ALBUM: ĠENN – ‘unum’

A dynamic, shape-shifting record inspired by feelings of otherness, Malta-via-Brighton art punks ĠENN have crafted an intricate narrative of multi-cultural experiences, personal anxieties and a powerful sense of togetherness on their debut album, unum. Released via their own label Liminal Collective, the record is an urgent, instinctive rumination on the band’s predominantly Maltese roots, how it feels to be an outsider and how the universal feeling of wanting to belong is more powerful than the overwhelming social, mental and political barriers that try to prevent this from occurring.

Co-produced by ĠENN, Gilla Band’s Dan Fox & Tom Hill and mastered by Katie Tavini, unum – which means “oneness, unity, a sense of being whole” in Latin – is influenced by a myriad of musical genres. Despite sharing the same Maltese roots, guitarist Janelle, bassist Leanne and vocalist Leona are inspired by a plethora or different styles, from post-punk and psych-rock, to freestyle and traditional Ghanaian folk music. Drummer Sofia was raised in Brighton with a love of jazz and blues music, but her Jamaican, Portuguese and British heritage offers another layer to ĠENN’s multifaceted sound.

From of the offset, unum is an ardent fusion of yearning and urgency. “Me and my body have a close relationship / yet I feel nothing like myself” confesses Leona on opener ‘Rohmeresse’, her hushed spoken-word contrasting against the track’s upbeat, chant-worthy motif of “I wanna stay in all day / I wanna sleep in all day, all day.” Evocative riffs and skittish percussion all lead up to an impressive display of her elastic vocal range in the latter part of the track, before everything culminates in a potent, explosive breakdown. ‘Rohmeresse’ showcases ĠENN’s abilities to melt complex, contradictory concepts and instrumentation into sophisticated, accessible sounds.

The chemistry between the band is best observed and appreciated when they’re playing live together, but on unum, Leona’s vocals truly command listeners attention. They are a vital force amidst the genre-blending skills of her bandmates, cutting through in all the right places. Whether she’s tackling the monotonous reality of a day job on the brooding ‘Days and Nights’, singing over swaggering riffs and saxophone on ‘Wild West’, or exploring creative and personal purgatory on the trip-hop inspired ‘A Muse (In Limbo)’, her ambiguous lyrics are heightened by her instinctive, dynamic vocal delivery.

This instinct is shared and showcased most vehemently on tracks ‘Calypso’, ‘A Reprise (That Girl)’ and ‘The Sister Of’. The first – named after the island Janelle’s Mother hails from – is a melodic, jazz-tinged symphony inspired by mythical mermaids and the language of Maltese poet and playwright Mario Azzopardi, the rhythms of which seep into the bloodstream. ‘A Reprise (That Girl)’ sees Leona spiral into feelings of self doubt and insecurity after watching heavily constructed versions of women’s lives online, intensified by incendiary riffs.

Arguably, it’s on ‘The Sister Of’ that the issues which inspired the creation of unum are pushed directly into the spotlight. ĠENN – who identify as majority queer people of colour – remain hopeful in sisterhood, despite the shadows of the Maltese Pro-Abortion movement and Pride protests stretching across the waters into their consciousness here in the UK. Whilst not addressed directly, these feelings of unease permeate ‘The Sister Of’, as Leona evokes visceral, fleshy imagery in her lyrics – “Pulsed by the wisdom that lies beneath your gum / blood glistens between your clenched teeth” – exploring the “alienation that bursts out of sight / agitation that brings through the light.” The track’s accompanying video, a short film by acclaimed Ukrainian director Kyryl Volovych, also reflects themes of disconnection and transience that come with being an immigrant in the post-Brexit landscape.

Ultimately, ĠENN’s debut album is a keenly observed statement of self-autonomy, and the often exhausting journey that comes with trying achieve to it. It’s a compelling, vital record that re-enforces the powerful bonds of friendship between its creators, whilst offering listeners a glimpse into a world of experiences they may not always be privy to; all underscored by formidable riffs and a formidable creative spirit.

