FIVE FAVOURITES: girlhouse

A creator of intuitive, catchy indie-pop anthems, Portland-born Nashville-based musician girlhouse aka Lauren Luiz’s debut self-titled EP rings with an earnest charm. Inspired by her relationships, personal learning curves and navigating a new life in L.A, the record balances the joys and frustrations she experienced whilst living in the City Of Angels.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with girlhouse to ask her about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for her recent single ‘Pretty Girl in LA’ at the end of this post.

1. Sharon Van Etten – ‘Seventeen’
I made the girlhouse EP when I was in the last year of my 20’s and this song became a big part of the soundtrack for that time in my life. The production is so simple but also so huge. I think it lends itself to the story so well. Everything sonically about this song is incredible. Sharon’s vocals also shred in this song. I wish I could go back in time and talk to myself when I was a teenager. I think I would tell her to talk slower and stop trying to be everything for everyone. The music video is so simple and tells the story so perfectly.

2. Big Thief – ‘Shark Smile’
Adrianne Lenker’s style of writing has been a big inspiration for my lyrics for a while now. I think her storytelling and melodies are so poetic and creative, I listen to her songs and it really makes me want to push myself to be better. This song is about a car accident where someone dies but it doesn’t feel sad, it’s really dark and complex! I wanna write songs like that. It was so hard picking just one Big Thief song. The first time I heard them I was on tour while I was driving late at night. I didn’t want to stop driving so I could get through their whole catalogue. I can’t remember where we were or where we were driving to, but it fit perfectly.

3. Phoebe Bridgers – ‘Smoke Signals’
I, like many people with a pulse, am obsessed with Phoebe Bridgers and the honesty in her lyrics. This album put me in a dark place for a long time but art is supposed to do that sometimes, it made me feel things! Phoebe is another one that really makes me wanna be better. She and I used to live in the same neighborhood in LA, I saw her at a yoga class one time in eagle rock and wanted to say Hi so badly, but I got nervous. I think I read that this song was about someone trying to get her attention or breaking up with someone? It’s hard to push someone away, doesn’t feel good ever. I really appreciate her writing about things that aren’t necessarily pretty or perfect.

4. Decemberists – ‘Make You Better’
Picking one Decemberists song is like picking my favourite dog, nearly impossible and a viscerally painful process. This was the first band I ever stanned HARD. They’re from the Pacific Northwest as well so I’ve seen them play Edgefield (an amazing outdoor venue in Oregon) COUNTLESS times, it’s possibly the best vibe in the world. Writing with Colin Meloy has been a goal since I was 12. I picked this song because I feel like it represents how I feel about most of the relationships I’ve had in my life/ I used to be all about seeing the “potential” in people instead of accepting who they are in the moment and that was shitty of me. You gotta let people be people.

5. Lucy Dacus – ‘Night Shift’
For me, there is no better breakup song than this one. I love how the lyrics feel like a letter or a journal entry. It reminds me of being in the valley in LA for some reason, I feel like most of the people I dated and had break-ups with lived in the valley. Lucy’s style of singing feels so effortless and easy to listen to, I don’t feel like she’s trying to do anything cool, she just is the coolest!

Watch the video for girlhouse’s new single ‘Pretty Girl in LA’ below.

Follow girlhouse on Spotify, Twitter, Instagram & Facebook

Photo Credit: Alex Justice

Kate Crudgington
@KCBobCut

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FIVE FAVOURITES: Sophie Hutchings

A talented composer who produces mindful piano-led music, Australian artist Sophie Hutchings uses sound to ease the anxieties of everyday life. She recorded her recent EP, Love & Keep, between the hours of 12-4am, embracing her insomnia and offering her listeners a moment of stillness and serenity amidst her restlessness.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Sophie to ask her about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for recent single ‘Light Over The Moor’ at the end of this post.

Sophie: “I find it almost impossible to choose 5 favourite pieces, so I’ve chosen 5 of my favourites that had a significant impact on my formative years. Even though they are all quite different from each other, there’s a common ground of repetition in these pieces which I’ve always found quite hypnotising in music.”

