VIDEO PREMIERE: Party Fears – ‘Time in Space’

A gentle, hazy musing on trying to stay afloat in an unpredictable time, Northern Irish born, Berlin-based artist Party Fears (aka Maggie Devlin) has shared a new video to accompany her latest single ‘Time in Space’. Shot by and featuring Devlin herself and edited by James Byrne, the visuals reflect the track’s day-dreamy nature, giving listeners further insight Devlin’s ruminations on what it means to question your instincts.

“’Time in Space’ is a song about prioritising security over authenticity; not necessarily bad, but sometimes hard,” Devlin explains. “For this song, I did a bit of projecting, imagining selves beyond this self; maybe some of them more authentic than the me imagining them. It’s a weird year that calls for some light astral projection.” Released via Babywoman Records, ‘Time in Space’ is an other-worldly offering that stretches the boundaries of self-perception, but in true Party Fears style it remains charmingly optimistic.

“I see me living a lie / You see me doing alright” Devlin sings, gently exposing the duality that comes with living your best life online vs the struggle of day-to-day existence. Devlin’s close-ups and still-life-like shots in the video reflect this perfectly, as she muses about being somewhere else in the solar system – a thought many of us have most likely had throughout 2020.

Watch the video for ‘Time in Space’ below.

Follow Party Fears on bandcamp, Twitter, Instagram, Facebook & Spotify for more updates.

Photo Credit: James Byrne

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: anrimeal

“I never gave gender much thought before this album,” Porto-born, London-based artist anrimeal explains about her new release, Could Divine. Described as a “computer folk” record exploring the use of texture, limitation and repetition, anrimeal’s new record is inspired by the work of Eva Hesse and other women artists who pioneered the post-minimalism movement.

“I’d always felt alienated by concepts of womanhood, especially the notion that women exist under nature’s control,” anrimeal continues. “[But] seeing women use nature at the forefront of their work, not afraid to create art that could be seen as messy or dirty helped me reconcile those feelings, and motivated me to explore the less conventionally beautiful side of things.” Written, performed, mixed and mastered by anrimeal from home, Could Divine is a beautiful insight into the mind of a flourishing new artist.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with anrimeal to ask about her “Five Favourites” – five albums that have inspired her song-writing techniques. Speaking about her choices, anrimeal explains: “These are far from deep cuts, but really albums that not only do I know front to back, but also signposted some or other pivotal moments in my life.”

Check out her favourite albums below and scroll down to listen to anrimeal’s latest single ‘Encaustic Witches’ at the end of this post. You can also catch anrimeal and her musical collaborator Freda D’Souza performing a live improv session from home on Youtube at 6pm tonight. (Link here)

 

1. James Blake – James Blake
I remember buying this album on CD when i was 17 and spending entire days during Easter break lying down in my bedroom, looking at the ceiling and just listening. I think it was my first proper introduction to ambience in music, to a sound landscape that was as rich as the actual songwriting. And one of those things I just couldn’t unlisten. From then on, texture became the most important thing to me in music, a language of its own. There was something so personal about the sonic world James built in this album. I don’t think I’d been exposed to a truly DIY record before this one, and it really changed my perception of music as a medium, and ended up informing the way I like to create music today.

2. Grouper – The Man Who Died In His Boat
Liz Harris, I mean – her music changed my life. Listening to The Man Who Died In His Boat for the first time was like being shown the inside of my brain. The album was sent to me along with Animal Collective’s Sung Tongs with a message of this sort “if you like delay, then you might like these”. This was an even deeper dive into ambient music, and maybe the first time I felt like I could fully relate to what an artist was trying to put out. There’s a dark gentleness in her records, that I’ve only ever felt with music made by women. A kind of understated submerged darkness that is constant and calm. Not depressing nor effusive, just constant.

