FIVE FAVOURITES: anrimeal

“I never gave gender much thought before this album,” Porto-born, London-based artist anrimeal explains about her new release, Could Divine. Described as a “computer folk” record exploring the use of texture, limitation and repetition, anrimeal’s new record is inspired by the work of Eva Hesse and other women artists who pioneered the post-minimalism movement.

“I’d always felt alienated by concepts of womanhood, especially the notion that women exist under nature’s control,” anrimeal continues. “[But] seeing women use nature at the forefront of their work, not afraid to create art that could be seen as messy or dirty helped me reconcile those feelings, and motivated me to explore the less conventionally beautiful side of things.” Written, performed, mixed and mastered by anrimeal from home, Could Divine is a beautiful insight into the mind of a flourishing new artist.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with anrimeal to ask about her “Five Favourites” – five albums that have inspired her song-writing techniques. Speaking about her choices, anrimeal explains: “These are far from deep cuts, but really albums that not only do I know front to back, but also signposted some or other pivotal moments in my life.”

Check out her favourite albums below and scroll down to listen to anrimeal’s latest single ‘Encaustic Witches’ at the end of this post. You can also catch anrimeal and her musical collaborator Freda D’Souza performing a live improv session from home on Youtube at 6pm tonight. (Link here)

 

1. James Blake – James Blake
I remember buying this album on CD when i was 17 and spending entire days during Easter break lying down in my bedroom, looking at the ceiling and just listening. I think it was my first proper introduction to ambience in music, to a sound landscape that was as rich as the actual songwriting. And one of those things I just couldn’t unlisten. From then on, texture became the most important thing to me in music, a language of its own. There was something so personal about the sonic world James built in this album. I don’t think I’d been exposed to a truly DIY record before this one, and it really changed my perception of music as a medium, and ended up informing the way I like to create music today.

2. Grouper – The Man Who Died In His Boat
Liz Harris, I mean – her music changed my life. Listening to The Man Who Died In His Boat for the first time was like being shown the inside of my brain. The album was sent to me along with Animal Collective’s Sung Tongs with a message of this sort “if you like delay, then you might like these”. This was an even deeper dive into ambient music, and maybe the first time I felt like I could fully relate to what an artist was trying to put out. There’s a dark gentleness in her records, that I’ve only ever felt with music made by women. A kind of understated submerged darkness that is constant and calm. Not depressing nor effusive, just constant.

3. Animal Collective – Sung Tongs
Animal Collective!!!! Field recordings, adaptations of the aesthetics and energy of traditional music, beautifully poetic but slightly absurd lyrics, moments of chaos and of quiet introspection. Seriously, what does this album not have? I can’t say Sung Tongs reflects me exactly, but I think it showed me a side of life that I wasn’t very familiar with before. Having been educated in a strict classical music setting, I needed Animal Collective to show me that there was a fun side to music after all. The clouds opened to the sun like eyelids, and I owe it to this album. I’ve since become a devoted fan of Avey Tare’s catalogue, and I carry this upbeat and earthy world very dearly with me, as a kind of companion.

4. Kanye West – Yeezus
I was so arrested by this album, the first time I listened to it I was petrified and started sweating. It was completely different from anything I’d ever listened to before, it was so bold and genre-bending. I think I use this record a lot to remind me that I can do anything I want with my music. I very much appreciate Kanye’s commitment to art and unhindered self-expression.

5. Sufjan Stevens – Age Of Adz
Even though I was a fan of Sufjan for a long time, Age Of Adz was definitely an acquired taste, an album that sunk in really slowly with time. Again, it’s such a bold piece of work, so well crafted that its existence almost seems impossible to me. There are almost no words to describe this album, maybe just to say that it is a testament to true passion for the art of songwriting. If anything, Sufjan’s music makes me want to experience life with more care, so that I can find his detail in my own reality.

Thanks to anrimeal for sharing her favourites with us.
Listen to her new single ‘Encaustic Witches’ below.

Follow anrimeal on bandcamp, Spotify, Twitter, Facebook & Instagram for more updates.

Track Of The Day: Circe – ‘Dancer’

An evocative dark-pop gem inspired by a morbid fascination with an infamous cult, London-based artist Circe has shared her latest single ‘Dancer’. Taken from her debut EP She’s Made of Saints, which is set for release on 25th November via Jazz Life, the track is a sultry, cinematic offering exploring the dangerous yet seductive allure of Californian cult The Source Family.

“’Dancer’ is a song that grew from a documentary I watched about The Source Family…examining a radical experiment in 1970’s utopian living,” Circe explains. “One of the young girls involved from the cult had a line in an interview about how she gave up all ownership of herself for the cult leader ‘Father Yod’, even dancing. That line always stuck with me. The thought someone could surrender their own movement and body-ultimate freedom. I waver on this dangerous line between interest and intrigue into cults, particularly the 60s-70s ones based around Hollywood. It’s always been a fascination for me that there is a surreal romance to these set-ups, in contrast to some horrific actions.”

Accompanied by a captivating video directed by Rachel Povey and Circe, the visuals for ‘Dancer’ incorporate symbols of Catholicism to explore the thrilling feeling that sacrificing yourself to the light – even if it is only a glamorous neon sign – strangely brings. Inspired by the visuals and soundtracks of David Lynch’s films, Circe’s compelling electronic sounds teeter on the edge of dystopia and utopia, whilst dissecting personal and social norms with breathtaking grace.

Listen to ‘Dancer’ below.

