times.
(ML)

Problem Patterns – ‘Sell By Date’
Taken from The Fight Is Not Over – a collaborative record with songs from Strange New Places, Gender Chores and Sister Ghost, in addition to Problem Patterns – ‘Sell By Date’ is a perfectly raging anthem rallying against societal gender norms and the pressures and expectations put on women of a certain age to have children (something I relate to HARD). Propelled by an empowering seething energy, it’s a frenzied fist-clencher that leaves me longing to witness it in all its live glory. The Fight Is Not Over addresses the need to continue pushing for more inclusive and diverse spaces and was recorded by Rocky O’Reilly to raise money for  The 343, an Artist-Focused, Feminist-led, Queer Arts Space in East Belfast. Read our interview with the four bands and find out more about the project here.
(ML)

New Pagans – ‘Yellow Room’
I love it when my feminist literature and new music worlds collide! Inspired by the semi-autobiographical short-story The Yellow Wallpaper by American author Charlotte Perkins Gilman, Belfast-based New Pagans’ penned ‘Yellow Room’ to highlight the need for a specialised parent-and-baby mental health unit in Northern Ireland. Through the medium of Gilmans’ text, the band explore the isolation faced by new mothers, with Lyndsey McDougall’s urgent vocals leading the way. I loved listening to the band’s EP Glacial Erratic earlier this year too and I can’t wait to hear more from them in 2021.
(Kate Crudgington: Co-Founder/Features Editor)

LIINES – ‘Sorry’
Having received acclaim from the likes of Sleaford Mods, John Kennedy and BBC 6Music’s Steve Lamacq, as well as blowing us away headlining for us at The Finsbury, Manchester trio LIINES consistently impress with their distinctive, raw post-punk. Oozing the band’s trademark dark, brooding power, ‘Sorry’ builds with deep, intense bass lines, the gritty, commanding growl of vocalist Zoe McVeigh and Leila O’Sullivan’s consistent pummelling beats. Propelled by a thrashing sense of urgency, it’ll captivate the ears with its punk-fuelled bewitching allure.
‘Sorry’ is out now (with B side ‘On and On’) via Reckless Yes.
(ML)

Tiger Mimic – ‘Where The Fire Used To Be’
Disappointed that we had to cancel what would have been their debut gig for us in April, we were glad to hear Tiger Mimic’s new releases this year. Propelled by a driving energy, ‘Where The Fire Used To Be’ blasts out racing riffs alongside the soaring splendour of front woman Jess’ striking vocals. Building to an immense climax, it offers a sense of hope in these seemingly hopeless times, reassuring us that “the whole world will start over in the spring”.
(ML)

Bitch Hunt – ‘Spaceman’
Since forming at First Timers Fest, London based all queer/non-binary band Bitch Hunt have been going from strength to strength; last October impressing us at GIHE us with their immense live set at The Finsbury. Taken from a split cassette that they released with fellow faves adults earlier this year, ‘Spaceman’ is an observational and relatable slice of punk-pop. With Bitch Hunt’s trademark impassioned energy and swirling harmonies, it’s a spot-on reflection on the sickening arrogance of all those cis male ‘splainers and ‘spreaders we so often have to endure in our day to day lives.
(ML)

Porridge Radio – ‘7 Seconds’
In a year where so much went wrong, watching the unstoppable rise of Porridge Radio felt so right. With ‘7 Seconds’ the band moved away from the guitar-heavy sound of their Mercury-nominated album, Every Bad, towards alternative ’80s synths. The result is reassuringly nostalgic, like it’s jumped from the soundtrack of a badass John Hughes film; melancholic, but still upbeat and unbelievably catchy.I’m in love with front-person and songwriter Dana Margolin’s voice. Bold and strong, but vulnerable too, they sing of wasting, waiting and rising above it all. Against the backdrop of a rather tedious few months, ‘7 Seconds’ feels hopeful and exciting. When it comes on the radio, as it frequently has, I feel a little jolt of electricity run through my veins. And it’s a jolt that’s wired straight to my heart, mind… and my feet. The song – and the band – are something very special, and I can’t wait to see what they do next.
(Vic Conway: Contributor)

