Five Favourites: Umarells

Having just shared their debut EP, One More Day, Manchester-based dream-pop group Umarells create lush, glistening soundscapes, fizzing with a rippling raw emotion. Combining elements of shoegaze, grunge and indie-pop, they offer heartfelt reflections on themes such as grief and failed relationships, each song offering their own unique sparkling musicality.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, following the release of their debut EP, we caught up with Imogen, Josh, Ryan Sarah and Fuchsia to find out about the five albums that inspire them the most. Read about their five favourites, and watch the beautiful video for stirring single ‘June‘, below…

Weyes Blood – Titanic Rising
I first heard Natalie of Weyes Blood’s gorgeous Carpenter-esque voice on Drugdealer’s 2016 album The End Of  Comedy. When Titanic Rising was released in 2019 it resonated as the theme of an era of my life. Blending ‘70s pop vocals with romantic space age synth cynicism I was hooked from my first listen and rushed to see the masterpiece live in Manchester venue Yes’ pink room. ‘Picture Me Better’ – a song written about the loss of a friend – perfectly encapsulates heart wrenching grief and the hope to hear the impossible “call from beyond”. A song that inspired me to pour my own grief into our song ‘One More Day’.

Burial – Untrue
I vividly remember the first time I stumbled upon this album while exploring a friend’s CD collection. It was a revelation – nothing I had ever heard compared to its dark, gritty sound, interwoven with ethereal melodies and harmony. So melancholic. I often listened to it on my bike rides home through the city centre at 5am, after finishing my shift at a nightclub; feeling as though I was the only soul awake in the world. It’s perfect for those late nights when you’re caught between the desire to drift off and the inability to do so. The sampling on this album is incredible; the original sources are so cleverly transformed that I found myself spending hours online trying to uncover their origins. It’s a remarkable masterclass in genre-bending and structure, carving out its own distinct niche within the electronic scene. Its sound remains refreshingly futuristic, even today.

Pixies – Doolittle 
All amazing tracks and completely seminal. I became obsessed with Pixies when I was fifteen, after loading up my mp3 player for a school trip to Sorrento. I’d heard that Nirvana’s loud-quiet-loud structures were ripping off Pixies, so I downloaded some songs from Limewire. Listening to them on a coach driving along the West coast of Italy really cemented the tracks for me and I was kind of blown away by it. The guitar work is just perfect to me – simple driving bass lines, and Joey’s surf inspired riffs and bends are just amazing. The range of sounds in Frank’s voice means the album never gets boring and it contrasts with Kim’s vocals so well. To top it off, ‘Gouge Away’ is just the best final track on an album for me.

The Smashing Pumpkins – Siamese Dream
My favourite album changes constantly, but if I had to choose one right now I’d pick Siamese Dream. My first introduction to Smashing Pumpkins was at about seven or eight years old hearing them on The Simpsons episode ‘Homerpalooza’. A few years later when I hit my full-on emo phase I delved into their back catalogue and Siamese Dream was the album that stuck out to me. I’ve never got sick of listening to it. Billy and James’ guitar playing on this record is just insane to me. The dynamics of the album too are just so great, the fact you’ve got heavy songs like ‘Geek USA’ but the softer songs like ‘Luna’ and ‘Disarm’ but they work perfectly together when listening to the album in full. Billy’s lyrics as well – “Fool enough to almost be it, cool enough to not quite see it. Doomed.” on ‘Mayonaise’, incredible. Whenever I’m writing new music I find this is the album I reference the most.

Big Thief – Two Hands
This is such a beautiful album – the lyrics are so raw and heartfelt – it’s such incredible story telling. The album flows from really soft gentle tracks to heavy gritty ones so effortlessly, and everything about the way it’s recorded sounds so natural. It came out when I first got back into playing music after a really long break and I would just listen to it on repeat. The whole album reminds me of a time when I really started to feel comfortable with myself and listening to it still reminds me of that. Seeing them live at the Apollo last year was an awesome experience!

Huge thanks to Umarells for sharing their five favourites with us! Watch the beautiful new video for stirring single ‘June’ here:

One More Day, the debut album from Umarells, is out now via Fear Of Missing Out Records.

Photo Credit: Kitty Handley

mariangelicalaneLeave a comment

PLAYLIST: October 2024

The Get In Her Ears team have put together another mix of alt-pop tunes, indie-folk musings, alternative, grunge & shoegaze sounds, punk bangers, eclectic electronic soundscapes and some Halloween themed Gloomy Grrrl tracks for your listening pleasure. Take some time to scroll through our selections below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

PostLast – ‘Halloween’
‘Halloween’ is an apt track to kick off our October playlist with, courtesy of Irish duo PostLast. Lifted from the band’s debut EP, Pull Me Into The Open Sea, released via Veta Records, Julie Hough and Stephen McHale tap into their “childlike sense of wonder” on this track. Through their unfiltered brand of dream-pop, PostLast offer listeners a space to enjoy feeling nostalgic, joyful and melancholic all at the same time.
(Kate Crudgington – Features Editor)