1. Brain Eno – ‘Discreet Music’
I love Erik Satie’s invention and coining of the term “Furniture music” – sounds that were designed to be heard, but not listened to. Brian Eno fans will know this is the whole aim with ‘Discreet music’. It’s intended to blend into the ambient atmosphere of the room rather than be directly focused upon. This, to me, has got to be one of the most soothing ambient pieces I’ve ever heard and has always been one of my favourite go to late night listens. I grew up listening to a lot of Brian Eno but this one really stirred me. It always felt like a musical bedtime story. There’s a dreamy placid beauty about it that allows you to float and drift outside yourself without you even realising.

With a very simple organic layering of melody the piece never really changes which is what I love about it, yet it constantly and subtly evolves with the accession of various decay as the piece gradually and quietly repeats its motifs with all the sounds remaining continually tranquil and peaceful. It’s one of those pieces that feels like it could go on for infinity. It’s music that doesn’t demand your attention though still evokes a delicate sense of emotion.

2. Arvo Part – ‘Spiegel im Spiegel’
The first time I heard ‘Spiegel im Spiegel’ it put a massive lump in my throat. I’ve listened to it countless times and there’s not a moment when it still doesn’t raise the same stirring response. Again, this is one of those hypnotising pieces due to the unchanging nature of recurring motifs in the piece and beautifully long sustained notes. I love how the minimalism relies on atmosphere and not on building towards a climax like a lot of classical music does.

Arvo Part is a true example of introspective music. It’s not how many notes are played but how they are played. It’s also about the space in between. Silence in music speaks and I find there’s almost as much strength in the pauses and space in music as there are notes. ‘Spiegel im Spiegel’ hangs on the edges, yet there’s a restlessness over the quietness that balances the fragility in this piece of music and I guess being a sentimental person you don’t tire of this kind of beauty in music.

3. Susumu Yokota – ‘Traveller In The Wonderland’
Discovering Susumu Yokota was like discovering Alice In Wonderland as a child all over again (which I’m slightly obsessed with). I find him the true master of ambient electronica. Sadly, I only discovered him just before he died and I would love to collect all his albums on vinyl, which are few and far between. There’s a lush fanciful playfulness to this piece. It’s almost like nature talking to each other.

Yokota taps into the senses through melodic remnants taken from historical old classical pieces on his album Symbol, and in this instance on ‘Traveller In The Wonderland’ there’s some beautiful Camille Saint-Saens and a little Luigi Boccherini which gives it this mystic whimsical edge – still he reveals it in this almost anonymous way – placing a sense of nostalgia of some long lost place weaved throughout his dreamy melodic textural synths, wordless dreamy vocals and drum loops with romantic musical pathways of middle eastern tonality resonating around the circumference. To me, it’s like being under the trance of a magical child-like spell which takes me back to my Walt Disney imaginative heydays.

4. DJ Shadow – ‘Building Steam With A Grain Of Salt’
DJ Shadow was a revelation in my early adult years. He enthusiastically rocked my world. There’s this clever combination of moody and intense rhythmic melodious energy that just brings everything so alive in this piece. The haunting atmosphere that’s accentuated by the repetitive hypnotic group vocals, rich off beat bass and the urgency and drive of the eerie piano riff. I’ve always affiliated with a certain amount of intensity in music and hearing this song for the first time was like hearing an unexplored wilderness of dynamic addictive melody. I love how he brings to life all these old vinyl treasures and re-creates layers and collages of sound. It’s enticing, energetic, ethereal and ambient all in one – where happy and melancholy are competently one – it’s an intoxicating and timeless listen.

5. My Bloody Valentine – ‘Soon’
I grew up being surrounded by a lot of noisy indie rock and shoegaze music and as much as I don’t listen to this kind of music as much as used to, this piece stuck with me and was one of my favourites that bounced off the family household walls at high decibels thanks to my older brothers. I would always have a good dance to it!

If there’s ever a blurred latitude of noisy dreamy sound with a rhythmic propulsion, I say this is an iconic one. It’s one of those songs that feels like you’re lost in a sonic labyrinth which one will either grapple with or be enlightened by. I just listened to it again for the first time in years and it took me back to days of going for walks and blaring it in my headphones. When embraced, it’s like entering a woozy euphoric daze that you can get totally lost in and it taught me that you don’t necessarily have to always interpret music as long as you feel it – then to me, you understand it. Not everything in music needs an explanation to be felt.

Thanks so much to Sophie for sharing her favourites with us!

Watch her video for ‘Light Over The Moor’ below.