CMAT – ‘I Wanna Be a Cowboy, Baby!’
“Always the cowboy, never the cow / I hate the way my life turned out” might just be the lyric of 2020, provided by Irish pop sensation CMAT. “[The song is] based around a VINE that was really popular from a couple of years ago of a load of guys drinking cans outside in a playground saying “I wanna be a cowboy baby!,” CMAT explained when we spoke to her about the single in September. The popstar has a talent for taking obscure scenarios and molding them into intensely relatable, catchy pop tunes and ‘I Wanna Be a Cowboy, Baby!’ is a charming slice of  Americana-tinged pop that laments the struggles of urban isolation.
(KC)

Kynsy – ‘Cold Blue Light’
Based on her own experience of being at a New Years Eve party watching a man spout racist remarks, Dublin-based multi-instrumentalist Kynsy’s single ‘Cold Blue Light’ is a dark synth-pop gem that oozes with defiant attitude. I love her genre-blending sounds and I’m excited to hear more from her in 2021.
(KC)

Jessica Winter – ‘Sad Music’
This is the title track from Queen of sad bangers Jessica Winter’s debut EP, and it’s an electro-pop gem. Inspired by the need to relieve heartbreak through the medium of music, Winter effortlessly blends elements of electronica, pop, R&B and industrial music to create her intensely dance-able sounds. I pranced around my bedroom miming to ‘Sad Music’ for most of Lockdown 1.0.
(KC)

Husk – ‘Heal With Time’
One of our favourite discoveries of 2020, Manchester-based trans non-binary artist HUSK creates uptempo pop gems. Released in the summer, ‘Heal With Time’ oozes a celebratory sound juxtaposed with a poignant, reflective lyricism. Propelled by ’80s-inspired glistening hooks and synth-soaked uplifting summer vibes, it’s a vibrant, danceable anthem, shimmering with a sparkling empowering energy.
(ML)

Kadija Kamara – ‘Best Moves’
Even in uncertain times, London-based songwriter Kadija Kamara remains focused on her ‘Best Moves’. On this single, she calmly reminds listeners to own their “magic” and recognise the value of their own work, reassuring them with her warm beats, grooving bass lines and smooth vocals. With a sound best described as “alt-soul” which combines her love of ’60s and ’70s analogue sounds, Kadija’s passion for nostalgia permeates her musical output.
(KC)

Evil House Party – ‘Wicked’
An intoxicating blend of hazy vocals and sultry synths, Evil House Party’s debut single smoulders with the intensity of a hot summer night fuelled by Bonnie & Clyde-esque musings. ‘Wicked’ is a “bittersweet revenge pop anthem” that seduces listeners with its yearning vocals and heady beats.
(KC)

CIRCE – ‘Ten Girls’
London based dark-pop artist Circe is inspired by the films of David Lynch, the brutality of Margaret Atwood’s fiction, the soundtrack to Stranger Things and Baz Lurhmann’s Romeo & JulietThis single ‘Ten Girls’  takes its title from a quote from The Handmaid’s Tale. Of the track, Circe explains: “[Atwood’s novel] is a poetic but disturbing view of women living in a dystopian oppressive world. This chimes with my own fractured generation of cancel culture, swipes of sex, and revenge porn.” I’m obsessed with Circe’s debut EP She’s Made Of Saints, which is full of sweeping, cinematic gems.
(KC)

Notelle – ‘Bugs’
I love the industrial-tinged production and wispy vocals on Nashville-based “nightmare-pop” artist Notelle’s single ‘Bugs’. She wrote this song after a break-up when she felt like part of her ex was still invading her body and it’s an intoxicating, feverish effort to rid herself of this unwanted sensation.|
(KC)

Noga Erez – ‘You So Done’
A resilient, emotionally charged offering from an uncompromising artist, Noga Erez’s single ‘You So Done’ delves deep into the memories left behind by a toxic relationship. Far removed from the joviality of her lockdown inspired single ‘NO News On TV’, Erez channelled her fears, frustrations and un-nerving flashbacks into this track, which radiates with artistic confidence. Accompanied by a stunning set of visuals directed by Indy Hait, also featuring her musical partner Ori Rousso, the Tel Aviv-based artist continues to blow us away with her mesmerising musical accomplishments.
(KC)

