Track Of The Day: Mentrix – ’99 Names Of God’

A soft, altruistic re-working of a traditional Muslim chant, Iranian born, Berlin-based vocalist & composer Mentrix has shared her latest single ’99 Names Of God’. Working alongside DJ, producer & activist Nesa Azadikhah (founder of Deep House Tehran), Mentrix’s version of the song – which is usually sung by men and associated with Ramadan – centres and celebrates freedom of expression via her distinctive vocals and Sufi-inspired beats.

“’99 Names Of God’ are the many words which describe God in the Quran,” Mentrix aka Samar Rad explains about the chant. “These words are principals and qualities that manifest the divine. In Sufism, the teachings invite one to contemplate on these names: which one of these words are you? This chant, composed of three vocal octaves in the style of Tavashi, has been sung by many around the world. My version is here to honour the very essence of Islam, an invitation for every individual, beyond gender and any social construct, to cognise the divine within.”

The track is accompanied by a hypnotic video which Mentrix made in collaboration with Tobia Gremmler (Bjork), reflecting the fluid nature of gender and beauty with fluctuating shapes and symmetrical images. With her 2020 debut album My Enemy, My Love, released via her own female-led label House of Strength, Mentrix sought to shift perspectives on femininity and challenge patriarchal norms with her music. On ’99 Names Of God’, she continues this journey and delivers a beguiling, empathetic soundscape in the process.

Watch the video for ’99 Names Of God’ below.

Follow Mentrix on bandcamp, Spotify, Instagram & Facebook

Kate Crudgington
@KCBobCut

Five Favourites: Tyler Holmes

I’ve only recently become acquainted with innovative artist Tyler Holmes, but I have fast fallen in love with their poignant, affecting and utterly unique sweeping electronic soundscapes. Holmes (They/Them) is a singer-songwriter, visual and performance artist who uses music as a therapeutic device. Coming from a turbulent and traumatic ‘cult-like’ early life, they have spent a lifetime crafting their own Black, Queer narrative by pushing the limits of their imagination, Holmes envisions themselves as the imaginary child of Björk and Tricky, using a surrealist lens on a wide variety of genres, often blending diaristic narratives with dark, dream-like whimsy. Autobiographical and absurd, their writing is alluring and uncomfortable. Both brutal and beautiful, bringing the audience into a shared space of healing and catharsis. They perform with a constantly changing electro-acoustic arrangement, always finding new ways to showcase an intimate horror.

Ahead of the release of their upcoming new album ‘Nightmare In Paradise’ via Ratskin Records next month, we spoke to Tyler about the five albums that mean the most to them. Check out their choices below, and watch their latest video for single ‘Nothing’ at the end of this article. You can also listen to their recent rendition of SOPHIE’s ‘BIPP’ over on bandcamp now.

Mariah Carey – Butterfly
Butterfly was a departure for Mariah. A record that embraced Hip Hop and Mariah as a sexual and sorrowful entity, which I have always related to. I have always been obsessed with Mariah and I’ve been singing her songs for as long as I can remember. This was the first album that I would listen to all the way through, over and over and over. There is a real variety to the record and I can now see this as the first in a series of emotional breakdown albums (this one even has a song called ‘Breakdown’ which is unbelievably beautiful and rich and has the amazing Bone Thugs N Harmony guesting). The through-line through this quite varied record is sadness, longing and identity struggle; all running themes in my life and music as well. My favourite track is ‘Outside’ – about being a weirdo, just singing the melody makes me cry.

