PLAYLIST: April 2024

The Get In Her Ears team have put together another eclectic mix of alternative & shoegaze anthems, unusual electronic sounds, indie-folk musings, and alt pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Fraulein – ‘Pruning’
Taken from their upcoming mini album, Sink Or Swim, which is due on the 14th June, ‘Pruning’ is one of my favourite Fräulein tracks to date. It’s a seamless blend of their brooding grunge riffs, bittersweet vocals and bristling beats. The GIHE team are consistently impressed by all that Joni and Karston create, and I especially love the accompanying video to this song, which features Joni dressed as an angel wandering around the streets of London. Watch it here. (Kate Crudgington – Features Editor)

King Hannah – ‘Davey Says’
The latest single from Liverpool duo King Hannah, ‘Davey Says’ flows with a lilting energy as a beautifully fuzzy raw emotion oozes from delicate harmonies. The band poignantly describe the track as “… our attempt at that classic American ‘90s imagery, of coming-of-age nostalgia and romance, of late warm summer nights when the future is draped in front of you.” I first fell in love with King Hannah on hearing their stirring debut ‘Creme Brulee’ back in 2019, and it’s been really wonderful to see all their well-deserved success over the last few years, with second album Big Swimmer set for release on 31st May via City Slang. (Mari Lane – Managing Editor)

Human Interest – ‘Shapeshifting’
With more of a reflective tone than the grunge-fuelled groove of previous singles, the new one from Human Interest showcases the East London band’s impressive songwriting range, as they appear unafraid to share a moment of vulnerability. Reflecting on the different sides of us that we may or may not feel comfortable with from day to day, ‘Shapeshifting’ is propelled by an anthemic raw emotion as Cat and Tyler’s vocals interweave with an exquisite grace. Speaking about the track, they say: “I think it’s hard, when you’re queer, to feel like you’re being truly authentic to yourself. There are so many experiences that happen while growing up that make you hide who you really are. When you spend your formative years doing this, I think it becomes so ingrained in you that you end up as an adult not really knowing where your true self begins and the person you felt you had to be ends.” (ML)

Kynsy – ‘Money’
Having been a fan of Dublin’s Kynsy since she released ‘Cold Blue Light’ back in 2020, I’m chuffed to see her back with this excellent new single. Newly signed to Nice Swan Recordings, ‘Money’ is a gritty indie-infused reflection on “the depths of love, nostalgia…and a mixture of conflicting emotions.” (KC)

Maya Lakhani – ‘Walk Alone’
Having had the honour of having rock powerhouse Maya Lakhani play her first ever gig with us back in 2022, we’re incredibly excited to be hosting her first ever headline show on 17th May at Sebright Arms. Joined by queer grungers Comic Sans and exciting new project of Sit Down’s Katie, Slung, it’s going to be a pretty special night. We saw Maya again recently with an incredible set at Cro Cro Land, and recommend not missing out on this one – nab tickets here (they’re cheaper in advance, and wouldn’t it be wonderful for Maya to sell-out her first headline show!). (ML)

Softcult – ‘One Of The Pack’
Lifted from their upcoming EP, Heaven, which is set for release on 24th May, this track from Canadian sibling duo Softcult is a heady, swirling “inclusionary anthem”. Mercedes and Phoenix Arn-Horn want their fans to know that ‘One Of The Pack’ is their way of saying “that POC, trans women, and non-binary people will always be a welcome and crucial part of our grrrl gang” – it’s a heartening and necessary message, set to their trademark heavy riffs and emotive lyrics. (KC)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen are new to me, but I was instantly hooked on ‘Lust’ – an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. The band are preparing to share their second EP, which will be the follow up to their 2023 debut offering, She Only Said. I can’t wait to hear more from them in the near future. (KC)

Lambrini Girls – ‘Body Of Mine’
Continuing to unapologetically speak their minds and stand up for what they believe in, whilst gaining legendary fans like Sleater Kinney and Iggy Pop along the way, Brighton’s Lambrini Girls have now shared another fierce anthem. Touching on a slightly more personal, but no less important, issue than previous releases, ‘Body Of Mine’ reflects on connecting with your gender identity, as it races with the band’s trademark seething sense of urgency. Of the track, they expand: “Gender is a complex experience… It’s tough to feel that nobody really gets you and it’s also truly quite shit when you don’t really know how to understand yourself either.” Another truly necessary offering, marking Phoebe and Lilly out as a truly formidable force that we need now more than ever. (ML)

Queen Cult – ‘Stop Calling’
Having been truly blown away by Macclesfield-based Queen Cult when they played live for us a couple of years back, it’s great to see the band going from strength to strength with each new release. Born out of the frustration of getting unwanted attention and the way in which people feel entitled to cross boundaries, ‘Stop Calling’ exudes the band’s raging energy and angst-fuelled drive, as they continue to share their queer, politically-charged anthems with a sparkling defiance. Catch Queen Cult live in London at Oslo as part of Luck Juice Festival on 18th May – tickets here. (ML)

Julie Christmas – ‘Supernatural’
Seamlessly switching from a bittersweet yearning vocal in verses, to a cord-ripping scream in the chorus; this visceral new offering from Julie Christmas (Made Out of Babies, Battle of Mice) is as melodic as it is metal. ‘Supernatural’ is lifted from her eagerly anticipated second solo album, the excellently titled Ridiculous and Full of Blood, which is set for release on 14th June via Cult Of Luna’s Red Crk label. (KC)

Charley Stone – ‘Better With You’
With a musical CV too long to list, having played with multiple bands over the years and currently a gigging guitarist with the likes of Sleeper and Desperate Journalist, scene queen Charley Stone is now set to release her own debut solo album next month. Ahead of the album’s release, new single ‘Better With You’ depicts a messy couple on an ill-advised trip to a wedding, and the chaotic energy that ensues; showcasing Stone’s ability to perfectly capture snapshots of the anxiety and disorder of everyday life, it’s a perfectly catchy indie anthem. Here Comes The Actual Band, Charley Stone’s debut album, is set for release on 29th May – keep an eye on bandcamp for its pre-sale this coming Friday (3rd May)! (ML)

BCOS RSNS – ‘Turn It Off’
London’s own trans queer post-punk legends BCOS RSNS will be releasing their self-titled debut album on 22nd May; after years being a key face of the city’s DIY scene, hanging out with all the best bands, front woman Abi has now made her dream of being in one of her own a reality. Showcasing all of BCOS RSNS’ unique wonky charm, latest single ‘Turn It Off’ offers a scuzzy reflection on conspiracy theories and the dire consequences of capitalism. Catch BCOS RSNS live at The Cavendish Arms on 25th May celebrating the album’s release. (ML)