TTSSFU – ‘Studio 54’
I love the dark, cinematic allure of this track from Manchester artist Tasmin Nicole Stephens aka TTSSFU, who has just signed to Partisan Records. ‘Studio 54’ is the final track on her latest EP, Me, Jed and Andy, and it’s inspired by the tumultuous relationship between Andy Warhol and his partner Jed Johnson. I’m so glad this dropped into my GIHE inbox – a new personal favourite for sure. I love the accompanying video too, which you can watch here. (KC)

Skutterfly – ‘Changing Room’
Having won us over playing live for us at The Cavendish Arms last month, First Timers alumni Skutterfly have now shared their debut single. The first song they ever recorded together, ‘Changing Room’ fizzes with a sparkling energy as jangly hooks and ‘90s reminiscent grunge-tinged allure. They’re definitely ones to watch and we can’t wait to hear more!
(Mari Lane – Managing Editor)

HotWax – ‘She’s Got A Problem’
GIHE faves HotWax have announced their debut album with the release of this blistering new single. ‘She’s Got A Problem’ will feature on their LP, Hot Shock, which is set for release on 7th March 2025 via Marathon Artists. Produced by Catherine Marks (boygenius, Wolf Alice), the band put together an all-female team to record the album, which includes input from Steph Marziano (Picture Parlour, Cassandra Jenkins) and Warpaint drummer Stella Mozgawa. We can’t wait to hear their riotous debut record, which you can pre-order here. (KC)

Jæd – ‘Bakkos’
Another knockout single from London based Irish-Puerto Rican musician Jæd. She played a GIHE gig for us in October last year supporting Pixie Cut Rhythm Orchestra at The Shacklewell Arms, and we were all blown away by her stage presence and dynamic vocals and guitar playing. Jæd will be releasing her debut album, I Loved The Gauntlet And There Was No Other Way, on 29th Nov via cult Irish label The Delphi Label. This track, ‘Bakkos’, features on the record and it’s a visceral imaginary tale of indulgence and self-judgement, set within the setting of a chaotic Bacchanalian court. (KC)

Clutter – ‘Jesus’
Recently signed to PNKSLM Recordings, Stockholm quartet Clutter have a sound that’s as cacophonous as their namesake. This track ‘Jesus’ is a noisy blend of their gritty riffs, swirling dual vocals and driving beats. The band will be releasing ‘Jesus’ along with their debut single ‘Holy Brother’ on a limited edition 7″ vinyl on 7th November, which you can pre-order here. (KC)

High. – ‘Catcher’
This latest single from New Jersey shoegazers High. is a glistening rumination on grief, which holds deep personal resonance for the band. It’s the second offering from their upcoming EP, Come Back Down, which is set for release on 24th January 2025 via New York indie label Kanine Records. I love their blend of effervescent vocals, heavy reverb and poetic lyricism. The track is accompanied by a music video, directed by bassist Bridget Bakie and starring drummer Jack Miller, which you can watch here. (KC)

Comic Sans – ‘Mr President’
Having completely blown us away with their immense energy and charisma playing live for us at New River Studios last week, London’s queer emo-punk ones to watch Comic Sans have now shared a raging new single. Propelled by a racing energy and angst-driven power, ‘Mr President’ showcases all there is to love about this exciting new band; a soaring punk anthem delivered with a fierce sense of urgency. Of the track, the band explain: “Mr President is an amalgamation of lyrics derived from grief, and an expression of frustration at the world, blended with band improvisation to create a song that expresses our individuality.” We highly recommend you catch Comic Sans live at the single launch for ‘Mr President’ on 28th October at The Windmill in Brixton – tickets here. (ML)

The Menstrual Cramps – ‘Class War’
A fierce rebuttal against trickle-down economics and the hold that the ruling classes have over society, ‘Class War’ is the latest single from GIHE faves, Bristol’s The Menstrual Cramps. Oozing their trademark seething energy alongside frenzied punk hooks and an immense empowering drive, it offers an rousing call to action to fight back; to join a union and hold those in power to account. Of the track, front person Emilia comments: “Workers rights are being taken away from us at an alarming rate, and the best way to combat this is with collective bargaining and activism…” Watch the new video for ‘Class War’ here. (ML)

Fightmilk – ‘Yearning and Pining’
Another one taken from the upcoming album from absolute faves Fightmilk, ‘Yearning and Pining’ offers a ridiculously catchy tongue-in-cheek love song. Exquisitely fusing together twinkling hooks and anthemic gritty energy with a lilting country twang, the track races with the angsty anticipation of a mega crush. Of the track, front person Lily comments: “(It’s) a two-minute country-punk biscuit about having the cosmic horn for someone. Being so lusty that you give yourself an asthma attack…” And there’s a gloriously DIY accompanying video that was filmed entirely on a doorbell cam. No Souvenirs, the upcoming new album from Fightmilk, is out 15th November via Alcopop! Records. Catch them live to celebrate – details here. (ML)

