England’s finally defrosting after the visit from ‘The Beast From The East’, and us Get In Her Ears girls are ready to embrace the springtime. To get us in the mood, we’ve compiled our favourite new March tunes in to one fresh playlist. Check out why we’re loving what we’re loving below, and click on the playlist at the bottom to hear it for yourself…
Soccer Mommy – ‘Your Dog’
Soccer Mommy has a gift for exploring frustration and insecurity through laid-back vocals and melodic guitar, and ‘Your Dog’ is a sublime example of this. Her frank admission of “I don’t wanna be your fucking dog” is a cathartic, emotional uprising against neglect, that seethes and soothes in equal measure. I’ve been singing it obnoxiously loud since she released her debut album Clean earlier this month. (Kate Crudgington)
Skating Polly – ‘Queen For A Day’
Taken from their upcoming album The Make It All Show, and featuring guest vocals from Exene Cervenka (from seminal punk band X), Skating Polly’s new single interweaves scathing vocals with lush harmonies, exuding the sibling trio’s trademark seething energy and understated subtle power. Once again marking themselves out as going against the grain, with ‘Queen For A Day’ Skating Polly deliver an empowering sentiment, uniting anyone who doesn’t want to coincide with the confines of society’s limitations. (Mari Lane)
Pillow Queens – ‘Favourite’
The brilliantly named Pillow Queens released a new video to accompany their track ‘Favourite’ last week, and it features some dodgy goings on at a dog show. I’m excited to catch the Dublin band at The Irish Cultural Centre in Hammersmith on the 16th, alongside Delorentos, Video Blue and Tayne. Check out the Facebook event for more details. (KC)
Alex Rushfirth – ‘I Live It’
Infections and frenzied, ‘I Live It’ has to be my most played track from the last couple of weeks. Of the track, Rushfirth explains “I made the whole thing in my bedroom in a trance.” Warping the vocals to sound like they’re “being sung by an excitable small child” and that’s exactly how this song makes me feel…so heady, so feverish, so goddamn catchy. (Tash Walker)
ARXX – ‘Stuck On You’
New favourite band ARXX have previously completely blown us away with their immense, seething energy when playing for us live at The Finsbury a couple of months back. And now they’ve just released their fantastic, and totally addictive new EP. Entitled Daughters Of Daughters, as it’s been put together as a tribute to the music that Hannah Pidduck was brought up on by her Mother, it draws on an eclectic range of influences, and a variety of subject matter.
Taking a break from the riotous, punk-infused power of tracks such as ‘Moments At A Time’ and ‘Intervention’, ‘Stuck On You’ oozes a lush, country-pop romanticism as the soaring passion of Pidduck’s vocals flow, creating an instantly infectious, heartbreakingly catchy love song. (ML)
Heka – ‘Did You See The Sunrise’
Heka was our guest on our first Get In Her Ears radio show of March, and we were lucky enough to have her perform this track live in the studio. ‘Did You See The Sunrise’ is so intimate and beautiful, with such strong searching vocals…described as “thoughts whispered to friends in dim lit rooms”. Mesmerising. (TW)
Amber Mark – ‘S P A C E’
This track is taken from Amber Mark’s 2017 EP 3.33am, which is about losing her Mother in 2013 and the stages of grief. ‘S P A C E’, the song that got her noticed, is just so enjoyable, rhythmic and about something we can all relate to but often find it so hard to articulate in this over connected, communication driven world. (TW)
Alice Bag – ’77’
If you need something inspiring to motivate you during these ridiculously cold, and depressingly dark times, then look no further. Punk legend Alice Bag has brought together a dream team if ever there was one – Riot Grrrl queens Kathleen Hanna and Allison Wolfe, plus an appearance from Shirley Manson – to bring us the perfect angst-driven anthem. Raging against the gender pay gap, it’s filled with seething, punk-driven riffs and is an empowering, inspiring call to arms to unite against the patriarchy and make the changes needed for equality, in the workplace and beyond. As Bag poignantly sneers “… don’t pretend that we’re paid equal… You wrote the script / But I’m writing the sequel.” (ML)
The Go! Team – ‘Huddle Formation’
Though the last couple of months have been largely filled with cold, dark days and a distinct desire to hibernate, seeing The Go! Team live a couple of weeks back breathed a new lease of life into me; their sunny charisma and vibrant energy brightening the mood like nothing else.
Although the band’s whole set at Camden’s Electric Ballroom was an utter joy to behold, and I was completely immersed in their infectious, jubilant sound throughout, the highlight of the night came in the form of Thunder, Lightning, Strike’s ‘Huddle Formation’. Splitting the huge crowd into two sides, magnificent front-woman Ninja lead the way as we all sung our hearts out to the chorus, and a wave of sparkling euphoria filled the venue. (ML)
Big Thief – ‘Shark Smile’
Released back in 2017, ‘Shark Smile’ by Brooklyn’s Big Thief has only just popped up on my radar with its cruising, slow story telling indie lilts. A song about two lovers driving down a highway where only one survives a crash, ‘Shark Smile’ sways from intense descriptions of oxygen kisses to the welcome predictability of the steady drum, guitar laden chorus. I’m loving this tragic tale which feels somewhat strangely comforting. (TW)
Mesadorm – ‘Yours And Not Yours’
Taken from Mesadorm’s forthcoming album Heterogaster, ‘Yours And Not Yours’ explores an intense sense of doubt, both internally and externally – ricocheting between security and unease with the help of a dirty synth line and urgent, rich vocals. I’m totally hooked on it. (KC)
Divide & Dissolve – ‘Abomination’
Divide & Dissolve’s second album Abomination is a sonic force to be reckoned with. The Melbourne-based duo curate heavy-instrumentals designed to “decolonize, dismantle white supremacy, and empower people of color & Indigenous people”. This is the opening track on the record, and it’s an intense five minutes and fifty seconds of unnerving riffs and ceaseless cymbals, crashing together to form a desolate but powerful soundscape. It’s instrumentalist activism that seeks to disrupt the norm – and I love it. (KC)
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