Me Rex – ‘Goodbye Forever’
Total faves Me Rex with their poignant new single ‘Goodbye Forever’. Reflecting on themes of loss and separation, it oozes all the swirling emotion and impassioned cathartic energy that I love so much. I’m such a huge fan of this band, and still think about how wonderful it was having them headline a sold out gig for us last year, and feel very grateful to Phoebe for being a fantastic teacher to me and Kate at the First Timers drum workshop a couple of month’s back – it was so inspiring that I just received some drum sticks for my 38th birthday, and plan on doing a lot more hitting things in future! Needless to say, I can’t wait for the band’s new EP, Smilodon, which is out this Wednesday 1st May. (ML)

MOTHERCANYOUHEARME – ‘Come Round’
The new single from London DIY queer duo MOTHERCANYOUHEARME, ‘Come Round’ reflects on confronting suppressed feelings around sexuality, whilst fizzing with a gloriously woozy musicality. Having first been charmed by the jangly scuzz of their 2020 single ‘Knowing You’, I’m super excited to hear more from Rosie and Georgia with the relatable sentiment and sparkling energy of this new release. (ML)

Wife Patrol – ‘Equinox’
This uplifting single from Indianapolis-based alt-rock trio Wife Patrol is a melodic guitar ode to Spring, and a reminder that change is always on the horizon, even when it may not feel like it at the time. (KC)

Bnny – ‘Something Blue’
Having released their new album, One Million Love Songs, earlier this month, Chicago band Bnny have previously received acclaim from the likes of Rolling Stone and New York Times. Taken from the album, ‘Something Blue’ reflects on the struggle of escaping your past, whilst shimmering with a fuzzy lilting energy and the deep gritty resonance of front person Jessica Viscius’ vocals. (ML)

Our Girl – ‘Relief’
Having fallen completely in love with their 2018 debut, Stranger Today, I am very happy to hear the news that London trio Our Girl are back and releasing their second album later this year on Bella Union. Ahead of the album, new single ‘Relief’ exudes a heartfelt twinkling emotion as scuzzy hooks and the raw emotive splendour of Soph Nathan’s distinctive vocals create a beautifully moving and deeply resonant ode to the queer community. Of the track, Nathan explains: “This is a love song to queer people having a hard time of it. It takes time to unlearn the things we were taught to believe, and to feel wholly proud in the face of people and expectations that are often working against you. This song is about my experience of moving through that, and celebrating how I feel now.” (ML)

Lazy Day – ‘Bright Yellow’
With fans including the likes of Lauren Laverne and Huw Stephens, London based artist Tilly Scantlebury – aka Lazy Day – has now shared a stirring new single to celebrate signing to Brace Yourself Records. Inspired by their studies into Queer American Art for their PhD, ‘Bright Yellow’ oozes a searing emotion as rich vocals ripple alongside a shimmering musicality. Of the meaning behind the track, Scantlebury explains: “At its very best, art can change the way that we see and think and live, acting like a window into another world — which is how I want my music and this song to feel as well.” (ML)

Noga Erez – ‘Vandalist’
GIHE fave Noga Erez is back with ‘Vandalist’, a “musical middle finger” to the hypocrites who have formed incorrect opinions of her, based on false information. The razor-sharp production skills of ROUSSO, Justin Raisen & Erez spotlight her distinctive vocal on the track, as she vents her frustrations with visceral flair. (KC)

Meg Elsier – ‘oldnews’
Lifted from her upcoming debut album, spittake, which is set for release later this year, I love this new track from Nashville-based artist Meg Elsier. Seamlessly blending her clear vocals, potent alt-pop elements and bruising guitar riffs, ‘old news’ is about “the feeling you get when you realize you’ve been telling the same stories over and over to the point that strangers know the punch lines and you’re too scared to risk anything to make new ones.” (KC)

HALIMA – ‘Ways’
Raised between Lagos and London and now based in Brooklyn, HALIMA’s sound is eclectic as the cities she’s resided in. Blending pop, jazz and R&B sensibilities together to create her intoxicating sounds, ‘Ways’ features on her upcoming EP, EXU, which is due on 24th May via Drink Sum Wtr. (KC)

ghost piss – ‘See Ya!!!!!’
A candid, catchy slice of electro-pop from excellently named Portland-based artist ghost piss. This track is lifted from their upcoming album, Dream Girl, which is set for release on 3rd May via Sockhead Records. ‘See Ya!!!!!’ is a potent blend of their bittersweet vocals and playful production, reflecting on their previous unhealthy romantic encounters. (KC)

DEBBY FRIDAY – ‘To The Dancefloor’
Sub Pop signee DEBBY FRIDAY has shared this commanding, genre-blending dance anthem. Accompanied by a SIMS inspired music video, DEBBY’s sultry vocals glide over slick beats and evocative synths on this new offering that will lead you straight to the dancefloor. (KC)

Pride Month Barbie – ‘Effulgent’
This industrial banger from LA-based duo Pride Month Barbie dropped into my inbox and commanded my attention. Formed of solo artists Tyler Holmes and Josephine Shetty, it’s rammed full of chaotic synths and propulsive beats, which the band say are designed to leave you “feeling insecure, horny, and annoyed.” ‘Effulgent’ is lifted the the band’s upcoming debut album, All The Girls In The Room Say ‘Sorry’, which is set for release on 14th June via LA queer/trans label, Get Better Records. (KC)

Venus In Noise – ‘What I Want’
Noise-pop duo Venus In Noise met at a gig in East London in 2019, and formed the band after they went on to see Bikini Kill’s first UK comeback gig a few years later. There’s some strong Le Tigre influences to their buoyant-yet-glitchy sounds, and this single ‘What I Want’ is a perfect example of that. (KC)

Or:la – ‘A Howl’s A Howl’
I love this genre-blending soundscape from Irish producer and DJ Or:la. Inspired by the now-extinct native wolves that used to roam the UK and Ireland, her primal beats and bristling synth textures propel the track forward. ‘A Howl’s A Howl’ is taken from Or:la’s recent EP, Moonlight Crush, out now via fabric’s eponymous label. (KC)

