Deer Shed Preview: Interview with The Go! Team

Celebrating the 20th anniversary of their pivotal debut album Thunder, Lightning, Strike this year, The Go! Team are set to bring their joyous energy and fizzing genre-defying sounds to the main stage of Deer Shed festival on Sunday 28th July. With seven albums under their belts, their live shows are a pretty uniquely euphoric experience to be a part of; so prepare to be swept up in gleeful ecstasy by their soaring funk-fused cacophonies and swirling sunny charisma.

We caught up with the band, fresh from their set at Glastonbury last weekend, to find out more about their live shows, kids on tour and the challenges of the industry today… Have a read, then check out our playlist of bands and artists – including The Go! Team – that we’re most looking forward to checking out at Deer Shed Festival at the end of this month.

You’ve just played Glasto, for the the fourth time! How was that for you? 
Yeah, it went like a dream! We were up against Shania Twain, I believe – clash of the titans.  

And how did the experience compare to the other times you’ve played the festival? 
The first time we played in 2005 the PA died, so that was a disaster, so anything is an improvement after that… We have seven albums of songs to pull from, so we can kinda do a “greatest hits” set!

As a band known for the joyous energy of your live sets, how do you normally prepare for your performances? Do you have any sort of special routine that you do together before playing? 
Well, we don’t do a Madonna-style prayer circle or anything! It’s always been an unspoken thing that we bring it in the live shows – it was never discussed really. Ninja can be asleep five minutes before show time and the next moment she’s doing cartwheels. 

I was lucky enough to see you live back in 2018 at Electric Ballroom in Camden, after having been a massive fan as a teen in the early noughties, and it was such an uplifting experience! Is there a particular show you’ve played over the last twenty years that stands out as a highlight or especially memorable for you?
Selling out the Roundhouse in Camden was a big one for me. We still feel like a cult band to me – a well kept secret. So, that was a big deal.  

And you have a few more festivals coming up this summer, including lovely Deer Shed Festival at the end of this month – are there any particular festival essentials that you like to take with you to get through a weekend of camping? 
Just an olympic weight frisbee. 

As I’m sure you’ve seen, Deer Shed Festival places a particular focus on being as family friendly as possible, with loads of amazing activities for children, and just a really lovely intimate and safe vibe. With some of you being parents of small children, is this something you think is important for festivals to try to embrace? 
Yes, Ninja and Nia in the band have young kids. They actually both took them on a West Coast USA tour recently – from Vancouver down to LA. Touring and kids aren’t really supposed to go together so I can’t believe how they made it happen! As you can imagine, we come off stage late, but the kids will still be up at the crack of dawn, so it pushes you to the limit. So, respect to them.

For children and young people who want to get into playing music or start a band, what advice would you give? 
Less shredding – more angle. It doesn’t matter about being the best player, but bands should take an approach and decide what they are. I love the idea that bands exist in their own unique universe. 

And what is your opinion of the opportunities that are on offer for young people in the arts at the moment? Would you say it’s got any easier or more difficult to get involved, and be heard, in the music industry now than when you started out? 
It’s kind of mixed. The barriers to making music are down in some ways, as you can record at home cheaply and stick it up on streaming, but it’s easy to get lost and it can feel like everyone is clambering to be heard. For a minute it looked like the majors were fucked, but they were shrewd enough to just own the streaming world… 

As we’re an organisation with a focus on supporting women and queer people in music, I just wondered how you feel the industry is for them today? Do you feel much has changed over the years in its treatment of them, and other marginalised groups? 
When we started in the mid noughties it did feel more like a ‘boys club’ to me, and The Go Team was a kind of response to the bullshit NME ‘lads-on-tour’ fantasy they were peddling. I’ve always loved bands with mixed genders, and am always a bit put off by bands that are just full of blokes.

And are there any new artists or bands that you’ve come across recently that you’d recommend we check out? 
I really like a fella called Charif Megarbane – he does amazing kinda library inspired groovy instrumentals 

Finally, in addition to playing lots of live dates, what else does the rest of 2024 have in store for The Go! Team?
We’re heading back to East Coast USA. We’ll be there around election time, ending up in Washington DC the day before, which will be terrifying but pretty interesting! Will be steering clear of the Proud Boys, but apart from that I will be continuing my life long mission of trying to make schizo channel hopping sounds – I really want to push harder with wildly different genres sellotaped into the same song. 


