Five Favourites: Calva Louise

Having been a big fan of international band Calva Louise’s fierce, sparkling energy for some time now (and even witnessing their luminous charm live across the pond in New York last year), I was excited to hear that they’ll be releasing a new EP later this year. Following acclaim from the likes of BBC Radio 1, BBC 6 Music and John Kennedy at Radio X, new release Over The Threshold will not only offer an insight into how the band’s distinctive sound has developed with a heavier, cathartic metal-infused rage, but will also be accompanied by the release of a third person video game produced by Stratera Games. An innovative move from Jess Allanic and co, inspired by her own love of Sci Fi and fantasy, which is also evident in the accompanying graphic novel the band created alongside their 2019 album Rhinoceros.

In fact, the whole upcoming EP is inspired by Allanic’s passion for story-telling and illustration – aiming to create a complete immersive universe through their sounds, as well as visually portraying the captivating world behind the tracks in the video game. And now, ahead of the EP’s release, the band have shared a fiercely riotous new single, ‘Feast Is Over’ – of the track, Allanic explains:

“When circumstances push us back to square one, we often think that the best thing to do is to start over. But when we choose to go forward, fighting and assuming the consequences of our own decisions, it feels like accepting a new challenge to get out of a loop once and for all.”

In a Five Favourites first, we’ve spoken to Jess Allanic about her passion for Sci Fi and how this has inspired not only the band’s new releases, but her work and love of storytelling as a whole. Read about her favourite graphic novels below, and make sure you watch the brand new video for ‘Feast Is Over‘ at the end of this feature.

James O’Barr – The Crow 
The Crow is to me one of the greatest graphic novels of all times. The anger and the injustice that you feel through the characters eyes made me try to have a deeper understanding of what the writer was trying to convey. The essence of the story is mainly autobiographical as James O’Barr put his emotions into paper with his drawings, and that catharsis encouraged me to try and do the same. Instead of imploding with my own thoughts, I wanted to put my beliefs into a graphic novel.

Joe Hill & Gabriel Rodriguez – Locke And Key
This is my favourite graphic novel. I remember the comic shop owner kindly let me read all the issues in the store before I actually bought them! Joe Hill’s story is awesome – it sucked me into this Lovecraftian universe, full of fantasy and horror, also reminiscent of Stephen King. Gabriel Rodriguez’s use of architecture in his illustrations inspired me to draw the buildings of Rouen in Rhinoceros (Calva Louise’s own graphic novel). If you love the comic, I highly recommend the audiobook, which I listened to while I was in the midst of drawing my own illustrations. I also love the fact that at one point in the story, the characters goes to see a Muse show and that one of the main characters looks exactly like Josh Homme!

Sean Murphy – Punk Rock Jesus
Just like James O’Barr, Sean Murphy wrote and illustrated this graphic novel himself. And again, what a story: Jesus is cloned for a reality show and is reborn as a punk rocker, refusing to be used as a weapon of control, so he starts his own punk rock band. I love Sean Murphy’s style and humour – he also uses a lot of his personal experiences and each chapter is inspired by a song, so thanks to his graphic novel I discovered so many amazing bands!

Scott Snyder & Rafael Albuquerque – American Vampire
This comic was recommended to me by a comic store owner and I immediately felt a rush of inspiration through Rafael Albuquerque’s illustrations – they complement Scott Snyder’s story perfectly. And I loved reading about vampires in the Wild West.

Jason Aaron & R.M Guera – Scalped
Scalped was also an inspiration for me, not only for its illustrations but also because of the depth of the story. It tackles interesting topics such as cultural identity and organised crime in a fictional Indian reservation.The graphic style is incredible, blending watercolours and high contrasts.

Massive thanks to Jess for sharing her five favourites with us!

Over The Threshold, the upcoming EP from Calva Louise, is set for release later this year. In the meantime, watch the brand new video for single ‘Feast Is Over’ here!

Illustrator In Residence: Natasha Natarajan – ‘Women That Changed My World’ (Part 1)

Natasha Natarajan is a British-Indian visual artist funding her autobiographical comic strip ‘FML Comics’ and zine habit through Graphic/Web Design, Illustration, Arts Administration, Education and a career that basically makes no sense on a CV. Natasha holds a BA in Indian History and has worked in the arts in Copenhagen and Scotland. She has recently moved home to London where she is whole-heartedly winging it. 

In the first of this new two-part series, Natasha shares some of the women in music who have changed her world; telling us what they mean to her, and sharing a unique original illustration.