Eilis Frawley – ‘Stats’
Taken from her incredible EP Adult Life, Eilis Frawley’s ‘Stats’ is one of the most stunning and necessary listens of 2020. Offering a completely unique soundscape from the classically trained percussionist, it combines arresting drum-beats with Krautrock-infused spoken word, as the lyrics see Frawley recite hard-hitting stats, highlighting the everyday injustices facing women today. Tackling issues such as period poverty, FGM, domestic violence and other vital issues, it’s a beautifully striking and necessary listen. A poignant protest song that you can dance to. Adult Life is out now via Reckless Yes.  
(ML)

Princess Nokia – ‘Sugar Honey Iced Tea (S.H.I.T)’
Openly queer rapper and all round inspiration, Destiny Nicole Frasqueri – aka Princess Nokia – writes powerful, feminist anthems promoting self love and raging against the patriarchy. Fusing together infectious beats and a powerful, angst-driven energy, along with her trademark tongue-in-cheek wit, with ‘S.H.I.T’ Princess Nokia once again offers an empowering and playful presence in these times when pushing for change is so important.
(ML)

Æ Mak feat. Seba Safe – ‘i dance in the kitchen’
Joyfully schooling listeners how to make uplifting kitsch-pop tunes under the strangest of circumstances, Irish artist Æ MAK’s single ‘i dance in the kitchen’ was made with “100% childsplay and solo belly laughs.” Featuring the vocals of fellow Irish artist Seba Safe, the track is lifted from her EP how to: make a kitsch pop song to show the world, which she produced from home during Lockdown 1.0. I loved bopping around my bedroom to this record and of course, dancing in the kitchen to it too.
(KC)

Lido Pimienta – ‘Eso Que Tu Haces’
No-one else makes electronic music sound as warm and meaningful as Colombian-born, Toronto-based artist Lido Pimienta does. This track ‘Eso Que Tu Haces’ (translated roughly as ‘That Thing You Do’) is one of many triumphant singles lifted from Pimienta’s Grammy-nominated album Miss Colombia, which is a vivid celebration and criticism of her Colombian heritage. I have spent many an hour marvelling at the artwork on this record and singing along to my baby pink vinyl, despite knowing only three words in Spanish.
(KC)

Eckoes – ‘The Light’
Having dazzled us playing live at The Finsbury a few years back, London-based Eckoes consistently creates beautiful, soothing soundscapes. Filled with strobing synths and shimmering guitars, ‘The Light’ showcases the truly spellbinding power of Eckoes’ soaring vocals, as it lulls the listener into a cathartic sense of hypnosis with its alluring grace. A truly captivating offering from an artist on the rise.
(ML) 

Serena Isioma – ‘King’
Chicago-based musician Serena Isioma’s single ‘King’ is full of seductive beats and brooding bass lines. It’s a shimmering reflection on the problematic friendships 20-year old Isioma has found themselves in. “’King’ is about remembering your worth,” the songwriter explains. Isioma’s latest EP The Leo Sun Sets is every bit as poignant and dreamy as this single.
(KC)

Despicable Zee – ‘We Won’t Stop’ (Tiiva Remix)
A captivating, left-field electronic exploration of dual heritage, motherhood and self-autonomy, Oxford-based drummer and producer Despicable Zee (aka Zahra Haji Fath Ali Tehrani) released her third EP Atigheh in 2019. This year, with the help of an eclectic mix of collaborators, Zee shared a remix of the recording titled Atigheh Reimagined, which opened with this track by Tiiva. Keeping the hypnotic qualities of the original, Tiiva’s treatment of  ‘We Won’t Stop’ fuses smooth, breathy vocals together with dense yet ambient beats. I can’t recommend listening to this EP enough, it also features collaborations with Tiece, Planningtorock and Young Knives.
(KC)