Elsa Hewitt – ‘Legend’
‘Legend’ is the evocative opening track to Chaos Emeralds, the eighth album from electronic artist Elsa Hewitt, which she released earlier this month. The record is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark hypnotic synthetic sounds. The album is equal parts euphoric as it is melancholic, and I have found it to be a soothing tonic for my tired ears recently. (KC)

Seraphina Simone – ‘Blue Eyes’
“‘Blue Eyes’ is about being full-throttle chest-deep in a crush,” explains Seraphina Simone. Much like her recent releases, ‘Better Days’ and ‘Liverpool’, Seraphina has crafted another distinctive alt-pop gem that aches with bittersweet longing. I love it when songwriters transform their BIG feelings into blissful pop sounds, and Seraphina is a real pro at doing just that. (KC)

PostLast – ‘Connect 4’
This is the charming debut single from Irish indie-pop duo PostLast, who are formed of Stephen McHale (BARQ) and GIHE fave Julie Hough (HAVVK). Released via VETA Records, ‘Connect 4’ is a playful extrapolation on the joy that comes from making new friends when you’re an adult, and relishing the early days of this connection. (KC)

La Sécurité – ‘Waiting For Kenny’
Coming over to the UK as part of the annual Québec Spring Showcase, Montreal-based art punks La Sécurité will be performing at The Shacklewell Arms in East London on 8th May. Their off-kilter charm will appeal to fans of The B-52s, E.S.G, Le Tigre and Wet Leg, so grab a (free) ticket if you like the sound of ‘Waiting For Kenny’. (KC)

Das Birthday Girl – ‘Whiskey Sour’
Inspired by the sounds of The Cure and Siouxsie and The Banshees, as well as the immersive synths of John Maus and Gary War, Maltese-born, Berlin-based artist Das Birthday Girl creates emotive electro-pop that’s shrouded in melancholy. This track ‘Whiskey Sour’ is taken from her debut album, Soft and Clear, which she composed and co-produced with a Maltese producer, Jimmy Bartolo. (KC)

Birthday Problem ft. Runah – ‘Daylight’
Another excellent collaboration from Birthday Problem here, featuring guest vocalist Runah. Together, Irish multi-instrumentalists and producers Matt Harris and Rocky O’Reilly have created another slow-building, evocative soundscape on ‘Daylight’, aided by Runah’s beguiling vocals. Released via VETA Records, the track is accompanied by a set of visuals which explore the “essence of fleeting existence”. Watch it here. (KC)

Kee Avil – ‘Gelatin’
Another visceral, eerie blend of brittle synth textures, aching vocals and erratic beats from Montréal-based experimental artist and producer Kee Avil here. ‘Gelatin’ is taken from her upcoming second album, Spine, which is set for release on 3rd May via Constellation. The track is accompanied by a haunting set of visuals which you can watch here. (KC)

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PLAYLIST: February 2024

The Get In Her Ears team have put together another eclectic mix of alternative anthems, grunge & shoegaze tunes, electronic sounds and indie & folk musings for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Whitelands – ‘Cheer’
GIHE fave London shoegazers Whitelands came into the Soho Radio studio earlier this month to chat to us about their debut album, Night-bound Eyes Are Blind To The Day, and I have been listening to the record on a loop since its release. I saw them live supporting Slowdive at Hammersmith Apollo, and it was wonderful to hear their magnetic sounds ring out around the walls of such a prestigious venue. The GIHE team are so excited to see them again at their London album launch gig at Rough Trade on 5th March.
(Features Editor -Kate Crudgington)

Hypsoline – ‘Disposable Girl’
Firm favourites who we’ve been lucky enough to have play for us a couple of times now, Brighton’s Hypsoline have now shared new single ‘Disposable Girl’. Written from the viewpoint of a heartbroken teenage girl, the track oozes the band’s scuzzy power and versatility of front person Trilby’s rich vocals. Building with a hazy allure, it showcases the band’s ability to create instantly catchy rock anthems, and I can’t wait to hear more from them this year. (Managing Editor – Mari Lane)

HAVVK – ‘Take It From Me’
We’re extremely excited to have Irish trio HAVVK return to play live for us at our next gig on 28th March at Shacklewell Arms. Having headlined the first ever gig we hosted back in 2016, it feels pretty special to be hosting them again, and – with support from lovely bands like Athabaska and Rats-Tails – it promises to be a dreamy night! This latest single showcases all the gritty, grunge-fuelled energy and celestial splendour we’ve come to know and love from the band. To Fall Asleep, the new album from HAVVK, is set for release on 15th March. Come and celebrate its release with us at The Shacklewell Arms! Tickets here. (ML)

Projector – ‘Don’t Give Anything Up For Love’
Congratulations to Brighton trio Projector on the release of their debut album, Now When We Talk It’s Violence. Unsurprisingly, it’s a superb record that showcases the band’s evolution in sound, full of grinding riffs, intense vocals and propulsive beats. This is my favourite track from the record. (KC)

Wisp – ‘Once Then We’ll Be Free’
19 year-old San Francisco-based musician Wisp has been on my radar for a while now. I’ve been soaking up her lush shoegaze sounds, and this single ‘Once Then We’ll Be Free’ is another potent blend of her hushed vocals, swirling riffs and driving beats. (KC)

Nightbus – ‘Average Boy’
Released via So Young Records, ‘Average Boy’ is the dreamy new release from Northern trio Nightbus. Speaking about the track, the band explain: “‘Average Boy’ is a narrative I’m sure many of us can relate to. The feeling of inadequacy, dysphoria, a longing for something that might never materialise. Those small moments that feel like destiny are reduced to bittersweet memories. We all search for something, we get caught in cycles, we lose our way, half the time we don’t even know what we’re looking for. Gender, perspective, culture, we are all in some way the average boy.” (KC)

Brimheim – ‘Normies’
I’m a big fan of Danish-Faroese artist Brimheim, and this single has been swirling around my head all month. Taken from her upcoming second album, RATKING, which is set for release on 22nd March, her new record explores shame, self-deception and tragic love. I adored her debut album, can’t hate myself into a different shape, and think her new offering will be equally as excellent. She’ll be playing The Lexington on Weds 22nd May. (KC)

Baby In Vain – ‘Afterlife’
This is the title track from Danish trio and longtime GIHE favourites Baby In Vain’s latest album. The record showcases a softer, more shoegazey approach to the band’s songwriting, compared to earlier heavier releases, but it still retains the slow-burning tenderness that makes all of their music so compelling. (KC)

total tommy – ‘microdose’
This is the debut single from Australian songwriter total tommy, who has recently singed to [PIAS] Recordings. A lovely hit of lo-fi indie-grunge, ‘microdose’ was written in total tommy’s bedroom studio in Sydney on a stormy night, and reflects on an addictive, all-consuming crush. (KC)

