Track Of The Day: Sorry – ‘Wished’

A stirring cacophony of alternative noise, London-based trio Sorry (fka FISH) have shared their latest single ‘Wished’. Formed of Asha Lorenz, Louis O’Bryen, Lincoln Barrett and Campbell Baum, the band have been making a name for themselves on London’s underground circuit since 2015 and their “emotional, hyper-melodic songwriting” has seen them share stages with the likes of Wolf Alice and Dream Wife.

‘Wished’ is the band’s debut studio recording and follows the recent self-release Home Demo(ns) Vol. 1. Recorded by Sean Oakley (Rick Rubin, Frank Ocean) and mixed by Andrew Savours (My Bloody Valentine), the new single is also accompanied by a b-side titled ‘Lies’, which is set to arrive later this month. Both tracks will be packaged together on Sorry’s very first 7” vinyl release on Domino, available to pre-order here.

Sorry will embark on a full U.K. tour supporting South London’s Childhood on November 16th, before ending 2017 with their biggest headline show to date at Corsica Studios in London on December 5th. Check out the video for ‘Wished’ (directed by India Lee) below.

Follow Sorry on Facebook for more updates.

Photo credit: Dan Kendall

Kate Crudgington
@KCBobCut

Track Of The Day: Drahla – ‘Form Of Luxury’

Fans of alternative, hazy post-punk sounds should listen to the latest single from Leeds based band Drahla. The trio have shared new track ‘Form of Luxury’, giving listeners another “captivating insight” into their forthcoming EP, Third Article. 

The single is another swirling, manic offering from band members Luciel, Rob & Mikey. The  trio have shared stages with Parquet Courts, The Cribs, Buzzcocks, Dream Wife and Menace Beach and they’re currently supporting Canada’s METZ on their European tour.

Drahla look set for big things in 2018, so make sure you catch them before they become uncatchable. Listen to ‘Form Of Luxury’ below.

Third Article, the upcoming EP from Drahla, is out 24th November via their Blank Ad label. Follow Drahla on Facebook for more updates.

Kate Crudgington
@KCBobCut

LIVE: Dream Wife @ The Magnet, 12.10.17

On the evening after The Guardian released a report showing that sixty-nine percent of bands playing in the UK on this particular Thursday would feature no women, it’s perhaps refreshing to know that bands such as Dream Wife, a trio of women with a touring drummer, are bucking the trend. And the other bands at this gig aren’t doing too bad either – co-headliners Sløtface‘s frontwoman Haley Shea may be backed by three Sleeper-blokes but the band have been outspoken in their feminist stance; support band Peaness are an all-female trio, only making their “no really, it’s safe for work” name all the better.

The latter’s bassist Jess is clearly taking no shit, wearing a tshirt adorned with the message ‘Writing Songs is For Girls’ – for these girls in particular, you might say. Full of poppy hooks that call to mind the best of new wave, power-pop and Britpop, Peaness’ early support slot draws people away from the bar, eager to observe. There’s a grit to things here too; a lo-fi edge verging on grungy, but drawn back by some Girl Ray-style vocal harmonies. The band are breezy on-stage, ripping through a set, and their only concern seems to be making the train back to Chester. And then they’re gone, walking off-stage with guitars on their backs. It’s an ideal set for a band with all the tunes and, hopefully, a railcard or three.

After Sløtface deliver a set that’s hard-edged and spikey, Dream Wife are greeted by a dedicated group of hardcore fans. Opening with ‘Hey Heartbreaker’, the group instantly establish their abrasive punk-funk sound. Rakel is a Mark E Smith style hip priest with lyrics that are repetitive but intoned differently so that each has a fresh impact on delivery.

‘Lolita’ is the same, taking influence from the Nabokov novel but also self-referentially discussing Dream Wife’s place as women in a male-dominated world, all in just ten or so different lines. Beyond the lyrics, the band are perfectly in sync with each other, creating a hypnotic vision as Rakel’s ponytail flicks metronomically between guitarist Alice Go’s 12-string and bassist Bella’s chugging four.

It’s not all style over character though. Rakel tells an anecdote about a YouTube comment and fan favourite ‘Somebody’ is preceded by problems with a broken mic that, somehow, make the band seem all the more disarming and real. ‘Act My Age’ is a traditional punk tune in a ’77 fashion before ‘FUU’ marks the high-point in the night. It’s as riotous and fun as might be expected for a song whose lyrics mix Spice Girls references and the phrase “bad bitches”, whilst Rakel bounces from left to right like a ping-pong ball. They finish, soon after, with ‘Let’s Make Out’, and it’s hard to imagine a more fittingly joyous way to close.

Dream Wife’s merch stand is selling temporary tattoos on this tour – it’s not beyond the imagination that people may want something more permanent before too long.

John McGovern
@etinsuburbiaego