Track Of The Day: Little Pale – ‘The Way You Used To Be’

A bittersweet reflection on life before technology took over; London-based newcomer Little Pale has shared her debut single ‘The Way You Used To Be’. It was her sultry remix of The Stone Roses’ classic track ‘I Wanna Be Adored’ first caught our attention, but her debut single is a wonderful example of her ability to write electro-pop tunes laced with melancholy.

Speaking about ‘The Way You Used To Be’, the songwriter explains: “It’s a reminiscing of the old, and comment on the new. Since the rise of tech, things have become so saturated, and while it definitely brings more opportunities, it does give me a longing for a simpler time”. Little Pale – so-called due to her stature and pallor – has overcome self doubt and feelings of anxiety to create her own sounds, and we’re excited to see what else she releases over the coming months.

Listen to ‘The Way You Used To Be’ below and follow Little Pale on Instagram for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: La Lune – ‘Grape Soda’

Brighton based dream-pop artist La Lune has shared her sugary new single ‘Grape Soda’ and its a bitter sweet exploration of “love, lustful addiction, and self-destruction”. She’s also shared a hand-illustrated music video to accompany the track, made by graphic designer and fashion student Eva Kubacka.

La Lune has been writing, producing and releasing music with a DIY ethos since she was 18. Now at 20 years old, she’s beginning to capture the attention of BBC Introducing, BBC Radio 6, NME, and Spotify, landing a spot on New Music Friday UK with her recent collaborative release, ‘Heartstop’.

Her refreshing and ambient sounds are reflected in her approach to promoting and sharing her own music too. Masked beneath her pseudonym and with a subtle social media presence, La Lune is using obscurity to protest against the over-sexualisation of women in music, stating that her music should be listened to and judged at “face value”.

With songs as catchy as ‘Grape Soda’ and mesmerising visuals to match, we’re sure La Lune’s approach to music will be respected for what it is: pure and well produced. Watch the video for her new single below and follow La Lune on Facebook for more updates.

La Lune UK Live Dates 2019
June 10th – Komedia, Brighton
August 11th – Boardmasters Festival
August 18th – Twisted Village Festival
(More to be announced soon)

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Grace Savage

Grace Savage is a four-time UK beat-box champion turned electro-pop artist. With her ability to produce catchy beats and write witty relatable lyrical content, her live shows are an impressive spectacle; and her performance at Loud Women Festival last year made a mark in our musical memory. She’s set to release her new EP Cracks on 17th May and will pre-empt the launch with a headline show at Bermondsey Social Club on 15th May (tickets available here).

We caught up with Grace to ask her about her “Five Favourites” – five albums that have influenced her songwriting techniques. Check out her choices below, and make sure you listen to her single ‘Snowflake’ at the end of this post.

Amy Winehouse – Frank
I heard this album for the first time when I was 14, hanging out in my friend’s bedroom. I instantly fell in love and knew this woman was something special. The tone of her voice, the sensitivity and intelligence of the lyrics, the infectious melodies..I didn’t know much about music technically at the time, but I just felt the soul of this album to my core and I still listen to it today as much as I did back then.

I learned the song ‘Fuck Me Pumps’ on the guitar and it was the first song I ever sang in front of another human being. It was a producer who’d seen me beatbox in a talent competition, and then invited me to her studio; she asked me to sing something for her and I was absolutely terrified. I sang Amy’s song and she must’ve seen something in me because we then worked together as a songwriting partnership for four years. So this album will always have a special place in my heart.

P!nk – Can’t Take Me Home
I cannot even begin to explain the level of obsession I had with P!nk as a young girl. Posters on the bedroom wall, dyed my hair pink at 13, got my tongue pierced at 15, my email address for most of my teenage years was pink_b!tch@hotmail.com – it was a LOT. She was this bad ass lady with bright pink hair and so much attitude and I just wanted to be everything she was. She was a great role model for me as a young girl who didn’t fit in with the ”girly girls” and this album (although when I listen to it now sounds SO dated) was a big part of my teenage years. I’ve followed her career ever since and I’m seeing her live for the first time this summer….I think I might explode with nostalgia and happiness.

Nirvana – Nevermind
This album inspired me to learn the guitar. I went through the classic “grunge girl” stage for about a year (black nails, big nose ring, nirvana hoodies, eye liner, really bad skate boarding) and it was all heavily influenced by this album and Kurt Cobain’s genius. I was always such a hip hop head/r&b and pop music girl, but something about Nirvana really got me. The guitar riffs, the husky tone of his voice, the weird lyrics and the “don’t give a f***” attitude of the whole band was really refreshing against the shiny manufactured pop bands I was exposed to in the 90’s and early 00’s. This album introduced me to a different kind of music and really let me indulge my emo side.

Ms Lauryn Hill – The Miseducation Of Lauryn Hill
Ahhh it was so close between Lauryn and Missy Elliot because both had a huge impact on me growing up, but seeing as this is about ALBUMS and not ARTISTS… I had to choose this one. I remember I was about 14/15 and my mate said he bought this album and didn’t like it so he gave it to me to try. I’m so glad he did, because BOOYYY it is ICONIC! I fell in love with her voice watching Sister Act and I fell in love with this album the moment I heard it. Triple threat: singer, rapper, writer. There were really no other artists around like her at the time and her voice is unparalleled in my opinion. I still can’t think of anyone who sings, writes and raps as fluently and excellently as she does. She is one of a kind. I saw her perform the 20 year anniversary of this album in London last year and it was a beautiful experience.

BANKS – Goddess
This is the only “modern” album on my list but no less impactful and meaningful to my life. This is my break up album. I must have listened to it and cried to it and ran to it and danced to it and slept to it and then cried some more to it almost every day for about a year. When it came out, the production was like nothing I’d ever heard before and her lyrics and tone were so unique and dark and sexy, I was immediately like “WOAH” who is this girl? I’ve seen her live a few times now and she never fails to disappoint. ‘Waiting Game’ and ‘Brain’ still continue to be some of my favourite songs in existence – the slow driving kick drum, the long builds throughout the whole song, the deep driving synths and the tribal feel to her vocals drenched in reverb. Beaut. Thanks for getting me over the worst break up of my life. I owe you one BANKS!

Kate Crudgington
@KCBobCut

WATCH: Butcher & the Florist – ‘Ordinary Love’

A gritty, electro-pop offering; ‘Ordinary Love’ is the debut single from newcomers Butcher & the Florist. Comprised of Kendel Lester and Jody Miller, the Chicago-based pair began performing under their new moniker in 2018 after simultaneously deciding to branch out from their rock roots

Their new single ‘Ordinary Love’ was produced by Taylor Franklyn and Matthew Dougherty, and the accompanying music video was shot by powerhouse
production company, Exhibit 91. The visuals and sounds are reminiscent of Lady Gaga’s work on her 2013 Artpop – but with a DIY edge.

Butcher & the Florist will share their next release in April, so keep your eyes peeled. In the meantime, watch the video for ‘Ordinary Love’ below and follow the band on Facebook for more updates.