favourite albums – Page 6 – Get In Her Ears

Five Favourites: Supersaurus

Self described “non-binary fronted indie-pop girl band”, London-based Supersaurus’ influences range from MUNA to The 1975, and with acclaim from the likes of BBC Radio 1 and BBC Introducing, they’re really starting to hone their place as esteemed creators of sad-pop bangers. Reflecting on queer love and being part of the LGBTQ+ community, latest single ‘Let U Down‘ offers a swirling electro-pop energy as it soars with instantly catchy singalong refrains and a shimmering emotion-strewn splendour.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate ‘Let U Down’, we caught up with each member of Supersaurus to ask about the music that has inspired them the most. So, read about their favourite albums – there’s four of them, so actually only four choices this time, but we’ll let them off! Have a read and make sure you take a listen to ‘Let U Down’ now!

Tayla’s Pick:

Pale Waves – Unwanted
There’s actually so many albums that I could choose from for so many different reasons either because they have a personal nostalgic meaning to me and/or they’re just purely no skip albums for me. But if I was to pick one at this very moment in time I’d have to go with Pale Waves – Unwanted. I’ve been a fan of their music for a while, ever since I first heard ‘Change’ a while back and then recently just suddenly had the urge to binge listen to all their stuff again after seeing them at Truck Festival. When I get obsessed with a song or an album trust me, that’s going to be on repeat for a good few weeks at least and the songs on this album really made me feel a lot, which is mainly what I look for. Don’t get me wrong, I love lyrics and all that but for me to really be obsessed with a song it’s got to make me feel a certain kind of way – and this album does just that. If I’d have to pick a favourite off the album I’d probably go with either ‘Lies’, purely for the insane amount of energy and the cool guitar riff, or ‘Reasons To Live’, which – ironically after saying that the lyrics aren’t the main reason that draws me into a song – the lyrics for this one did just that. An all round banger album for me – plus they’re sick live, which makes listening to their stuff even better.

Lauren’s Pick:

Kings Of Leon – Come Around Sundown
Come Around Sundown is an album I’ve come back to again and again since I was about 17. I never get tired of listening to it from start to finish, and it remains one of the select few albums I keep in my car. Originally, it had this new feeling of reflection that Kings Of Leon managed to write into their songs, a sense that you’ve been here before even though you’ve never heard it. Now it’s got the added nostalgia of driving around town with college mates (as well as many other KoL albums). I was introduced to the album by an old band mate, and I remember us being amazed at the ending of ‘The End’ – the beautiful, almost mystical keys that seem never ending but a perfect fit. Musically, the album has influenced my drumming to be more creative, following rhythms of different band members more than just the bass. It’s also a great lesson in playing what is necessary for the song. Some of the tracks on the album have huge choruses, but Nathan never goes over the top.

Bec’s Pick:

Caroline Polachek – Desire, I Want To Turn Into You
I have a strong attachment to this album, mainly because of the way I felt when I first heard it. I was hooked, instantly. It was kind of fated to be a pretty significant album for me. The day it was released (Valentine’s Day), I was driving back from a weekend in Wales with my girlfriend to watch Caroline perform; the weather was pretty shocking but kind of added to the atmospherics of the album, and I was about eight songs deep when I realised that I could listen to this album, on repeat, forever. ‘Blood and Butter’ started and, if I am being honest, I was shook to my very core – bagpipes! She had only gone and done it. From that point on, it became my favourite album. Accidentally, Caroline has ended being my most seen live act, she was my last gig before lock down and the first one out of it. And, with each iteration, she has added more to her live show; this last time watching her with a full live band really brought this album to life. The opening track from the album, ‘Welcome To My Island’, exploded to life with loud guitars and thumping drums, and I just beamed… This is what music is all about. The past few years I’ve really been getting into more electronic indie pop music, and this album still uses a lot of live instruments, including guitars. Which for me is key – live is king. This album is full of incredible left of centre pop moments which lean into catchy hooks without being cheap. ‘Bunny Is A Rider’ is a perfect example of not taking yourself too seriously, but landing the finish. Dido, Grimes, and Bagpipes. Sold.