Massive thanks to The Go! Team for answering our questions! Check out their special 20th Anniversary edition of Thunder, Lightning, Strike, which is out now on translucent red vinyl via Memphis Industries. We can’t wait to see their set at Deer Shed Festival, along with an eclectic range of other awesome bands and artists that we’re excited to be seeing, including CMAT, Los Bitchos, Liz Lawrence, Personal Trainer, Jessica Winter, Cerys Hafana, Nana Benz Du Togo and Picture Parlour. In addition to loads of lovely music, Deer Shed also prides itself on its family friendly focus, hosting a variety of activities such as kayaking, skateboarding, tree climbing and a ‘nurf gun arena’! There’ll also be some great literary voices featuring at the festival, including John Niven, Simon Armitage and Vanessa Kisuule. Something for everyone, basically. Plus Get In Her Ears will be DJ-ing at the In The Dock stage on Friday night, treating y’all to some of our favourite danceable tunes by women and queer artists – not to be missed! 

Deer Shed is just a few weeks away – from Friday 26th July to Sunday 28th July – and tickets are running very low, so nab yours here now! And listen to our playlist of bands and artists that we’re most excited about seeing at the festival to get you in the mood here.

Photo Credit: David Richardson

WATCH: CMAT – ‘Peter Bogdanovich’

Flowing with her trademark wit, melancholy-tinged vocals and informed by her fascinating yet niche personal interests, Irish pop sensation CMAT has shared a new video for her latest single ‘Peter Bogdanovich’. Taken from her superb debut album, If My Wife New I’d Be Dead, the track is a playful homage to the work & romantic life of the acclaimed American director, accompanied by a cinematic, monochrome video featuring CMAT in drag as the eponymous talent.

“I wrote the song ‘Peter Bogdanovich’ after listening to a podcast about the making of the film The Last Picture Show,” CMAT explains. “To cut a long story short, Peter ran away and left his wife for yungwan (the lead actress in the film, Cybill Shepherd). I was taken by this particular story because I love his early films, and I loved finding out that his wife, Polly Platt, was the player who was actually responsible for what I love most about his films. I was really interested in everyone’s motivations – Peter for acting so selfishly, Cybill for throwing a bomb on a marriage and her work, and most of all Polly, for staying to work on the film even after the affair came out. I think it is a great allegory for the role that the construct of gender plays in all of our decisions, and how if gender and sexuality wasn’t really seen as such a rigid ‘thing’, our lives would be very different.”

Commenting on working alongside the video’s director Jake Passmore, CMAT continues: “I approached Jake with the idea of doing a video where I was in Boy Drag because a) it worked with the theme of the song b) I thought it would be really fun. Himself and Sam Brautigan, who co-directed, then came up with a brilliant abstract treatment around me playing Peter Bogdanovich that involved choreography, Orson Welles and a puppet. What more could I possibly want?”

Living her best life and sharing her unique perspective on love and pop culture loop holes is what makes CMAT such a joyful and charismatic performer. Catch her live on the dates listed below.

Watch the video for ‘Peter Bogdanovich’ below.

 