Photo Credit: Luke Dubbelde

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FIVE FAVOURITES: Francis Of Delirium

Creators of swirling, grunge-infused guitar tunes, Luxembourg-based duo Francis Of Delirium write songs about the ever-evolving nature of human emotion. Together, songwriter & guitarist Jana Bahrich and her collaborator Chris Hewett have released two EPs via Dalliance Records, with their most recent offering, Wading, continuing Jana’s narratives of personal resilience and enlightenment.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jana to ask her about her “Five Favourites” – five albums that have inspired the band’s song-writing techniques. Check out her choices below and scroll down to listen to Francis Of Delirium’s latest single ‘I Think I’m Losing’ at the end of this post.

1. Arca – KiCk i
I found Arca through the newest Euphoria episode. There’s this one scene where they use Arca’s music and it’s this crazy gunshot type beat and it sounds so smoke and it is probably the coolest thing I’ve ever heard. I spent weeks trying to figure out where I could hear it in full but it turns out it’s not released. In the process though, I became obsessed with her album KiCk i. I’m trying to get better at electronic production and I like to use Kick i as my north star, less as a template to copy but more as the realization that anything is possible. She’s so creative in everything that she does which I find very inspiring, plus her songs just do something to my body that makes it feel like it’s exploding. I love you Arca.

2. Sufjan Stevens – All Delighted People
Hoping this will pass as an “album” even though it’s an EP! This is my favourite Sufjan project, easily. I feel like in this era Sufjan Stevens was making music for kids who were in the school brass band and so I felt very seen. I love the way he uses horns and trombones in All Delighted PeOple and the song-writing is still so strong, he also just gives you so much time to settle into each song which I love. The first Sufjan Stevens song I ever heard was ‘Casmir Pulaski Day’, my friends showed it to me. I went home that day and then learned it on the banjo. I spent a lot of my teens consuming solely his music. Then I realized his music was in Little Miss Sunshine which was my favourite movie then, so it felt like Sufjan was the man for me.

3. Half Waif – The Caretaker
Half Waif has such a wonderful ear for melody and uses vocal harmonies so wonderfully. Even on the first track, you’re almost immediately hit with those harmonies and they’re so beautiful and her delivery is heart-breaking and pulls at your chest. I couldn’t tell you how she’s influenced my song-writing but she must have because I’ve probably listened to The Caretaker everyday since it came out. Similarly to Arca, I often reference Nandi’s production choices, she has an incredible ability to make electronic sounds feel so tactile and warm and human, I just love everything she does. I first found Half Waif through her Tiny Desk which is also incredible, I say it a lot but I just love when artists give you their whole voice and body in a performance, it becomes so easy to connect with them through that.

4. Car Seat Headrest – Twin Fantasy
I don’t know how much I can express how much I love this album. When it comes to rock music and I look at someone like Car Seat Headrest, it’s just a reminder that you can and should keep making music on your own and you should make whatever it is you want to make. Especially since Chris and I record our own music, I found it really helpful to look to other artists that were making music on their own and read articles from them to try and figure out how to do it on their own. Then lyrically and performance wise the album is perfect to me, I find a kind of peace whenever I listen to Twin Fantasy. There’s always something unexpected in a Car Seat Headrest song when you listen to it the first time and I really value that, I feel like you are walking along some dark long winding road whenever you jump into a Car Seat Headrest record.

5. Heart – Dreamboat Annie
A lot of my favourite songs and albums I’ve actively disliked before I love them. For some reason, I couldn’t get into ‘Bohemian Rhapsody’ when I was young and then I turned 14 and it was the greatest song I’d ever heard. I have a specific memory of this one rock station in Vancouver that would always play Heart all the time whenever my dad and I would drive to Taekwondo, and I thought it was some of the worst music I’d ever heard. After maybe 5 car rides, I was obsessed with Heart. If my dad and I go on a drive anywhere now, we definitely scream and sing along to ‘Crazy On You’, that song is so good, and they’re both so talented it’s crazy. They give everything to all the songs they play and that is something I try to do with every performance of our songs.

Thanks to Jana for sharing her favourites with us!