Benji’s Pick:

Jimmy Eat World – Clarity
I kinda can’t not pick Clarity by Jimmy Eat World. It’s the only album that can make me sad and happy at the same time. It’s a weird one, because it’s my favourite album but I really don’t listen to it very often; it makes me feel too much, and I could do without that! But it’s a masterpiece, more albums should open with a ballad. It was either this or Three Cheers For Sweet Revenge by My Chemical Romance, but I think Clarity has the edge.

Massive thanks to Supersaurus for talking about their favourite albums with us!

‘Let U Down’ is out now, and we can’t wait to hear more from this lot!

October 4, 2023October 4, 2023

mariangelicalaneLeave a comment

Five Favourites: The Vanity Project

London-based self described “queer-freak-pop” Flora Jackson and Rob Paterson, aka The Vanity Project, pride themselves on creating swirling chaotic soundscapes, interweaving multiple genres and techniques. Having received acclaim from the likes of Marc Riley on BBC 6Music and Everything Everything’s Jonathan Higgins, they have now announced the release of their debut album, We Should Never Have Come Here, set for release on 29th September. Latest single ‘Eureka!‘ offers a perfect taste of what’s to come; reflecting on the daily grind of the 9 to 5, and the dangers of capitalism, it’s wonderfully wacky cacophony of empowering riotous energy and sparkling musicality.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of We Should Never Have Come Here, we caught up with The Vanity Project to ask about the music that has inspired them the most recently. So, read about their five favourite albums and watch the eccentric new video for ‘Eureka!‘ below!

Guerilla Toss – Famously Alive
If you want to know what the record sounds like, but can’t be bothered to listen to any of the songs, you could just look at the album cover: we’re talking gloopy synths, colourful hooks, squelchy bass. Everyone seems to prefer their earlier janglier stuff, but this record appeals to our desire to make music that’s wonky, bizarrely pretty and always incredibly catchy.

Left at London – t.i.a.p.f.y.h
Let’s shoot the elephant in the room: yes, it’s the girl who said “haha, I do that” on Vine. But we’re delighted she forwent a career in professional memery because it turns out she had one of the best records in the decade in her. It covers all bases really – full of emotional gut punches juxtaposed with joyous moments, often within seconds of each other.

Black Dresses – Peaceful as Hell
Rob has much more affinity to noise and chaos and this record scratches that itch better than any other. In places it’s borderline pop-punk but you’re never more than thirty seconds away from grinding industrial breakdowns. Unfortunately, Black Dresses broke up after this album, now only reuniting to drop yearly releases under the same name in the same genre.

Birds of Hell – Birds of Hell
This a record of weird stories, character pieces, rambles – the stuff we love. There’s a clear straight line between ‘Los Yarmouth’, a song about exploring the underwater ruins of a fading resort, to our song ‘Craters’, about aliens holidaying in a post apocalyptic Manchester. We periodically say the phrase “fizzy hummus, woof woof” in day to day life; fair warning, if you listen to the album, you will too.

Daphne and Celeste – Daphne and Celeste Save the World
Famously, these two got pelted with piss at Reading Festival. Years later it was reported that upon hearing this perfect slice of spiky, glistening Max Tundra-helmed art-pop, every single one of those piss pelters went back to Reading, took all the piss bottles back, and donated them to a piss bank. And you can see why.

Massive thanks to Flora and Rob for talking to us about their Five Favourites! Watch the new video for ‘Eureka!’ here:

We Should Never Have Come Here, the debut album from The Vanity Project, is set for release on 29th September. And you can catch them live that night at The Cavendish Arms in Stockwell to celebrate – tickets here.