Tusks – ‘Strangers’
Another affecting, evocative offering from London-based electronic artist Tusks here. ‘Strangers’ is lifted from her upcoming album, Gold, which is set for release on 12th April via One Little Independent Records. She will be playing at Rough Trade East on 13th April to celebrate the release of the album. (KC)

Tolü Makay – ‘Mind & Body’
Nigerian-Irish artist Tolü Makay has returned with this wonderful new single about the importance of being present in the moment, with her emotive voice guiding listeners through this process. Speaking about the track, Tolü explains: “’Mind & Body’ explores the anxiety we feel when our body is numb to the moment while our mind is drowning in senses, screaming for us to be present in the here and now. It’s about allowing ourselves to breathe, about taking care of our bodies, about being present even when everything is moving so rapidly. In this cultural moment we are so concerned and cornered by our thoughts, our appearance, our voices and narratives that we tell ourselves. It is so hard to simply just be. ‘Mind & Body’ is a reminder to be present. To come together. Not just with yourself, but with each other. In Mind and Body.” (KC)

Elsa Hewitt – ‘Citrinitas’
I saw Elsa Hewitt play live again recently at Loki in Brixton, and I was hypnotised by her lo-fi, but very intricate synth loops and vocal improvisations. This wonderful soundscape ‘Citrinitas’, is taken from her upcoming eighth album, Chaos Emeralds, which is set for release on 12th April. Chaos Emeralds is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark magnetic electronica. (KC)

Sheherazaad – ‘Dhund Lo Mujhe’
Following last year’s completely spellbinding debut single, ‘Mashoor’, Brooklyn-based composer and vocalist Sheherazaad has now shared the second taste of her upcoming album. As stirring waves of sound intertwine with a somewhat buoyant energy, ‘Dhund Lo Mujhe’s celebratory tone is at once juxtaposed with a disconcerting undercurrent. Building to a swirling rich cacophony, it offers a stark reminder to embrace our own unique joy in the face of damaging stereotypes. Qasr, the upcoming debut album from Sheherazaad, is set for release on 1st March via Erased Tapes. (ML)

M(h)aol – ‘Pursuit’
Irish post punks M(h)aol have returned as a four piece with this cutting new single ‘Pursuit’. Drummer and vocalist Constance Keane explains more about the pent up frustration and fear that underscored the track’s conception: “’Pursuit’ is about the experience of being followed home. Sadly, I think it’s something most women have experienced, and something that makes you change your behaviour on a very practical level. It first happened to me when I was 12, and it stayed with me for a long time. The experience of choosing your outfit based on how quickly it could help you get out of a dangerous situation is something I don’t even notice I’m doing sometimes, and that in itself scares me. What am I doing choosing shoes I know I can run fast in, rather than the ones that would go better with my outfit? As a whole, the song is built out of frustration that has accumulated over the past 30 years of being a woman in public.” (KC)

Lambrini Girls – ‘God’s Country’
Currently taking the world by storm, Lambrini Girls are not afraid to call out the government and those complicit in the deterioration of society. Offering a brutal condemnation of ‘Great’ Britain, latest single ‘God’s Country’ seethes with an immense energy and angst-driven power, emanating a raging sense of urgency throughout, cementing Lambrini Girls once again as a truly formidable force that we need now more than ever. Of the track, the band clarify: ““God’s Country is our long, overdue call-out of the government and rise of the far right… Great Britain. Think colonial, shit-hole, chunk of land. Thriving off unhinged nationalism, fed to us by the right red hand of unelected prime ministers… We could deep dive into inspirations and influences- but the song’s about politics, not us. We hope the song speaks for itself. Rishi, Cameron, Cummings, Starmer – you’re all on our shit list.” (ML)

CLT DRP – ‘Until You Showed Me’
Described as a “gender-fluid love sing”, this is the first new material from Brighton-based art punks CLT DRP since they released their second album, Nothing Clever, Just Feelings, via Venn records last year. Speaking about the track, powerhouse vocalist Annie Dorrett explains: “Femininity is a word that has haunted me my whole life, whereas Masculinity is something that I’ve longed for. ‘Until You Showed Me’ is a love song to my current partner for making my gender fluidity something that they nourish and make room for rather than dismiss or ignore. It’s no secret that a lot of people feel the need to lean into a gender role in order to gain respect or normalcy and if they mess with anything outside the binary it can seem threatening. Funnily enough I’ve found myself playing with my femininity a lot more now that I’ve found comfort in my skin again. This song is a little ode to the queers and anyone who strays from the binary in any way small or large. Break the wall from either side, that’s how we get ‘em to listen.” (KC)

Loose Articles – ‘I’d Rather Have A Beer’
Having recently announced the release of their debut album later this year, Manchester’s Loose Articles bring all the racing, roaring energy in latest single ‘I’d Rather Have A Beer’. Offering a warning about those toxic people who won’t make the same effort for you that they expect from you, it’s a perfect, post-punk ode to prioritising your own self worth, having fun with with your pals (over a nice pint) and moving on with your life. (ML)

Bridget. – ‘Take Me Down’
Taken from her debut EP, Damage Reversal, ‘Take Me Down’ is an anthemic offering from Essex-based grunge punk artist Bridget. She will be playing a gig at Luna in Leytonstone on 16th March as part of her EP tour, so if you like what you hear, make sure you grab a ticket to go and see her. (KC)

SPIDER – ‘an object of desire’
‘object of desire’ is the title track from Irish-born, London-based alt-pop artist SPIDER’s brand new EP. The record is a gritty, candid offering, exploring “the unholy trinity of young adulthood” and the web of sex, objectification and self-worth. We interviewed SPIDER on our Soho Radio show for our Great Escape Festival special last year, and she was a breath of fresh air. We’re so excited to see her getting the attention she deserves. SPIDER will play her first ever London headline show at London’s Camden Assembly on March 20th. (KC)

Gouge Away – ‘Dallas’
I was hooked on ‘Stuck In A Dream’, the powerhouse previous single from Florida-based alternative five piece Gouge Away. ‘Dallas’ marks a gear change in sound for the band, but it’s still a heady, corrosive sonic dive into what it feels like to hit rock bottom. It’s taken from Gouge Away’s upcoming third album, Deep Sage, which is set for release on 15th March via Deathwish Inc. (KC)