Follow ĠENN on bandcamp, Spotify, Facebook, Twitter (X) & Instagram

Photo Credit: Jordan Core

Kate Crudgington
@KCBobCut

WATCH: Projector – ‘And Now The End’

Written as a response to a breakup scenario, but inspired by the general state of chaos that we currently live in, Brighton trio PROJECTOR continue to evolve their sound on their latest single, ‘And Now The End’. Accompanied by a beautifully shot video – the second in a trilogy of Cold War inspired films – the band question “Who do you think is winning now / and does it really matter anyhow?” via visceral riffs and cutting lyrics.

Ricocheting between spite and apathy at a disorientating pace, ‘And Now The End’ is permeated by brooding bass lines, sardonic vocals and gritty guitar FX. Together, these elements reflect the nihilistic attitudes that people often indulge in when they feel powerless in the face of overwhelming adversity. On the track’s writing process, bassist and vocalist Lucy Sheehan comments: “I was listening to Massive Attack’s Heligoland a lot, I wanted those bass lines that sounded like they could almost be a synth line, and guitars that could be noise samples.”

“Ed’s guitars are mostly noises created by dropping a Carl Martin Headroom on the floor,” Sheehan continues, “[and] as with all our stuff, Joy Division’s the major influence. That said, this wasn’t a cerebral process. We wrote ‘And Now The End’ in about half an hour, it came naturally. That’s why I think it’s probably the aesthetic signifier of the major piece of work we’re shortly about to announce…”

In the lead up to this news, Projector have announced their biggest UK tour to date, which kicks off in 2024. Fans can access tickets early in a pre-sale at 10am on Wednesday 4th October by signing up to PROJECTOR’s email list. The remaining tickets will be on general sale at 10am on Friday 6th October on the band’s website.

Watch the video for ‘And Now The End’ below.

Follow Projector on Spotify, Twitter (X), Facebook & Instagram

Projector UK Tour Dates 2024
22nd Fed – The Bodega, Nottingham
23rd Feb – The Green Door Store, Brighton
29th Feb – The Attic, Glasgow
1st March – The Castle, Manchester
2nd March – The Royal Oak, Leeds
22nd March – The Lanes, London
23rd March – Signature Brew, London

Photo Credit: Bridie Cummings

Kate Crudgington
@KCBobCut

NEW TRACK: CLT DRP – ‘I See My Body Through You’

Following on from their incendiary anthems ‘New Boy‘ and ‘Nothing Clever, Just Feelings‘, Brighton feminist electro-punks CLT DRP have shared their powerful new single ‘I See My Body Through You’. Taken from their upcoming second album, Nothing Clever, Just Feelings, which is set for release on 8th September via Venn Records, the track is a dynamic, corrosive rumination on objectification and how it can affect our own identity and self worth.

Annie Dorrett’s distinctive, self-possessed vocals lead the charge alongside drummer Daphne’s considered percussion and guitarist Scott’s blend of melodic and visceral riffs. By combining quieter verses with a blistering chorus, CLT DRP reflect the tumultuous emotions and lack of control that can come from feeling exposed and viewed through a skewed and restricting lens. “They just say grin and bear it” Annie muses, before listeners are pummelled by a wall of cathartic, abrasive sound.

The single is accompanied by an intriguing set of visuals, directed by Alice Strutt. Annie explains the thought process behind the video: “‘I See My Body Through You’ is probably one of the tracks we’re looking forward to putting out the most. The content of the song set against the visuals all came out perfectly.”

“There’s a lot behind this song,” she continues, “different ways to interpret it, but the unsettling feeling and tension in the orchestration and in the video match up to the emotions that created this song in the first place—the emotions of being constantly on show, being objectified, and your own confidence being warped because of other people’s gaze. I think Alice heard the song and understood those feelings immediately, as most women do, and came up with some striking and strange concepts for the video.”