Follow CMAT on bandcampInstagram, TwitterSpotify & Facebook 

CMAT Live Dates 2022

June 18th | Westmeath, IE – Body & Soul Festival
June 23rd | Halifax, UK – The Piece Hall –
June 24th | Margate, UK – Leisure Festival
July 2nd | Copenhagen, DK – Roskilde Festival
July 3rd | Dublin, IE – Trinity College ^
July 7th | Montreux, CH – Montreux Jazz Festival
July 9th | Glasgow, UK – TRNSMT Festival
July 24th | Hertfordshire, UK – Standon Calling Festival
July 30th | Leeds, UK – Deer Shed Festival
July 31st | County Waterford, IE – All Together Now Festival
Aug 12th | Oslo, NO – Oya Festival
Aug 14th | Winterthur, CH – Winterthurer
Sep 4th | Stradbally, IE – Electric Picnic Festival
Sept 29th | Los Angeles, CA – Cafe Du Nord*
Sept 30th | Los Angeles, CA – The Moroccan*
Oct 1st | Dana Point, CA – Ohana Festival*
Oct 3rd | Chicago, IL – Empty Bottle*
Oct 4th | Toronto, ON – Monarch Tavern*
Oct 6th | New York, NY – Mercury Lounge*
Nov 13th | Rotterdam, NL – Rotown*
Nov 15th | Stockholm, SE – Bar Brooklyn*
Nov 16th | Copenhagen, DK – Ideal Bar*
Nov 17th | Berlin, DE – Marie Antoinette*
Nov 21st | Amsterdam, NL – Melkweg Upstairs*
Nov 22nd | Brussels, BE – Witloof Bar*
Nov 25th | Manchester, UK – Gorilla
Nov 26th | Oxford, UK – O2 Academy 2
Nov 27th | Bristol, UK – Thekla
Nov 28th | Nottingham, UK – Rescue Rooms
Nov 30th | London, UK – Islington Assembly Hall
Dec 1st | Brighton, UK – Komedia
Dec 2nd | Norwich, UK – Norwich Arts Centre
Dec 4th | Leeds, UK – Brudenell Social Club
Dec 5th | Glasgow, UK – Oran Mor
Dec 7th | Belfast, UK – Limelight 1
Dec 9th | Dublin, IE – Olympia Theatre SOLD OUT
Dec 10th | Cork, IE – Live at St. Luke’s SOLD OUT

* = On sale Friday, June 17th at 10am
– = w/ First Aid Kit
^ = w/ Beck

Photo Credit: Sarah Doyle

Kate Crudgington
@KCBobCut

LIVE: The Great Escape 2022 (Photos & Highlights)

We were back at The Great Escape for the first time in 3 YEARS at the weekend, stomping around Brighton trying to catch some of our favourite women and LGBTQ+ artists in new music. Spread across multiple venues in the city, the festival showcased an eclectic line-up of talent, and our Features Editor Kate Crudgington and official photographer Jon Mo were there to capture just some of the highlights of the prolific 3 day event.

Of course, clashes, queues and timing issues meant we inevitably missed some artists, including sets from ZAND, Ailbhe Reddy, Mykki Blanco, A.A. Williams, Witch Fever, Bad Waitress, Kills Birds, LibraLibra, PEANESS and Grandmas House, but we tried to get to as many gigs as possible on Thursday & Friday. Read about the performances we did manage to catch and take a look at our pictures below…

 

ARXX remain one of our favourite bands, both on and off stage

Whether it’s vocalist & guitarist Hanni casually saying “let’s break up this wall of men” as we moved towards the front for Fräulein’s set at Queens Hotel, or drummer Clara cracking up the crowd with her story about a seagull stealing her croissant during their own set (she’s a Brighton resident as well, rookie mistake) – ARXX truly are the definition of an iconic duo. Their set at The Hope & Ruin was so packed we couldn’t get in, but it was worth running up the hill to Brighton Youth Centre to catch them performing later on the same day. Full of their trademark riotous riffs, anthemic vocals and knockout percussion, the duo tore through renditions of ‘Deep’ and ‘Call Me Crazy’ as well as previewing their new single, ‘Couldn’t Help Myself’. We can’t wait to have them headline for GIHE again at The Shacklewell Arms on the 22nd July. (tickets here)

Fräulein are your new favourite grunge duo

Joni & Karston aka Fräulein blew us away when they headlined our first GIHE gig of 2022 back in January at The Victoria in Dalston. Since then, the duo have been playing across London non-stop and have been out on tour with The Mysterines and Coach Party too. They performed their brooding, captivating grunge sounds to a full house in the basement at Queens Hotel on Thursday afternoon, with singles ‘And I Go (La La La)’ and ‘Drag Behind’ being set highlights. They played a show on each day of the festival over the weekend, so if you didn’t catch at least one of their sets, you definitely missed out.