Daffodildos – ‘What’s Ur Excuse’
Having recently released their debut EP via Not Saints – a pioneering label committed to supporting artists in recovery from addiction – Brighton trans-punk trio Daffodildos have spent the year making a name for themselves, touring the country, delivering important social messages with their trademark playful attitude. Taken from the EP, ‘What’s UR Excuse’ is fuelled by fierce scuzzy hooks, offering a catchy punk anthem raging against the cruelty that society inflicts on animals, and capitalism’s reliance on the suffering of innocent animals for profit. Not My Cup Of Tea, the debut EP from Daffodildos, is out now. (ML)

Man/Woman/Chainsaw – ‘The Boss’
Lifted from their upcoming EP, Eazy Peazy, which is set for release on 7th November via Fat Possum Records, this track from London based art punks Man/Woman/Chainsaw is a grinding, unpredictable exploration of power dynamics. The band have fused electric violin, synths and guitars together to form their heaviest track yet. I remember Brixton trio Alien Chicks recommending Man/Woman/Chainsaw to us when they were guests on our Soho Radio show last year, and after hearing ‘The Boss’, I can see why! (KC)

Lobby – ‘folding out’
Featuring members from Goat Girl and leather.head, South London slowcore trio Lobby have shared a brand new single. Following last year’s ‘in the wall’, ‘folding out’ flows with a twinkling energy as honey-sweet vocals ripple over fuzzy musical layers and a stripped back raw emotion. Of the track, the band explain: ““It’s about the desire to watch the layers someone has built up, unfold, to reveal the core of who they are, and the unquestioning support needed for that process to occur.” (ML)

Queen Of Nothing – ‘How Does It Feel’
I’m so glad this debut single from independent artist Abi Crisp aka Queen Of Nothing dropped into my GIHE inbox. ‘How Does It Feel’ is taken from her soon-to-be-released EP, The Pull, which she recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie). I love her atmospheric guitar tones and her brooding vocals, which shift in volume throughout the track. (KC)

Labyrinthine Oceans – ‘Pinch’
A dark reflection on self autonomy and escaping societal expectations, ‘Pinch’ is the latest single from London/Newcastle dream rock band Labyrinthine Oceans. It’s taken from their upcoming second EP, home, which is set for release in the near future. The band blend grinding riffs, crashing percussion and melancholic vocals in attempt to confront the uncomfortable truths that underline vocalist Julia O’Neill’s lyrics, which give the track its heavy lullaby quality. (KC)

sweet93 – ‘what’s true?’
I love this dreamy offering from New York artist sweet93, fronted by elusive vocalist Chloe. I’m new to her blissed out brand of ambient shoegaze, but after hearing ‘what’s true?’ I’ll definitely be diving into her debut album, All The Same All OK, which she released back in 2021. (KC)

Mi.el – ‘Hers To Own’
The latest single from dream-pop duo Mi.el, ‘Hers To Own’ explores themes of change, personal growth and self-love, offering a sparkling empowering energy. Interweaving a tapestry of different sonic textures, providing the backdrop to rich syrupy vocals, it glistens with an understated uplifting grace. (ML)

Friedberg – ‘Hardcore Workout Queen’
Described by Friedberg’s founding member Anna as an anthem for “the Champion of the slobs”, ‘Hardcore Workout Queen’ is the title track from the band’s upcoming album, which is set for release on 8th November. Juxtaposing upbeat indie-pop rhythms with lyrics about being unmotivated to excel at physical exercise, the track is a playful, relatable reflection on living the lifestyle that suits you – whether that means you’re smashing it in the gym or relaxing with snacks on the sofa. (KC)

God’s Mom – ‘Maddalena’
A new collaboration between Canadian artist Bria Salmena (FRIGS, Orville Peck) and producer/film-maker A.Matthews, God’s Mom create innovative soundscapes combining vocal traditions rooted in Salmena’s Italian heritage with glitchy electro-driven dancefloor beats. Celebrating the power and beauty of the community that the duo found in Toronto and Rome’s club scene, ‘Maddalena’ offers a cinematic cacophony that resonates with a driving energising allure. As It Was Given, the new album from God’s Mom, is out now – exclusively available on Nina. (ML)

foxgluvv – ‘i need to understand but i don’t’
Brighton based DIY pop artist foxgluvv has returned with this brand new single, their first since 2023. Inspired by their journey of self-discovery and the complexities of gender identity, foxgluvv explains that ‘i need to understand but i don’t’ is “more than just a song” to them, it’s their way of supporting their LGBTQIA+ listeners and reminding them not to panic if they haven’t got everything figured out just yet. It’s full of foxgluvv’s hyper-pop beats and catchy lyricism, making it an anxious-yet-euphoric anthem. (KC)