Follow Circe on Spotify, bandcamp, YouTube, TikTok, Twitter & Instagram

Kate Crudgington
@kate_crudge

FIVE FAVOURITES: Camila Fuchs

An exploration of the world around us, how we interact with it and the cyclical nature of life, Lisbon-based Mexican/German duo Camila Fuchs are preparing to release their new album, Kids Talk Sun, via Felte Records on 13th November. Formed by Camila De Laborde and Daniel Hermann-Collini in London in 2012, the band create experimental electronic pop with spectral vocals and avant-garde sensibilities. 

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Camila to ask about her “Five Favourites” – five songs that have inspired Camila Fuchs’ song-writing techniques. Check out her choices below and scroll down to listen to Camila Fuchs’ latest single ‘Come About’ at the end of this post.

1. Le Tigre – ‘Deceptacon’
I remembered discovering Kathleen Hanna, starting with Bikini Kill, how I felt a massive outburst of energy, how my brain started rewiring and possibilities widen up – abruptly. It was a shock, a great shock. It got me straight into trying new ways of expressing, straight into using words I wouldn’t usually use. It freed me up. It was for me a completely new and necessary female energy to come across. Secure, open, unlimited, gutsy. I was 19 and had just decided to give music a big role in my life so it stirred it right away. It gave me confidence and great times, enjoying her songs, watching live concerts, head banging and foot stomping. It gave me something no one could take away and worked as a key to never go back! I chose this song because it reminds me of those times and makes me feel the same all over again.

2. Maria Minerva – ‘Spirit of the Underground’
Maria Minerva really influenced my first electronic productions, especially my first solo EP Opuntia. I absolutely love her free flow and way of singing. It resonated and inspired me so much. I wished so many elements could form part of what I did, in a really sweet way, I looked up to her. She does electronics and vocals, which was what I always dreamt of doing, and by the time I discovered her I was trying it. There’s still traces of her influence in what I do nowadays. You can hear it on ‘Moon’s Mountain’, a track on our new album Kids Talk Sun. Who sings “did your mamma drop you off to this party?” I love this track and so many more. My favourite full album is Cabaret Cixous though.

3. Laurie Anderson – ‘Big Science’
I didn’t grow up with much music around me. 3, 4 CDs in the car and that was it. When I moved to London, after high school, I heard a record for the first time, placed a record on a record player for the first time, and it blew my mind obviously. When I went back home to Mexico I asked my mom if she had any records by any chance. She did! In the house! And I never knew! The good thing was she gave me the chance to take some back with me. I picked 3 by the artwork covers. ‘Big Science’ by Laurie Anderson being one of them. I had no chance but to wait to be back in the UK and go to a friends and borrow their turntable. You can imagine the surprise! Can’t believe that record was so close to me my whole life and only then it crossed my path!

I LOVE LAURIE ANDERSON. It’s to date one of the records I play the most at home. I’ve never heard anything like it. She has such a unique relationship to sound. One of the most unique, at least for me. She’s my idol.

4. Lhasa de Sela – ‘El Desierto’
When I mentioned 3 to 4 CDs in the car (because that’s the only place my family played music), La Llorona by Lhasa de Sela was one and ‘El Desierto’ was one of my favourite tracks. My dad used to play it all the time. I registered it but it totally slipped my mind for years, completely. I rediscovered it again when I was in my teens and it brought me so many flashbacks of my childhood. The first time sound took me back like that…unconsciously and then consciously, Lhasa influenced my singing a lot! A singing from the guts. I always thought that was the way it had to be, that you had to feel each word you were singing. You can hear her voice coming deep from within. She also sang in different languages and did it well, something I always admired. I’m not a fan of the instrumentations in general, but the lyrics and voice I hold dear. A sweet song in English I recommend is ‘Small Song’. RIP Lhasa xx

5. Connie Francis – ‘Love Is A Many Splendored Thing’
A recent discovery. What a beautiful voice. I used to have allergic reactions to cheesy songs. I guess it’s slowly crumbling apart. I heard this song, amongst others, lying down in bed and literally felt in love. I feel her influence kicking in. Maybe I’ll end up doing an album with love songs, maybe even more than just one. It is extremely corny, but there’s something about that level of clarity in words that I appreciate. It is what it is, it says what it’s saying, doesn’t go around in circles, straight to the true words. I like that. Enjoy!

Thanks to Camila for sharing her favourite tracks with us. Listen to ‘Come About’ below.

Follow Camila Fuchs on bandcamp, Spotify, Instagram, Twitter & Facebook for more updates.

Photo Credit: Thyra Dragseth

LISTEN: Elaine Malone – ‘You’ (1000 Beasts Remix)

A captivating, blissfully lo-fi new offering from two of Cork’s freshest talents, songwriter & multi-instrumentalist Elaine Malone and electronic artist & producer 1000 Beasts have shared ‘You’, a re-working of Malone’s debut single.

Led by Malone’s original beguiling vocals and lullaby-esque lyrics, 1000 Beasts has tentatively transformed the track with his distinctive percussion and reharmonizing of each verse, and the result is a magnetic soundscape that acts as an aural tonic for testing times.

“I first discovered ‘You’ way back in 2018, when Elaine first released it ahead of her debut EP Land,” 1000 Beasts explains. “It always struck a chord with me so I reached out to Elaine to see if I could get my hands on the stems and experiment with the track. Thankfully she agreed & then Covid came along and finally gave me the time and the opportunity to sit down and give the piece the attention it deserves – it’s probably one of my favourite remixes to date.”

Listen to 1000 Beasts remix of Elaine Malone’s ‘You’ below.

 

Follow Elaine Malone on Bandcamp, Facebook, Twitter, Instagram & Spotify.

Follow 1000 Beasts on Bandcamp, Facebook, Twitter, Instagram & Spotify.

Kate Crudgington
@KCBobCut