LISTEN: GIHE on Soho Radio with Big Joanie 21.09.22

Tash and Kate were back on Soho Radio’s airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists, and Mari offered some of her “musical musings” too. They enthused about the eclectic mix of tracks on the playlist, their love for London duo Scrounge, and Kate revealed that her fear of technology stems from watching Terminator 2: Judgement Day on repeat throughout her childhood.

They were thrilled to have Chardine, Estella and Steph aka DIY punk legends Big Joanie join them on air again to talk about their latest single ‘Confident Man’, which is taken from the trio’s upcoming second album Back Home, due for release on 4th November. The band also spoke about their recent work organising Decolonise Fest, the inspiration behind the artwork on their new album, working with amazing producer Margo Broom at Hermitage Works Studios in North London, and their top tips for surviving life on the road whilst touring.

Listen below:

 

Tracklist
Noga Erez ft. Missy Elliott – NAILS
Maury Blu, Peaches – Vashti Part One
Lucy Dacus – Night Shift
Scrounge – Starve
O Hell – I Watch The Women
AGAAMA – Blackbox Oracle
Moglii, Palmaria – Volcano
TSHA, Clementine Douglas – Dancing In The Shadows
Tokky Horror – Jazz Music
New Pagans – Better People
SPRINTS – Literary Mind
Amaroun – Brown Skin Beauty
Perera Elsewhere – Who I Am
Big Joanie – Confident Man
**Interview with Big Joanie**
Gustaf – Best Behaviour
Grandmas House – Body
Connie Constance – Mood Hoover
Brutus – Victoria
adults – things we achieve
DIVES – Say
Zahra Haji Fath Ali Tehrani – Waiting
th’sheridans – Luka
Perfume Genius – Queen
Jemma Freeman & The Cosmic Something – Helen Is A Reptile
The Big Moon – Trouble

(you can listen back to the our original 2019 interview with Big Joanie here too)

FIVE FAVOURITES: Muna Ileiwat

London-based, New Jersey-born songwriter Muna Ileiwat creates tender indie pop tunes that are a blend of soft vocals, shimmering electronics and steady beats. Her debut EP, Twenty-Seven, released today (19th Aug) via Fear of Missing Out Records, explores the fluctuating nature of relationships in all their forms, and the resilience and freedom that comes with creating art for arts sake.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Muna to ask about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for ‘Pity Party’ at the end of this post.

 

1. Ms. Lauryn Hill – ‘I Find It Hard to Say (Rebel)’
This song made me want to learn guitar and start writing my own music. When I started guitar lessons I learned classical music. At the end of each lesson, my teacher and I would spend a bit of time learning a “pop” song. This was the first song I chose. I heard Lauryn Hill’s MTV Unplugged album a lot when I was young (my dad owned it on CD). I’m not really into live albums except this one I love. I’ve come back to this song throughout my life. It’s not a conventional structure and the lyrics are stunning. The song’s nearly 7 minutes long, but every time I listen to it, it feels like half the time, probably because it’s so moving. Lauryn Hill’s performance is so raw. Once I was old enough, I discovered the song was about the murder of Amadou Diallo.

2. Yeah Yeah Yeahs – ‘Maps’
An indie gem. I have such a soft spot for Karen O, she’s so badass! Yeah Yeah Yeahs were one my first introductions to indie music (this song in particular). There’s something so understated and vulnerable about the chorus line – “wait, they don’t love you like I love you”. It’s hard to convince me that a guitar solo is ever cool, but Nick Zinner’s solo in this is very cool. I got so wrapped up in the story behind this song. Music is so much about storytelling. You get a unique perspective into the deepest parts of people’s inner emotional states, the things people want to talk about, but just don’t know how. In the music video, Karen O is apparently crying real tears because her boyfriend was hours late to the shoot, right before her tour. There’s speculation that the song title is an acronym for ‘My Angus Please Stay’ and even though Karen O has never confirmed it, this kinda makes me love the song more. It really hurts. You feel her disappointment when the person you love can’t show up for you in the ways you need.