MJ Guider – ‘FM Secure’
Lifted from her album Sour Cherry Bell, MJ Guider’s shadowy single ‘FM Secure’ is permeated by murky industrial sounds and atmospheric, beguiling vocals. Based in New Orleans, MJ Guider (aka Melissa Guion) blends elements of shoegaze, gothic pop and industrial sounds to create her hypnotic music. On Sour Cherry Bell, Guider explored power dynamics and the notion of “lost and found” and these musings extended to ‘FM Secure’, its ominous glow intensifying with each listen.
(KC)

Two Tribes – ‘Cruel Sensuality’
Full of commanding beats, jagged synths and soaring vocals, Two Tribes‘ single ‘Cruel Sensuality’ is a cathartic oscillation between emotional resilience and the unexpected apathy that comes with the ending of a relationship. Taken from their upcoming EP, which is set for release in 2021, the London-based trio blend vivid electronic textures with jolting rhythms to create an anthemic new sound. This is a grade A BANGER.
(KC)

Kelly Lee Owens – ‘L.I.N.E’
I could have picked any track from Kelly Lee Owens’ second album, Inner Song, having listened to it on repeat so often that it’s become like listening to one continuous ambient epic.  ‘L.I.N.E.’ stands out, as the most deeply emotional song on the album, and because it gives some exposure to Owens’ vocals, also a central feature of  ‘Luminous Spaces’, her collaboration with Jon Hopkins, and one of my favourites from last year .  It’s also a reflection of how much more electronic music I’ve listened to lately (other notable acts from the last 18 months have included Peggy Gou, Bicep, and HAAi).  It could be that I’ve missed the old days of being out and about, at venues packed with bodies, light and sound – but I also think there’s something valuable in the (often) unspoken emotion of electronic music at a time when connections between us all have been strained.  Given the domestic nature of much of recent times, and paraphrasing a Jarvis Cocker single from 2020, I’ve been listening to House Music all year long.
(John McGovern: Contributor)

Grawl!x – ‘Epicene’
Having headlined the last gig we held at The Finsbury before the world changed forever, Grawl!x creates euphoric cinematic soundscapes filled with twinkling electronic hooks and spellbinding harmonies. Characterised by Maria’s distinctive impassioned vocals and a poignant stirring emotion, each offering from the Derby-based artist is utterly captivating.
‘Epicene’ is taken from Grawl!x’s album Peeps, out now via Reckless Yes.
(ML)

Penelope Trappes – ‘Eel Drip’
A goose bump inducing electronic soundscape, ‘Eel Drip’ is the title track from London-based, Australian-born artist Penelope Trappes’ most recent EP. It’s a dark, delicate rumination on accepting the inevitability that our lives will all be touched by death at some point. Through her arpeggiated electronics and beguiling vocals, Trappes extrapolates on these themes and invites her listeners to experience the comfort and the catharsis that comes with this acceptance.
(KC)

Mentrix – ‘Walk’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. ‘Walk’ is full of captivating vocals, atmospheric electronics and commanding percussion. It’s taken from her debut album, My Enemy, My Love, which is a powerful exploration of female resilience, independence and what happens when women are caught between two cultures, each filled with their own flaws and freedoms. It’s a stunning record and this track is a definite highlight.
(KC)

Blonde Maze – ‘Not All Flowers Bloom’
Having been a huge fan of New York artist and previous guest on our radio show Blonde Maze for a long while now, it was wonderful to hear her new releases this year. Reflecting on the realisation that even though something is beautiful, it may not last forever, ‘Not All Flowers Bloom’ is a truly euphoric slice of electro-pop. A perfect example of Blonde Maze’s knack for creating exquisite soundscapes. I could listen to everything she creates on a loop forever; it’s just so completely calming and blissfully cathartic.
(ML)

CATBEAR – ‘Girl Crush’
A dreamy electro-pop rumination about wanting a friendship to develop into something more romantic, London-based queer duo CATBEAR’s single ‘Girl Crush’ was written during Lockdown 1.0. Recorded and produced in Zoe  Konez’s home studio in Brixton, the single is a completely DIY affair, with Sarah Smith laying down her vocals in her spare room wardrobe. The pair playfully ponder the “could-have-beens and what ifs” when it comes to thinking about that certain someone. Their charming pop creations were a welcome distraction for those caught up in a crush during unusual times.
(KC)