Susi Pagel – ‘Anything Like U’
Self-described as Belfast’s ‘pink pop princess’, Northern Irish artist Susi Pagel is set to release her debut EP very soon, which she worked on with local legend and GIHE fave Rocky O’Reilly. Taken from the EP, ‘Anything Like U’ reflects on the feelings of relief that come from realising you’ve made a lucky escape from a toxic person, and I just love its glistening punk-pop energy. Susi Pagel’s debut EP, can you hear me now?, is set for release next month. (ML)

Moniah – ‘Sweet Escape’
This track from emerging London-based indie pop artist Moniah is all about letting go of what’s holding you back and living in the moment. Through her emotive vocals and lilting alt-pop melodies, she offers her listeners a brief moment of respite from the grind of everyday life. (KC)

Catbear – ‘Carry On’
The latest single from Brighton/London queer duo Catbear, ‘Carry On’ offers a soaring immersive soundscape. Combining elements of ‘80s-inspired synth pop with a gritty post-punk edge, it explores themes of overcoming adversity and pushing through life’s challenges with a captivating ethereal splendour. (ML)

Aisha Badru – ‘Side Of The Moon’
Set to release a new album next month, Nigerian-American artist Aisha Badru has now shared a beautiful new single. Sparkling with a delicate effervescent grace, ‘Side Of The Moon’ reflects on our life’s journey towards healing with a blissful charm. The Sun Still Rises, the upcoming new album from Aisha Badru, is set for release on 29th November via Nettwerk. (ML)

Breymer – ‘When I Get Through’
Set to release their new album, When I Get Through, later this month, Minnesota born artist Sarah Walk aka Breymer creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality as it reflects on a personal journey of self-discovery with a stark honesty, it’s a truly exquisite collection. Breymer is in the UK next month, playing dates in London and Brighton – details here. (ML)

Sunflower Thieves – ‘So Far So Good’
A poignant, relatable tune from Leeds based duo Sunflower Thieves here. Taken from their upcoming EP, Same Blood, set for release on 30th October 30th, ‘So Far So Good’ is a tender exploration on the very human need for connection and the often overwhelming feeling of our own insignificance in the grand scheme of things. Sunflower Thieves deliver these ruminations gently through their considered lyrics and soft acoustic guitar sounds. (KC)

Katie Malco ft. SOAK – ‘Babette’
Another disarming tune from Katie Malco, this time featuring Northern Irish songwriter SOAK. The pair toured the US together in 2023, which SOAK comically recalls as a time they navigated their way through North America with little more than their “drivers’ licences and delusion.” ‘Babette’ is inspired by Malco’s sense of being too much, or not enough, and how this inner conflict transpires into relationships and social situations. The track’s call-and-response style reflects how communication can break down between two people over time, with Malco and SOAK’s emotive vocals hitting a relatable nerve throughout. (KC)

jasmine.4.t – ‘Elephant’
The first UK signee to Phoebe Bridgers’ label Saddest Factory Records, Manchester based musician jasmine.4.t has announced her debut album, You Are The Morning, set for release on 17th January 2025, by sharing this track ‘Elephant’. Inspired by her memories of her first love after she came out as a trans woman, ‘Elephant’ is a moving reflection on how it feels to be friends with someone when you both know you want more. Produced by Julien Baker, Phoebe Bridgers and Lucy Dacus, jasmine’s sensitive lyricism, acoustic and electric instrumentation – plus the wonderful voices of the Trans Chorus of Los Angeles at the close of the track – all combine to create a passionate, buoyant exploration on the complexities and joy of finding your first queer love. (KC)

Miya Folick – ‘Alaska’
Following on from her previous single ‘La Da Da’, LA-based songwriter has shared another beautifully vulnerable offering here. ‘Alaska’ is inspired by her fear of potentially losing her relationship, but she pacifies this pain with the realisation that she would cope if that sadly became a reality. Her raw lyricism, emotive vocals and gentle instrumentation soothe these difficult thought processes, making ‘Alaska’ a tender and cathartic offering. (KC)

Heff VanSaint – ‘Weavers Fields’
Originally from Aberdeen, London based artist Heff VanSaint has just released her new EP Best Days Gone. Of the release, she explains: “It’s not as hopeless as the title suggests. I guess it’s a metaphor for where I am in my life. It starts off very misty eyed and full of longing for what’s gone and then through reflection regains a kind of optimism that is dogged in its hopefulness.” A lovely sentiment, and it is a really beautiful collection of tracks – and I think perhaps I have a particular soft spot for this one as it definitely has shades of The Boss, which is always a good thing in my books. (ML)

Waxahatchee – ‘Much Ado About Nothing’
The latest single from Katie Crutchfield – aka Waxhatchee – ‘Much Ado About Nothing’ flows with the lilting Americana twang and stirring raw emotion that I love so much. The first taste of new music from Crutchfield since her much-acclaimed album Tigers Blood earlier this year, it’s another exquisite offering from one of my absolute favourites. (ML)