Heave Blood & Die – ‘Men Like You’
I love this intense offering from Norwegian post-punk collective Heave Blood & Die. It’s lifted from their fourth album, Burnout Codes, which they released back in January. Dedicated to bassist Eivind Imingen, who decided to end his life just following the recordings of the album, Burnout Codes shows the Norwegian collective offering their most textured and innovative album to date, acting as a tender tribute to the talent of their bandmate. (KC)

Dissolved Girl – ‘Silt’
This London-based four piece are named after one of my favourite Massive Attack songs. Dissolved Girl have been meticulously crafting their debut album over the past four years, and this track ‘Silt’ is the second hint at what’s to come. Brooding riffs, trip-hop style beats and a potent vocal all blend together to create a captivating, grunge-infused soundscape. (KC)

CHERYM – ‘Alpha Beta Sigma’
Having just released their debut album, Take It Or Leave It, this month via Alcopop! Records, Northern Irish trio Cherym have been big faves of ours since I first fell in love with them playing Paper Dress Vintage back in 2021. And I was lucky enough to re-live this experience last Saturday as they returned to the venue, delivering an even more wonderful set to an even bigger and adoring crowd. Fizzing with all the colourful punk-pop energy we’ve come to know and love, ‘Alpha Beta Stigma’ offers a fierce reflection on the immense gender inequality and violence against women that still permeates Irish society. One of the most exciting bands around at the moment, I fully expect to be seeing and hearing lots more of Cherym throughout 2024. (ML)

Laura Jane Grace – ‘Birds Talk Too’
Having just released their new album, Hole In My Head, earlier this month, legendary Against Me! Front-person, author and transgender activist Laura Jane Grace offers an uptempo ode to the city of Amsterdam in latest single ‘Birds Talk Too’. I love how its fuzzy punk energy propels the distinctive resonant power of Laura’s vocals, creating a fiercely fun-filled anthem. (ML)

The Empty Page – ‘Cock Of The Fifth Year’
The new single from Manchester’s The Empty Page, ‘Cock Of The Fifth Year’ offers a raging reflection on those ‘jock-type’ guys who often use their size and gender as a means of intimidating others. Of the track, front person Kel explains: “Unfortunately, there are still a lot of blokes like that I encounter when walking around my home city of Manchester. Swaggering, mouthy bellends who can be pretty intimidating when you’re a woman just trying to get from a to b.” I love its gritty energy and the raw power of Kel’s vocals, and can’t wait for the release of The Empty Page’s new album, Imploding, on 24th May. (ML)

Bleach Brain – ‘Crack’
Bleach Brain are a Liverpool-based punk/grunge trio who create anthems filled with heavy riffs and distorted vocals. This track ‘Crack’ is lifted from their excellently named EP, EAT SHIT, which they released at the beginning of the month. The band describe their new record as “a rebellious, angry, energetic EP with songs about violence, abuse, and capitalism.” (KC)

Charley Stone – ‘A Scream’
If you live in London and go to gigs, you probably already know Charley Stone. With a musical CV too long to list, and currently a gigging guitarist in bands such as Sleeper and Desperate Journalist, she has now announced the release of her debut solo album. The first song that Stone ever wrote on electric guitar (back in the last century!), it offers an insight into her creative process and artistic license. With scuzzy hooks that ripple alongside distinctive vocals oozing luscious delayed tones, it builds with a whirring energy to a colourful cacophony. Here Comes The Actual Band, the debut album from Charley Stone, is set for release on 29th May. (ML)

NEXT TO NADA – ‘Whine, Lips’
This track is lifted from London-based noise makers NEXT TO NADA’s upcoming EP, WHINE // MOTHS, which they will be self-releasing on the 15th March. It’s a grinding, punk-infused reflection on pent up frustrations, which vocalist, guitarist and lyricist Georgie explains further: “‘Whine, Lips’ is a self-lament/piss-take that I wrote whilst in a particularly lengthy period of self-destructive behaviour. Dissociation, jealousy, unease, apprehension and defeatism were all running amok in the closed quarters of a brain – leading to (what feels like) a tiresome, vicious circle of poor coping mechanisms and pessimism.” NEXT TO NADA will be playing live at the Dublin Castle on 30th May. (KC)

Um Jennifer? – ‘Glamour Girl’
Having first fallen in love with New York trans duo Um Jennifer last year when I couldn’t get enough of their single ‘Girl Class’, I’m now equally obsessed with latest offering ‘Glamour Girl’. With its playful energy and catchy hooks, it reflects on the pros and cons of recurring patterns in relationships. It’s a fuzzy lo-fi slice of punk-pop perfection that leaves me excited to hear the entirety of Um Jennifer’s new EP, The Girl Class EP, which will be out on my birthday (5th April, for those who don’t know). (ML)

Parsnip – ‘The Light’
A new discovery for me, Melbourne band Parsnip have just announced details of their upcoming album, Behold, which will be released on 26th April via Upset The Rhythm. New single ‘The Light’ fizzes with jangly hooks and an uptempo Raincoats-esque energy; the perfect uplifting antidote to our dreary British weather. (ML)

Lilith Ai ft. Kimya Dawson – ‘Fawn’
Taken from her upcoming album, Serial Killers Prefer Blondes, which is set for release on 13th September via Cruisin Records, this track from London-based indie-rock artist Lilith Ai is an affecting blend of confessional lyrics, atmospheric guitars and rousing beats. (KC)

Emily Magpie – ‘Sunflowers’
Long time favourite, Bristol’s Emily Magpie, has announced that her new album, There Are Other Forms Of Strength, will be released on 19th April. Our first taster of the album comes in the form of glistening new single, ‘Sunflowers’. Flowing with a shimmering energy as Emily’s soulful vocals ripple alongside an uptempo funk-fused allure. (ML)

KIN – ‘Party Anthem’
The new single from London’s KIN, ‘Party Anthem’ offers a poignant reflection on women’s safety. Written back in 2020, inspired by the Reclaim The Streets movement, it oozes a captivating dark allure. Flowing with Grace Strickland De Souza’s crystalline vocals and a swirling instrumentation, a stirring melancholic soundscape is created. (ML)

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Introducing Interview: Heart Rot

A brand new band who’ve popped into our inbox for the first time recently, New York based Heart Rot deliver their ethereal yet gritty creations with a fierce allure, inspired by the quiet-loud dynamics of the ‘90s grunge scene. A completely DIY project, the band draw influence from their experience as girls and connection to the natural world in their songwriting, and pride themselves as artists honing their craft; not just in creating their music, but in their merch too. With just two songs out so far, they’re a new favourite for sure, and we can’t wait to hear more of their raw, bewitching soundscapes.