Ellis – ‘Fall Apart’
Released in early January, Canada’s alt-indie angel Ellis released this swirling single. Dawning at a time of blissful ignorance during a quiet moment before the storm to come, Ellis couldn’t have anticipated the level of comfort ‘Fall Apart’ would bring to her listeners in 2020. With dreamy, personal moments illustrated so softly, Ellis’ peaceful scenes of whispers under sheets served as a euphoric escape that also acknowledged hardship through self-awareness. Both humility and hesitation are felt through Ellis’ symbolism of what it means to accidentally fall apart. Her delicate depictions and flustered lyrics are realities felt by so many. Hushed vocals and warm guitar tones embody the closeness and tenderness that ‘Fall Apart’ illuminates. A nostalgic essence is met with a small amount of weariness that captivates the complexity and fear of being unconditionally seen by another, even on our worst days. In an uncertain time it has served as a utopian narrative of relatability and release. Ellis’ ‘Fall Apart’ is a therapeutic moment that exists in a cloudy sky, gloomy, but kissed by the sun.
(Jill Goyeau: Contributor)

Talking Violet – ‘Indigo’
Canadian band Talking Violet’s first single in two years,  ‘Indigo’ offers an ethereal dreamscape oozing a shimmering haze and immersive shoegaze-tinged hooks. Flowing with the Cocteau Twins-esque vocals of front woman Jill Goyeau, and swooping other-worldly melodies, it’s an utter sonic delight. A truly immersive listen that’ll leave you longing for more. (Jill also happens to be an excellent writer for us at GIHE!)
(ML)

ARXX – ‘Call Me Crazy’
Following the release of last year’s EP Wrong Girl Honey, and 2018’s debut Daughters Of Daughters, total faves ARXX this year returned to our ears with ‘Call Me Crazy’. Whilst it may be a bit of a change in tone for the Brighton duo, it loses none of the emotion-strewn power we’ve come to know and love. Showcasing Hanni and Clara’s more reflective side, it offers a heartfelt offering reflecting on mental health struggles, at a time when this topic is more resonant than ever before. Whilst dealing with an affecting subject, however, ARXX manage to create a truly uplifting and instantly catchy empowering anthem.
(ML)

Emma Kupa – ‘Nawlins’
Already a big fan of her band Mammoth Penguins, I’m no less in love with Emma Kupa’s solo material. Taken from this year’s beautiful album It Will Come Easier, ‘Nawlins’ flows with lilting, folk-strewn melodies and Kupa’s distinctive raw vocals. Filled with a heartfelt lyrical storytelling and euphoric uptempo musicality, it builds with glistening hooks to a stirring slice of perfect indie-pop. It Will Come Easier is out now via Fika Recordings.
(ML)

Captain Handsome – ‘Halloween’
Taken from Captain Handsome’s debut EP I Am Not An Animal, ‘Halloween’ flows with silky-smooth vocals and a twinkling, stripped-back musicality. With its delicate lo-fi scuzz and tongue-in-cheek relatable lyricism (“It was halloween, I was 24, I had a bad time on the bathroom floor”), it’s a sensitive, yet not sentimental, effervescent offering. Captain Handsome is the solo project of Lily from Fightmilk, and her EP I Am Not An Animal was released in January via Reckless Yes.
(ML)

Finish Flag – ‘Garden’
Having first fallen in love with Finish Flag when they played for us live at The Finsbury last summer, this year their album Swimming Pools has provided a lot of comfort. Taken from the album, ‘Garden’ flows with twinkling hooks and luscious harmonies, creating a dreamy slice of lo-fi indie-pop. Another band who I’ve sought soothing catharsis in throughout 2020, I bought Finish Flag’s beautiful pink vinyl on bandcamp day a couple of months ago, and I recommend you do the same.
(ML)