3. Animal Collective – Sung Tongs
Animal Collective!!!! Field recordings, adaptations of the aesthetics and energy of traditional music, beautifully poetic but slightly absurd lyrics, moments of chaos and of quiet introspection. Seriously, what does this album not have? I can’t say Sung Tongs reflects me exactly, but I think it showed me a side of life that I wasn’t very familiar with before. Having been educated in a strict classical music setting, I needed Animal Collective to show me that there was a fun side to music after all. The clouds opened to the sun like eyelids, and I owe it to this album. I’ve since become a devoted fan of Avey Tare’s catalogue, and I carry this upbeat and earthy world very dearly with me, as a kind of companion.

4. Kanye West – Yeezus
I was so arrested by this album, the first time I listened to it I was petrified and started sweating. It was completely different from anything I’d ever listened to before, it was so bold and genre-bending. I think I use this record a lot to remind me that I can do anything I want with my music. I very much appreciate Kanye’s commitment to art and unhindered self-expression.

5. Sufjan Stevens – Age Of Adz
Even though I was a fan of Sufjan for a long time, Age Of Adz was definitely an acquired taste, an album that sunk in really slowly with time. Again, it’s such a bold piece of work, so well crafted that its existence almost seems impossible to me. There are almost no words to describe this album, maybe just to say that it is a testament to true passion for the art of songwriting. If anything, Sufjan’s music makes me want to experience life with more care, so that I can find his detail in my own reality.

Thanks to anrimeal for sharing her favourites with us.
Listen to her new single ‘Encaustic Witches’ below.

Follow anrimeal on bandcamp, Spotify, Twitter, Facebook & Instagram for more updates.

LISTEN: Mima Good – ‘Cool’

Buoyant guitar loops, creative percussion and smooth vocals combine on Mima Good‘s latest single, ‘Cool’. The track is a lo-fi exploration of what it means to be yourself in a world that often tries to tell you you’re either not enough, or not spending enough to be considered “cool”.

Based in Brooklyn, Mima Good creates her “anti-pop” tunes from her home studio, recording vocals in a closet covered in red velvet. She uses the surfaces and utensils in her kitchen as substitutes for a full drum kit too, making the polished yet simple sounds on new single ‘Cool’ feel even more anti-establishment.

“I’ve always had trouble fitting into one genre, one crowd, one look” admits Mima. “When I wrote ‘Cool’, I was sarcastically attempting to simplify myself into a neat little indie bubble. It started out as a joke, but as I layered on new instruments, I peeled back the onion to more sincere feelings about accessibility to community and image. When I wrote the second verse and the line: ‘their sneakers look just like yours / but from a different place’, I was thinking about how much capitalism controls coolness. At the time, everyone was wearing the same white sneakers. Some were hundreds of dollars and some were $40 rip offs, but everyone was attempting to belong to the same clean box.”

One thing’s for sure, we think Mima’s DIY approach to making music is pretty cool. Listen to ‘Cool’ below and follow Mima Good on Spotify & Facebook for more updates.

Photo credit: Michelle LoBianco

Kate Crudgington
@KCBobCut

VIDEO PREMIERE: Death Hags – ‘The Darkest Night’

A slow-burning, intoxicating soundscape that explores what the night can bring; Death Hags has shared visuals for her latest single, ‘The Darkest Night’. The track is lifted from her recent album, Big Grey Sun #2, which is the second part of an ambitious seven album multimedia project.

Based in L.A., electronic musician Death Hags (aka Lola G) fuses pulsing beats with dark, kaleidoscopic synth textures to create her captivating sounds. Inspired by two days worth of hallucinations caused by a dog bite, she released Big Grey Sun #1 in 2019. Album #2 quickly followed in March 2020, and continues to explore the eclectic nature of the human condition and all of its possible futures. ‘The Darkest Night’ is an extract from this continuing narrative.

“I started writing the song in the van during the drive back to L.A. from SXSW last year” explains Death Hags. “It came to life at Outside Inside Studio in Italy, with my friend Matt Bordin of the psychedelic collective Squadra Omega. Matt is a great producer and has some wonderful analog/modular synths that we used on this track. Not to be too on the nose, but I guess this track is about forging ahead into the night, to see what dawn brings.”

Watch the visuals for ‘The Darkest Night’ below and listen to Big Grey Sun #2 on bandcamp or Spotify.

Photo Credit: Louisa Zimmer

Kate Crudgington
@KCBobCut