We caught up with Lily, Maya and Ceci from the band to find out more – have a read, and make sure you check out Heart Rot‘s double A-side singles ‘Anchors To Elsa‘ and ‘Sunday Night‘ now!

Hi Heart Rot! Welcome to Get In Her Ears! How are you doing today?
Thank you so much for having us! We’re doing amazing thanks!

Are you able to tell us a bit about how you all met and started creating music together?
We met through moving to college in New York City. We all knew that we wanted to be in a band, but got so lucky to meet each other early on, thanks to social media. The first time we played together, we felt such a natural musical connection between us and by our second practice we were writing songs. 

I love your gritty grunge-tinged sounds, but who would you consider to be your main musical influences?
Our main source of inspiration definitely comes from the sounds of ’90s alternative and grunge music-acts like The Breeders, Hole, Sonic Youth, Pixies, Mazzy Star, Veruca Salt, and Belly. 

You recently released your awesome double A-side single ‘Anchors To Elsa’ / ‘Sunday Night’ – can you tell us a bit about these tracks? Are there any particular themes running throughout them?
Thank you so much! A little over a year ago, I (Lily) brought in both of these songs in the forms of rough demos, having written the lyrics and chords on her acoustic guitar. ‘Anchors to Elsa’ was written in the summer of 2021, when Hurricane Elsa was soaking the East Coast of the US. I have always been fascinated that we name storms, humanising these archetypally terrifying natural disasters. The effects of climate change are actively intensifying the prevalence and tenacity of such storms, which is the cause of so much grief and anxiety among young people today. Young[er] at the time, I was experiencing emotional turmoil and angst, stir-crazy from the pandemic and stressed about the future. Elsa was such a fitting metaphor for how I was feeling; I just wanted to run across the whole world and release all of my fears and doubts like water and wind. The fact that Elsa is already ingrained in mainstream culture as the storm of Arendelle was not intentional, but as my little sister pointed out, quite apt. Lyrically, we think it is beautiful to relate emotions to aspects of the natural world, seen in ‘Sunday Night’ through lines like “the rain washes away all I ever said” and “you need my gnarled roots, a perpetual tree”. We are really glad that we did not rush into recording right after writing, and think that the time we spent with them rehearsing and playing live really helped them to evolve. 

You seem to really pride yourselves on being DIY and honing your craft; not just musically, but by making all your own merch too. Are you able to tell us a bit more about this and what inspires you to do this? 
The driving force for our merch production and process is sustainability. The garment industry in particular is extremely problematic – although filling out an online order form is much easier, we really believe every act and decision is valuable. We are committed to hand printing our merch on thrifted shirts and sweaters, and being physically present throughout the process instead of outsourcing. The first part of our merch-making process is going to a pay-by-pound thrift store where it is easy to find hundreds of blank tees, tanks, and sweaters with so much life left in them. Our guitarist Maya draws incredible digital sketches and I’m able to use the printmaking studio at our school to screen-print those designs. The innate uniqueness of each shirt is something we are very proud of; no two Heart Rot merch pieces look alike.

Being based in New York must be pretty exciting. What’s the live scene like there at the moment? 
There are so many incredible rock bands in New York right now who draw influence from many different sub genres of the last fifty years of rock and indie music. It’s super awesome to go to shows because every act has such a creative and unique sound. We also know a lot of bands, including ourselves, that are in some form of art school. In addition to making music, a lot of us are photographers, painters, fashion designers, and printmakers, which speaks to the whole DIY energy here. It’s also super exciting and inviting to see and play with more women and queer-led groups. It’s great that the music scene is becoming more inclusive.

And what can fans expect from your live shows? 
We like to stack shows that we organise with as many female/non-binary bands as possible, so you should expect to see some other incredible acts (and dance in the crowd with us). We like to do this only semi-defined ritual called ‘girl mosh’ (not just for girls): our version of a safe and inclusive way to contrast the typical exclusive, almost jarring body-slam that dominates traditional punk/rock scenes. We hope to foster a safe and fun energy in the crowd. 

As we’re an organisation keen to support new artists, we just wondered how you feel the industry is for them at the moment? And do you feel much has changed over the years in its treatment of female and queer artists? 
I think many of us have seen a definite shift on what it means to be a popular and successful artist because the internet and social media have become such a determining factor in connecting with other artists and audiences. The musical landscape that female and queer musicians are entering now celebrates us a lot more and there has been an enormous amount of progress within the last fifty years. We’ve been so appreciative of how we have been received as a band, but know that our experience is certainly not universal. Misogynistic biases continue to find ways to put down female artists – the current version on social media seems to be the assumption that breakout female artists are “industry plants”. This completely disregards their artistry, chocking it up to unjust inflation or some behind-the-scenes corporate manipulation.

And are there any other new bands or artists that you’d recommend that we check out?
There are so many incredible bands active in NYC releasing music and playing shows. Le Bang, The Dutch Kills, OMAT, and Lucky Number are some of our favourites! 

Finally, what does 2024 have in store for Heart Rot? 
Definitely more music and a relentless amount of live shows! We hope to release our full length album, keep producing homemade merch and related artwork, and release more music videos. We have a handful of shows coming up in February, but we’re most excited for the show on February 10th at Stone Circle Theatre in Queens, NYC.

Massive thanks to Heart Rot for answering our questions, we can’t wait to hear more from them soon!