We are in love with Brimheim and her band

We had a lot of FEELINGS watching Danish artist Brimheim perform to a packed crowd at seafront venue WaterBear – and all of them were GOOD. Clearly loving every moment of her set alongside her equally enthusiastic band, she thrashed around with her guitar, enjoyably scowling down at her mic as she delivered her pitch perfect vocals. Performing songs from her debut album, can’t hate myself into a different shape, she thundered through ‘favourite day of the week’ and ‘baleen feeder’, her exquisite, confessional lyrics were given a new edge by her raw, more abrasive live performance. We cannot wait to see her live again.

The Irish showcase at Prince Albert is always a festival highlight

Year after year, the line-up for the Irish showcase at the Prince Albert continues to impress us. Even when we can’t physically get into the venue to see the bands (we heard SPRINTS sounding HUGE as we stood in the queue on the stairs) the atmosphere and the talent is always worth sticking around for. We caught Tolu Makay in her stunning sequin-drenched outfit on Thursday, performing infectiously fun tracks from her debut album Being, including ‘Me, Myself & I’ and ‘You Are Enough’. On Friday, we were front row for CMAT’s show (read more on that below) and to catch Kynsy live for the first time. Since the release of her debut single ‘Cold Blue Light’ in 2020, we’ve been keen to see her show and she did not disappoint. Accompanied by her band, she ripped through singles ‘Happiness Isn’t A Fixed State’ and ‘Elephant in the Room’, her voice sounding superb despite her saying she was “a little croaky” on the day.

Tolu Makay

KYNSY

CMAT is Queen

Despite their best efforts to make things work, CMAT’s band couldn’t play along with her due to tech difficulties, so the Irish pop sensation shrugged it off and performed a superb solo acoustic set instead. Armed with her guitar and her trademark white cowboy boots, she performed seamless renditions of ‘I Wanna Be a Cowboy, Baby!’, ‘Nashville’ and a “lounge version” of ‘No More Virgos’ with keyboard player Colm, all taken from her debut album, If My Wife New I’d Be Dead. A mix of stand up comedy and stand out vocals, CMAT’s sets are always a total joy to witness, and listening to other folks in the crowd sing along to ‘I Wanna Be a Cowboy, Baby!’ never gets old.

Lido Pimienta is a L.E.G.E.N.D.

Full of her stunning vocals, metal-esque screams, sharp wit and strong pro-choice vibes, award-winning Colombian-born, Toronto-based artist Lido Pimienta had the crowd dancing, cheering and laughing along during her set at Jubilee Square. Performing tracks from her 2020 album, Miss Colombia, including a flawless rendition of ‘Eso Que Tu Haces’, Pimienta cracked jokes about the Queen’s Jubilee between songs and made valid comments about the importance of respecting women’s reproductive rights. Her charisma, euphoric live energy and candid comments will remain embedded in our memories for weeks to come.

We want to join Softcult

We’ve been looking forward to catching Canadian twin siblings Mercedes and Phoenix aka Sofcult live since the release of their debut EP, Year Of The Rat, in 2021. Informed by their experiences of sexism and objectification as young women in the music industry, the pair performed their bittersweet grunge-pop anthems to a packed crowd at Volks, with songs ‘Boys Will Be Boys’ and ‘Gaslight’ providing an empowering and cathartic moment to push back against toxic masculinity.

We want to scream in tune like Lucy from Projector

Brighton band Projector have always impressed us with their live shows, but their set at The Tempest Inn on Friday evening truly excelled all other times we’ve seen them play. The four piece smashed through a set full of visceral alternative noise, with bassist & vocalist Lucy’s cord-ripping screams absolutely decimating our ear drums (in the good way), especially during the band’s latest single ‘hell in my head’.

Like most major UK festivals, The Great Escape has room for improvement

Whilst our experience of The Great Escape was a positive one, we know that’s not the case for everyone who attends or plays at the festival. We saw a tweet from artist Billy Nomates explaining that there was “no water no towel no buy out no rider [and] a microphone that doesn’t work” – therefore she couldn’t perform to the best of her ability at her set on Friday night.