Clara Mann – ‘Stadiums’
Having supported the likes of Bill Ryder-Jones and Bat For Lashes, London-based artist Clara Mann has now shared a beautiful new single. Reflecting on the both the beauty and difficulties of loving someone whose passion lies in being creative, ‘Stadiums’ offers a beautifully folk-strewn ballad, flowing with a delicate musicality and the sparkling subtle allure of Mann’s vocals. (ML)

Natalie Fée – ‘Daughter Of Nature’
‘Daughter Of Nature’ is the debut single from Bristol based environmental activist, author and musician Natalie Fée. It’s the eponymous track from her upcoming debut album, which is set for release in 2025. Natalie has expanded her preexisting love of nature through her indie-folk musings, and hopes that this will be a new form of connection to the environment for her listeners too. (KC)

Mark Trecka, Midwife – ‘Witch’s Hat’
Add this plaintive collaboration between Parisian sound artist Mark Trecka and Colorado multi-instrumentalist Midwife to your Halloween playlist NOW! It’s a haunting blend of the pair’s other-worldly vocals, moody electronics and twitchy percussion, which Trecka hopes will resonate with those who are “dreaming and celebrating the other side in this thinning veil season.” I love it. (KC)

Joh Chase ft. Brittany Ann Tranbaugh and Natalie Carol – ‘Gossamer Thread’
The debut collaborative single from LA based songwriter Joh Chase, Brittany Ann Tranbaugh and Valley Queen’s Natalie Carol, ‘Gossamer Thread’ offers a stirring slice of Americana reflecting on themes of interconnectedness, fragility and resilience. Shimmering with a catchy, lilting musicality, a heartfelt raw emotion ripples throughout, demanding multiple listens. ‘Gossamer Thread’ is out now via legendary label Kill Rock Stars. (ML)

Get In Her EarsLeave a comment

PLAYLIST: May 2024

The Get In Her Ears team have put together another mix of feminist punk, alternative & shoegaze anthems, eclectic electronic sounds, indie-folk musings, and alt pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Schande – ‘We’re Not Twins’
The latest single from faves Schande, ‘We’re Not Twins’ ripples with shimmering hooks and a fuzzy immersive energy. Offering another beautiful insight into the twinkling world of the London based band, I love the lush, ethereal tones that ooze throughout. Of the track, front woman Jen explains that the song is about “owning and repairing your habits that make you act like a dufus… Sometimes you have to take a hard look in the mirror and take stock of the ways that insecurity, pride, and stubbornness affect your relationships.” Schande’s debut album, Once Around, is set for release this summer via Thurston Moore’s The Daydream Library Series. You can catch Schande playing live for us at our next gig at Shacklewell Arms on 21st June, supporting indie-pop supergroup Felicette, along with Caleb Nichols and Spring Major. It really helps if you’re able to nab tickets in advance, so head over to DICE now! (Mari Lane – Managing Editor)

Softcult – ‘Heaven’
Since I heard their debut single ‘Another Bish’ back in 2021, Canadian twin siblings Phoenix and Mercedes Arn-Horn have consistently impressed me with their shadowy shoegaze-inspired sounds. Three years on, the duo have shared their fourth EP, Heaven, via Easy Life, and it’s another poetic musing on the contradictions within society and how we deal with them. Softcult gently urge their listeners to question their own behaviours, and move through the world with open eyes and an open heart; their layering of heavy riffs and soft dual vocals on this title track acting as a guiding light during this process.
(Kate Crudgington – Features Editor)

SASAMI – ‘Honeycrash’
I am THRILLED that SASAMI is back with this powerful new song and accompanying video directed by Andrew Thomas Huang. Speaking about ‘Honeycrash’, SASAMI explains: “I wanted to write a song with all the drama of a 19th century classical opera but with the patience and understanding of someone in therapy in 2024,” and it’s this clash of styles and emotions that makes her new single so compelling. “I am really thrilled to unleash this first of many new songs in an era of melodrama, romance, and hooks of course” – inject it into my veins! (KC)

Brimheim – ‘Into The Ooze’
I saw Danish-Faroese artist Brimheim perform at The Lexington for her debut London headline show earlier this month, and I can’t stop thinking about it. She was so invested in the performance – giving ‘Literally Everything’ – and savouring her well deserved moment in the spotlight. Her equally talented band mates helped bring the raw power of the tracks on her debut record, can’t hate myself into a different shape, and her recent album, RATKING, vividly to life. She revealed on stage that she had considered giving up music for good back in 2020, but I’m glad she persevered and is now blooming into the distinctive and idiosyncratic artist she was meant to be. (KC)

youbet – ‘carsick’
I love the hazy, summery sound of this single from Brooklyn-based trio youbet, which is lifted from their recent album, Way To Be, released via Hardly Art. It’s a totally effortless listen. (KC) 