3. Selena – ‘Como La Flor’
I spent my early childhood in the US and Selena was always on the radio. I can’t begin to explain how much I love her and what she represents. Her outfits – incredible. Her voice – flawless. Her stage presence – mesmerising. Her music crossed cultural boundaries. That’s so powerful. Her iconic performance of this song at the Astrodome can bring me to tears. I’ve watched that performance a billion times. She was so talented. Her music is a nostalgic part of my childhood.

4. Solange – ‘Losing You’
The synths, chord progression, harmonies, production, the video – I love this song! It’s so fun! It’s melancholy cloaked in catchy hooks. I love the simplicity of the lyrics. Nothing is hidden under metaphors. I find songwriting like this bold. You can’t disguise your vulnerability under fancy wordplay. It’s direct. I’m a big Dev Hynes fan so the fact that he co-wrote this explains why it’s so goddamn good. I’ve always appreciated Solange’s holistic approach and commitment to her art. The video manifests a sense of community. It reminds me of Curaçao and that island life.

5. Robyn – ‘With Every Heartbeat’
I’ve always admired Robyn’s songwriting. She’s so inspiring and her music is so cathartic. This song has everything you need – a sweeping orchestra and driving beat. The lyrics are a perfect blend of hopefulness and devastation, particularly in the chorus. Robyn is so good at finding that balance, and nothing hits like a pop song about the realisation that you have to leave someone behind even though it hurts. I dream, and will continue to dream of writing a Robyn equivalent one day.

 

Thanks to Muna for sharing her favourites with us! Watch her video for ‘Pity Party’ below.

Pre-order Muna Ileiwat’s debut EP, Twenty-Seven, from Rough Trade here

Follow Muna Ileiwat on Apple MusicSpotifyTwitterInstagram & Facebook

Photo Credit: Guy Gotto

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: November Ultra

French bedroom-pop sensation November Ultra creates tender, heartfelt tunes that reflect her passion and joy for writing and performing music. “Technique is important, but singing is more about how you feel, because your body is the instrument,” explains the classically trained musician. This is something that permeates the sounds of her recently released debut album, Bedroom Walls, on which she blends elements of folk, pop and indie music to create her lush, emotive sounds.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with November Ultra to ask about her “Five Favourites” – five albums that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for ‘le manége’ at the end of this post.

1. Andy Shauf – The Party
I love albums. I always have, I always will. There’s something very special and precious with the relationship you build with them. I’ve always compared it to the stages of meeting and falling in love with someone: there’s the love at first sight song (‘Quite Like You’ was the first Andy Shauf song I stumbled upon very late at night and I suddenly felt the rushing need to listen to his entire discography), then there’s the deep conversation songs that make you fall even harder (‘Early To The Party’ truly, that cello bridge with the harmonies and the swelling – pffff even talking about it, makes my heart beat faster!) There’s the falling in love with the quirks stage (‘Alexander All Alone’) and then there’s the peaceful, joyful comfortable moment of sleeping next to the one we love and know so well by now (the last song ‘Martha Sways’, the last dance of the party with those strings that come and go in the song making you waltz in this special space between dream and reality late night early morning slowdancing creates.) This album is a masterpiece, it tells a story, a party from beginning to end, you close your eyes and when the album is finished it feels like you’ve lived the party, met all the characters, the songwriting is exquisite, the arrangements too. An album is a spell, no wonder the album opens with ‘The Magician’.

2. Rosalía – Motomami
This album just came out, but I already know it’s an album that I’m going to love until the day I die. I know it because I’ve felt the same exact sensation I felt the first time I heard Frank Ocean’s mixtape Nostalgia, Ultra, or James Blake’s first album: that tingling sensation going through my body, that same excitement, unrest, that feverish hunger to listen to every single song obsessively, but also wanting to pause them every two seconds to take in the lyrics, the melodies, analyse the production, the sounds. It has that double organic-machine quality to it: it makes human-me feel a lot of things that are unexplainable, and it makes artist-me incredibly excited to try and find out why. Rosalía, just like Frank Ocean, is an exceptionally inspiring artist because she makes bold moves, bold choices, but most importantly she puts a lot of meaning and detail into all of it. There’s so much life, heart, intelligence, joy, and FUN in every single movement. To me, she’s a fencing queen: she skillfully aims for the heart while looking like a ballerina, as complex and light on her feet as a butterfly.