We also saw a tweet from the band PEANESS, rightfully lamenting the lack of opportunities for artists playing the festival to have access to complimentary food and drinks, whilst delegates are often bombarded with these invites. It was both disheartening and comforting to see replies on these threads that echoed similar sentiments, especially as artists (particularly female artists) are often labelled as ‘unappreciative’ or ‘difficult’ when they highlight these issues. It’s not fair that people’s experiences of the same festival differ so vastly.

There are plenty of artists, promoters and PR teams working towards a better and more equal music industry – we met and saw some of them at The Great Escape! – but until everyone is on the same page, we will continue to elevate the conversations that challenge the unfair “norm”.

In terms of its line-up, 2022’s Great Escape really did feel like one of its most diverse and entertaining yet. But there’s always more to learn, more work to do both on and off stage, and more reason than ever to speak out when you think you’re being treated unfairly. Respect to the artists who were bold enough to do so this year.

CIEL

BERRIES

Gen & The Degenerates

Words: Kate Crudgington / @KCBobCut
Photos: Jon Mo / @jonmophotography

GUIDE & PLAYLIST: The Great Escape Festival 2022

We’re excited to be heading back to The Great Escape Festival in just 3 days time (12th-14th May) to tread Brighton’s pebbled beach and trek around the city trying to catch some of the best new female, non-binary and LGBTQ+ music talent.

GIHE favourites ARXX, Brimheim, Fräulein, Bad Waitress, Mykki Blanco and Ailbhe Reddy will all be singing by the seaside over the long weekend, but we’re excited to discover some brand new artists too. Below is a list of set times of the acts we’re keen to catch at the festival. You can get better acquainted with them by listening to our accompanying Spotify Playlist!

Get your tickets for The Great Escape here.

Don’t forget to check out the line-up for the Alternative Escape too!

 

Thursday 12th May

Fräulein
Playing at: Queens Hotel – 12:15pm-12:45pm

Bad Waitress
Playing at: TGE Beach Stage – 12:30-1:00pm

Grandmas House
Playing at: The MVT Stage – 12:30pm-1:00pm

HIGH SCHOOL
Playing at: Komedia Basement – 12:40-1:00pm

Tolu Makay
Playing at:
Prince Albert – 1:00-1:30pm
Brighthelm – 7:30-8:00pm

EFÉ
Playing at: Prince Albert – 2:00-2:30pm

flowerkid
Playing at: 2:00-2:25pm

Brimheim
Playing at: Waterbear 2:15pm-2:45pm

Kills Birds
Playing at:
TGE Beach Stage – 2:30pm-3:00pm
Horatios – 9:15-9:45pm

Ailbhe Reddy
Playing at: Revenge – 3:20-3:40pm

ARXX
Playing at:
The Hope & Ruin – 3:30-3:50pm
Brighton Youth Centre – 5:10pm

Mykki Blanco
Playing at: The Old Market – 5:15-5:45pm

Bleach Lab
Playing at: Latest Music Bar – 7:15-7:45pm

Spill Tab
Playing at: The Arch – 7:30-8:00pm

Kynsy
Playing at: The Hope & Ruin – 8:00-8:30pm

CASSYETTE
Playing at: Chalk – 8:15-:8:45pm

HUSSY
Playing at: Green Door Store – 8:15-8:45pm

MUNA
Playing at: Amazon New Music Stage – 8:15-8:45pm

Softcult
Playing at: Volks – 9:00-9:30pm

Billy Nomates
Playing at: Komedia Basement – 9:15-9:45pm

Goat Girl
Playing at: Amazon New Music Stage – 10:15-10:45pm

Let’s Eat Grandma
Playing at: The Old Market – 10:15-10:45pm

Lunar Vacation
Playing at: Green Door Store – 10:15-10:45pm

November Ultra
Playing at: One Church – 10:30-11:00pm

 

