New Track: Moor Mother – ‘Guilty’

Following critical acclaim for her 2021 album Black Encyclopedia Of The Air, innovative artist Camae Ayewa – aka Moor Mother – has now announced the release of her 9th studio album, The Great Bailout.

Our first taste of the album comes in the form of new single ‘Guilty‘, a collaboration with Lonnie Holley, Mary Lattimore and Raia Was. Oozing a mystical energy, it encapsulates the sentiment of the album – a poignant and necessary message, bringing to our attention crimes committed by our ‘fair isle’. With a glistening splendour, layers of chiming instrumentation swirl together with vocals, intertwining to create a truly stirring anthem. As its whirring musicality provides a backdrop to lists of ‘great’ Britain’s injustices against humanity and the harsh realities of colonialism, the juxtaposition of the horror of ‘Guilty’s message with the beauty of its musicality is stark. At over ten minutes long, I urge you to immerse yourself in this hauntingly beautiful offering; one that we need to pay heed to, now more than ever. An urgent message encased in an evocative sonic grace.

Of the track, Ayewa explains:

“Displacement and its effects are not discussed enoughThe PTSD of displacement should be a focus, and as we have the opportunity to learn about things happening in the world, we also have the opportunity to learn about ourselves. We’ve been through so many different acts of systematic violence.

Watch the affecting lyric video now:


The Great Bailout, the ninth album from Moor Mother, is set for release on 8th March via ANTI-. Pre-order here. Catch Moor Mother live in London or Bristol in March, info and tickets here.


Mari Lane
@marimindles

Photo Credit: Ebru Yildiz

Track Of The Day: SPELLLING – ‘Haunted Water’

Sacred Bones signee SPELLLING has shared her new single, the aptly named ‘Haunted Water’ alongside the news she’ll be releasing her new album Mazy Fly on 22nd February in 2019. The track is a spell-binding listen with a sinister context; recounting memories of colonial violence that haunt the historical slave ship routes of the Middle Passage.

SPELLLING (aka Chrystia Cabral) began experimenting with music production in 2015 in an effort to continue the creative legacy of a lost loved one, and released her first record Pantheon of Me, in September 2017 via Bandcamp. Inspired by the messages in her dreams, her sound breaches the void between clarity and obscurity – and latest single ‘Haunted Water’ is a perfect example of this.

Despite the track’s painful but important context, SPELLLING’s soft vocals give the song a softer quality, amidst slow, intense synths and steady beats. She embraces the negative side of human nature, and explores it by blending R&B sensibilities with intriguing electronics.  Listen to ‘Haunted Water’ below and follow SPELLLING on Facebook for more updates.

Pre-order your copy of Mazy Fly here.

Photo credit: Catalina Xavlena

Kate Crudgington
@KCBobCut