3. Frank Ocean – nostalgia, ULTRA
My name, November Ultra is a homage to this mixtape. That’s how much I love it. I love its story, the fact that it was a download-for-free mixtape he made because his label wasn’t paying attention, the sense of freedom and independence, again, the boldness in the choice, in that move, the sheer intelligence and creativity too – being able to rework songs, use big tunes like ‘Hotel California’ or Coldplay and make something new with it while telling a story through noises like tapes being played, stopped, rewinded. This mixtape is the work of an alchemist. Frank truly transforms, transmutes and breathes life and emotion into everything existing, crystallising feelings and turning them into precious songs for other people to hold, allowing us to understand our own selves. I couldn’t believe my luck the first time I heard it… I still can’t, a million plays later.

4. Tiny Ruins – Some Were Meant For Sea
New Zealand has so many precious gems, Tiny Ruins is one of them. I love everything about this album, Hollie Fullbrook’s songwriting is immaculate, as intricate and delicate as an old ring passed on to you by your grandmother who had it from her grandmother. You almost don’t want to wear it, and yet you can feel the power and strength it encapsulates when you hold it in the palm of your hand – like holding generations of life stories. That’s how the album makes me feel. So many lives, so many stories, so many heart beatings told with so much talent and wit. One of my favourite lines in the album probably comes from a song called ‘Priest With Balloons’ based on a true story of a Brazilian priest who jumped off a cliff, helium balloons attached to him, Fullbook writes “what was he looking for? Truth or was it heaven? Or did he just want to go out with a bang, so to speak… It’s funny but I can understand why… I want to live”

5. Lifafa – Jaago
It was so hard to make a choice, there are so many albums I love and while I still think James Blake’s first album has been a turning point in my life (yes, I said “turning point” haha please don’t judge me, music is my everything, I take all of it very seriously), I couldn’t pass the opportunity to talk about Lifafa’s Jaago, who got me ultra obsessed for most part of 2019 and early 2020. Lifafa’s part of another amazing musical project called Peter Cat Recording Co., they’re exceptional musicians and songwriters but with this one, Lifafa’s decided to sit behind a computer with a midi keyboard and compose songs in ways he wasn’t really used to, with no precise goal in mind other than to explore and have FUN and that’s exactly what I love about this album: it’s a trip, but oh boy such an intelligent, lively, well-executed one! The sonical landscapes are endless, it’s no easy-fit to be able to capture spontaneity, and I feel this album does that. A song starts and you never know where it’s going to land, and you don’t care, you’re just happy to be part of the ride, makes you feel alive. Bonus points? Lifafa has probably one of my most favourite voices in the world, AND the album cover is iconic.

Thanks to November Ultra for sharing her favourites with us!

Watch the video for ‘le manége’ below.

Follow November Ultra on bandcamp, Spotify, Twitter, Instagram & Facebook

 

Photo Credit: Pauline Darley

LISTEN: GIHE on Soho Radio with Peaness 06.04.22

Tash was back on the Soho Radio airwaves playing loads of new music from some of the GIHE team’s favourite artists.

Chester indie trio Peaness also had a chat with Mari about their upcoming debut album, World Full Of Worry, the music that inspires them, the festivals they’ll be playing this summer and the joys and challenges of being in a DIY band.

Listen back below:

Tracklist
Nova Twins – Cleopatra
Ibibio Sound Machine – Electricity
t l k – IWNU
Fears – 16
Midwife – Send The Pain Below (Chevelle Cover)
SASAMI – Call Me Home
Jenny Hval – American Coffee
Ydegirl – I Need This
Coco – Last of the Loving
Hannah Holland x Planningtorock – Planningtobeams
Real Big Sky – Long Lost
Ethel Cain – Gibson Girl
Francis Of Delirium – The Funhouse
x/o – Red Alert
Peaness – How I’m Feeling
**Interview with Peaness**
Nikki and the Waves – Online Chess
Horsegirl – Anti-Glory
Proper. – Huerta
CRi – Something About
Problem Patterns – Y.A.W
LibraLibra – Here’s To You Mr Robinson
Scrounge – This Summer’s Been Lethal
Breakup Haircut – Out Of My Way (I’m Not Getting On The Nightbus)
bestfriend – someplace else
Julia-Sophie – Dial Your Number
Wet Leg – Too Late Now