Photo Credit: @ellamenop3

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PLAYLIST: November 2023

The Get In Her Ears team have put together another eclectic mix of pure punk anthems, indie & alternative tunes, grunge & shoegaze musings and alt-pop and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Problem Patterns – ‘Terfs Out’
Hosting Problem Patterns’ sold out London gig at Sebright Arms last Friday was a total dream. The second time they’ve played for us, and with support from total faves Fightmilk and band-on-the-rise Dogviolet, it was a wonderful night, topped off with an epic headline set from the Belfast punks – uniting the crowd in solidarity with both their swirling righteous anger and vibrant, joyous sense of fun. ‘Terfs Out’ is always a particularly powerful song to witness live, and one whose message in support of our Trans siblings is more poignant now than ever: “LGB is nothing if not for the T / so show up with some real solidarity.” Problem Patterns remain one of the most exciting bands around and deserve every success to come their way; having recently won a Northern Irish Music prize for best video, released their incredible debut album, Blouse Club, and shared a stage with total legends Le Tigre. I cannot wait to see what they have in store for us next.
(Mari Lane – Managing Editor)

pink suits – ‘Refuse The Rules’
Having blown us away with their immense live show on more than one occasion, Margate queer punk duo pink suits have become firm favourites at GIHE. We couldn’t be happier to hear that they’ll be releasing their second album in Spring 2024. Our first taster from the record comes in the form of perfectly raging new single, ‘Refuse The Rules’. Just over a minute and a half of pure empowered rage, it’s a scream for space – a refusal of the rules that have been historically created to limit people’s lives and freedoms. As Ray’s fierce growl and driving beats seethe alongside Lennie’s frenzied raw hooks, it offers a perfect raging catharsis; a short and sharp rallying cry, inciting us to stand up and make our voices heard in the face of suppression and aggression. Dystopian Hellscape, the upcoming second album from pink suits, is set for release in Spring 2024. (ML)

The Menstrual Cramps – ‘Body Politics’
I’ve been waiting a long time for new music from Bristol-based punk legends The Menstrual Cramps, and now it’s finally here! Released via the loveliest of labels, Alcopop! Records and sounding as vital as ever, ‘Body Politics’ is based around American philosopher Judith Butler’s idea of gender performativity (from her book ‘Gender Trouble’), and rallies against the ways in which gender constructs are forced upon us all under capitalism to benefit the patriarchal structure. Seething with their trademark ferocious energy, and building to a fierce RATM-esque climax, it’s a perfectly empowering and cathartic explosion of necessary rage. (ML)

Touch Excellent – ‘Overtone’
This is the latest single from Dublin punks Touch Excellent, who have described it as a “Trans Rights Anthem”. The track reflects on the band’s own experiences of the years-long waiting lists they’ve faced when trying to access trans health care in Ireland. They explain that the “heart of the song” is the personified “long wait”, where lead singer Lenny holds a 21 second wailing note, demonstrating the extended frustrations of those who are still waiting to be treated. (Kate Crudgington – Features Editor)

Jock – ‘Moving’
Belfast based queer punk band Jock have recently joined the VETA Records roster, and released this new anthem titled ‘Moving’. It’s inspired by the housing crisis in Northern Ireland and further afield, rumbling with a raw and righteous discontent. (KC)

HAVVK – ‘City Creep’
The latest single from total faves, Irish band HAVVK, ‘City Creep’ offers a stirring reflection on the impact that Dublin’s housing crisis is having on cultural spaces in the city. Propelled by a fierce energy as celestial vocals and scuzzy hooks seethe with an unrelenting sense of urgency, it showcases the band’s ability to exquisitely create a shimmering immersive grace whilst emanating a raw, politically-charged rage. ‘City Creep’ is out now via VETA Records, and we cannot wait for HAVVK to return to the Get In Her Ears stage, headlining for us on 28th March next year at Shacklewell Arms. Tickets are cheaper in advance. Get yours here. (ML)

SPRINTS – ‘Shadow Of A Doubt’
Described as their “most vulnerable moment to date”, Dublin punks SPRINTS have shared this cathartic anthem, which deals with the experience of “trauma, depression and the aftermath.” Vocalist and guitarist Karla Chubb’s clear, cutting lyrics reveal the intensity and range of emotions that underscored the track’s conception, which tentatively builds to a swell of all-encompassing noise. ‘Shadow Of A Doubt’ is taken from SPRINTS upcoming debut album, Letter To Self, which is set for release on 5th January 2024 via City Slang. (KC)

Schande – ‘52 Hz’
I’ve been a big fan of Schande for some time now, especially since they charmed our socks off at our first gig post-covid in November 2021. Their new single ‘52 Hz’ offers a soaring slice of shimmering shoegaze-tinged indie-pop; inspired by a whale whose calls resonate at a different frequency than other whales, it flutters with fizzing hooks and Jen Chochinov’s distinctive brooding vocals. A truly dreamy sonic experience. ‘52 Hz’ is out now via The Daydream Library Series, the house record label of Thurston Moore & Eva Prinz’ Ecstatic Peace Library. (ML)

Dermabrasion – ‘Goblin Dance’
This is only the second track I’ve heard from Dermabrasion, but the Toronto-based duo are fast becoming firm favourites of mine. Such a banger! ‘Goblin Dance’ is taken from the band’s upcoming debut album, Pain Behaviour, which is set for release on 26th January via Hand Drawn Dracula. (KC)

Meg Elsier – ‘iznotreal’
I love this new single from Nashville-based artist Meg Elsier. Punishingly heavy riffs and soft, sultry vocals – strong #GloomyGirl vibes, which we all know, are the best type of vibes. Check out the excellent accompanying video for it here. (KC)

Wisp – ‘Once then we’ll be free’
19 year old San Francisco-based artist WISP makes music inspired by the likes of Deftones, My Bloody Valentine and Whirr. This is her latest single and it’s full of brooding bass lines, hushed vocals and heavy reverb. I’m looking forward to hearing more from her in the near future. (KC)

Softcult – ‘Haunt You Still’
Toronto-based duo Softcult’s latest single is a shimmering reflection on the mark we leave on others in the extended aftermath of a breakup. Full of their trademark shadowy, swirling riffs and soft dual vocals, the band explore accountability and atonement on this bittersweet offering. (KC)

body / negative ft. Midwife – ‘sleepy’
This delicate lullaby by body / negative is a tender, moving ode to their late parents, accompanied by a deeply nostalgic video. I’ve loved everything that body / negative has released this year, and I’m looking forward to hearing their new record, everett, in full when it’s out on 8th December. (KC)

House Of Women – ‘Hypocrite’
London-based newcomers House Of Women released their debut EP, People Printing, via their own label earlier this month, and this track ‘Hypocrite’ is a standout listen. They will be headlining London’s Omeara on 5th December, so grab a ticket if you like what you hear. (KC)

Felicette – ‘Go To Hell’
Named after the first cat in space, Felicette are your new favourite DIY indie-pop band, formed of members of faves like Cheerbleederz, Supermilk and Doe. Set to release their debut EP next month, they’ve now shared the title track – a wonderfully scuzzy ode to the catharsis that comes with being honest about your feelings after being hurt. I love its grunge-tinged hooks and gritty energy, and can’t wait to hear more from this lot! Go To Hell, the debut EP from Felicette, is out on 5th December via Everything Sucks Music. (ML)