Follow Francis Of Delirium on bandcamp, Spotify, Facebook, Twitter & Instagram

Photo Credit: Lynn Theisen

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FIVE FAVOURITES: Phé

Inspired by the unpredictability of modern life and the captivating electronic sounds of La Roux and New Order, Yorkshire-born, South London-based songwriter & producer Phé has recently shared her new EP, Moodboard. Blending her lush vocals with catchy beats, she’s created a collection of alt-pop soundscapes that meander through themes of self-acceptance and personal growth.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Phé to ask her about her “Five Favourites” – five songs that have inspired the music on her new EP. Check out her choices below and scroll down to listen to her Moodboard at the end of this post.

1. The Strokes – ‘Soma’
It was difficult to pick a favourite Strokes song, most of their lyrics resonate with me, but this one stands out at the moment because I can’t seem to stop playing it. I appreciate songwriters who are aware that they are flawed, especially those who don’t sugar-coat it in their lyrics. Whether they aim to resolve their flaws or not isn’t necessarily what’s important, but it’s their desire to creatively articulate what their weaknesses are in a way that people can relate to that I find inspiring. There’s so much passion and anger in Julian Casablancas’ voice and for some reason whenever I hear it I feel so overwhelmed that I well up, no matter how many times I listen to it. It could be something to do with nostalgia because they narrated most of my childhood, or maybe it’s the fact you can tell there’s so much pain behind it, but the way Casablancas sings just feels incredibly authentic.

2. The Cure – ‘Just Like Heaven’
Love songs are wonderful things and I find it so interesting how timeless they can become through people’s personal experiences of them. This is one of my favourites of all time and I always tend to re-visit it when I’m busy romanticizing my own life in short bursts. Writing songs is such a personal experience, and it’s difficult to not recoil in despair when you listen back to what you’ve made sometimes, usually because you know you’re listening to how you actually feel rather than distracting yourself at all costs. ‘Just Like Heaven’ reminds me that it’s nothing to be ashamed of to express how you feel in your lyrics. It’s easy to get in your own head when you’re working on a project and I often forget that when someone listens to my music they’ll be having their own completely unique emotional response and I find that pretty comforting.

3. La Roux – ‘Let Me Down Gently’
It would have felt like one big whopping lie if I didn’t add La Roux as one of the main influences for this EP. Her approach to song-writing has been a real inspiration since I stopped writing songs with a guitar and moved towards a more electronic sound. I found it quite difficult to establish the kind of music I wanted to create at first and always felt like I was restricting myself, and the fact I wasn’t great at guitar probably didn’t help. Once I started using synths and making beats it pushed me in the direction that I’d been trying to go in, and it finally started to sound like my lyrics were matching the instrumentation. I find her style effortless with how she manages to be completely raw and direct in her lyrics, at times verging on cynical, alongside these really catchy synth melodies that are so simple but so effective. She manages to paint a world that is colourfully futuristic whilst staying honest with herself and the people around her, and that’s is the kind of world I want to live in.

4. Orange Juice – ‘Rip It Up’
I think anyone who makes music finds it incredibly frustrating sometimes because it’s a challenge to articulate yourself when there’s so many different ways you could do it. I didn’t really have much of an idea where I was going to go stylistically with this EP at first, but I was listening to a lot of folk and 80’s music at the time I was writing it and I guess that guided me through. As frustrating as it is, I also love the trial and error process of song-writing, and I took on the whole ripping-it-up-and-starting-again concept quite seriously because that’s what I did half-way through, and I’m glad I did because once I started re-writing it that’s when my thoughts started to come together and I had more of an idea of what I needed to say and how I wanted to say it.

5. Sudan Archives – ‘Come Meh Way’
Sometime last year I was listening to Sudan Archives on a walk round the moors in Yorkshire and I thought “God, I would kill to be able to play like that.” I ran home and dusted off my Mum’s old violin that was hibernating in the attic and started to teach myself. I’ve never heard anyone play the violin like Brittney Denise Parks, something about it is so haunting and atmospheric and adds a dimension to her songs that makes them so unique, and every time I listen to her I feel so moved. I love how her lyrics and violin seem to speak to each-other, and in this track her lyrics are rounded and gentle compared to this piercing violin arrangement – together it just produces such a mesmerizing sound and it definitely influenced elements of Moodboard.

Thanks to Phé for sharing her favourites with us!
Listen to Phé’s Moodboard EP below.

Photo Credit: Anna Rakhvalova

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