Women That Changed My World

When I love something it generates a lot of energy in me. In the past I’ve unhelpfully unleashed this energy on various people in my life. But drawing has become a wholesome and productive way for me to deal with it; it feels like a labour of love when I draw someone that’s important to me. I started drawing musicians in 2017 – I listen to their music and draw. As much as possible I try to find a photograph of them playing, rather than a press shot, because I think it’s important to me they’re doing what I love them for. I am so inspired and encouraged by the work of other artists. I hope you enjoy these renditions of the women I have loved!

AGAMA
“My music brings together people who occupy different spaces and belong to different tribes. It’s such a mash-up of genres. We all have a strong need for belonging, and once you find your tribe it can be so easy to become trapped in an echo chamber of beliefs and experiences that match your own and then everyone who is not like you becomes alien.”

Natasha says:
I love AGAMA’s lyrics. Her words are so insightful and tender. Each track could stand alone as a glorious poem. It’s a blessing that we can listen to her sing the words herself because her voice adds a whole other force of energy. She can whisper to you and roar in the same breath, but always with a rawness that feels human. The four tracks that make up her EP deserve listening front to back loud, on good headphones and alone.

Find out more: Twitter / Spotify

Rokia Traoré
“Having been exposed to Europe from a young age I have never seen it as ‘superior’, I have always just seen it as an equal place to Mali. I had enough context to understand the way in which Africa is depicted to the world. The value of life should not need to be tied to money. In Africa, people may have less money but there is value in finding joy in the everyday. There is a different philosophy, a different way of seeing life in Africa.”
Speaking in brightonfestival.org

Natasha says:
I love the sparse rhythmic beauty of ‘Zen’ and so many of Rokia’s compositions. Each track takes me on a mini journey. Her voice and the instrumentation feel so nude and I’m drawn to her subtle grooves. My heart dances and my shoulders wiggle along. I love nothing more than dancing alone to Rokia on repeat in the kitchen.

Find out more: Instagram / Spotify

Fatoumata Diawara
“We have to keep singing. Women need more motivation. We need to wake up women’s consciences and say, ‘Don’t give up. Continue.’ In Mali, my generation looks at me, at every action I do. I’m like a little example for them, for women. When I’m in Bamako, many girls come to me and say they’re very happy for everything I’m doing. I can tell them what I want through my music.”
Speaking in The Independent, 2013

Natasha says:
Fatoumata’s music has always been a soothing presence in my life. When I discovered that the lyrics were about her experience as a Malian woman, her sound acquired a new melancholic beauty and I found great respect for the powerful way she communicates her message. I can listen to her first album, Fatou, anywhere, anytime and with anyone.

Find out more: Twitter / Spotify

Dobet Gnahoré
“With a sweet melody, the message comes across simply and reaches people more easily, and the emotion remains. With the African languages that I sing, there are not many people who can understand (them all)… But emotion transcends borders, and it remains written inside the listener’s body.”
Speaking in The Chicago Tribune, 2015

Natasha says:
Her song ‘Palea‘ has brought me to happy tears many a time, even though I had no idea what she was talking about. She’s right when she says a sweet melody can carry an emotional message. And she does it so beautifully. She does truly amazing things with her voice filling her tracks with so much energy. She’s also an amazing dancer! I am forever stalking her on Instagram and plundering YouTube for live performances.

Find out more: Instagram / Spotify

Huge thanks to Natasha for her inspiring words and truly beautiful illustrations! Keep your eyes peeled for Part 2 of her ‘Women That Changed My World’ feature next week.

Find out more about Natasha Natarajan at her website and Instagram page (and her comic Instagram page too). 

Comic Review: The Tenth – ‘I Saw A Ghost’

The second in our new feature of ‘Comic Reviews’ – where illustrator Sally-Anne responds to a new track with her wonderfully unique drawings – we checked out the quirky new video from LA-based bubblegum punk band The Tenth.

Dunes, the debut album from The Tenth, is out now. Watch the new video for ‘I Saw A Ghost’ here:

Sally-Anne Hickman
@sallyshinystars

Comic Review: The Empty Page – ‘When The Cloud Explodes’

A first in our new feature of ‘Comic Reviews’ – where illustrator Sally-Anne responds to a new track with her wonderfully unique drawings – we had a listen to the immense new single from GIHE faves, and previous headliners at The Finsbury, The Empty Page.

‘When The Cloud Explodes’ is out 22nd February. Have a listen here:

 

Sally-Anne Hickman
@sallyshinystars

Photo Credit: Asupremeshot