Gold Baby – ‘Versaille’
Having been following Gold Baby for some time now, last year front woman Siân Alex joined forces with Sara Kleppe and Scott Hislop to form the band as we know them today. And it’s been wonderful to see them go from strength to strength. Recent single ‘Versailles’ showcases all there is to love about them. With shimmering guitars and swooning melodies flowing alongside Siân’s luscious, crystalline vocals, it oozes a stirring heartfelt emotion. A beautifully rich slice of melancholy dream-pop.
(ML)

LibraLibra – Listerine
Brighton-based LibraLibra have been firm favourites of GIHE for a couple of years, never ceasing to impress. And this year they released their phenomenal debut EP Hail Mary. Taken from the EP, ‘Listerine’ is a step away from the usual high energy riotous cacophonies of previous releases. Showcasing the incredible soaring splendour and versatility of front woman Beth Cannon’s vocals with an almost operatic force, it builds to a magnificent, immense anthem of self-realisation.
Hail Mary is available on bandcamp now.
(ML)

Beckie Margaret – ‘God’
Essex-based songwriter Beckie Margaret has a flawless voice and a talent for writing beautifully bruising lyrics, something that her single ‘God’ showcases perfectly. I’m not ashamed to say I shed a tear when I first listened to this track, which is a cinematic reflection on unreciprocated love. Margaret releases through Cool Thing Records, who are a collective of people who absolutely love the music they’re making and promoting. It’s always a good day when an email about one of their artists appears at the top of my GIHE inbox.
(KC)

Massive thanks to all the artists and bands creating wonderful tunes this year! Keep an eye out for our Ones To Watch for next year, and listen to our Tracks Of 2020 playlist now:

PLAYLIST: Transgender Awareness Week 2020

At Get In Her Ears, we stand every day with our transgender and gender non-conforming siblings. We support trans artists because they create some of our favourite music and because trans rights are human rights and until trans lives matter, no lives matter.

Transgender Awareness Week kicks off today (13th Nov) until the 19th November, ending with Transgender Day of Remembrance on the 20th November, so we’re highlighting some of the incredible transgender artists who regularly land on our turntables and blast out of our speakers. Listen to our playlist at the end of this post and keep an eye on our Twitter, Facebook & Instagram accounts this week, as we’ll be posting about some of our favourite transgender artists over the next 7 days.

If you need support during Transgender Awareness Week, or at anytime in the future, you can always reach out to Switchboard LGBT+ via their website or by calling 0330 330 0630.

 

Mykki Blanco (feat. Princess Nokia) – ‘Wish You Would’
This is a song from an artist who I feel needs no introduction, a queer transgender pioneer who is doing amazing things for LGBTQ+ rights, as well as being open about their positive HIV status. Mykki Blanco is an incredible artist and I love their music. (Tash Walker)

Arca – ‘KLK’
Arca is a trailblazing trans artist who has been pushing boundaries in the electronica scene for years now. I love her music, especially right now where I cannot quite scratch that live gig rave itch. Turn this up loud, close your eyes and dance dance dance, you’ll feel free. (TW)

Mavi Phoenix – ‘Boys Toys’
Mavi Phoenix is someone that we interviewed a couple of years back now, but who spoke so eloquently about equality and the importance of queer music in the world. Phoenix has found a home in their new sound and also in the pronoun “he”. This track is taken from their debut album of the same name, which was released earlier this year. This is all about Phoenix being reborn, which is what happens in the accompanying music video to this track. ‘Boys Toys’ is as important as an exploration for Phoenix’s gender identity as it is for his artistic work. And on top of all that, it’s an absolute tune. Enjoy. (TW)

Grawl!x – ‘Epicene’
Having headlined the last gig we held at The Finsbury before the world changed forever, Grawl!x creates euphoric cinematic soundscapes filled with twinkling electronic hooks and spellbinding harmonies. Characterised by Maria’s distinctive impassioned vocals and a poignant stirring emotion, each offering from the Derby-based artist is utterly captivating. (Mari Lane)

Tokky Horror – ‘Simulate Me’
Dance-punk trio Tokky Horror are the perfect soundtrack for a lockdown 2.0 bedroom rave. ‘Stimulate Me’ is just one of the many TUNES this band have and I’m excited to hear more from them in 2021. (Kate Crudgington)