Roller Derby – ‘Dreams’
Following the success of last year’s beautiful EP, Always on Mind, and selling out our gig at Shacklewell Arms in February, Hamburg dream-pop duo Roller Derby have now shared a lush new single. Reflecting on the emotional highs and lows of an intense relationship, ‘Dreams’ showcases a richer, more layered sound than previous offerings, as Philine Meyer’s distinctive soaring vocals float above the music, immersing the listener in its blissful musicality. Watch the beautiful video for ‘Dreams’ here. (ML)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s new album, Ireti, which she released earlier this month via Accidental Records, and it is well worth your attention. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Grove – ‘Dead Bird Blues’
A beautifully stark reflection on the state of the world, contemplating omens for the past and future, Grove’s ‘Dead Bird Blues’ was inspired by the disturbing experience of seeing two dead birds at the side of the road. The track is a collaboration with James Storm, taken from Grove’s 2023 EP, PWR Play, and it now also features on the No Pride In Genocide compilation of queer artists that Byenary has put together to raise money for eSims for people in Gaza. ESims help Gazans stay connected, coordinate emergency responses and aid, help people locate loved ones, and help Gazan journalists to continue their vital work. The compilation was created with support from Queers For Palestine and also features faves like Jemma Freeman and The Cosmic Something and The Menstrual Cramps. It’s available to pay what you can for on bandcamp now. (ML)

Coolgirl – ‘Road Closures’
Dublin-based electronic artist and GIHE fave Coolgirl aka Lizzie Fitzpatrick has gifted us another sonic gem with her latest album, Road Closures, released via VETA Records. The ambient collection of songs is inspired by the “strange juxtaposition” that we find ourselves in online, as we’re exposed to graphic real-life news footage on genocide, alongside reels of unnecessary promo footage of products that promise to solve your first world problems. I’m always impressed by the experimental worlds that Coolgirl creates, but Road Closures in particular has really resonated with me. Definitely listen to the album in full. She donated the proceeds she made from the record on bandcamp to a Gaza relief charity too. (KC)

Fishwyfe – ‘Get Out’
Some strong melancholy, gloomy vibes on this track by Galway-based musician and producer Fishwyfe. This is a new sound for the artist, who used to perform under the moniker HOST. The accompanying visuals for ‘Get Out’ are as unsettling and mesmeric as her distorted vocals and hazy synths. Watch it here. (KC)

Dream Phone – ‘Fogo’
Having completely won me over playing live for us supporting Me Rex last year, and now fresh from being utterly brilliant once again playing with Ray Aggs last month, Oxford duo Dream Phone have now shared an addictive new single. Reflecting on the fear of going out (rather than the fear of missing out), ‘fogo’ offers a comforting ode to anyone who may not enjoy going out as much as they used to. Delivered with a playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about Dream Phone; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here. (ML)

Touch Excellent – ‘Overtone’
We’re big fans of Dublin punks Touch Excellent at GIHE and admire their tenacious spirit when writing songs about social issues close to their hearts. Their latest single ‘Overtone’ is a heavy reflection on the frustrating lack of access to, and long wait-list for treatment for transgender patients in Ireland. (KC)

The Menstrual Cramps – ‘Antagonistic’
Releasing immense singles ‘Abortion’ and ‘Body Politics’ earlier this year, and having just made headlines by being part of the incredibly successful Bands Boycott Barclays campaign (targeting the Barclaycard sponsorship of The Great Escape over ties to arms companies supplying Israel), Bristol punks The Menstrual Cramps are back with another fierce and to-the-point offering. Reflecting on front person Emilia’s experience of working at a homeless hostel during the pandemic, ‘Antagonistic’ races with an impassioned, seething energy. Providing a ferocious raging catharsis, it’s propelled by a raw, relatable anger at the stark injustices of society. Of the track, Emilia explains: “This song is me trying to process and come to terms with the anger and trauma I experienced working through COVID and how this has shaped me as a person and as a support worker.” (ML)

Bikini Kill – ‘Feels Blind’
I couldn’t not include a Kathleen Hanna song this month. Her memoir, Rebel Girl: My Life As A Feminist Punk, has just come out, and the GIHE team are lucky enough to be seeing Bikini Kill for a second time on 12th June! Although I haven’t yet had time to read the book, I did cry just receiving my signed copy in the post the other day, and can’t wait to delve into my hero’s inspiring story as soon as I’ve finished my studies. This year has been difficult, mentally and physically, and Kathleen Hanna and all she does continues to be a constant source of motivation and comfort to me. This song is my favourite, and I’m dedicating it to anyone else living with a chronic condition. (ML)

Dermabrasion – ‘Grim Sister’
Toronto Death rockers Dermabrasion have shared a new video for their single ‘Grim Sister’, which features on their debut album, Pain Behaviour, released via Hand Drawn Dracula at the start of this year. The track is a riotous mix of defiant, angst-ridden vocals and visceral riffs, which can be observed in the mix of live footage and gothic imagery in the video. Check it out here – I love the quote from M. Night Shyamalan’s Signs at the start as well! (KC)