September 14, 2023September 14, 2023

mariangelicalaneLeave a comment

Five Favourites: Ratboys

After more than ten years together, Chicago’s Ratboys have now announced their fourth album, The Window, set for release on 25th August. I’m not quite sure how or why I’ve only just come across Ratboys, but they’re new favourites for sure! Taken from the upcoming album, recent single ‘It’s Alive!’ is filled with all the dreamy, lilting hooks and fuzzy allure I could ever need, and Julia Steiner’s vocals are sugar sweet perfection.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of The Window, we caught up with Julia from Ratboys to ask about the music that has inspired her the most. So, read about her five favourite albums, and make sure you check out the album next month, and watch the video for ‘It’s Alive!’ below!

Sufjan Stevens – Age Of Adz
Without thinking too hard, I can honestly say that this is my favourite album of all time. For a long time I kept a CD copy with me anywhere I went, in my purse. It almost felt like a totem, like something to ground myself against and remind myself in weird times – “Okay, this amazing, insane thing still exists and will always continue to exist.” The mix of soulfulness and coldness and playfulness on this record continues to baffle me every time I listen. Like, the stakes seem sky high, but Sufjan is clearly having a blast. Talk about a fully-realized, simply maxed-out piece of work. What the hell?? The final song on the record – ‘Impossible Soul’ – clocks in at slightly more than 25 minutes long and honestly sounds like an entire album unto itself. Sufjan’s at the height of his powers on this one y’all, highly recommended.

The Dodos – Visiter
When I first met our guitarist Dave in college, we did the classic millennial early friendship move of burning CDs for each other. We made mixes, and we also burned full albums for each other – ones that we thought the other hadn’t heard before and might like. I remember that Dave burned me a CD with this entire album on it, and I’ve loved it ever since. This record, maybe more than any other, reminds me viscerally of a time of year (Autumn) and of a time in my life (specifically late 2010, when I was 18). I love how sparse and yet totally complete it sounds. I love how deceptively fast the songs are. I love how the acoustic guitar takes centre stage on every song and also how so many of the songs go places you wouldn’t expect them too. What a perfect tracklist and album sequence. What a lovely trip.

Deerhoof – Apple O’
This is an album where I remember the exact moment I discovered it. I was in San Francisco in 2013 doing sports coverage for our college magazine, and I managed to get over to Amoeba Records during some downtime. I found this CD in the “local favourites” section and bought it impulsively based on the album art alone. I’ll never forget sliding it into my car when I got back home and getting completely sucked in by the whirl of drums and guitars that came tumbling out of the speakers, like a cyclone. There is so much joy and so much fun apparent in every song on this record… It just sounds like the love of music-making distilled, like four friends having the best time ever in a room together with their instruments. I’ve seen Deerhoof live many times since then, and they always make me smile like an idiot, without fail. Continually the best reminder that making music should be fun!

Juliana Hatfield – Blood
This was probably my most-listened-to album during the era of the pandemic. I simply couldn’t get enough of it (probably much to the annoyance of my bandmates… sorry! Haha). I first heard ‘Had a Dream’ on a college radio station here in Chicago, and I remember I pulled off into a parking lot to Shazam the song and look up the artist. I hadn’t heard of Juliana Hatfield before this album, but I found out that this is her nineteenth album. I was so late to the party, but better late than never, right? This album is truly wild. A lot of it was recorded using drum presets in Garageband. I just love the way it sounds; I love Juliana’s voice and the biting lyrics and the off-the-wall instrumentation. For an artist this far into her career, this record is almost unbelievably adventurous. Who else is making music that sounds like this?? I’m seriously asking, I want more. Also, this record was a great gateway for getting into the rest of Juliana Hatfield’s discography – it’s well worth a deep dive.