Director Alice Strutt comments further: “Inspired by the song’s content, the video embraces the use of ambiguous imagery, employing fractured reflections and obscured veils to symbolise the interplay between how we imagine others perceive us and its effect on our self-perception. The aim was to create impactful and disjointed visuals that invite contemplation of the blurred lines between reality and interpretation.”

Fresh from performing in their hometown at The Great Escape Festival earlier this year and a recent support slot with electronic music pioneer Gary Numan in Antwerp, CLT DRP are set to headline one of the stages at ArcTanGent Festival this weekend (18th August). The band have also announced a string of winter UK headline tour dates, including a show at The Lexington in London on 29th November. Full listings are below and tickets are on sale here.

Watch the video for ‘I See My Body Through You’ below.

CLT DRP UK Live Dates 2023
11.08.23 – Winchester, UK – Boomtown
18.08.23 – Somerset, UK – ArcTanGent
08.09.23 – Brighton, Green Door Store
15.09.23 – Sofia, BG – Wrong Fest
12.10.23 – Manchester, Beyond The Music
02.11.23 – Leeds, Oporto
03.11.23 – Glasgow, Hug & Pint
23.11.23 – Southampton, Joiners
24.11.23 – Bristol, Rough Trade
29.11.23 – London, Lexington

Pre-order CLT DRP’s new album Nothing Clever, Just Feelings here

Follow CLT DRP on bandcampSpotifyTwitterFacebook & Instagram

Photo Credit: Libby Malandrone

Kate Crudgington
@KCBobCut

NEW TRACK: CLT DRP – ‘Nothing Clever, Just Feelings’

Following on from their visceral, incendiary anthem ‘New Boy‘, Brighton feminist art punks CLT DRP have shared their latest single ‘Nothing Clever, Just Feelings’. The title track from their upcoming second album, which is set for release on 8th September via Venn Records, ‘Nothing Clever, Just Feelings’ is a thumping, primal, tenacious offering that champions the immediacy and the transitory nature of thoughts and emotions.

CLT DRP blew us away when they performed at The Great Escape Festival earlier this year, with this new single providing one of many highlights during their set. Fuelled by Annie’s powerful, crystalline vocals, Daphne’s phenomenal percussion and Scott’s jagged guitar FX, ‘Nothing Clever, Just Feelings’ is a cathartic anthem that celebrates the act of feeling your emotions without over-analysing them. “I’m learning to manage my distractions / I’m getting better at talking less shit” Annie sings, her defiance and directness as intoxicating as the cacophony of potent noise behind her.

“This is the title track for a reason!” she explains about the single. “Desperation, anger, confusion—ALL the feelings. I think I spent a lot of time when I was younger trying to be clever about lyrics. I wanted to try and be witty or something ‘mature’. As a younger woman in the industry, I felt like I wasn’t going to be taken seriously writing the way I did. I quickly realised that the music I listen to the most is nothing like that, so why would I try and emulate something I don’t even listen to? The lyrics I connect with are always straight forward emotions or familiar scenarios that I can identify right away when I first hear a song. Being present in the lyrics and emotions are important to me as a lyricist. I want you in the car with your friends screaming the lyrics at full blast cursing your ex! That’s what this song is supposed to do.”

This desire for unfiltered self-expression permeates CLT DRP’s new album. Nothing Clever, Just Feelings touches on themes of queerness, heartbreak, new-found strength in vulnerability and gender fluidity, as well as new-found femininity in humour and the fear of being alone. We can’t wait to hear it!

Watch the accompanying video for ‘Nothing Clever, Just Feelings’ directed by Harry Steel (Haunted Mattress) below.

Follow CLT DRP on bandcampSpotifyTwitterFacebook & Instagram

Photo Credit: Bridie Florence

Kate Crudgington
@KCBobCut