Calva Louise – ‘Under The Skin’
Jess Allanic’s vocal range on this Calva Louise track is truly extraordinary. Alongside her bandmates Alizon Taho (Bass/Backing Vocals) and Ben Parker (Drums/Backing Vocals), she rips through ‘Under The Skin’, which is a thundering exploration of consciousness and the duplicity of freedom. The accompanying video provides a conceptual storyline about the characters that the band have developed and built into their own dystopian Sci-Fi universe. Watch it here. (KC)

House Of Women – ‘Overgrown’
Another heavy, psych-tinged offering from London-based four piece House Of Women here. ‘Overgrown’ is a brooding anthem full of their trademark intense riffs and soft-but-potent vocals. The band are currently working on new material ahead of a busy festival season, so keep your eyes peeled for more new music soon. You can watch the accompanying video for ‘Overgrown’ here. (KC)

Midwife, Amulets – ‘Do You Know How To Waltz’ (Low Cover)
Another exquisite collaboration and cover from GIHE fave Midwife and her label mates Amulets. Make sure you listen all the way through to the end! This track is lifted from the album Your Voice Is Not Enough: A Tribute to Low, released via The Flenser. Listen to it in full here. (KC)

mui zyu ft. Miss Grit – ‘please be ok’
Taken from her recent album, nothing or something to die for, I love this gritty-yet-gentle cut from British Hong Kong London-based artist mui zyu. Featuring guest vocals and production from Miss Grit, ‘please be ok’ is a reflection on the absurdity of over-analysing emotions and situations, when ultimately, things will work out how they’re supposed to in the end. (KC)

Tiiva – ‘Run’
“‘Run’ is a song about healing and retrieving yourself among the chaos of the world,” explains Bristol-based artist & producer Tiiva. They create lush, emotive electronic soundscapes, and this latest release flows in a similar dreamy vein. Tiiva extrapolates further on ‘Run’: “It is about discovering your true power and letting go of painful memories to return back to yourself, the kindness of community and reawakening your seemingly impossible dreams…allowing yourself to be flawed and human and reframing pain into power and strength.” (KC)

Elsa Hewitt – ‘Unimaginable Pain’
Although it was released back in April, I’ve been playing electronic artist & producer Elsa Hewitt’s latest album, Chaos Emeralds, on repeat lately. Her intuitive mix of lilting vocals, emotive lyrics and hypnotic synth loops have helped reduce the cortisol levels in my body significantly. Despite its namesake, this track ‘Unimaginable Pain’ is a soothing and uplifting listen. (KC)

AVR – ‘Confirm Humanity’
Berlin-based artist & producer AVR headlined one of our GIHE gigs at Notting Hill Arts Club back in 2019, and her performance was mesmerizing. She’s achieved so much since then, and now she’s preparing to release her debut album, Salvation, on 7th June. ‘Confirm Humanity’ is lifted from the record, which I’m really looking forward to hearing in full. (KC) 

KÁRYYN – ‘ODAR’
‘ODAR’ – which translates as “other” in Armenian – is multi-instrumentalist KÁRYYN’s interpretation of the traditional folk song ‘Odaroutioun’, a song which is passed down through generations, and was often sung at gatherings in her grandparents’ house in Aleppo, Syria. Written by Armenian poet and political activist Avetik Isahakyan, the words were lifted from a letter he’d written to his family whilst in political exile, which later turned into a song adopted post-genocide to represent the Armenian’s plight. Most commonly sung by men, KÁRYYN’s interpretation poses a critical examination of what it means to live in otherness. “Our Armenian language is an ancient written alphabet, found in the illuminated manuscripts, a language on the endangered language list today,” KÁRYYN explains. “The language is threatened further due to the refugee crisis caused by the genocide, and by the crisis which moved and destroyed one of the largest Armenian communities during the 2011 Syrian war. When we speak and sing in Armenian, it is an act of survival and activism. A language from as far back as the 5th century, only Sanskrit and a few others are older.” ‘ODAR’ is lifted from KÁRYYN’s recent EP, Calm KAOSS!. (KC)

Mabe Fratti – ‘Enfrente’
Set to release her new album next month, Guatemalan artist Mabe Fratti has now shared stirring new single ‘Enfrente’. Rippling with jangling percussion and sweeping strings alongside sumptuous evocative vocals, fizzing layers of sound intertwine to create a truly blissful cacophony. Of the track, Fratti comments: “There’s a sensation of fear of being heard in the intention of the song, and being one step behind everything that’s going on, and feeling overwhelmed by the pressure to follow up.” Sentir Que No Sabes, the new album from Mabe Fratti, is set for release on 28th June via Unheard Of Hope. (ML)