NNAMDÏ – Please Have A Seat
For lists like this, I’ll always include whatever the latest record is from Chicago legend Nnamdi Ogbonnaya aka NNAMDÏ. We’ve been friends with Nnamdi for a long time, ever since Dave and Sean started playing and going to shows at his former DIY house venue, Nnamdi’s Pancake Haus. Nnamdi is one of the most talented drummers ever, and he was always in a million bands, but he started releasing his own music on Bandcamp sometime in 2013 I think. Each album captures his big heart, brilliant instincts, and wide-ranging musical interests, in such a way that I genuinely can’t wait to hear whatever he makes next. You never know what the next record will sound like, and within those records what the next song will sound like, and within that what the next section of each song will sound like. I love artists that do whatever the fuck they want, who aren’t bound by genre concerns or hangups about aesthetic consistency… Nnamdi is the G.O.A.T. in that respect, both in Chicago and everywhere he goes. This latest record is no exception- check out ‘Dibs’ – you’ll see what I mean.

Massive thanks to Julia from Ratboys for sharing her Five Favourites!

The Window, the upcoming fourth album from Ratboys, is set for release on 25th August via Topshelf Records. Pre-order here. And watch the recent video for ‘It’s Alive!’ below:

Photo Credit: Alexa Viscius

July 25, 2023July 25, 2023

mariangelicalaneLeave a comment

FIVE FAVOURITES: My Ugly Clementine

Inspired by a strong commitment to each other as both friends and bandmates, Vienna-based trio My Ugly Clementine are preparing to release their new album, The Good Life, on 11th of August via BMG. Formed of Sophie Lindinger (Leyya), Mira Lu Kovacs and Nastasja Ronck (Sharktank), the band combine playful melodies and feel-good lyrics to create their brand of buoyant, uplifting grunge pop. Following the 2020 release of their debut album, Vitamin C, My Ugly Clementine spent time recording their new album in a remote house somewhere in the Beskid Mountains, far away from civilization. The result is a joyful celebration of friendship and community, with latest single ‘Would Do It Again’ encapsulating these sentiments perfectly.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Mira from My Ugly Clementine to ask about their “Five Favourites” – five songs that have inspired their song-writing techniques. Check out their choices below and scroll down to watch the band’s video for their latest single ‘Would Do It Again’.

1. Radiohead – Hail To The Thief
I’d listened to Radiohead already for years until that album came out and I loved them already, but Hail To The Thief just changed my perspective on so many levels concerning what an album can be, how you’re allowed to change as a band, what you can develop and grow into. I know most people got hooked to Radiohead with OK Computer or Kid A, but Hail To The Thief just showed me that I care about sound just as much as I care about songwriting.

2. Ani Difranco – Educated Guess
Ani Difranco is an artist i’ve been listening to since I was 11 years old, so I just grew up with her. All her 17k albums have influenced me deeply, maybe Evolve was even more influential at the time, but I have grown out of that playful guitar picking style a bit. That’s why I chose Educated Guess. It’s more simple and more serious and dark. The acoustic guitar is everything you don’t know about acoustic guitars, everything you wouldn’t expect from them, which I love. Lyrics wise, Ani Difranco will forever hold the reign as queen of complex poetry. I will forever be grateful for what she has opened my eyes to!

3. Arctic Monkeys – AM
I know it’s the hit album, but it must be on this list – also because I am currently revisiting it a lot these days. One of the things that have impressed and shaped me the most is AM’s ability to put more lyrics into one line than the bars have space for. They just completely ignore the laws of time. The rhythmic aspects of their writing seem otherworldly and so confident, they just change the rules to their preference. I am working on that kind of mindset every day.

4. The Raconteurs – Broken Boy Soldiers
One of my forever musical crushes is Jack White. I don’t think that I have to explain that. Everything he does makes sense. This album though is a masterpiece, ear worms only. The roughness in the title track ‘Broken Boy Soldiers’ completely breaks me apart. Much like AM, this album showed me to make my own rules about pop music and songwriting. There is never just one way. Jack White is just all about sound, vibes and guitars.

5. Björk – Medúlla
In my opinion, this is the most interesting album Björk made. The collab with rahzel especially (I think he appears on most of the songs) is something I think the world hadn’t heard until then. While beatboxing is something that has definitely no place in my current creating process, I think the way she included it into her musical world was spectacular. There are some forever kinda melodies on this record!