Friday 13th May

ZAND
Playing at: Revenge – 12:15-12:45pm

SPRINTS
Playing at: Prince Albert – 1:00-1:30pm

Bleach Lab
Playing at: Komedia Basement – 1:15-1:45pm

Gemini Aaliyah
Playing at: Latest Music Bar – 1:15-1:45pm

PEANESS
Playing at: Zahara – 1:15-1:45pm

ALEWYA
Playing at: TGE Beach Stage – 1:20-1:40pm

AMARIA BB
Playing at: Patterns downstairs – 1:30-2:00pm

CMAT
Playing at:
Prince Albert – 2:00-2:30pm
Komedia Basement – 10:15-10:45pm

Fräulein
Playing at: Zahara – 2:15-2:45pm

LIBRALIBRA
Playing at: The MVT Stage – 2:15-2:45pm

Panic Shack
Playing at: Brighthelm – 2:30-3:00pm

Kynsy
Playing at: Prince Albert – 3:00-3:30pm

tora-i
Playing at: TGE Beach Stage – 3:20-3:40pm

Bad Waitress
Playing at:
Green Door Store – 4:00-4:30pm
The Hope and Ruin – 11:00-11:30pm

Rachel Chinouriri
Playing at: Amazon New Music Stage – 6:15-6:45pm

Connie Constance
Playing at: Casablanca – 6:30-7:00pm

Projector
Playing at: The Tempest Inn – 7:00-7:30pm

Witch Fever
Playing at: Volks – 7:00-7:30pm

GROVE
Playing at: Coalition – 7:15-7:45pm

HIGH SCHOOL
Playing at: Horatios – 7:15-7:45pm

Priya Ragu
Playing at: Amazon New Music Stage – 7:15-7:45pm

Stella Donnelly
Playing at: Chalk – 7:15-7:45pm

CIEL
Playing at: Paganini Ballroom (The Old Ship) – 7:30-8:00pm

A.A. Williams
Playing at: The Old Market – 8:00-8:30pm

flowerkid
Playing at: Zahara – 8:00-8:30pm

LIDO PIMIENTA
Playing at: Jubilee Square – 8:15-8:45pm

APRIL
Playing at: Patterns Upstairs – 9:00-9:30pm

EFÉ
Playing at: Komedia Studio – 9:15-9:45pm

ENNY
Playing at: Brighton Dome Concert Hall – 9:15-9:45pm

Panic Shack
Playing at: Three Wise Cats (Casablanca) – 9:15-9:45pm

Prima Queen
Playing at: Horatios – 9:15-9:45pm

ARXX
Playing at: The Mucky Duck – 9:45pm

Let’s Eat Grandma
Playing at: Amazon New Music Stage – 10:15-11:00pm

Lime Garden
Playing at: TGE Beach Stage – 10:15-11:00pm

Wallice
Playing at: Horatios – 10:15-10:45pm

Momma
Playing at: Horatios – 11:15-11:45pm

Nuha Ruby Ra
Playing at: Komedia Studio – 12:15-12:45am

Porij
Playing at: Komedia Basement – 12:30-1:00am

 

Saturday 14th May

Maria Uzor
Playing at: Revenge – 12:10-12:40pm

Dream Nails
Playing at: Three Wise Cats (Casablancas) – 12:15-12:45pm

HAWXX
Playing at: Volks – 1:00-1:30pm

C’est Karma
Playing at: Prince Albert – 1:15-1:45pm

Fräulein
Playing at: Volks – 2:00-2:30pm

Softcult
Playing at: Green Door Store – 2:30-3:00pm

WOOM
Playing at: One Church – 3:00-4:00pm

Gemini Aaliyah
Playing at: Zahara – 3:30-4:00pm

Stella Donnelly
Playing at: 3:35-4:00pm

Jessica Winter
Playing at: The Arch – 6:15-6:45pm

CASSYETTE
Playing at: Concorde 2 – 6:30-7:00pm

Kay Young
Playing at: The Arch – 7:15-7:45pm

Sinead O’Brien
Playing at: Coalition – 7:15-7:45pm

Gen and the Degenerates
Playing at: The Hope and Ruin – 9:00-9:30pm

SPRINTS
Playing at: Prince Albert – 9:00-9:30pm

Coach Party
Playing at: Coalition – 9:15-9:45pm

LIDO PIMIENTA
Playing at: One Church – 9:15-9:45pm

Rachel Chinouriri
Playing at: Patterns downstairs – 9:30-10:00pm

Kate Crudgington
@KCBobCut