Maria Kelly – ‘Drive’
Following her 2021 debut album, The Sum of the In-Between, Irish artist Maria Kelly has now shared a dreamy new single. A song about longing for closure, ‘Drive’ flows with beautifully twinkling melodies as the rich, delicate power of Kelly’s vocals simmers with a raw emotion and effervescent grace. Produced by Matt Harris (HAVVK), and mixed/mastered by Belfast legend Rocky O’Reilly at Start Together studios, ‘Drive’ is featured in the trailer for the film Ezra, starring Bobby Cannavale, Rose Byrne, Whoopi Goldberg, and Robert De Niro. (ML)

Holly Munro – ‘Out Of Style’
Another tender offering from Irish indie-pop musician Holly Munro here, taken from her upcoming EP, Crescendo Ending, set for release on 20th June. “This song is about a relationship falling apart because of not talking about your problems,” she explains, “It reminisces about the good times, while at the same time recognising that something has changed”. The track is also accompanied by a poignant, beautifully choreographed video that you can watch here. (KC)

Naima Adams – ‘Fragile’
‘Fragile’ is the debut single from Rome via D.C.-raised, now South London-based artist Naima Adams. The track is a smooth musing on the complexities of hope and how it can be lost in the face of overwhelming adversity. Naima’s clear voice and urgent lyrics also serve as a reminder that there’s strength in fragility too. (KC)

Brennan Wedl – ‘Scorpio’
The new single from Brennan Wedl, ‘Scorpio’ advocates for an upfront approach to love as their trademark rich, rasping vocals soar with a resonant emotion alongside lilting catchy hooks. A perfect slice of Americana tinged indie-pop, I can’t wait to hear more from this exciting New York artist throughout the year. (ML)

Midnight Ambulance – ‘Alice’
The new single from Edinburgh duo Midnight Ambulance, ‘Alice’ reflects on the disconcerting rise of disinformation and the dominance of the media. Soaring with rich, impassioned vocals depicting striking poignant imagery, a celestial swirling soundscape is created. Of the inspiration behind the track, the band explain: “Our realities are becoming distorted. As we try to battle the noise and confusion of disinformation, we are at risk of being engulfed by this strange world. It seems Wonderland is no longer a thing of fairytales…” (ML)

adults – ‘Trouble’
Taken from the new split EP that they’ve just released with Oxford band Spank Hair, the new single from South London faves adults offers all the band’s trademark jangly melodies and scuzzy energy that I love so much. Reflecting on feelings of anxiety and sadness, the band add – “one day we’ll write songs about finding joy in the throes of late capitalism, but not today!’…In The Big League, the new split EP from adults and Spank Hair, is out now via Fika Recordings. It’s available digitally from bandcamp, along with a 20 page riso-printed zine with download. (ML)

Mammoth Penguins – ‘A Plea For Kindness’
Having recently released their new album, Here, Cambridge indie-pop trio Mammoth Penguins have been faves of mine for a number of years now. Taken from the album, ‘A Plea For Kindness’ is directed at the completely ill-founded and unnecessary hatred and prejudice that transphobic people insist on sharing. Propelled by Emma’s stirring emotion-strewn vocals and jangly hooks, it builds with an anthemic shimmering splendour, offering a heartfelt message of solidarity with our trans and gender non-conforming siblings. A beautifully resonant plea for unity and kindness at a time when it is needed more than ever, because trans rights are human rights, and trans kids deserve to grow up. Here is out now via Fika Recordings. (ML)

 

Get In Her EarsLeave a comment

WATCH: Roller Derby – ‘Dreams’

‘Dreams’, the latest single from Hamburg-based Roller Derby, is a sparkling, ethereal song about the intensity of relationships. The track is a captivating blend of synth-pop, drawing inspiration from the genre’s early origins, while infusing splashes of a contemporary indie sound.

The track opens sparsely with a vocal line accompanied by a washy synth, until a stirring drum beat and warm synth bass line enters, giving the track a blissful foundation. The highlight musically comes as the swirling guitar licks ooze a captivating New Wave energy, bringing to mind Depeche Mode and The Cure, and giving the track a darker edge. 

Lush harmonies enter, accompanying the well-delivered vocals and melancholic melody as the song grows into something much larger, taking you on its journey, gradually introducing new elements and sounds in the textured and layered soundscape. A real pleasure for the ears; a testament to the slick production style of Moses Schneider. Building from melancholic to euphoric, the lush musicality mirrors the emotive theme of the reflective lyricism.

Since forming in 2020, Roller Derby have swiftly been making waves – having performed at festivals and prominent showcases such as SXSW and Reeperbahn Festival, as well as recently selling out a headline show for us at The Shacklewell Arms; continuing to captivate audiences with their unique blend of synth-pop and indie influences.

The accompanying music video, directed by Stephanie von Beauvais, perfectly visualises the ethereal atmosphere of the track with a trippy, psychedelic allure, vibrant colours and rippling imagery. Roller Derby are clearly a band who have a truly well thought-out vision and know what they want to achieve, and I look forward to hearing more from them throughout 2024.

Ella Patenall
@ella_patenall

Photo Credit: Johann Kressin

ellapatenall1 Comment