King Isis – ‘Make It Up’
“I wrote the first version of this song at home, going through lows in love and life,” explains Oakland-born artist King Isis about their latest single. Full of angsty lyrics and their smooth vocals, ‘Make It Up’ is a taste of what’s to come from the artist in the near future. The track is also accompanied by a brooding, vampire themed video, which you can watch here. (KC)

ARXX – ‘Baby Uh Huh’
As if a single from ARXX wasn’t exciting enough, the new one features a whole chorus of favourites! Including familiar voices from the likes of CLT DRP, Cherym, Soft Lad, Ailbhe Reddy, and DIY legend Beth White, this rendition of ‘Baby Uh Huh’ is a beautifully uplifting and empowering anthem, released to raise funds for We Exist – whose work is invaluable in supporting trans and queer communities. ARXX explain: “We were looking at the world around us, at all the attacks on Queer lives and in particular Trans lives, and we wanted to do something to show our support with our Queer community. ‘Baby Uh Huh’ is about finding the right people to surround yourself with to make you a better version of yourself, which is a very Queer experience.” Once again establishing themselves as master creators of the freshest, most addictive and most euphoric anthems, ARXX continue to make me fall more and more in love with them with each release. I can’t wait to see them live again on 7th December at The Lexington! Tickets still available here. (ML)

Personnel – ‘Her City I Was After’
Taken from their forthcoming album set for release next year, ‘Her City I Was After’ by Personnel was released via queer record label Staying Out Records. It’s a kind of unrequited love song to Soho. The song draws on places and characters finding queer life in London from the 30s to the 70s, with the video bringing it alive in the 90s, using archival footage by film maker Mark Harriott of direct action queer activist group OUTRAGE! Check it out now. The more I listen to that song the more I love it. (Tash Walker – Digital Editor)

ALYSS – ‘Hydra’
I am SO into this track from Alyss, who played live for us back in 2018 at Notting Hill Arts Club – which was such a great show! Talking about the track, ALYSS explains: “She is one. A singular point that has roamed between the shadow & ether of every cell for the past 7 years”. (TW)

Catherine Moan – ‘Undo Undo’
Another heady dose of synth-pop from Catherine Moan here. Released via Born Losers Records, the track is an intoxicating blend of Catherine’s honeyed vocals, 80s-esque electronics and catchy beats. (KC)

Seraphina Simone – ‘Liverpool’
This was my Track Of the Show on November’s Soho Radio show, we are LOVING it at Get In Her Ears! Seraphina wrote this while on tour with Self Esteem in Liverpool, and it’s all about love, loss and memory. Close your eyes and allow yourselves to dive deep into the sounds of Seraphina Simone. (TW)

Stainwasher – ‘Circle Trails’
Stockholm-based musician Stainwasher has released this “slowcore/dreampop gem” that explores how counterproductive infatuation and obsession can be. Released via Oh Sister Records, it’s a bittersweet, shoegazey rumination on wasted time. (KC)

Holysseus Fly – ‘Bloom’
Such a mesmerising track from Holysseus Fly, taken from her debut solo EP, Birthpool, released earlier this month. You may recognise Holly’s vocals from Ishmael Ensemble, where she is the vocalist and songwriter, but this is her solo iteration! She’s going to be headlining three UK shows this month, the first in Bristol at The exchange on the 23rd, Corsica Studio in London on 24th November, and the Carlton club on 28th. (TW)

Montañera – ‘Santa Mar’
London-based Columbian artist Montañera creates innovative immersive soundscapes fusing together traditional South American musical influences with contemporary ambient electronics. Featuring marimba player Cankita (from the band Bejuco) and the expressive voices of Las Cantadoras de Yerba Buena, a group of traditional singers from Tumaco, latest single ‘Santa Mar’ is poignant reflection on on peace, specifically for afro pacific women, and shimmers with a sweeping twinkling splendour and captivating raw emotion. A Flor de Piel, the new album from Montañera, is out now via Western Vinyl. (ML)

Ratboys – ‘The Window’
I’d been desperate to see Chicago’s Ratboys for some time (especially as this year’s album, The Window, is in my personal top five of 2023 for sure), so it was a real treat to finally catch them live at Omeara last Sunday, along with Norwich faves SUDS. Delivering a set even more dreamy than I could have hoped for, each lilting hook oozed fuzzy surf-pop perfection as front person Julia Steiner’s vocals exuded a shimmering raw emotion throughout. As the crowd sand and swayed along in blissful unity, it was captivating and comforting in equal measure; a much-needed ray of sunlight in an increasingly dark time. Thank you Ratboys! (ML)

Teens In Trouble – ‘Sharon’
With a collaborative split EP with LA based Desert Mambas out now, Teens In Trouble (the indie creative project of writer, guitarist, and vocalist Lizzie Killian) create perfect emo-tinged pop-punk with a quirky, playful energy and fuzzy allure. Offering emotive yet upbeat songs about being present in the moment and mental health, based on true stories/experiences of Killian, the EP provides a must-have soundtrack for anyone experiencing existential crises right now. Teens In Trouble / Desert Mambas, the split EP, is out now via Kill Rock Stars and Asian Man Records. (ML)

¡Ay Carmela! – ‘Rear View’
Bristol-based trio ¡Ay Carmela! have just released their much awaited second album, Tokens. Reflecting on themes around cherished memories and inevitable change, it showcases the band’s gritty ‘90s-inspired indie-rock sounds, interweaving their distinctive catchy hooks with a sparkling emotion. Tokens is out now. ¡Ay Carmela! will be playing for us at The Shacklewell Arms on 2nd February 2024, supporting German dream-pop band Roller Derby with Panic Pocket. Tickets are cheaper in advance and are available here. (ML)

Ida Kudo – ‘The Power That Is Woman’
With her upcoming new EP set for release in Spring next year, Danish-Japanese alt-pop artist Ida Kudo has recently shared anthemic single. Her first material in four years, ‘The Power That Is Woman’ is propelled by a fierce empowering energy and alluring soulful grace as Kudo urges us to fight for a new kind of leadership, putting people before profit.
‘The Power That Is Woman’ is produced by Andrew Hunt. (ML)

NESS NOST – ‘The Regular’
This is the second release from NESS NOST’s EP called ‘The Regular’. The song’s narrative centers around the protagonist working in a restaurant, this time being confronted by a regular customer, that ends with a decision between making a living, or standing up for herself to this overbearing man. Boundaries crossed, where in many places of work women have to choose between dignity or money. (TW)

 

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