LOTIC – ‘Burn A Print’
Berlin-based artist & producer LOTIC’s mission is to “live life to the fullest by not giving a fuck about what anybody thinks”, something she clearly and defiantly communicates on this track. With a name that means to “to inhabit rapidly moving water”, Lotic’s chaotic yet fluid soundscapes truly embody her passionate, fighting spirit. (KC)

PET Wife – ‘B.L.O.O.D.O.R.A.N.G.E.’
I Love what I’ve heard from PET wife so far! I came across them only a couple of weeks ago. PET wife, are a trans/nonbinary couple and art-pop duo from Bushwick, Brooklyn. This single is accompanied by a music video that they describe as an homage to the vampire lesbian exploitation films of the 1970s, with an all-trans/gender non-conforming crew and queer cast. (TW)

Gordian Stimm – ‘Miscellaneous Body Parts’
There’s an enjoyable violence underscoring Gordian Stimm’s vision; a gleeful, sometimes painful dissecting of the self and the social cues that either help to construct or dismantle it. Their debut album Your Body In On Itself (released by Amateur Pop Incorporated) is a bold, surreal listen from a bold, surreal artist and one I highly recommend. (KC)

Anohni – ‘Why Did You Separate Me From The Earth?’
Anohni is a necessary and powerful voice that we need now more than ever. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Kermes – ‘Yr Beast’
Self proclaimed “anxious rock for the gay agenda”, Leicester band Kermes address issues such as gender dysphoria, sexism and dysfunctional relationships, with their infectious emotion-strewn punk-pop oozing a raw, angst-driven energy and scuzzy shimmering power. Kermes feature on fantastic new compilation compiled by their label Amateur Pop Incorporated, including other favourites Gordian Stimm and Boarder. All We Want Is Everything is available now on bandcamp. (ML)

Bitch Hunt – ‘Spaceman’
London based all queer/non-binary band Bitch Hunt formed at First Timers Fest, and create catchy, scuzzy punk-pop. With a subtle tongue-in-cheek wit and the gritty deadpan vocals of front person Sian, ‘Spaceman’ is a spot-on reflection on the sickening arrogance of all those cis male ‘splainers and ‘spreaders we so often have to endure in our day to day lives. Check out the gorgeous split EP from Bitch Hunt and other faves adults, available on bandcamp now. (ML)

The Crystal Furs – ‘Too Kind To Be Cruel’
Oregon-based The Crystal Furs create sunny, queer indie-pop that’s set to uplift on each listen. As shimmering guitar and organ melodies flow alongside honey-sweet vocal harmonies, it’s just perfectly catchy, twinkling jangle-pop at its finest. Beautiful and True, the latest album from The Crystal Furs, is out now, with many tracks addressing queer rights and transgender identity. (ML)

T-Bitch – ‘Tranarchy’
Southend-based glam punks T-Bitch give just the right amount of fucks on ‘Tranarchy’, but most importantly – they’re here to be heard and have fun. (KC)

Claire Foxx & The Antisocial Justice Worriers – ‘(I Don’t Want Your) Germs’
Scottish punk singer & songwriter Claire Foxx released this track in September and it’s a riotous, tongue-in-cheek take-down of all things Covid-19 (with some fab sax solos in there too.) (KC)

 

Husk – ‘Below The Neck’
“I would never change being trans. I would never change being a trans musician. The industry should support us. Book us. Play us. Listen to us. We have so much to offer.” A poignant sentiment from Trans, non-binary artist Husk, who combines ’80s synth-pop nostalgia with fresh leftfield pop to create their signature sound. (ML)

SOPHIE – ‘Immaterial’
This track is taken from SOPHIE’s debut album and I love it. A pioneer of experimental music, often the producer behind so many other amazing tracks, remixes and artists. Described as disorientating latex pop which I think sums up my first experience of seeing SOPHIE live – intense at its best. (TW)

Jackie Shane – ‘Comin’ Down’
I can’t resist adding soul singer Jackie Shane to our playlists. Her wonderfully smooth vocals, sophisticated style and bravery and defiance in the face of transphobia in the early 60s make her a true GIHE icon. (KC)