The Knife – Silent Shout: An Audiovisual Experience – Live In Gothenburg
Reinvention is something that always turns me on. This album was the electronic equivalent to dying your hair black and doing acoustic renditions of your record. The Knife was this mysterious band back in the early internet days and Gothenburg showcased them reborn in a syrupy goth trance inducing void that was even more mysterious than they had been. It was as if they had this colourful image and they thought “let’s give them even less information and appear in a black abyss as ghostly floating lights…” The songs are darker, gothic, stark and beautiful. Dance music made for crying and being a freak to maybe more so than dancing. I love a singer who can be different characters and Karin plays a whole cast on this record and a cast of ghouls, sea monsters, aliens and demons. She is so otherworldly, possessed and perfect. My favourite track is ‘Kino’, which I covered a long time ago. They took an old track and brought it back through the Pet Cemetery. The mourning in that song will haunt me forever.

Tricky – Pre Millenium Tension
A theme of coming back darker, and more vulnerable emerges. While Tricky’s first record was murky and muddy,Pre Millennium is obsidian. A dark smoke filled room. I love how Tricky always has two singers of varying genders singing the same lyrics at the same time creating one genderless or many gendered being. The opening song ‘Vent’ talking about someone hiding their lover’s medicine to watch them suffer and need them speaks volumes about the album in front of the listener. Very much about codependency, dark urges, self destruction. The gnarling, repeating loops grind nightmares into your head like noogies. The reimagining of ‘Bad Dreams’ by Chill Rob G gives the song a chilling, fever dream realness that is necessary and sadly timeless.

Astrud Gilberto & Walter Wanderley –  A Certain Smile, A Certain Sadness
I listened to this album on repeat while writing my new record. It’s vintage goth. Astrud Gilberto, best known for the timeless hit ‘The Girl From Ipanema’, is practically motionless. Her stoic and serious performance even over more dance oriented tracks like ‘Nega do Cabelo Duro’ really sets the tone without beating the listener over the head. There is a bittersweet breeze blowing through every song on an album that has some rather peppy tempos and almost chipper organ lines. The theme of the album is dark, not quite hopeless but almost. The opener ‘A Certain Smile’ sets the tone that, like love, peace of mind and temperament are cyclical. “That certain smile to haunt your heart again.” OUCH. ‘Smile’ is followed by ‘A Certain Sadness’ (JOKES!!!) that lays the cards on the table and directly discusses unrequited love, longing and depression. To me it is so interesting and inspiring to hear these jazz chords that have over time become associated with elevator music here set to such depressive and moody themes. Even the fast songs contain some really ‘ugly’ chords and organ solos that hint at a jazzy, almost punk antagonism that alongside the subject matter and vocal delivery make me really see Bossa Nova as a precursor to New Wave music (Bossa Nova means ‘New Trend’ or ‘New Wave’ after all.) ‘Tristeza’ and ‘So Nice’ are absolutely brilliant, tongue in cheek songs that in a heavy-lidded tone hint at a sunny life in a bitchy way that seem to me as sarcastic as they are dreamy.

Björk – Post
Choosing a Björk album to discuss is really difficult but this is probably the singular record that has influenced me the most. Eleven songs that are all different genres and on different planets. This record has such anger, such venom, such sadness and such spacious, calm, quietness. It is truly a rollercoaster masterpiece. It calls to mind Goldie Hawn’s famous line (from First Wives Club) about emotions “I’m an actress! I have all of them!” That’s what Björk showcases here; every emotion, texture, and sound in her body at the time and it is resplendent. ‘I Miss You’ is one of the best and most original takes on the standard longing pop song, with horn freak-outs, screaming, and a panic attack about “cuddles” for a bridge. The song sounds like a cartoon zoo where the animals train the humans just like the surrealist nightmare of a music video that is as amazing as the song. The album features one of my favourite songs ever; ‘Enjoy’, where mother weaves a bizarre love triangle over a beat made by one of her boyfriends at the time and one of my biggest inspirations: Tricky. The intimate tabloid lyrics are leaked over a beat that sounds like a jungle full of haunted wildlife that know your secrets and want to punish you with electrical torture. It’s one of the most titillating experiences you can have as a listener. An album that is full of so much motion and noise ends with the purely ambient ‘Headphones’. It’s built on barely there electronic bass notes and Miss Björk whispering about falling asleep to a transformative tape! I had this on cassette as a kid and it was a meta experience, this is one goal I have definitely taken from Mother. Her goal was to give others the same transcendental experience that music gave her, passing on the gift. Post is one of her greatest gifts.

Massive thanks to Tyler for sharing such beautiful words about their favourite albums!

Nightmare In Paradise, the upcoming album from Tyler Holmes, is set for release 26th March via Ratskin Records. Pre-order here. And watch the poignant video for ‘Nothing’ below:

LISTEN: Laura Guarch – ‘Fleeting Light’

Having established herself as a professional vocalist, with collaborations with ACM Gospel Choir and London Contemporary Voices under her belt, Spanish London-based artist Laura Guarch has now shared her debut single. 

Soaring with Guarch’s stunning crystalline vocals and an anthemic emotion-strewn musicality, ‘Fleeting Light’ builds to an ethereal, glistening soundscape. A cinematic, alt-pop ballad with shades of the other-worldly majesty of the likes of Bjork or Kate Bush. Of the track, Guarch explains:

The idea for Fleeting Light was born on a night looking at the starry sky from a semi-deserted island in Thailand, called Mu Koh Ang Thong. How are the old stars looking at us, humans, and the changes the Earth is experiencing? Fleeting Light imagines million year-old stars looking down on the Earth and watching the history of life on our planet as their Sunday afternoon entertainment.

Listen to ‘Fleeting Light’ here:

 

Mari Lane
@marimindles

Five Favourites: GRANT

Following 2018’s album In Bloom, Swedish artist GRANT has now returned to grace our ears with new single ‘Words’. Oozing a raw emotion and shimmering musicality, it’s a heartfelt slice of enchanting alt-pop.

We think one of the best ways to get to know an artist is by asking what music inspires them or influences their writing. We caught up with GRANT to find out her “Five Favourites” – five albums that she’s found particularly influential. Check out her choices below, and make sure you watch the new video for ‘Words’ below.

4 Non Blondes – Bigger, Better, Faster, More!
This was my own very first CD, that my sister gave me when I was about eight. I learned how to sing belting along with Linda Perry. This album falls somewhere in rock n’roll land, with a touch of Linda Perry’s pop genius, and  listening to it felt like a roller coaster through a wicked landscape. I highly recommend that you listen to the Linda Perry episode of the Broken Record Podcast!

Björk – Debut / Post / Homogenic
This is my holy trinity, and I honestly didn’t know which of Björk’s albums to choose; each of these three have inspired me immensely. I love the unexpected dynamics and how in each delicious song she unfolds like an adventure so naturally.

Nina Simone – Wild Is The Wind
The first time I heard Nina Simone, she sang of experiences I’d never lived in a language I didn’t understand yet, but I felt so much. It was kinda heavy but also beautiful. Never has an artist expanded my world view like she did. I want to make music that makes someone young feel like that. 

Portishead – Dummy
I must’ve listened to this album more than a thousand times. When I first discovered trip-hop I thought it was the most ultimate genre, simply because it was genre-bending and contradictory (gloomy yet playful, soft and hard), and I still hold this to be true. Even though I’ve transitioned into a more pop soundscape, I’m still heavily influenced. Also, Beth Gibbons singing ‘Glory Box’ and smoking on stage is too sexy. 

Edith Piaf – À l’Olympia
As with Nina Simone she sang of experiences in a language I didn’t understand, but I was completely enchanted. The way she sings and poises herself with small movements that stir up a fucking whirlwind… I think you can hear her influence in my music in terms of both melodies and phrasing. I learned French from listening to her and I’m forever grateful for the impact she’s had on me.

Huge thanks to GRANT for sharing her Five Favourites with us! 

Watch the new video for ‘Words’ here:

 

Photo Credit: Angelina Bergenwall